Blue duplicate Purchase Requisition Book dated 21/1/92 to 29/7/92.Cover has crocodile pattern and blue cloth tape on the spine. Tape on inside front cover. Items in the book include electrical work/repairs, stationary and office supplies and equipment, branding fluid, hardware, welding, dog food, screenings and spreading and checking scale. Blue duplicate pages and white originals. Last pages have This book is cancelled S? written across it. Back cover is missing. Two loose pages in the book. One is a duplicate For All Bull Cattle Colour, dated 3/2/92 for silver and yellow branding fluid. The other is a V/Line Freight Consignment Note dated 5/2/92. Purchase Requisition book with a red and cream patterned book with a red tape spine and blue pages. Saleyards is written in balck texta on the front of the red spine. Book is dated from 24/8/90 to 8/1/92. Requisitions signed by J M Crimmins and J Richmond. Requisitions were for electrical work, plumbing supplies, office materials, branding fluid, dog food, sheep dip, weed killer, repairs to yards, tools, printing, hay, and repairs to truck wash.bendigo, council, cattle markets, bendigo saleyards collection - city of bendigo purchase requisition, hume & iser, brb electrical, boltons bros, d walker pty otd, all bull albury, bearing & industrial supplies, midland irrigation, watson & crane, ray t thompson, golden triangle communications, blue line office supplies, allweld construction, toledo scales, david bolton, dalgety farmers, j m crimmins, rodger wrigley, dookie college, b p bury, ron dixon, beaurepaires tyers, steven hyde, bendigo scale co, d g walker pty ltd, reece, midland ir, bendigo engineering

Twelve small pieces of gold coloured plaster mouldings ranging in sizes of 2.8 x 1.1 x 0.6 to 0.3 x 0.2 x 0.2. One has a raised circular pattern, some have a plant design and one a rounded design.buildings, fittings & materials, plaster moulding, small plaster moulding - gold colour

Pure wool, fawn in colour, men’s cardigan. Five button, V neck front. One pocket on either side of front. Front band is 3.5cms wide and lined with cotton fabric, from the V opening to the hem to support buttons and button holes. Overlocked seams. A fine rib pattern, one cm wide is separated by a narrow one stitch gap. A finer rib, two stitches wide forms the cuffs, and lower band. Set-in sleeves.QUALITY KNITWEAR BY HANRO PURE WOOL 38costume, male, cardigan

Orlon long sleeved cardigan with round neck, buttoned with 9 plastic pearl buttons to the neckline. Long raglan sleeves with a lace pattern along the raglan top of the sleeves, with a 10cm ribbed band at the wrist. A 5.5cm ribbed band at the hipline. Garment is a bright deep peach/orange colour.Or perhaps a deep peach colour. Formerly owned by Margaret (Nell) Timbs nee Heider who worked at Hanro in the Finishing Department about 1935. Donated by her daughter Yvonne Knipe who worked at Hanro in the Office from 1961, then at John Brown until 1968.Fully fashioned by Hanro. 05. 100% ORLON Stamped on back band MEDIUMScostume, female, cardigan

Long sleeved tangerine coloured ladies’ jumper with a small peaked revere collar and a 6cm long opening, fastened by one small plastic pearl button and woollen loop. Raglan sleeves with a patterned effect on the raglan shaping and a seven cm ribbed cuffs at the wrists. Three cm ribbed band at the waistline. Tangerine V necked long sleeved ladies’ cardigan with five plastic pearl button fastening. Raglan sleeves with a patterned effect on the raglan shaping and seven cm ribbed cuffs at the wrists. Three cm ribbed band at the waistline. Three cm ribbed band around front opening with a patterned effect adjoining the body of the garment. Formerly owned by Margaret (Nell) Timbs nee Heider who worked at Hanro in the Finishing Department about 1935. Donated by her daughter Yvonne Knipe who worked at Hanro in the Office from 1961, then at John Brown until 1968.Tag. Swiss inspired Hanro. SW. Pure Wool. Mothproof. Original label still attached. This is a guaranteed Hanro Hanrosafe garment. It is thoroughly shrinkproof and machine washable. Style 759, Size SW, Colour A39. On reverse of label “This garment has been awarde the coveted WOOL TESTING AUTHORITY’S SEAL OF APPROVAL and is guaranteed shrinkproof and machine washable. Directions for Machine Washing – refer to photograph.

Three (3) buff coloured tram tickets. No. A592802 1/- Mauve printing. No. B652002 Blue printing 6d. A747807 black printing 10d. Reverse: All have a cross pattern in the same colour as the front.person, individual, basil miller

Object. Woven palm - frond handle and 'spine'. Strips of palm-frond have then been split from the fronds, and woven in a 'basket' effect, with slightly wider - 1 cm, at the base of the fan shape, tapering to .5 cm at the top. Lower section at the centre. A second 5 cm straight shape section steps up to a top peak, 4 cm high. Some pattern is visible, in a darker colour.costume accessories, female, palm -frond diamond shaped fan

Colour photograph of Gertrude Perry wearing the appropriate style for the show in which she was playing. Hair tied back with almost sheer red material. White top with horizontal lines, black corset with shoulder straps and tied at the front, red skirt with horizontal stripes of orange, blue green, and patterned hem line. Maroon coloured basket on her left arm.entertainment, theatre, costume

Full length skirt, with a three-quarter length over-skirt, edged in braided embroidery. Over-skirt is attached at the waistline, with a band of tape, and separates on the left hand side waistline. Stitched to the underskirt at the front, and edged with a .5cm dark olive coloured braid. The braid extends around the hemline of the overskirt in a looped pattern. Fabric has a woven stripe-a narrow stripe of lighter colour, and a .75cm stripe of dark grey edged with tan. Skirt fully lined with brown cotton fabric. Centre back plackett fastens with one large metal hook and eye, and six smaller hooks, and hand made cotton loops. Skirt has matching bodice 11400.744. This two piece outfit - skirt and bodice, was made by Laura's Mother in 1908, and mostly by hand. She wore it also to Mass in 1913. It is made of material called "Resilda''.costume, female, brown striped long skirt

Textiles. Diamond shaped pieces-five X 3.5 cm pieces of velvet, and mixed fabrics in shades and patterns of brown, cream, blue,russet and green. Crushed velvet backing in mid brown colour. Some evidence that the insert has been embroidered(Possibly a recycled cushion). Some diamond shapes are severely worn, while two are completely missing.textiles, domestic, velvet and mixed fabric cushion

1968 Blazer - Mexico Olympics. Maroon single breasted collarless wool blazer. Fastened with three 2 cm metal buttons with wheel spoke pattern. Three internal front pockets with slit openings. LHS breast pocket has pink and black cloth badge (9cm X 9cm) stitched below pocket opening. Badge has embroidered symbols of an arm above three waves. Straight sleeves with 7 cm slit at wrist fastened with 1.5 cm metal buttons with wheel spoke pattern. Blazer has two 23cm side vents on the back. Half belt (fabric) 5cm X 38 cm across the back above side splits. Padded shoulders. Two internal pockets in the front lining. Blazer partially lined with mauve satin with small random check pattern. Sleeves fully lined. Enamel badge on RHS neckline (2.1 cm X 2.1 cm) - Olympic Rings, Gold coin, ''MEXICO'', green , white and red colour strips.costume, male, maroon blazer.

Colour photo: image shows interior of a room at Municipal Offices, Eaglehawk., patterned flowery wallpaper, pink paintwork trim. Desk on LH side. On rear of photo: Aulsebrook & Martin Sty Ltd., Photographers, 6 Ruth St., Golden Square 3555 Phone 054 437565bendigo, buildings, municipal offices, eaglehawk

Document. Norman Penrose collection: blue check pattern exercise book containing notes on Colour Design and 6 loose pages of colour wheels/charts.N. Penroseperson, bendigo, norman william penrose, norman penrose collection, colour and design

M1 Steel helmet used onboard HMAS Kanimbla. These M1Steel helmets were first issued in 1941 to the United States Armed Forces. They were adopted after the Korean War by the Australian Defence Force. In the 1990s they were replaced by the Kevlar based Personnel Armour System-Ground Troop (PASGT) type helmet. However, as evidenced by this helmet, some M1 Steel helmets were not replaced in-service by the PASGT helmet and survived into the early 21st Century. Interestingly, the Nato Stock Number (NSN) printed on the inside of the helmet liner indicates that this helmet was made for a Bulgarian contract, as evidenced by the NSN National code of 50 in the second group of numbers in the stock number. HMAS Kanimbla (LPA-51) was built for the United States Navy as USS Saginaw and was launched on 7 February 1970. Kanimbla was commissioned into the Royal Australian Navy in August 1994. Kanimbla was heavily involved in Operation Slipper conducting a variety of tasks such as patrol, mine recovery. During Operation Slipper, Kanimbla also conducted 27 compliant boardings and 23 non-compliant boardings in the Persian Gulf in 2001-2.Standard issue United States M1 pattern steel helmet, olive drab in colour with liner. On the inside of the liner '8415-50-753-5792' is printed in ink. The chin strap is made of webbing and has its metal claps attached for doing it it.8415-50-753-5792helmet, vietnam, protective helmet

Handpainted by internment at Camp 3. Plate returned from GermanyArmy issue hand painted light tan colour tin dinner plate, circular with decorative patterned edging in black, green, red and whiteplate, tin, rippert c, kuebler g, camp 3, tatura, ww2 camp 3, domestic, table, setting

Crown Ducal Florentine Jug. Small off-white light cream colour. The top half is embossed with Florentine pattern. Gold band around top of centre of jug. Gold decoration on handle.Crown illustration. Crown Ducal, Florentine Made in Englandjug, creamer, crown ducal

Plastic bag (khaki colour) with yellow printed list of contents and directions. Brown shoe lace to tie. Note: Contents incomplete.D:D6545-66-019-9800 First Aid Kitfirst aid kit

Proudly worn by soldiers of the 1st and 2nd Australian Imperial Force in both World Wars, the 'Rising Sun' badge has become an integral part of the digger tradition. The distinctive shape of the badge, worn on the upturned side of a slouch hat, is commonly identified with the spirit of Anzac. There are seven patterns of the Rising Sun. The Rising Sun has evolved over time and today Australian Army soldiers wear the seventh pattern Rising Sun.The Rising Sun badge, also known as the General Service Badge or the Australian Army Badge, is the official insignia of the Australian Army and is mostly worn on the brim of a slouch hat or, less frequently, on the front of a peaked cap for Army personnel filling certain ceremonial appointments.Timber look laminate box with gold colour metal "rising sun" badge on front. The box opens out flat and contains seven metal " rising sun " badges mounted on black felt on the right side. The left side below an image of the rising sun contains a written history of all seven badges from 1902 to the present.The Australian Armyrising sun, badge, australian army, anzac

Chapter 1, Introducation, Chapter 2, Sounds and Spelling, Chapter 3, Types of Words Chapter 4 Pronouns, Chapter 5,Word endings, Chapter 6, Sentence patterns, Appendix 1. Language samples, Appendix 2, Selected bibliography Appendix 3, Answers to ?Try it put? section.b&w illustrations, colour illustrations, word listsnarungga, south australia, education

This book is hand written in ink a list of occupiers and addresses of properties in Sunbury requiring cleaning of water closets between the years 1895 and 1908. Water closets were used before sewerage was connected to the town.Cloth covered hard cover book with tan colour corners and spine which have small embossed pattern on edges. Gold writing on red background on front cover. Green, black and red colour mottled pages inside front and back covers."Cleansing/Register/..."1890s, shire of bulla, sunbury, george evans collection

BIARRI had an annual day where an antique dealer valued items brought in by the public.4 Colour photograph of various items at the appraisal day. 7154 Pan American Toy airplane sitting in front of its box 7154-1 Two people sitting at a table on which is a chair the man is writing 7154-2 A sitting male holding a white flower patterned vase. 7154-3 A male examining a brown patterned jug. biarri

This piece of fabric, known Fälter (butterfly), was designed by Mathilda Flögl (1893-1958), who worked in the textile department of the Wiener Werkstätte in Vienna. It is a remnant of the fabric that was used to make a bedspread for Karl and Slawa’s bed in their Vienna apartment where it lay decoratively over a gold brocade eiderdown. The purchase demonstrated Slawa’s interest in and knowledge of modern design and her commitment to the idea of enriching everyday life with beautiful objects, a principal of the Viennese Secession. Following the Duldigs removal from Vienna, the original bedspread and remnant were safeguarded and preserved by Slawa’s sister, Rella, in the basement of her Paris apartment. In 1948 the bedspread and this remnant were sent to Australia. The bedspread was a much-loved item but deteriorated over the years. In 1955 it was made into curtains, which are held in the Duldig Studio Collection. The Photographs of the bedspread in its original location are also held in the collection. The remnant is in pristine condition. The Wiener Werkstätte (Vienna Workshop) was a guild of designers and craftsmen that was founded by the architect Josef Hoffman (1879-1956) and the designer Koloman Moser (1868-1918). The firm manufactured a range of interior furnishings between 1903 and 1932. The textile department opened in 1900, and produced about 1,800 designs, mainly for printed fabrics for furnishings and apparel. The designs were characterised by simplified forms and vivid colours, and inspired by Eastern European peasant art and geometric motifs in contemporary painting. The workshop had a profound impact of European art and design, and its work is still celebrated today. Mathilde Flögl was born in the Czech Republic in 1893, and studied at the Kunstgerwerbeschule in Vienna. In 1916 she began working at the Weiner Werkstätte, and where she designed more than 120 textile patterns. This fabric Fälter or Butterfly was designed in 1924. The butterfly was a favourite motif of Flögl. In this design she plays with a variety of whimsical abstractions and arrangement of both the butterfly and the snail on a background of abstract colour stripes and blocks. Ann Carew 2016The fabric is of great aesthetic interest as an example of the work of the Viennese workshops, and the noted designer textile designer Mathilde Flögl. The original pencil drawings, pencil and gouache designs, and fabric swatches for Fälter are held in the MAK Museum in Vienna, and the Victorian and Albert Museum in London have a sample of piece of the silk fabric in an alternate colour wave. The Museum of Applied Arts in Sydney holds a swatch book of textiles from the Wiener Werkstätte, however Flögl’s work is not represented. The National Gallery of Victoria holds a similar swatch book. The remnant has an excellent provenance, is associated with a powerful personal narrative, and is significant and rare item relating to history of the Wiener Werkstätte in Vienna, and the oeuvre of Matilda Flögl.   Ann Carew 2016Remnant of a block-printed silk fabric used to make the bedspread for Karl Duldig and Slawa Horowitz-Duldig's bed in Vienna.

This work forms a pair with Untitled #3 (fox bones – ordered) / This work draws on ideas of death and the traces of a body that death leaves behind / The work aims to confront the viewer with the concept of death, but it is not morbid or macabre in its consideration of it / Instead of fear the work presents a quiet and beautiful image that aims to portray a feeling of acceptance in the inevitable destruction of one's body / In this work the bones of a deceased fox were meticulously cleaned, bleached and layed out for photographing / No digital manipulation was used to arrange the bones / The same bones from the same fox were rearranged and used for the other work in this series.This work was completed in 2012 as part of the artist's residency in 2011 at Birrarung, Laughing Waters (Laughing Waters Artist in Residence program - LWAIR) managed by Nillumbik Shire Council / Works produced there take inspiration from the natural landscape and the creatures living within that particular environment.Print - A digital photograph printed on hahnemuhle photo rag paper / edition 2 of 8 + 2 artist prints / Individual fox bones placed/layed out on a white background and arranged in an outward circular pattern. Beige/neutral in colour / Blonde timber frame. No signatures / no personal markings / no framers identified.digital print / fox / bones / pattern / photograph / laughing waters / birrarung / imam / death