Showing 2750 items
matching aboriginality
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Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Australian Institute of Aboriginal Studies Newsletter Vo 2 No 11, 1969
Newsletter containing articles, reports and bibliography with Aboriginal contextaboriginals -
Whitehorse Historical Society Inc.
Document, Guidelines for the conduct of archaeological surveys, 1996
Guidelines prep. by VicRoads with particular reference to Aboriginal sites.Guidelines prep. by VicRoads with particular reference to Aboriginal sites.Guidelines prep. by VicRoads with particular reference to Aboriginal sites.aboriginal artefacts, archaeological sites -
Federation University Art Collection
Sculpture - Artwork, 'The More Bones the Better' by Yhonnie Scarce, 2016
Yhonnie SCARCE (1973- ) Born Woomera, South Australia Language group: Kokatha, Southern desert region and Nukunu, Spencer region Yhonnie Scarce works predominantly in glass. She majored in glass withing a Bachelor of Visual Arts (Honours) course at the South Australian School of Art, Adelaide, and holds a Master of Fine Arts from Monash University. One of the first contemporary Australian artists to explore the political and aesthetic power of glass, Scarce describes her work as ‘politically motivated and emotionally driven’. Scarce’s work often references the on-going effects of colonisation on Aboriginal people, In particular her research focus has explored the impact of the removal and relocation of Aboriginal people from their homelands and the forcible removal of Aboriginal children from their families. (https://thisisnofantasy.com/artist/yhonnie-scarce/, accessed 10 September 2018)Artist's Statement 'The More Bones the Better', 2016 Yhonnie Scarce was born in Woomera, SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non traditional approach to glass blowing using glass as more than a mere material, acting as a lens and a mirror, Scarce reflects and exposes the tragedies of Australia’s colonisation. She applies the technical rigours of traditional glass blowing techniques in an innovative and unconventional manner. In particular Scarce uses glass to explore the lives and histories of Aboriginal Australians. Hand blown glass is shaped, engraved, painted and smashed to create indigenous fruits and vegetables such as bush bananas, bush plums and long yams symbolic of her peoples culture and traditions. With their elongated, torso-like shapes, they even evoke human bodies. Akin to a gatherer of bush food Scarce creates glass-gatherings of the persecuted. The repetition of brittle ambiguous bodies collected for experimentation and examination conjures the relentless impact of colonisation and the litany of abuses suffered by Aboriginal people. Within her research Scarce encountered a variety of ethnographic studies examining the use of scientific interventions amongst Indigenous cultures. These include Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices amongst indigenous prison inmates. This work metaphorically looks at these situations and poses questions of what might have gone on in such a laboratory. The judge of the 2017 Guirguis New Art Prize (GNAP), Simon Maidment, Senior Curator, Contemporary Art, National Gallery of Victoria said; “The winning work by Yhonnie Scarce captures the sensitivity to materials she displays throughout her artistic practice. The blown and shattered glass elements are a delicate contrast to the shocking and little discussed histories of Aboriginal exploitation and abuse in the name of science in Australia. Engaging this topic, this work is haunting, in the same way those lived and documented experiences continue to haunt the collective unconscious of this country. Yhonnie Scarce’s work, The More Bones the Better 2016, I believe makes an important contribution to the Collection of Federation University Australia and will engage and move diverse audiences with its technical accomplishment, beauty and message. Yhonnie Scarce was born in Woomera SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non-traditional approach to glass blowing using her medium as more than a mere material. Applying the technical rigours of traditional glass blowing in an innovative and unconventional manner, Scarce’s glass objects act as a lens and a mirror to reflect and expose the tragedies of Australia’s colonisation and, in particular, explore the lives and histories of Aboriginal Australians. Hand-blown glass is shaped, engraved, painted and smashed to represent indigenous fruits and vegetables such as bush bananas, bush plums and long yams, symbolic of Scarce’s people’s culture and traditions. While these elongated shapes on the one hand represent fruit and vegetables, gathered and grouped as in the gathering of bush food, Scarce’s torso-like bodies and forms are glass ‘gatherings’ representative of the gathering of people. Here, the many brittle bodies act as a metaphor for the collection, experimentation and examinations undertaken by government authorities on Aboriginal communities researched by Scarce. Exposing a variety of ethnographic studies, examining the use of scientific interventions on Indigenous cultures, Scarce also revealed Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices undertaken on indigenous prison inmates. Scarce’s gatherings also reflect the impact of colonisation and the relentless conjuring and litany of abuses suffered by Aboriginal people. The More Bones the Better metaphorically looks at these situations and poses questions of what was undertaken and investigated in these laboratories. guirguis new art prize, yhonnie scarce, glass, aboriginal -
Tatura Irrigation & Wartime Camps Museum
Wooden Tray, 1940's
Tray made by unknown internee in Camp 3.Wooden tray. Two trays donated. Second registration number C8032.Scroll carving at either end. Map of Australia and Aboriginal man carved on body of tray. -
Robin Boyd Foundation
Book, Ed Kerrie E. Andrews, Australia The Beautiful: Great Gardens, 1983
HardcoverIndigenous colonial history, cattle station life, white-aboriginal relations, Australian fictiongardening, walsh st library -
Bendigo Historical Society Inc.
Photograph - BASIL MILLER COLLECTION: ABORIGINAL MAN AND BOY - TRADITIONAL IMPLEMENTS
Postcard of aboriginal man and boy with traditional implements. Made in Western Germany in perfect colour for John Englander and Co Pty Ltd, Melbourne. Aboriginal artist at work, Australia.person, individual, basil miller -
Victorian Aboriginal Corporation for Languages
Book, Kevin Keeffe, From the centre to the city : Aboriginal education, culture and power, 1992
This book is about the directions being taken in Australia to develop an Aboriginal curriculum in schools. Kevin Keeffe describes, analyses and criticises the meaning and place of Aboriginal culture in the Australian curriculum.b&w photographs, b&w illustrations, colour illustrationseducation, study and teaching, curriculum development -
Victorian Aboriginal Corporation for Languages
Book, Lydia Fehring et al, Bush foods and biodiversity : Victorian Aboriginal bush food activities, 2003
This resource has been developed to assist teachers in bringing the topic of bushfoods and biodiversity into the curriculum. It is aimed at providing non-Aboriginal students (but does not preclude Aboriginal students from taking part in these activities) curriculum linked hands-on activities designed to introduce them to the world of Aboriginal bush foods.B&w illustrations, tablesenvironmental education, sustainable agriculture, natural resource management, sustainability, koori plants, curriculum development, classroom activities -
Victorian Aboriginal Corporation for Languages
Book, A W Reed, Aboriginal myths, legends and fables, 1999
Aboriginal myths, legends and fables create a rich wealth of stories from Aboriginal Cultural heritage. The stories tell of the mystical bonds that exist between Aboriginal people, their environment and the spirit life of the Dreamtime. Each story provides the reader with an insight into the fascinating beliefs of one of the oldest living cultures on earth.murray river, myths, legends, fables, baiame, bunjil, rainbow snake, astronomy, creation stories, dreamtime -
Victorian Aboriginal Corporation for Languages
Book, Michael Walsh, Language and culture in Aboriginal Australia, 1993
A series of studies of aspects of language and culture in different parts of Aboriginal Australia. It includes ?language ownership?, historical aspects and how Aboriginal languages are now being used in media and education.Maps, word listssociolinguistics, linguistics, social history -
Victorian Aboriginal Corporation for Languages
Book, Erich V Lassak et al, Australian medicinal plants, 2001
Outlines the Aboriginal use of native plants as well as how early European settlers learned from Aboriginal people about their medicinal value. Chapters arranged according to ailments and their treatment.Colour illustrations, colour photographsmedicinal plants, plant identification -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Department of Territories, Canberra, One People, 1961
Prepared under the authority of the minister for territories, with the co-operation of ministers responsible for Aboriginal welfare in the Australian states, primarily for the celebration of National Aboriginals day in Australia 14th July 1961aboriginals, government -
Orbost & District Historical Society
axe head
Inspected by Joonna Freslov, archaeologist 2.6.2008. Stone tools were used for a variety of purposes, in ways similar to those of steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basalt which is able to withstand repeated impact, and is suitable for use in objects such as stone axes. The stone was quarried, and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rock.The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This axe head is an example of an early stone tool used by the Indigenous people of Eastern Australia.A handmade stone Aboriginal axe head. Finger grips are clear.axehead aboriginal tool stone-artefact -
Federation University Historical Collection
Image - black and white, Throwing a Boomerang
Digitised directly from 'The Native Races of the British Empire: Victoria' Black and white Image of an Aboriginal man about to throw a boomerang.aborigine, aboriginal, boomerang -
Federation University Historical Collection
Image - black and white, Throwing a Spear
Digitised directly from 'The Native Races of the British Empire: Victoria' Black and white Image of an Aboriginal man about to throw a boomerang.aborigine, aboriginal, boomerang -
Federation University Historical Collection
Image - black and white, Aboriginal Shields
Digitised directly from 'The Native Races of the British Empire: Victoria' Black and white Image of Aboriginal club shields and spear sheildsaborigine, aboriginal, shields -
Victorian Aboriginal Corporation for Languages
Book, Damian Amamoo, Teach ya, 2008
Produced to encourage young Aboriginal people to consider a career in teaching.colour illustrations, b&w illustrations, colour photographsaboriginal education, graphic novels, career planning, comic books, vocational guidance, aboriginal teacher recruitment -
Victorian Aboriginal Corporation for Languages
Book, Jon Altman et al, Aboriginal people of the Northern Territory, 2004
Looks at the culture and history of some of the Northern Territory Aboriginal groups.colour photographs, b&w photographs, illustrations, maps, tables -
Victorian Aboriginal Corporation for Languages
Book, Jon Altman et al, Aboriginal people of the Northern Territory, 1998
Looks at the culture and history of some of the Northern Territory Aboriginal groups.colour photographs, b&w photographs, illustrations, maps, tables -
Victorian Aboriginal Corporation for Languages
Book, Jon Altman et al, Aboriginal people of the Northern Territory, 1992
Looks at the culture and history of some of the Northern Territory Aboriginal groups.colour photographs, b&w photographs, illustrations, maps, tables -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Sugden, Joah H, Aboriginal Words and their meanings
An alphabetical list of some Australian Aboriginal words with English meaningsRuth Clarkaboriginals -
Ballarat Heritage Services
Image - Black and White, A Native Canoe, c1903
A black and white image of a number of Aboriginal people in a bark canoe. aborigines, canoe, aboriginal -
RMIT GSBL Justice Smith Collection
Report, Council for Aboriginal Reconciliation (Australia), Walking together : the first steps : report of the Council for Aboriginal Reconciliation 1991-94 to Federal Parliament, 1994
Report of the Council for Aboriginal Reconciliation 1991-94 to Federal ParliamentISBN: 0644351748australia. council for aboriginal reconciliation act 1991, council for aboriginal reconciliation (australia), aboriginal australians -- government policy, aboriginal australians -- government relations, torres strait islanders -- government relations -
Warrnambool RSL Sub Branch
Mixed media - Reg Saunders Display, Reg Saunders - His Story
Highlights the significant and often unheralded role of first nations people who served in Australia's wars.A large display of memorabilia connected to Reg Saunders, Australia's first Aboriginal Officer. Includes Aboriginal Flag,, Photographic images , Service Medals and Biographical details listed separately as 0355.2 etcA separate typed story of Private William Reginald Rawlings MM, killed in action in August 1918, is included in the display -
Victorian Aboriginal Corporation for Languages
Book, Jean Harkins, Bridging two worlds : Aboriginal English and crosscultural understanding, 1994
Jean Harkins describes the interdependence of language forms and meanings in their cultural context. A full and varied dialect of English, Aboriginal English with its distinctive Aboriginal world view offers a rich perspective.yipirinya school, aboriginal english, pidgin english, bilingual education -
Victorian Aboriginal Corporation for Languages
Book, Bain Attwood et al, A life together, a life apart : a history of relations between Europeans and Aborigines, 1994
A history of several Aboriginal reserves, containing long transcribed narratives from those who lived there as well as letters and general information about Aboriginal-white relations in the early 20th century.B&w photographssevington, cummeragunja, moonahcullah, victorian history, new south wales history, race relations, racism, government relations, indigenous reserves, oral histories -
NMIT (Northern Melbourne Institute of TAFE)
Report: on the training needs of Aboriginal health workers in Victoria, 1992
Fifty-eight page report, A4 size. On the training needs of Aboriginal health workers in Victoria, 27th May 1992. The project was requested by the Victorian Tripartite Council of Koorie Health (VTCKH). Undertaken by the Aboriginal Services Unit of Northern Metropolitan College of TAFE (NMCOT). Spiral bound with white cover with Aboriginal design. northern metropolitan college of tafe, nmcot, victorian tripartite council of koorie health, reports, nmit -
Victorian Aboriginal Corporation for Languages
Book, Public Record Office Victoria et al, Walata tyamateetj : a guide to government records about Aboriginal people in Victoria, 2014
Public Record Office Victoria and the National Archives of Australia hold many government records about Aboriginal people in Victoria. This guide is designed to help Victorian Aboriginal people find records about their family and country. It will also assist anyone researching the history and administration of Aboriginal affairs in Victoria to find relevant records.document reproductions, maps, b&w photographsarchives, archives directories, historical sources, public records, victorian history -
Victorian Aboriginal Corporation for Languages
DVD, Michelle Mahrer, Urban clan : a portrait of the Page brothers and the Bangarra Dance Theatre, 1998
A documentary portrait of three brothers who together formed the creative core of the Bangarra Dance Theatre. The essence of the Page brothers' story captures an Aboriginal 'dreaming' of three spirits, a storyteller, a song man and a dancer, who through their collective art, build bridges within their own culture and between Aboriginal and non-Aboriginal people.DVDnunukul, munaldjali, yugambeh, south east queensland, stephen page, david page, russell page, bangarra dance theatre -
Victorian Aboriginal Corporation for Languages
Book, Education Department of South Australia, Aboriginal studies R-12. Years R-3., Home, 1988
This unit is one of eleven making up the R-7 Aboriginal studies course, developed to meet the needs of students, teachers and Aboriginal people. It contains a course outline, cultural and historical information and activities.photographs, illustrations, mapsprimary school education, aboriginal studies, teaching aboriginal culture