Wendy McLellan is the daughter of Minnie Caroline Beckett (1907-1998). Minnie married Francis James Renkin on 13 March 1934. Peter Renkin (formerly of 59 Guildford Road, Surrey Hills, now Shoreham) is her brother.Black and white wedding photo taken of Minnie Beckett with her parents, Rev Walter and Mrs Clara Beckett, her brother Kenneth and her sister Maude, the bridesmaid. The family group is standing on a picnic rug in front of an Edwardian style timber home with simple verandah fretwork. The house is 'Deloraine', 268 Union Road, Balwyn.weddings, balwyn, union road, miss minnie beckett, rev walter beckett, mrs clara beckett, kenneth beckett, miss maude beckett, 'deloraine', 1930-1940

In 1924, the Methodist Church opened at the corner of River Ave and Yan Yean Road, Plenty. It was a simple weatherboard gabled building. The church developed a strong community life with celebrations as well as worships, Sundays Schools and social events. It closed in 1979. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p113 In 1924, the Methodist Church, (which closed in 1976), opened at the corner of River Avenue and Yan Yean Road. Church members including George Starling and Ernest Osmond, built the simple weatherboard gabled building.3 The church developed a strong community life, with celebrations as well as worship through Sunday School anniversaries, picnics, harvest festivals and youth groups. Many volunteers worked hard for the church - teaching Sunday School and ferrying young people to events, sometimes in the backs of trucks and furniture vans. Children from the Sutherland Homes were brought to church by their Matron – a ‘grim martinet’! Members included the Ashton, Reid, Harris, McLachlan, Hopkin, Rose and Stuchbery families. The first wedding was for Vida McLachlan and Ray Stuchbery.4This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, methodist church, plenty

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Full length, heavy cream crepe with tie belt and lace overcoat grace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design

BHS CollectionPhotograph of a group of ladies: The black and white photo is of a group of ladies in fancy wedding dress for her kitchen tea. Dressed up as a wedding party with the bride groom, marriage celebrant, flower girl, brides maids and groomsman. Nine people in the photo. The wedding party are carrying flowers, the bride has a vale with flowers and the men are in suits. * On the back the names hand written in black ink are: *Joyce Martin, Elsie Boyd, Isobel Thompson, Margaret Shepheard, Elaine Horne, Vi Morgan, Joyce Davidson, Phyliss Brerton. Little Nellie flower girl. The date 16/09/39. Hand written in blue ink *At Alma Pemb's Kitchen Tea. Estelle Dole, 1 Farrell St., Bendigo* Box 116Aphotograph, person, female, bendigo. estelle dole

This is a copy of an album of photographs held at the National Library of Australia. The album was photographed by Reverend's Weller grand daughter. Freda Oxley was a friend of the Wellers. She was born in Windsor in 1882 and Alexina Weller (nee Caley) was born in 1885 also in Windsor. She travelled on the SS Persic from England and arrived in 1925. She stayed at the Mission for several years, and became a host of the many picnics, making friends with the ladies from the Guild, taking photographs of people and events. Page 1 to 3: Outward Bound - SS Persic - September 26th .... November 12th 1925 Page 4: Interiors of the Mission to Seamen Melbourne Page 5: Page 6: Page 7: Page 8: Freda Oxley, the Wellers, Alexina Weller, Xmas Day 1927, Dora Walker and Rev. Weller Page 9: Gardens: the photographs show the garden's plants in its early years / Botanical Gardens / Nellie Melba's gardens in her estate Coombe: Walter Butler, the architect of the Mission had designed some extensions for Nellie Melba's estate and part of the gardens of the property, so it was likely through they acquaintance that the Mission's reverend and friends were invited. Page 10:This album provides photographs of the Mission's interiors, garden, staff, guests and activities during the Wellers stay. It also provides the provenance of the Weller album held in the Mission's collection.The album was donated to the National Library of Australia by Miss Elizabeth Phillips, with her address in England, with a typed note attached that reads: 'These photographs were taken by my aunt Miss Freda Oxley between 1925 and 1928. She went out to Melbourne at that time and stayed at the Mission to Seamen with her friends the Revd Jack Weller and Mrs Weller. The Revd Weller later became Bishop of the Falkland Islands.'freda kathleen oxley 1882-1969, ss persic, gardens, botanical garden, picnics, officers, portsea, sydney, rev. w.m robertson, dora simpson nee walker, wedding, alice sibthorpe tracy, ethel augusta godfrey 1861-1935, royal botanical garden, nellie melba, coombe, zoo, seamen, sailors, walter richmond butler (1864–1949), juan oyarzo, john oyarzo, fern tree gully, kerferd family

Black and white copy of a photo taken in a studio of a man with a mustache, wearing a dark suit, waistcoat, white shirt, standing with his left arm resting on the back of a cane/steel chair. A lady standing on his right behind an ornate bench/seat hair up, wearing a dark puffed sleeve jacket, white shirt and dark ribbon/bow around her throat."Mr & Mrs Charles Palmer they were family friends who lived in Wendouree & were at my father & mothers Wedding. They were in the group of the wedding. They lived in Linton during the (1930 thirties) & later retired back to Wendouree."mr charles palmer, mrs charles palmer

One of group of black and white photos recording the work and contribution by Swallow & Ariell's "Busy Bee" for the First World War in Europe .45 - wedding portraitbuilt environment - industrial, business and traders, war - world war i, social activities, busy bee, swallow & ariell ltd, red cross

This patchwork quilt or bedspread is a modern creation along the lines of the traditional 1800s handmade English paper piecing patchwork quilting craft. It is made from reproduction fabric and quilt designs and represents the bed linen typical of a late 19th-century bedroom. Years ago, patchwork was a form of recycling, where leftover or previously used pieces of fabric were used to create other useful item such as quilts, rugs, cushion covers and jackets. Special projects were sometimes made with fabrics representing special memories, such as pieces from baby clothes, wedding gowns, and school uniforms. The maker would use a cardboard template shaped like a hexagon, place it onto the fabric and trace around it. Often the cardboard was cut from a box such as a cereal box. Women would gather to work on their patchwork while enjoying their social time together. As in the case of this quilt, members of the South Western Branch of the Embroiderers Guild in Warrnambool worked on the project, designing and quilting as a group to achieve their aim, of presenting the quilt to the recently opened Flagstaff Hill Maritime Museum. It was the first Group Project of the Branch which was formed in 1974. In 1975 the members decided to make a Quilt as a project to promote the formation of friendship and togetherness. Under the foundation Treasurer, Rita Williams, members sourced their own fabrics for the 'flowers' which were then stitched into the calico borders. Provision was made for the quilt to be hung for display, with the addition of loops along one edge. The local disability services employees and members cut out octagonal paper batches and used their own fabrics to piece them together. The Branch's first exhibition raised funds for buying fabric and equipment to assemble the patchwork. The quilt was perfectly suited to dress the bed in the Lighthouse Keeper's Cottage. This carefully created and designed, recently made patchwork bedspread typifies bedding and handcraft of the late 19th century. The English paper patchwork technique was used. The quilt was the first community project of the South Western Branch of the Embroiderers' Guild of Victoria, and presented as an addition to the Lighthouse Keeper's Cottage tat Flagstaff Hill. Patchwork quilt or bedspread, double bed size, made from hundreds of hexagonal-shaped fabric of various colours and patterns, carefully stitched onto a white background. It was made using the English paper patchwork technique. One edge of the quilt has loops dispersed at regular intervals. This would allow the quit to be used as a wall hanging. It was handmade by the South Western Branch of The Embroiders Guild, Victoria, and presented to Flagstaff Hill Maritime Museum and Village in 1976. An inscription is embroidered in blue on a patch of the quilt. "Made and Presented by The Embroiderers Guild, Victoria (S.W. Branch) 1976"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, bedspread, patchwork quilt, quilt, embroiderers guild, bedding, bed linen, 1800's handcraft, quilting, south west branch, warrnambool embroiders guild, recycled fabric, 19th century, household textiles, english paper patchwork, paper patchwork technique

Part of the Bennetts Collection. See Catalogue No. 9726P for details of service for "Alva Marie Bennetts".1. Colour photograph of multi-story Japanese style building. Group of dancers in traditional costume on forecourt. 2. Colour photograph of Japanese Wrestlers in ring. Crowd of spectators in background. 3. Colour photograph of two Japanese ladies kneeling in front of an altar. 4. Colour photograph of a group of Japanese ladies seated around a table eating lunch. 5. Colour photograph of a Japanese bride in traditional costume at her wedding ceremony. Two other ladies featured. 6. Colour photograph of a Japanese housewife in traditional costume. Lady sitting in front of a tub,bennetts collection, alva bennetts, photographs, japan

Dinner held to celebrate the Golden Wedding of Mr and Mrs William Todd (Mrs Todd was Elizabeth Bennett). The 50th anniversary of their marriage was on 1st January 1932.Black and white photograph of large group of men and women seated at tables in festively decorated hall.wedding anniversaries, golden wedding celebrations, mr and mrs todd, william todd, elizabeth todd née bennett, parish hall

5563-3a Glen Holford 5563-3a1 Floie William 5563-3a2 Glen Holford Door 5563-3b Viola 5563-3b1 Florence 5563-3b2 Glen Holford Pomonal pre 1939 5563-3c Glen Holford Group 5563-3c1 Florence 5563-3d Glen Holford 5563-3d1 Glen Holford 5563-3e Glen Holford 5563-3e1 Glen Holford 5563-3f Glen Holford View 5563-3f1 Glen Holford 5563-3g Glen Holford Apples 5563-3g1 Florence Wedding 5563-3h Glen Holford View2 5563-3h1 Wedding Croquet 5563-3i Glen Holford 5563-3i1 Wedding 5563-3j Glen Holford 5563-3j1 Wedding 5563-3k Glen Holford View3 5563-3k1 Wedding 5563-3l Glen Holford 5563-3l1 Wedding 5563-3m Social Day 5563-3m1 Wedding 5563-3n Florence Viola 5563-3n1 Wedding 5563-3o Glen Holford Tennis 5563-3o1 Glen Holford 5563-3p Glen Holford Tennis 5563-3p1 Holford 5563-3q Halls Gap Party 5563-3q1 Holford W W Lempriere 5563-3r Glen Holford Party 5563-3r1 Glen Holford Picnic 5563-3s Glen Holford Party 5563-3s1 Glen Holford 5563-3t Viola 5563-3t1 Horses Foals 5563-3u Viola Granny Mary Wettenhall 5563-3u1 Holford Viola 1896 5563-3v Viola Roland 5563-3v1 Glen Holford Grp 5563-3w Glen Holford 5563-3w1 Glen Holford Mounted Grp 5563-3x Glen Holford Summer House 5563-3x1 Milton Arthur + 5563-3y1 Wettenhall Family C1900 Back left - Alexander Liewellan, Marcus Edwy, Allan Holford, Milton Burges, Arthur Vincent Front from Left - Florence Edith, Roland Ravenscroft, Holford Highlord, Viola Mary Frances, Mary Burgess, Herbet Highlord. 5563-3z1 Wettenhall Family C1889 Photographs of Glen Holford near Pomonal on CD stawell

This rug was a gift and gesture of friendship from the local Muslim community to the City of Greater Bendigo. It was presented to Mayor, Cr Rod Fyffe on behalf of the people of Bendigo at a 2016 'Thank You Bendigo' dinner. In 2014 approval for a planning application from the Bendigo Islamic Association to build a community centre and mosque in East Bendigo prompted a series of public protests that captured widespread media attention. During this tumultuous period the Council identified the need for a community-wide plan to promote diversity and help address potentially divisive cultural issues. These events led to the COGB becoming the first local government area (LGA) formally accredited under Australia’s Welcoming Cities Standard. Community leaders emerged who wanted to show that the anti-mosque protesters did not reflect the views of the majority of Bendigo residents. The community lead ‘Believe in Bendigo’ movement gained momentum, and the Council and other local organisations joined forces to present a unified message that Bendigo residents do not tolerate racism. Muslims have made Central Victoria their home since the Goldrush, contributing to the community and the economy for the past 120 years. Traditional Islamic rugs, especially their patterns and motifs are intrinsically linked with the design of the Bendigo Mosque and Bendigo Islamic Community Centre providing important points of reference for the architects of the project. Typically, mosques are linked with specific cultural groups but not in the case of Bendigo where the Muslim community is made up of multi-ethnic groups. This meant the building's design was not fixed to a specific style or cultural iconography but instead needed to encompass many. The small local Muslim community selected a specific Australian architect because of their interest and knowledge of Islamic design and iconography gained through family collection of Islamic textiles. In thinking about the design of the mosque and community centre the architects wanted to acknowledge the role of Afghans in Australian history, especially tribal Afghans who helped build connections across the interior of Australia between First Nations communities, European settlers and Central Asian migrants. The gift of this Turkmen rugto the Bendigo community thus symbolises collaborative partnerships across faith and cultural groups based on friendship and mutual benefit. A Turkman rug was specifically chosen as it is the pinnacle of nomadic arts of the Islamic world. It was also important to the architects and the local Muslim community that the gift was a female artistic product as it was mainly a female Muslim architecture team that designed the mosque in Bendigo and there was a desire to select something that celebrated female artistry. This hand-woven rug is an engsi, made for a woman in preparation for marriage. Design work and weaving is a shared experience, between many generations of women and each rug hold the personal story of the woman it is made for and her family and thus holds deep symbolic meaning. There are often songs and poetry that are recited as the rug is made – helping the makers to memorisze the mathematical structure of the design. An engsi is put on the doorway to a yurt as part of a wedding ceremony. During the ceremony the groom turns the engsii upside down to check the quality of the rug makers weaving skills. The nomadic lifestyle of Yomut Turkman tribes determines the size of the rug as the loom can’t be carried. Its size is also restricted by the dimensions of the doorway of the yurt. This rug is dated as c 1880 because of the types of patterns used, the use of natural dyes (synthetic dyes were introduced to the area in 1890s) and with the smoother weaving on the back indicating the quality of craftsmanship dating to this time period. The Yomut engsi rug was made in Turkmenistan c1880 by Yomut Turkmen Tribes people and is designed to fit over the doorway of a yurt during a wedding ceremony. The main field motif is related to Turkoman jewelery design. The women and girls of the tribe spin the wool and design and weave the rugs. The men shear the sheep, dye the wool and clip the rug after it has been woven. The word “Turkoman” is thought to have been derived from Turk-iman, meaning the first nomadic Turkic tribes that began to follow Islam. Dyes used are natural including orange from madder root. bendigo mosque, bendigo islamic association, city of greater bendigo community partnerships, city of greater bendigo community groups