Oldstead Farmhouse, painted by Greensborough artist, the late Doug Hall. Oldstead Farm was in the area around the present Oldstead Road Greensborough.Oil painting of a house, in timber frame.On back of painting "Oldstead Farm, Doug Hall"doug hall, oldstead farm, oldstead road greensborough

An original painting called "On Patrol" of two soldiers on patrol carrying weapons.Original painting by Deborah Polmanpainting, vietnam lest we forget, soldiers

The building was the HQ of the Eaglehawk RSL Sub Branch. This version was a prototype of a 2 part set of the 3 Bendigo RSL’s HQ’s Cat No’s 8231, 8232 & 8233. This painting was done prior to the building being demolished post 2005. Refer cat No 8124P for an early photo of the building, also 8118 & 8110.Painting - water colour, by the artist StanThomas of a building “RSL HALL, EAGLEHAWK” Frame- black, colour painted timber frame with inner frame / mount white painted timber . No glass Hand painted on lower edge of painting “RSL HALL EAGLEHAWK / STAN THOMAS”ehrsl, brsl, smirsl, water colour

Michael Turner born in 1934 is a British painter and illustrator specialising in motoring and aviation paintings. After leaving school he attended Art College followed by National Service with the Royal Electrical and Mechanical Engineers for 2 years. On leaving National Service he worked with a London advertising studio before turning freelance in1957. The Bristol Blenheim depicted in the painting was a British light bomber used extensively for 2 years of the Second World War. It was powered by a pair of Bristol Mercury V111 air cooled radial engines capable of developing 860 bhp. armament was a combination of Vickers, Browning and Lewis machine guns in .303 ( 7.7mm ). A 1000lb (450kg ) could be carried in the internal bomb bay in the centre section of the fuselage. The 114 Squadron was a Squadron of the British Royal Air Force formed in India during the First World War. The Squadron was disbanded in 1971.Large wooden framed painting of an RAF WW2 bomber in flight.Below the painting is the wording " A 114 Squadron Blenheim 1V on a low level bombing run over the power station at Knapsack Cologne, in August 1941 - donated by Laurie Pillar".

Thomas Manly was a well-known resident of Bacchus Marsh. Born at Rowsley in 1863, Mr. Manly was a grandson in a family who had been in the service of the Greene family at "Greystones" from the time of its arrival in Victoria. The woolsheds at "Greystones" were built by deceased's grandfather, who also conducted a jeweller's shop at Rowsley. Like his forebears, Mr. Thomas Manly entered the service at "Greystones" and later worked for Messrs. Chomley and Boyd at "Glenmore." After his marriage to Miss Mary Johnston, whose mother arrived as an infant in Bacchus Marsh as early as 1839, Mr. Manly took up residence in the Main Street, Bacchus Marsh, where he has lived ever since. Deceased was a great walker, and mostly walked to his work, both at Rowsley and for the past 27 years to the Darley brickworks. Never a prominent man in public affairs, he was essentially a home-lover, and adopted horticulture as his hobby, gaining many prizes for both flowers and lucerne. Text for this description taken from the obituary for Thomas Manly in the Bacchus Marsh Express, 26 June, 1937, page 3, column 2.A framed painting based on a 1930 photograph of Tom Manly.'Heirloom' inscribed at the bottom right hand corner of the paintingthomas manly 1863-1937, bacchus marsh and district biographies

CF Reg No 2533.26, 2539.3, 2540.9, 2542.8Reproductions of paintings held at Australian War Memorial, Canberra depicting after battle of WWI.Individual descriptions of paintings handwritten on back.illustrations-reproductions, military history - army

CF Reg No 2533.26, 2539.3, 2541.2, 2542.8Reproductions of paintings held at Australian War Memorial, Canberra depicting location scenes of WWI.Individual descriptions of paintings handwritten on back.illustrations-reproductions, military history - army

CF Reg No. 2539.3, 2540.9, 2541.2, 2542.8Reproductions of paintings held at the Australian War Memorial, Canberra depicting battle scenes of WWI.Individual descriptions of paintings handwritten on back.illustrations - reproductions, military history - army

Painting depicting an old man with pipe painting in the landscape. Signed (L.r) 'Howley 79'. On reverse: Label (L.r) '37 Out painting with Clif Pugh by John Howley'. john howley, painting, portrait, clifton pugh, landscape, dunmoochin

Bush scene of the Plenty River at South Morang showing young gum trees on the river bank, painted by Greensborough artist, the late Doug Hall.This painting has strong ties to the Greensborough area, being owned by Ivy Lines who gifted it to the donor's mother-in-law.Oil painting of a bush scene, in timber frame.On back of painting "Plenty River South Morang. Doug Hall"doug hall, plenty river, south morang, painters

CF Reg No 2533.26, 2539.3, 2540.9, 2541.2Reproductions of paintings held at Australian War Memorial, Canberra depicting portraits, group portraits of WWI.Individual descriptions of paintings handwritten on back.illustrations-reproductions, military history - army

Peter Griffiths and Elizabeth Griffiths in the old Buninyong Council Chamber in 1988 during the launch of the book "Three Times Blest".The photo shows the author at the launch of an important historical text on Buninyong in the old courthouse which is now the home of Buninyong and District Historical Society. Photo of a landscape painting displayed in the Buninyong Council Chamber in 1988."John Rowell's Painting" "Three Times Blest 1988"artwork, buninyong council chamber, three times blest, peter griffiths, elizabeth griffiths

This community calendar is distributed to residents of the City of Banyule each year. Each year it focusses on an aspect of the local community. The 1998 calendar contains photographs of artworks. Some council services are detailed in the back pages.The annual calendar is a record of the activities and services in the Banyule City Council area.28 pages. Colour images of artworks.banyule city council, banyule community calendar

Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Oil painting. The painting is done in dark grey and white with some splashes of orange. William Delecca Collection.In pencil on the back Stramit Industries fire at Golden Square 1961, painting by William A. Deleccagolden squrae, stramit industries, fire

"Margaret Robbie was another of the local painters who came late to art or combined it with a quite different occupation. Her grandparents, John Shaw and Margaret (Byers), went to Hobart in 1855 but then crossed the Strait and settled in Kyenton where they remained until 1918. Margaret was the issue of the marriage of Mary Shaw and Robbie. She spent a considerable time overseas for the YWCA, including a period as its General Secretary in Toronto, Canada, and worked in the Middle East during World War 2. Margaret Robbie made her garage in Ringwood Street into a flat-cum-studio-cum-gallery for her painting activities when she was not caring for her sister and an elderly aunt." - Hugh Anderson - Ringwood, Place of Many Eagles [p.218].Painting with cardboard border in glass-fronted frame.Inscription along lower edge of painting - "Margaret Robbie, copied from a postcard", and sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

Robert Barron taken at Artworks Gallery Nungurner VictoriaBlack and white photograph of Robert Barron taken at Artworks Gallery Nungurner Victoriaarts, businesses

CF Reg No 2533.26, 2540.9, 2541.2, 2542.8Reproductions of paintings held at Australian War Memorial, Canberra depicting naval scenes of WWI.Individual descriptions of paintings hand written on back.illustrations-reproductions, military history - navy

Jenny Toye at her exhibition in Artworks Gallery Bairnsdale VictoriaColour photograph of Jenny Toye at her exhibition in Artworks Gallery Bairnsdale Victoriaarts, exhibition

This painting was presented to the St Vincent's civilian medical team by the people of An Giang Province, Vietnam, in recognition of their work in the area. St Vincent's sent four civilian clinical teams to Long Xuyen, South Vietnam, 1965 - 1966 as part of an aid program administered by the Australian Department of External Affairs to assist Vietnamese medical and paramedical personnel and provide medical aid to everyone who needed it. The service of the Australian civilian teams who went to Vietnam 1964 - 1972 was recognised with a special plaque within the grounds of the Australian War Memorial in October 2008. This item has historical significance because it is a memento of the hospital's involvement in a nationally significant wartime aid program to South Vietnam. Landscape painting of deer near a forest stream. Painted in the traditional Vietnamese style using lacquer and paint. Artwork is framed in a black frame but is not behind glass. The artist is unknown.Plaque is attached at lower left corner and translated reads: The people of An Giang Province / are extremely grateful to the Australian Surgical Team.st vincent's hospital melbourne, paintings, artworks, south vietnam, medical aid

Aboriginal artist Leann Edwards before heading to USA to show her artwork to the world. Ten of her paintings launched by expatriate Australian gallery owner Mary Harbour Lakes Entrance Victoria. Also three colour photographs of Leann Edward paintings Dolphins, Kangaroo Bed Head,Balranald Pub displayed at Nungurner January and February 1996 numbers 04119.1, 04119.2, 04119.3 size 15 x 10 cmColour photograph of Aboriginal artist Leann Edwards Also three colour photographs of Leann Edward paintings aboriginals, arts and crafts

Ian Parry (born 1947) is a Melbourne-born artist living in Tasmania, active since 1974 and collected by National and State Collections. He was winner of the 1990 ACTA Maritime art Prize. He also took part in 2006, to the ANL Art Prize organised each year at the Mission since 2003. In his biography on his website: Ian Parry was born into a family of seafaring descent. His extensive career as a respected practising artist and teacher, has uniquely included a fishing fleet apprenticeship and years as a single handed fisherman in Bass Strait. "In the early 70's when I first showed at the renowned Powell St gallery in Melbourne, the paintings were large, abstract, with allusion to the experience of the world of water, sky and land. My visual world has always been permeated with the wet parts of this place and continues to be so to this day. Maritime and geological charts and the daily necessity of plotting a course, appear in paintings where necessary, as a means of getting a schematic representation of the subject into play, trying to free the work from the tyranny of the horizon line but frequently returning. Now-a-days I am returning to abstraction, making paintings that allow me free rein with colour and composition, aiming for a sense of permanence and independence in each work." Maritime ArtLarge moulded gilt wood frame, non glazed painting of shipping, oil on canvasSignature and date bottom right corner: "Parry 89"p & o nedloyd, shipping, melbourne ports, docklands, wharfside, wharves, ian parry, maritime art, acta maritime art prize, artwork-paintings

Tony Dyer batik artist at Artworks Gallery Nungurner VictoriaBlack and white photograph of Tony Dyer batik artist at Artworks Gallery Nungurner Victoriaarts, exhibition

Lieutenant Albrecht was interned in Dhurringile during WW2, the images are of articles found in his books by his son Otto Albrecht, who forwarded copies by email. Emailed photo of painting of Dhurringile Mansion, possibly painted by Lieutenant Krampe, pow who is thought to have painted the mural on the internal wall of the Mansion, and which depicted a stallion rearing over a lion. Emailed photo of Lieutenant Krampe, Lieutenant Rahm with Pastor Strellan from Bendigo, probably taken at Camp 1B at Christmas 1946. Emailed notice of Lutheran service given to POW's in Camp 1B, Christmas 1946.Emailed copy of a painting of Dhurringile Mansion in colour. Tree to left and part of tree to right. Yellow border around picture.down right side: by courtesy of Pastor Otto Albrecht POW 4100 bottom left side: Dhurringile (painting found in a book)lieutenant albrecht, dhurringile mansion, otto albrecht, lieutenant krampe, lieutenant rahm, pastor strellan, camp 1b

Hans Schiebold, lives in Seaford and is a former ship’s captain who migrated to Australia more than three decades ago, Schiebold is fully immersed in his life as an artist. In 2012, he was a finalist of the ANL Maritime Art Prize. This artwork was an entry for the Maritime Art Prize 2014.RealistPainting on Unframed stretched canvas depicting courtyard and Bell tower of MTSV chapelInscribed on stretcher: HANS SCHIEBOLD HOME FROM HOME mission to seafarers victoria, spanish-courtyard, bell tower, artwork, hans schiebold, mission to seafarers, seamen's mission, flinders street, courtyard, bell, tables, arches, artwork-paintings, 2014, maritime art prize

It is likely this item was received from the estate of John 'Jack' Courier. Courier left a bequest to the College consisting of a significant number of artworks by himself and others.Abstract oil painting on board, consisting of multicoloured geometric shapes. Bottom right hand corner of artwork is signed 'Courier/65'. Back of board contains handwritten text which reads 'Title OLD BRICK KILN/Artist J. COURIER/368 TOORAK RD/Sth YARRA/Price'

An artwork hanging in the main function room at Legacy House depicting aspects of the Gallipoli campaign. The prominent position shows the reverence Legatees feel for military history.Artwork on paper in wooden frame depicting aspects of Gallipoli around the letters spelling Gallipoli.Signed in bottom right corner with indistinct name and '03/07'.gallipoli, soldiers

Photograph of a painting based on a postcard which was exhibited in Kew in the early 1980s.Near Kew Junction, circa 1905. Photograph of artwork [1984.003]. The photograph is attached to a page of typed text which can be viewed in the image.laurie koelmayer, kew (victoria)

This painting, which includes the beautifully crafted wind vane above the historic Mission to Seafarers’ building in Flinders Street, Melbourne, symbolises the safe port for the crew of ships, over the years, that have entered Port Phillip Bay, since the Victorian Mission was established in 1857. The stormy ocean weather for the sailors is contrasted with the calm seas near the Mission.This painting was an entry for the 2017 Maritime Art Prize. Jack's marine art covers a wide spectrum of maritime subjects, but with a focus on paintings of classic yachts that ventured over long distances to remote parts of the world. Maritime art, Marine artDonated by Jack WoodsOil painting on linen covered wooden frame, incorporating several features: from left to right a tanker vessel, a windjammer and the galleon wind vane restored to the roof of the Mission in 2020.safe, jack woods, painting, port, artwork, windjammer, windvane, cargo ship, galleon, weather vane, anl, maritime art prize, artwork-paintings

Rosmary Douglas Peta Creighton and Leann Edwards at Artworks Nungurner VictoriaBlack and white photograph of Rosmary Douglas Peta Creighton and Leann Edwards at Artworks Nungurner Victoriaarts, exhibition, businesses