Showing 1945 items
matching embroidered
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Birregurra Historical Society
Postcard, C1917
World War 1 1917 embroidered postcard from nephew of Jim Purcell to his aunt and uncle.Embroidered post card from 1917 WW1 'Home Sweet Home'. Additional small Christmas card included in an inside pocket.To Mr John Purcell / Clearview / Birregurra / Victoria / Australia All well from your ever loving nep (sic) (nephew) Christmas card reads A Merry Xmas to all Jim postcard, world war 1, birregurra -
Federation University Historical Collection
Costume, Ballarat School of Mines Blazer, 1930-50s
The School of Mines was established in 1870 in Ballarat, making it Australia's third oldest tertiary institution. Redmond Barry was its first president, and he was involved in the creation of university degree level courses for the school. The School of Mines was divided into a tertiary division and a technical division. The tertiary division provided higher education courses such as mining engineering, geology, education and business studies, while the technical division provided such programs as wool classing, plumbing and bricklaying.It remained in that form until the 1967 when it was split into three institutions, Ballarat School of Industries, Ballarat Technical School, and Ballarat Institute of Advanced Education. They remained three entities until 1976. Ballarat Institute of Advanced Education merged into Ballarat College of Advanced Education. The Ballarat School of Industries and Ballarat Technical School merged into the School of Mines and Industries, Ballarat (SMB) in 1976. Several entities merged or had arrangements with SMB. In 1994, a memo of understanding (MOU) was signed between SMB and the Ararat Technical School, which was founded in 1969. Then, in 1998, SMB and the Horsham-based Wimmera Institute of TAFE (1984), dating back to 1882, merged into the University of Ballarat to create a larger University. Green woollen, unlined blazer with embroidered emblem on breast pocket. The edges are bound including the three pockets and the sleeve cuff 9 cm from the edge. There are three green buttons at the front. The internal edges are bound and there is tape stitched to the inside where the top of the side and breast pockets are stitched. Embroidered patch on breast pocket. Makers woven tags.ballarat school of mines, blazer, coat of arms, school uniform, costume, textiles -
Frankston RSL Sub Branch
Cap, RAN, UNKNOWN
Royal Australian Navy standard issue ratings cap worn by able seamen when in uniform, this white cap has a tally band and chinstrap in black material with the embroidered name "H.M.A.S. SYDNEY".embroidered with the inscription : "H.M.A.S. SYDNEY" and the name "P. J. ADAMS" written inside -
Whitehorse Historical Society Inc.
Clothing - Baby's bib, C 1940's
Hand embroidered bib c 1940's Part of McNamara collectionHand embroidered, cream cotton baby bib with crochet edging, cotton neck ties. Bunny eating carrot in meadow motif with flying blue bird.Nilbaby bib, heather mcnamara -
Bendigo Military Museum
Souvenir - BANNER, SILK WW1, c.WW1
Banner was souvenired by Trooper Frank J. Fry, 3rd ALH Regiment No 2315. Trooper Fry also served in the Imperial Camel Corps in Palestine from 1916 to mid 1918 when he rejoined the 3rd ALH Regiment White silk banner featuring the flags of eight WW1 allied nations (Great Britian, France, Belgium, Japan, Serbia, Italy, Russia, Egypt.) The flags surround a raised life buoy over an embroidered anchor. Inside the life buoy is space for a photograph. At the bottom of the banner is a gold coloured rectangular frame housing a coloured print of a naval battle. The banner is topped with "Victory for the Allies."Over an embroidered King's Crown Banner is mounted on cardboard and covered with a clear cellophane Embroidered on top of banner. "Victory to the Allies."souvenier, ww1, flags, trooper frank j. fry. -
Bendigo Military Museum
Uniform - CHEVRONS
Items in the collection re Dale Hannaford. Refer Cat No. 2508 for details. One chevron indicates rank of Lance Corporal. Two chevrons indicate rank of Corporal.1. - 3. Two stripe chevrons. Green V shaped material with gold stripes. Backing white felt. 4. - 8. Five one stripe chevrons. Green V shaped material with gold stripe and white felt on back. frayed top corners where removed from uniform. 9. Small open ended shoulder epaulette in camouflage design (greens, brown, black) and Australia embroidered at bottom, inside white felt.9. "Australia" embroidered across bottom.chevrons, australian army -
Wangaratta RSL Sub Branch
Postcard - Embroidered Postcard, c. 1917
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard (portrait orientation) with embroidered cross representing flags and colours of different countries. Flower and foliate decoration beneath. Handwritten message on backFront: "THE CROSS OF THE ALLIES" (embroidered) Back: "to Enid from Dad / best love little girlie xxxxxx"wwi, postcard, embroidered postcard, carte postale -
Bendigo Military Museum
Postcard - GREETING POSTCARDS, c.1914 - 1919
Cards to Rena were from John Stanley HOWLETT No 2676 AIF WWI. Refer 41 medals, 48.4P photos..1) - .27) Greeting cards sent by Jack HOWLETT to his sweetheart Rena Fergus. The last 3 are embroidered on silk.Either written in pencil or ink. 25 postcards embroidered: To My Sweetheart To My Dear Sweetheart .24) Copy of original postcard.documents, cards, handcrafts - embroidery, souvenirs, military history -
Ballarat Diocesan Historical Commission
ceremonial collar, Hibernian Australasian Catholic Benefit Society (HACBS) ceremonial collar, Early 20th century
The Ballarat Hibernian Society was a friendly society formed at Ballarat in 1868. In 1871 the group amalgamated with a similar group in Melbourne to form the HACBS. Due to legislative changes the insurance interests of the society were absorbed into those of the IOOF in the late twentieth century . These collars were worn at official functions and meetings of the society. They vary in elaboration from heavily embroidered to very simple silk collars and many are embroidered with motifs such as kangaroos, emus, shamrocks and Irish harps.Large velvet ceremonial collar with gold metal braid trim and PP for Past President embroidered in gold metal thread.hibernian, hacbs, textile, ceremonial collar, friendly society. -
Tatura Irrigation & Wartime Camps Museum
Doiley, 1940's
Embroidered in Camp 3, Tatura sewing class by InterneesSquare shape hand embroided doiley. Blanket stitch edging with blue cotton. Central embroidered circle of flowers in embroidery cotton in colours pink, yellow, light blue, dark bluedoiley, hornung g, frank g, camp 3, tatura, ww2, manchester, table, linen -
Federation University Historical Collection
Costume - Nursing, Nurses uniform and cape, 1970s?
