B/W picture of the crowd listening to an undated Carols by Candlelight concert.1 digital imageroyal victorian institute for the blind, carols by candlelight

Kurt WEBB United States of America Acclaimed ceramacist and ceramics instructor Kurt Webb attended Illinois State University. He teaches classes with young adults and high school students.Stoneware ceramic piece most probably made at Churchill Campus in 1988 while Kurt Webb was a visiting artist. The exterior features blue and green shaps on tan, with the interior a mid-blue colour with impressed shapes and swirls. kurt webb, ceramics, gippsland campus, jan feder memorial ceramics collection

A footed, pierced silver sweatmeat dish with folding handle with the silver heavily foliated repoussé work.To our dear Bishop from the Pupils of the Sisters of Mercy.

Wide silver cup, no handles, unbranded5/6 rvr, vsr, 5rvr, trophy, bhq

Incomplete clay pipe. Section of the stem glued to the bowl. Embossed and some other markings.Floral or berries on stem on one side of bowl and harp on the other side of the bowl. 'GLASGOW' and 8 on one side of stem and indeterminate writing on the other side of the stem.

This particular glass bowl was a favoured ornamental type room "brightener" in the early 1900's. Although referred to as a "nappy bowl" this bowl has not the capacity for nappies but for nappy pins. This was a period in time before the nappy ties and instant nappy covers.This has relevance as an object that was both practical for the early 1900's nappy changes and provided some visual relief for any "drab" household ambience, especial in rural homes. The early to mid 1900's, rural households, on the whole, were more practical and not designed for entertainment. This reflected the more serious nature which were governed by aspects of providing a living from the land and unreliable weather. By placing visually attractive ornaments within various rooms (lounge/living rooms) the transformation from a stark external environment to a more warm and friendly area was achieved. This dark amber (Marigold) carnival glass 5 inch nappy bowl has a Kookaburra press molded base and wattle blossom with waratah and flannel flower sides. The bowl has a twelve scolloped rippled rim. Initially this type of bowl was reintroduced(from Roman times) into the 19th and 20th Century (modern age) by a United States glass manufacturer..Manufacturer's mark at the base illegible nappy bowls, nappy pin holders, visual mood changing ornaments

This bowl was presented to ANZCA during the 35th Malaysia Singapore Congress of MedicinePewter bowl on raised round base with silver plated decorated inlay in an ornate flowery scroll pattern. The gift details are engraved on the one side of the bowl.[front] Presented to / Australian & New Zealand College of Anaesthestists / in Conjunction With / 35th Malaysia - Singapore Congress of Medicine / August 2001 [base, maker's mark] ROYAL / SELANGOR / PEWTERcorporate gift, selangor pewter, malaysia-singapore congress

Part of the Mooney Collection held at Langi Morgala Museum. Wooden bowl carved by Australian Indigenous people. Long carved out boat hull shaped bow. It has carvings of water or an eel on the outside. Used to carry food or wood.Carvings of water or an eel on the outside of the bowl.

This bowl was turned by Mr Bob Harris from the fallen Claret Ash which grew on the north side of the Mair Street (CPLC) oval. Bob was a groundsman at Mair Street 1980 - 1989. His profile was published in Ringaroo March 1986. He passed away in June 2013. The bowl was presented to College 24 August 1989. Claret Ash turned bowl with lidrobert-harris, grounds staff, craftsmanship

Josiah Spode I (1733-1797) founded the Stoke-on-Trent based pottery company, Spode, in 1770.Three small coffee cups in white china patterned with blue flowers. One small white china bowl with blue stencil pattern.Back of bowl - S.H. Back of one cup - Spode crockery domestic-items-spode bowl cups-coffee china

This bowl is part of a series completed in 1994 on the subject of the sin of 'Vanity' / A smug looking woman flirts coquettishly with a manservant who helps her to put on her shoes / The people depicted on the bowl are dressed in 18th century costumes / The court of Marie Antoinette of France is evoked / The blue and white drawing is in the style of 18th century woodblock prints and was drawn freehand / The bowl is signed and dated on the base / The technique is traditional tin glaze (majolica, maiolica or delft) / Coloured oxides were painted onto a clear glaze which had been opacified with tin oxide, and then fired at 900 degrees / The bowl was exhibited at Christine Abrahams Gallery, Melbourne in 1994 / A bowl from the 'Vanity' series is held in the Collection of the Queen Victoria Museum and Art Gallery in Launceston, Tasmania. Copeland's parents are John and Betty Hipwell, one of the founding members of Potters Cottage (an influential ceramic collective that grew out of Nillumbik) / Copeland grew up surrounded by this artform. Reg Preston (another founding member of Potter's Cottage) introduced her to the Majolica technique which has influenced her ceramic work to this day / This bowl is characteristic of Copeland's speciality and mastery of the Majolica technique. This bowl is hand painted with an image of a couple flirting (man-left side and woman-centre) in 18th century French dress / Decorative circle and polka dot pattern along the rim and underside of the bowl / The bowl is predominantly painted in cobalt blue and orange colour using the Majolica (maiolica or delft) technique; a traditional tinglaze method of application. Coloured oxides are painted onto a clear glaze which has been opacified with tin oxide / The bowl is then fired at 900 degrees.Underside has in colbalt blue artist signature and date / 'A. Copeland . 1.9.1994'.copeland, earthenware, majolica, potters cottage, vanity, bowl, eighteen century, french, marie antoinette

Perpetual Cup awarded to the winning school in the U-17 Lap of the Lake competition 1957 - 1977 and 1980. Ballarat Clarendon College won the trophy 1980 only. Large double-handle plain silver cup with lid on melamine base; inscribed silver plaque around base; inscriptions on front and verso of cup bowl;Face of bowl: THOMAS / JEWELLERS / CUP Verso of bowl: SCHOOLBOYS / LAP OF LAKE / U-17 Plaque on base: WINNERS / 1957 - 1980

Clarendon PLC celebrated its 125th anniversary on 11-12 September 1993. Events included a dinner on Saturday evening at the Balanada Room, Main Road, Ballarat, a Sunday morning service in the College Chapel, Sturt Street campus and an informal luncheon in Watson Hall, Mair Street campus. These bowls were hand made by Susan Gillett (Hoskins) CPLC 1966 as gifts provided to old collegians attending the event. Three hand painted fire-kilned pottery bowls with blue and yellow decoration to border and base of bowlPainted inside bowl: C.P.L.C. 125 YEARS Inscribed on base: SUSANclarendon-presbyterian-ladies-college, 1993, 125th anniversary

This hand operated beater is the precursor to the electric beater. It has a hole in the top to add ingredients as they are beaten together. Pottery bowl made by Hoffman Australia.Bottom of cream coloured bowl: HOFFMAN 24 AUSTRALIAcooking, hand operated beater, hand operated mixer/blender

Part of Kyneton Fire Brigade trophy collectionPart of Kyneton Fire Brigade trophy collectionCut crystal bowl, star pattern on base, leaves and flowers on sides, scalloped edge at top. Manufacturer's sticker on side of bowl: Bohemian / Hand / Cut / Crystal / Made in Czeckoslovakia. trophy, kyneton fire brigade, country fire authority, fire brigade demonstrations

St Luke’s Anglican Church officially opened on 15 March 1863. It was constructed from locally hewn stone. After serving the congregation for more than a century, the Church was closed by the Health Commission due to its deteriorated condition which was judged to be beyond repair. It was demolished by voluntary labour on the 10 – 11 August 1968. St Luke’s originally operated as a branch of the Albury church. The first resident minister at Wodonga was Rev. J. H. White who came in 1879. Much of the demolition of the church was organised and carried out by Raymond John Schmidt, a long-time parishioner of St Luke’s. After the demolition, the font was relocated to the Schmidt family garden. It was the wish of Ray Schmidt and his wife Elizabeth that the Font should come to the Wodonga & District Historical Society after their deaths. It is now displayed at Hut 97.A baptismal font made from hewn stone from the Wodonga area. Central bowl for holy water is surrounded by an inscription.Around bowl "SUFFER THE LITTLE CHILDREN WHO COME UNTO ME"st luke's church wodonga, religious ceremonial items, anglican church wodonga

Sir Frederick William Hewitt (1857-1916) wrote one of the earliest comprehensive textbooks on anaesthesia, and designed several pieces of anaesthetic equipment. In 1901, he described his wide-bore ether inhaler, a modification of the Clover Ether Inhaler. Unlike the Clover, it can be refilled with ether while still in use, and the mask is screwed into place so that it "cannot be unexpectedly detached." This version is a modified Hewitt's Inhaler which has a narrower 'ways' than the original Hewitt's, and no water compartment. Additionally, one side of the bowl is made of glass which enabled the person administering anaesthesia to see the level remaining in the bowl. Bowl shaped inhaler with a glass bowl base and metal dome top with a connector which appears to be for a rebreather bag. There is a metal switch at the base of the glass bowl to alter or regulate the flow.Stamped into central tube: COXETER LONDON Stamped into side of metal dome: 6460hewitt, wide-bore, clover, ether, anaesthesia, anesthesiology, anaesthesiology

Colour slide in a mount. Miraggio (seated figure) sculpture by Pino Conte at Sidney Myer Music Bowl, MelbourneMade in Australia / 23 / JAN 65M / Myer Music Bowl Sculpture: (Handwritten)melbourne, slide

This "mixing" bowl was used in a period before electric food processors and mixers were readily available(1940's). Basic food ingrediences requiring mixing such as cakes scones and bread had to be hand blended.This mixing bowl is very significant to the Kiewa Valley andrural regions because it details not only what kitchens, be they commercial, domestic or rural camp, required to be stocked with but also a period in time when electrical goods such as blenders were not on in production and electricity was not available.This bowl is made from steel and has a green enamel covering. The rim of the bowl has a black border to highlight its edge.nilmixing bowl, kitchen

Sugar bowl belonging to a set produced for use at the Moorabbin Arts Centre (now Kingston Arts).White ceramic sugar bowl with lid and Moorabbin Arts Centre logo on front.Marked on base: Royal Porcelain / Kingdom of Thailand / Oven to Table / Dishwasher - safe / Microwave - safeephemera, crockery, tableware, moorabbin arts centre

This decorative bowl is typical of items used in a Victorian household for decorative purposes or to serve items such as fruit. It has been lovingly handmade and restored carefully to match the original.This alabaster bowl is representative of handmade decorative and useful items of the Victorian era.Bowl; round, hand-crafted, shallow oval alabaster bowl on a short pedestal with carved handles on opposing sides. Light brown with dark grey/black and red flecks. Stone has a polished surface, leaves outline (acanthus plant) etched inside the bowl. The pedestal has been crafted separately and expertly attached to the base. Several careful repairs were previously made to preserve the bowl.flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, bowl, alabaster, decorative item, fruit bowl, handmade bowl

Wooden Bowl (turned) made from the wood of the SS "Edina" - beeswax finish, some wear evident.Small brass plaque pinned to side of bowl stating "MADE FROM / THE WOOD OF / SS EDINA"ss edina

Footed, electroplated nickel silver sugar bowl, presented to Mr R W Pettitt.Footed, electroplated nickel silver sugar bowl, presented to Mr R W Pettitt.PEERLE[S][S] PLATE/ EPNSpettitt, mr r. w.

Decorative glass bowl with clear green base colour yellowish white opaque lines in spiral pattern. Clear glass decorative flange trim on edge.ornaments, glass, globular, green, bowl.

Part of the Uebergang Collection. Used by the Percy Uebergang family in the early 20th century. A photograph of twins Ray and Joyce sitting in bowls is in the collection. Joyce is sitting in this bowl. [P0127]Large cream china bowl with striped decoration on rim and swirling green stripes below. Interior is cream. Part of a matching set containing bowl, ewer, soap dish and toothbrush holder.Base: 1796.2 Side: H1796.2toilet sets, ablutions, bowls, uebergang, allansford, toilet sets, ablutions, bowls, uebergang, allansford