This is an ash tray sold to tourists as a souvenir of a visit to Warrnambool. It would have been relatively cheap to buy. Souvenirs such as this were mass-produced for the tourist market and a relevant photograph inserted on the base to suit the town or settlement where they were sold. As cigarette-smoking is no longer so socially acceptable, items such as this one are no longer sold as tourist souvenirs. This item is of interest as an example of the type of souvenir sold to tourists in Australia in the first half of the 20th century, probably in the 1940s or 1950s. It is of particular local interest because it contains a photograph of Warrnambool during that time. This is a souvenir tin ash tray circular in shape. It has a colour photograph of Warrnambool inserted into the base of the dish (Flagstaff Hill showing part of the fortifications, the Lower Lighthouse, a camping ground and Warrnambool Bay). The ash tray has three lips on the side of the dish for resting a cigarette. The base is gold-coloured and is slightly tarnished. ‘Warrnambool Victoria’ tourism in warrnambool

This item was bought as a souvenir of Warrnambool in the mid 20th century when cigarette smoking was more widespread and was socially acceptable. Tourism in Warrnambool has been an important industry for over 100 years. In the late 19th century Warrnambool was promoted as a spa resort with its mild climate, sea bathing and its hot and cold sea water baths complex. Today visitors come in winter for the May Racing Carnival and to see the Southern Right whales at Logans Beach and in summer they come for a beach holiday. The image on the dish shows the Warrnambool Hopkins River near its mouth. The boatshed is no longer there with sections of the building being relocated to a site in Henna Street and used for indoor recreational purposes.This ash tray is retained as an example of a local tourist souvenir sold to tourists in the 1960s. This is a small white china dish made in an oval shape and slightly raised from the surface on which it sits. The ends of the dish have four gold coloured indents for stubbing cigarettes. There is a gold rim around the edge of the dish and a coloured image of the old boat shed and jetty on the Hopkins River in Warrnambool. On the base of the dish is the logo of the maker and printed details.Warrnambool Hopkins River Alka Kunst Bavaria tourism in warrnambool, history of warrnambool

Circular brass with inscription HMAS AUSTRALIA 1928-1954HMAS AUSTRALIA 1928-1954

Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. 18-Pounder Artillery Shells: The Great War Recycled and Re-Circulated Categories :Material Culture Machine Subscribe Share on facebook Share on twitter The intention of war is to kill, to maim and to destroy using, for example, the agency of 18-pounder artillery shells (so-called because they weighed 18 pounds). The shells were loaded in to the 18-pounder field guns used by the Royal Artillery and targeted to destroy German batteries and trenches as well as to shoot down aeroplanes. Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA In Under Fire, Henri Barbusse recounts how the incessant and diabolical din of war constantly bombarded the soldier body with the unendurable noise of bursting shells that caused pain to the ears (Barbusse 2010 [1933]: 207). The noise was so ‘monstrously resounding’ that one felt ‘annihilated by the mere sound of the downpour of thunder’ (Barbusse 2010 [1933]: 206). Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. People’s experience of the First World War did not end with the armistice. Whilst the noise of the artillery had ceased, the noise of war was remembered. Harry Patch on arriving home injured recalled being ‘jumpy for a while’ with the least noise prompting him to dive for cover (2009: 114). Something else materialised. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. The head-stamp of these particular shells displays the British broad arrow and the initials ‘EOC’ indicates that they were made at the Elswick Ordnance Company, England; the initials ‘CF’ signal that the charge was loaded with cordite, a standard propellant. Spent shells were illicitly scavenged from massive mounds by both soldiers and civilians alike to become personal souvenirs or to swap or sell. Spent artillery shells were crafted, often using a hammer and a bent nail. The crafting of trench art reflects the construction of an identity that offers momentary relief from the hell experienced in the trenches. The lid of an 18Pounder shell which has been adapted for use as an ash tray.Lot 27 1927, 18Pr, III, EOC, C/F, Defence broad arrow,

Dean collection, refer Cat No 4575PThis assembly is in the shape of a small cannon shell with projectile. 1. The base is shaped like a cannon shell. Inside is a ring to butt your ashes. It is made of a metal, the coating of which is pock marked. 2. The centre piece is tapered from 5 cm down to 3 cm. Underneath it is the fuel charging socket. On top is the flint button and fire hole. 3, The nose cone is shaped like an A.P. projectile. It tapers from 3 cm to a point.The base of the shell has "CHNA 1953.9. 1-7".war, smoking

Picture of Carinya GuesthouseWhite vitrified china oblong ash tray , with indentations on two sides to rest cigarettes on, with red sketch of Carina Guesthouse with writing underneath “A new Happiness, A new outlook on life, a new circle of friends.”Makers mark on base is Grindleycarinya guesthouse, guesthouses, souvenirs

Ash Tray metal "HMAS Sydney" stamped on body.ephemera, ran

Brass shell based cut down into an ash tray. Three semi-circular cut-outs on the rim support cigarettes. "trench Art"4.5x13.5ashtray, trench art

Miniature bath shaped metal ash tray. On one side there is a rest for a cigarette. The bath shape rests on 3 ball shaped legs. Has been painted blue by the donor. Originally metal unpainted. The head end is higher - sloping down to the foot end. Presumably made by POW's during WW2. Found in 1956 in a tunnel by a Dhurringile boy.ash tray, metal work, dhurringile pow camp, presbyterian church, orphans, orphanage

Shell Case Base with lge bullet in middle; replica P-38 Lightning fighter plane (made from bullets) mounted on top of lge bulletcollectables, ballarat rsl, ballarat

A round plated metal dish with 3 equally spaced indentations for cigarettes and a Kew City Bowmen enamelled badge attached. The badge has a flapping bird standing on a four ringed target enamelled in white, navy blue, green and red rings, a bow superimposed surrounded by Kew City Bowman with 2 crossed arrows below on a mauve blue background.Kew City Bowmankew city bowmen, archery, hays paddock - kew east (vic)

Small silver ashstray. Inscr: 'HTG/1955'. Stamped in base '835'. Materials: Silver/Metaltennis

Prize silver and glass ashstray, inscribed: 'INT. DEUTSCHEE HALLENMEISTERSCHAFTEN/KOLN 1960/H.E. III'. Materials: Silver/Metal, Glasstennis

The Sarroff family were one of the earliest Lebanese families to arrive in the area of Albury-Wodonga in the 1890s, originating from Kousba, Lebanon. They opened a drapery business in Townsend Street, Albury. Father Carl and Nassim (Charles) were naturalised in 1897. Carl died in 1926. By the 1950s his grandsons were operating dry cleaning businesses in both towns. In 1970 their business was located in Wodonga Mall on the corner of High Street and Stanley Street.Sarroff's Dry Cleaning was operated by the family of one of the earliest Lebanese migrant families to the Wodonga area in the 1890s.A blue metal ash tray bearing the name SARROFF's Dry Cleaners in a white disc in the centrePrinted on the white disc in the centre "SARROFF'S/Wodonga/Dry Cleaners/ Phone 639/ 2 Hour Service"lebanese migrants, wodonga businesses, high street wodonga