This uniform was worn by student nurses at the Hillcrest Psychiatric Hospital in Adelaide in the early 1970s. In 1964, Northfield Mental Hospital was renamed Hillcrest Hospital. .1) Mid pink waisted and darted uniform with a front pocket (with H H embroidered) on left breast and side pockets on skirt. Buttoned up the front, with three buttons on top and a placket with four hidden buttons on skirt. There is a hook and eye at the waist and a separate belt with two buttons and buttonholes. There is a collar and cuffed short sleeves, a back yoke and a center inverted pleat. .2) A lined (double layer) woollen royal blue cape with collar and neck tie and a hook and eye clasp.Embroidered on top pocket - H Hnursing, hillcrest hospital, student nurse uniform, nurse cape, costume, textiles, cape, uniform, hillcrest psychiatric hospital -
Bendigo Military Museum
Headwear - CAP, "Legend", 2021
Black cotton cap with peak, front above peak embroidered in white, brown and gold thread anniversary logo.Embroidered Anniversary logo, white, brown and gold thread. "The Siege of Tobruk/ 80/ 80th Anniversary/ 10 Apr 1941 - 7 Dec 1941".headwear, rats of tobruk, association anniversary -
Koroit & District Historical Society
Priest's Robe, Chasuble, late 19th century
This item was used at St Patrick's Catholic Church, Kirkstall from 1910. Although the item is black, black is no longer a liturgical colour after Vatican II.This is of historical significance to the people of Kirkstall and Koroit. It has potential spiritual significance of the local catholic population. it represents a typical item of a small village church in the late 19th Century.A black robe embroidered with black and silver,The chasuble is Roman style also called sandwich board, Pre- Vatican II style. It is watered silk and it may date from the early 20th C but it may date late 19 Century.There is an embroidered symbol on the front that encompasses the letters J H and S. Symbolic braiding.chasuble, robes, kirkstall, catholic, church, st patrick's kirkstall -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Souvenir - Scarf, framed, 1916
Sgt Roy Arthur Heuston Taggart, 4th Australian Light Horse Regiment, Grazier of Hawthorn, born 4 Sep 1888, enlisted 19 July 1915, 12th Reinforcements. Awarded Distinguished Conduct Medal for outstanding services during Flanders operations.Historic item by original member of 4ALHRectangular embroidery in glass fronted wooden frame. Background is colour patch of the 4th Australian Light Horse Regiment, diagonally divided with upper left section white and lower part red. The Australian Coat of Arms (in red) is at the upper left. Embroidered in red at top centre: "4th Light Horse Regiment 1st Division Egypt 1916". In gold thread at bottom right: Aust Army rising sun badge. . It is edged with white tassels at top and left and gold tassels at right and lower edge.Embroidered in gold thread : "From Roy"embroidery, 4th light horse, roy taggart, scarf as gift to family -
Bendigo Military Museum
Uniform - UNIFORM, WRAAF, 1939-1945
Items issued to Mavis Keillor, refer Cat No 3402 for her service details.1. Jacket - Polyester/Wool, Navy Blue with Black buttons. 2. Skirt - Polyester/Wool, Navy Blue. 3. Belt - Polyester/Wool, Navy blue with black buckle. 4. Cap - Polyester/wool, Navy blue, embroidered RAAF Insignia.1. Embroidered wings each shoulder. Metal badges each sleeve - wireless. 3 stripes embroidered in light blue cotton. Blue and red, 3 stripes lower left sleeve.wraaf uniform, ww2 -
Whitehorse Historical Society Inc.
Textile - Dressing Table Set, circa 1958
Donor embroidered, but not edging. For her glory box in 1958. Significance of Item - An example of the contents of a glory boxThree piece dressing table set - Main mat scalloped rectangular shape and two mats of scalloped squared shape. All embroidered with red/pink, brown flowers.nonehandcrafts, embroidery -
Wangaratta RSL Sub Branch
Postcard - Embroidered Postcard, c. 1916
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered pink, purple flowers green foliate decoration on front. Handwritten message on the back.Front: "To my dear Daughter" (embroidered) