7 Sunbury Crescent was the home of Mr and Mrs Albert Tacey, associated with the Tacey family butchers at 629 Canterbury Road from 1888 – 1950s. Lucy Myra (MS Sparkes) was the wife of Albert Arthur Tacey (1902-1959) who worked in the family butchers business from the time he left school at 14 until 1952. They bought their Sunbury Crescent home at the time of their marriage in 1923 and had 3 surviving children – Elaine Merle, Frank Newman and Donald Arthur. Courtesy: Mrs Elaine McKenzie, nee Tacey, their daughter.A black and white photograph of a weatherboard Californian Bungalow style home. A wire fence is across the front. The photo is very out of focus.(mr) albert tacey, sunbury crescent, surrey hills, butchers, 1923, californian bungalow, weatherboard, (mrs) lucy tacey, (miss) lucy sparkes, (mr) frank newman tacey, (miss) elaine merle tacey, (mr) donald arthur tacey

Local Newspaper covering News of World War 2 - Special - My War Part 7The Sun Local Newspaper coverage of World War 2 - Special -My War Part 7The Sun Newspaper with coverage of World War 2 Events - My War Part 7German March into Paris - French Troops Withdrawn To Prevent Ruin of Capital - Parisgermans march into paris - french troops withdrawn to prevent damage to capial

Julis Championship Cup 1941Julis Championship Cup won by A.A.S.C 12-7-41 inscribed (clearly visible) Julis Championship Cup won by A.A.S.C 12-7-415/6 rvr, 5/6 rvr pipes and drums, julius championship cup

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Booklet contains a list of recipients of the Jagajaga Community Australia Day Awards for 2019.20 p. text and color cover.australia day awards, jagajaga community australia day awards

Family Fun Day held at Montmorency Junior Football Club in February 2019. Digital colour photographs montmorency football club, montmorency junior football club

Family Fun Day held at Montmorency Junior Football Club in February 2019. Digital colour photographs montmorency football club, montmorency junior football club

Digital images of a Christmas poster and decorations at Greensborough Plaza, 01/12/2019Part of a collection of miscellaneous historical images with a connection to the local area.Digital colour photographchristmas, greensborough plaza

Article written by Rhys Williams about Rutherglen winemaker, Simon Killeen, making it into the top 12 finalists in the 2019 Young Gun of Wine competition. Also mentioned is the fact that he was in the running for the Public Choice and Winemakers Choice awards. Simon Killeen is at present (2019) chairman of the Rutherglen Historical Society.Newspaper article from the Corowa Free Press, Wednesday 15th May 2019, p. 7, with colour photograph of a winemaker in a wine cellar.simon killeen, young guns of wine, wine awards, winemaker

Carrie Lam, Hong Kong’s chief executive, had plenty of political support in the territory’s pro-Beijing legislature to pass a bill that would allow extraditions to mainland China. The legislators were set to begin discussing the bill in early June, and intended to vote on it just weeks later. A series of protests took place, and after a June 16 protest saw the largest turnout yet, Ms. Lam made a major concession: She postponed the bill, at least temporarily. It was an undeniable victory for the protesters — but it did little to quell the unrest. Since the bill could later be reintroduced, protesters felt they remained in danger. The police tactics to break up the demonstrations on June 12, including the use of more than 150 tear gas canisters to push protesters far away from the government office, created a new set of demands from the protesters. Now, instead of just calling for the withdrawal of the bill and Ms. Lam’s resignation, they said they wouldn’t be content unless there was an independent investigation of officers’ conduct. They also wanted the release of protesters arrested on June 12, and for the government to rescind its description of the demonstrations as a “riot,” a designation that carries legal significance. None of that has happened. Many analysts say Ms. Lam is unlikely to step down, nor would Beijing accept her resignation if she offered it. She has more wiggle room on the other demands, but has not indicated any willingness to budge. The Hong Kong Protests are a leaderless, digital movement.There is no single leader or group deciding on or steering the strategy, tactics and goals of the movement. Instead, protesters have used forums and messaging apps to decide next steps. Anyone can suggest a course of action, and others then vote on whether they support it. The most popular ideas rise to the top, and then people rally to make them happen. At its best, this structure has empowered many people to participate and have their voices heard. Protesters say it keeps them all safe by not allowing the government to target specific leaders. Their success in halting the extradition bill, which was shelved by the territory’s chief executive, speaks to the movement’s power. Despite the lack of a clear leader, protesters have shown extensive coordination at the demonstrations, having planned the specifics online beforehand. Supply stations are set up to distribute water, snacks, gloves, umbrellas and shields made of cardboard. Volunteer first aid workers wear brightly colored vests. People form assembly lines to pass supplies across long distances, with protesters communicating what they need through a series of predetermined hand signals. Anyone walking in dangerous areas without a helmet or a mask is quickly offered one. No individual can speak on behalf of the protesters, which makes negotiations difficult, if not impossible. (https://www.nytimes.com/2019/07/02/world/asia/hong-kong-protest-explained.html, accessed 07/07/2019) Hong Kong’s amended extradition law would allow the extradition of suspects to mainland China for the first time. Supporters say the amendments are key to ensuring the city does not become a criminal refuge, but critics worry Beijing will use the law to extradite political opponents and others to China where their legal protections cannot be guaranteed. The government claims the push to change the law, which would also apply to Taiwan and Macau, stems from the killing last year of a Hong Kong woman while she was in Taiwan with her boyfriend. Authorities in Taiwan suspect the woman’s boyfriend, who remains in Hong Kong, but cannot try him because no extradition agreement is in place. Under the amended law, those accused of offences punishable by seven years or more in prison could be extradited. The new legislation would give Hong Kong’s leader, known as the chief executive, authority to approve extradition requests, after review by the courts. Hong Kong’s legislature, the legislative council, would not have any oversight over the extradition process. Many Hong Kongers fear the proposed extradition law will be used by authorities to target political enemies. They worry the new legislation spells the end of the “one country, two systems” policy, eroding the civil rights enjoyed by Hong Kong residents since the handover of sovereignty from the UK to China in 1997. Many attending the protests on Sunday said they could not trust China as it had often used non-political crimes to target government critics, and said they also feared Hong Kong officials would not be able to reject Beijing’s requests. Legal professionals have also expressed concern over the rights of those sent across the border to be tried. The conviction rate in Chinese courts is as high as 99%. Arbitrary detentions, torture and denial of legal representation of one’s choosing are also common. Many in the protests on Sunday 09 June 2019 said they felt overwhelmed by a sense of helplessness in the face of mainland China’s increasing political, economic and cultural influence in Hong Kong. Hong Kong’s top political leader is not elected by ordinary voters but by a 1,200-strong election committee accountable to Beijing. Half of its legislature are chosen through indirect electoral systems that favour pro-Beijing figures. Many Hong Kongers also cited the jailing of leaders and activists from the 2014 Occupy Central movement– a 79-day mass civil disobedience movement – as well as the disqualification of young localist lawmakers as signs of the erosion of civil freedoms. Resentment towards China has been intensified by soaring property prices – with increasing numbers of mainland Chinese buying properties in the city – as well as the government’s “patriotic education” drive, and the large numbers of mainland tourists who flock to Hong Kong. Many Hong Kongers are also concerned about China’s growing control over the city’s news media, as they increasingly self-censor and follow Beijing’s tacit orders. https://www.theguardian.com/world/2019/jun/10/what-are-the-hong-kong-protests-about-explainerSeven police officers stand guard in front of Hong Kong's main police headquarters on Arsenal Street in Wan Chai as an estimated one thousand protestors surround on 26 June 2019. Protestors take turns to step up and hurl abuse at the officers, in a protest lasting 6 hours before peacefully dispersing. The protesters chanted 'Release the martyrs' and 'Stop police violence' in reference to violent clashes with police in the days previous. ( https://www.scmp.com/news/hong-kong/politics/article/3016238/hong-kong-police-under-siege-again-protesters-surround)carrie lam, hong kong protests, extraditions, protest, protestors, police, wan chai

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 7 Fashoda Street, Hawthorn by Margaret Picken.7 Fashoda St, Hawthorn, Margaret Picken '94. Woodards. artist - margaret picken 1950-

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Anzac Day 2019 ceremony program for Greensborough RSL ceremony, with illustrated article by Rosie Bray12 p. booklet printed in colour, with 1 p. documentanzac day 2019

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 7 Tregarron Avenue, Kew by Margaret Picken.7 TREGARRON AVE., KEW / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, 7 tregarron avenue -- kew (vic.), property illustrations — buildings — kew (vic.)

In 2019 GHS hosted a "Biggest Morning Tea" as a fundraiser for the Cancer Council. This photograph shows GHS members at the function.Digital copy of colour photographbiggest morning tea, greensborough historical society

In 2019 GHS hosted a "Biggest Morning Tea" as a fundraiser for the Cancer Council. This photograph shows GHS members at the function.Digital copy of colour photographbiggest morning tea, greensborough historical society

In 2019 GHS hosted a "Biggest Morning Tea" as a fundraiser for the Cancer Council. This photograph shows GHS members at the function.Digital copy of colour photographsbiggest morning tea, greensborough historical society

Digital images of a decorated Christmas tree on the corner of Nepean Street and Sainsbury Avenue Greensborough, 18/12/2019Part of a collection of miscellaneous historical images with a connection to the local area.Digital colour photographchristmas, nepean street greensborough, sainsbury avenue greensborough

7-9 Russell Street has had 2 house names: ‘Vavau’ and ‘Handsworth’. Early occupants were: 1887–1892: George Legge, builder. 1892-1902: Arthur Greenwood – storeman and missionary in Tonga, hence the house name ‘Vavau.’ 1902–1950s: Mr and Mrs George Jackson and family of 10 children. Alice Jackson was a specialist manufacturing jeweller and set up a jewellery business with her husband. He and the family continued it until late 1950s. 1978–1986: Sold in late 1950s; Ruth Theodoris and her husband Peter bought it; sold 1986. The house is extant in 2020 and was last sold in May 2009 for $1,315,000. Real estate agent photos from the time reveal it has had a large extension at the rear. A black and white photograph of a late Victorian Boom Style house with ornate filigree lacework on the verandah. There is a picket fence along the front. Scalloped lace curtains adorn the front windows.surrey hills, russell street, (mr) george jackson, (mr) arthur greenwood, (mrs) alice jackson, jeweller, (mrs) ruth theodoris, (mr) peter theodoris, victorian boom style, vavau, handsworth, house names, (mr) george legge

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 7 Molesworth Street, Kew by Margaret Picken.7 MOLESWORTH ST., KEW / MARGARET PICKEN ~91 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 7 molesworth street - kew (vic).

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 7 Bowen Street, Hawthorn by Margaret Picken.7 Bowen Street, Hawthorn, Margaret Picken c2001. Woodards - Hawthorn.artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 7 Brook Street, Hawthorn by Margaret Picken.7 Brook Street, Hawthorn, Margaret Picken c2000. Woodards - Hawthorn.artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 7 Grattan Street, Hawthorn by Margaret Picken.7 Grattan Street, Hawthorn, Margaret Picken '91. Woodards - Kew. artist - margaret picken 1950-

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses