Three pages from Punch magazine, each featuring a monochrome lithograph depicting tennis matches. (1) from issue July 7, 1877; image with caption 'LAWN TENNIS'; (2) from issue August 24, 1878; with caption 'WHERE THERE'S A WILL THERE'S A WAY'; and (3) from issue November 3, 1881; caption 'A MODERN TOURNAMENT'. Materials: Ink, Paper, Cardboard, Wood, Glass, Metal, Adhesive labeltennis

Original Act of Parliament document (17th Sept.1656) passed during time Oliver Cromwell was Lord Protector of the republic then known as the Commonwealth of England. The Act relates to 'PERSONS WHO LIVE AT HIGH RATES AND HAVE NO ESTATE, PROFESSION OR CALLING'. One section of the Act prohibits (as of August 1, 1657) gambling on games, including tennis. The punishment indicated for doing so is to forfeit to the goverment double the amount of money won. Also framed beside the closed Act document are three reproductions of the pages within it. Materials: Ink, Paper, Cardboard, Wood, Glass, Metal, Adhesive labeltennis

Collage of four 1888 colour lithograph advertisements for Trenton clothing store 'The O.P.O.'. All on paper, all featuring lawn tennis imagery. UV glass. Materials: Paper, Ink, Cardboard, Metal, Wood, Adhesive label, Felttennis

Page from Harper's Weekly; page 632 of issue no 1809; Volume XXXV. Title caption: 'POSSIBLE LAWN-TENNIS CHAMPIONS'. Materials: Paper, Ink, Cardboard, Metal, Wood, Adhesive label, Felttennis

Page 13 of The Queen, The Lady's Newspaper issue July 2, 1881. Features reproduced lithograph entitled: 'LAWN TENNIS COSTUMES' which depicts seven vignettes of figures playing tennis and wearing tennis attire. UV glass. Materials: Paper, Ink, Cardboard, Metal, Wood, Adhesive labeltennis

Colour print reproduction of a watercolour by Francis Day of female figure holding a tennis racquet and seated on a fence in rural setting. Materials: Ink, Paper, Wood, Paint, Adhesive labeltennis

Gouache depicting a barefoot, unshaven male figure with open shirt and rolled up pants hems, holding a perforated wooden paddle. Inscription in German on reverse only partially visible through backing. Materials: Pigment, Paper, Wood, Cardboard, Metal, Felt, Adhesive tapetennis

Framed collage of three components: 1) Time magazine cover of Sept 13, 1937 featuring Gottfreid von Cramm; 2) stamped ticket to Wimbledon Centre Court Championship match on July 4, 1936; 3) original photograph of von Cramm and Peryy shaking hands over the net in a crowded stadium. UV glass. Materials: Paper, Ink, Cardboard, Metal, Wood, Adhesive tapetennis

Limited edition (85/1000) print by Luis Morris entitled: 'CHAMPIONS /1990-1999', depicting Wimbledon trophy and six female players who won Wimbledon in that period. Materials: Ink, Paper, Cardboard, Wood, Metal, Adhesive label, Glasstennis

Limited edition (49/1000) print by Luis Morris entitled: 'CHAMPIONS /1990-1999', depicting Wimbledon trophy and five male players who won Wimbledon in that period. Materials: Ink, Paper, Cardboard, Wood, Metal, Adhesive label, Glasstennis

Limited edition (72/1000) print by Luis Morris entitled: 'CHAMPIONS /1970-1979', depicting six female players who won Wimbledon in that period. Materials: Ink, Paper, Cardboard, Wood, Metal, Adhesive label, Glasstennis

Limited edition (185/1000) print by Luis Morris entitled: 'CHAMPIONS /1980-1989', depicting Wimbledon trophy and four female players who won Wimbledon in that period. Materials: Ink, Paper, Cardboard, Wood, Metal, Adhesive label, Glasstennis

Limited edition (142/1000) print by Luis Morris entitled: 'CHAMPIONS /1980-1989', depicting four male players who won Wimbledon in that period. Materials: Ink, Paper, Cardboard, Wood, Metal, Adhesive label, Glasstennis

Limited edition (59/1000) print by Luis Morris entitled: 'CHAMPIONS /1970-1979', depicting six male players who won Wimbledon in that period. Materials: Ink, Paper, Cardboard, Wood, Metal, Adhesive label, Glasstennis

A cup trophy, a racquet, two framed photographs, a magazine, and a mounted and framed cameo - all featuring or related to Alice Marble - mounted onto a burgundy velvet-lined board, in commemoration of the achievements of Alice Marble. Materials: Fibreboard, Velvet, Wood, Paint, Metal, Paper, Ink, Lacquer, Nylon, Photographic emulsion, Leather, Adhesive tape, Glue, Stonetennis

Page from The Graphic (page 45, July 10, 1875) featuring partly coloured lithograph depicting a man and woman playing tennis in an enclosed courtyard. Architecture is North African. Title caption reads: 'A TENNIS COURT IN ALGERIA'. Materials: Ink, Paper, Glass, Metal, Adhesive label, Plastictennis

Commemorative limited edition (5/30) collage from 'The Kooyong Collection', featuring digital print reproduction of photograph of doubles team Brookes/ Wilding playing against Alexander/Wright at 1908 Australian Championships. Certificate of authenticity adhered to back of frame. Materials: Paper, Ink, Wood, Glass, String, Adhesive label, Cardboardtennis

Commemorative limited edition (5/30) collage from 'The Kooyong Collection', featuring digital print reproduction of photograph of Vines and Gledhill playing as doubles team at 1932 Australian Championships. Certificate of authenticity adhered to back of frame. Materials: Paper, Ink, Wood, Glass, String, Adhesive label, Cardboardtennis

Reproduction of 1885 painting depicting a tennis match between a male player and a female wearing a white dress and straw hat with pink flower.. Both players using flat top racquets. Two spectators, one with parasol, at right. Artist signature reproduced lower right may read 'J.LARRY'. Materials: Paper, Ink, Glass, Cardboard, Glue, Wood, Metal, Adhesive labeltennis

A hand fan decorated with graphic illustration depicting a lawn tennis match. Paper on wood frame. Metal label adhered to backing below fan reads: 'AMERICAN ALLEN FAN/ CIRCA 1890S'. Fan also mounted to cloth-lined frame backing. Materials: Ink, Paper, Wood, Metal, Adhesive label, Glass, Clothtennis

Two snippets from a late 19th century magazine, featuring lithographic illustrations of men and women playing tennis. The illustration to the right features the text: LAWN TENNIS/THE TENNIS/BELLE/THE/TENNIS/SWELL. Materials: Paper, Ink, Cardboard, Glass, Wood, Adhesive label, Metaltennis

A colour lithographic print from the page of a periodical, featuring four men playing doubles tennis in a clearing within a cemetary. Inscription below: WE FIND A JOLLY PLACE IN THE CEMETARY FOR LAWN-TENNIS. Materials: Paper, Ink, Cardboard, Paint, Glass, Wood, Fibreboard, Adhesive tapetennis

A framed collage of fifty Player's cigarette cards. Each card depicts a different famous player from the 20s and 30s. Cards have green background and (most) a player wearing white. Framed with glass backing so reverse of cards is visible. Reverse of cards features instructional information for playing better tennis. Materials: Ink, Paper, Glass, Metal, Wood, Adhesive tapetennis

A Stomil (Poland) tennis balls box, containing all three original balls. Materials: Ink, Cardboard, Paper, Rubber, Synthetic material, Adhesive tapetennis

To identify volunteers, badges were provided. These consisted of white plastic badge, with the words 'For the Blind' beneath the lighthouse logo of the Royal Victorian Institute for the Blind in blue. A name plate could be slotted into the lower portion of the badge or a name label stuck to the badge. Sometimes Dymo labels were used to indicate positions such as 'Volunteer'. Plastic badge with blue RVIB logo and space for paper or an adhesive tape to be placedroyal victorian institute for the blind, badges

After years of precursory surveying, debate and proposals the most ambitious civil engineering project of the day, the Overland Telegraph Line, began construction in September 1870. Superintendent of Telegraphs, Sir Charles Todd led the construction through “terra incognita,” guided by the precursory surveys of John McDowall Stuart and technologies such as his prismatic surveying compass. The unknown and hostile landscape claimed the lives of several men and scores of transport animals in the dogged pursuit of telegraphic connection to the rest of the world. Completed in August 1872, the Line connected Australia to the world via telegraph wires running 3,200 kilometres from Port Augusta in South Australia, to Darwin, then connecting via submarine cable to Java and beyond. The “earth [had been] girdled with a magic chain” according to the then Governor of New South Wales, Sir Hercules Robinson. How does it work? For use in surveying, the sight vane and prism are turned up on their hinge and the instrument is held horizontally either in the palm of one's hand or on a tripod. Two small discs of red and green glass attached to the prism can be flipped down over the sight line to reduce glare. The objective is to bring the subject into the sightline created by the prism, aligning with the thread of the sight-vane until the subject is bisected evenly. Once aligned, the division on the card may be read through the prism. This reading provides the magnetic azimuth, used for calculating the bearings of distant landmarks. Circular instrument mounted in a brass case with glass window and brass lid. The compass card face four black compass points printed on mint green paper; on the underside the magnetic needle would be affixed, all held in place by a brass knob at the centre. The arched labels of "Sawtell" and "Adelaide" and the Prince of Wales feathers appear to have been affixed with adhesive which has since yellowed in the areas of application on the compass card. The compass face is printed with numbers, every 10 degrees from 10 - 360, printed in reverse indicating this compass would have once held a mirror at the sighting bracket. On one side of the brass case is a brass hinged sighting-prism, possibly of ebonite. The sighting-prism is mounted in a hinged brass bracket on one edge of the brass case. It has two flip-type filter glasses (red and green) and folds down into a retracted travelling position. A hinged brass bracket on the opposite edge would have held the sighting bracket - carrying the sighting vane and mirror - which is now missing or removed. Under the hinge is a lever, possibly related to the movement of the bracket. Underneath the brass case is an indented circle with screw threads, possibly for attachment to a tripod, and indistinguishable marks scratched into the surface.Etched on to the centre of the lid, "Sawtell ADELAIDE / No 792." Affixed to the paper compass face, possibly from separate pieces of paper, "SAWTELL / ADELAIDE" with the Prince of Wales Feathers above "SAWTELL". Underneath on remains of white tape in red: "159."surveying, compass, charles todd, overland telegraph line, telegraph

Photograph possibly taken on before departing or returning from warPart of the Flynn family collection of Cpl William Charles ClarkPhotograph portrait in celluloid processed plaque. Photographed mounted on brown paper background. Corners of the plaque are expose the mounting paper. The photo plaque is attached to a metal frame with a wire clip for hangingOn self adhesive label; Irene Madeline Joyce / 27/2/19 - 28/9/1983 / Married / William Charles Clarke / 10/3/1934celluloid, photograph, irene madeline clark

This printed instruction was issued to all veterans when issue with their medals and stars This instruction was issued to Cpl W C Clark when he was issued with his medals following war like servicePrinted instructions titled "SUMMARY OF CONDITIONS OF AWARD AND NOTES FOR GUIDANCE IN THE WEARING OF CAMPAIGN STARS, DEFENCE AND WAR MEDALS." the page is in poor condition from being held together with adhesive tape. At the bottom of the page is an annotation of the medal recipient, TOTAL AWARD SEVEN ARMY NO VX34546 NAME W C CLARKpaper

Actual photograph taken in the battlefield Actual battlefield photographer A laminated photograph depicting diggers taking cover during aerial and mortar attack in PNG 1945on bottom right corning on paper held inn place with adhesive tape: MEMBERS OF THE 2/2 INFANTRY BATTALION UNDER / ARTILLERY AND MOTAR FIRE DURING THE CROSSING OF / MANIB CREEK ON 16/3/1945 LEADING TO THE CAPTURE OF / BUT DROME ON THE 17/3/1945; on the bottom left hand side DIGGERS TAKE SHELTER AS / JAPANESE SHELLS COME OVER / ON THE ADVANCE FROM AITAPE.photograph, laminated photograph

Father of William and Jack Kelly who both served in WWIIPortrait, Photographic; W.C.Kelly. DCM Wooden frame with gold coloured inlay. on light green mounting board. Paper and cork backing. Sealed with duck tape. Picture frame hook with hanging wire Self adhesive label stuck to glass bottom left hand corner/ 4521 PTE W. C. Kelly D.C.M /46th. Inf. Btn. 1st. A.I.F. portrait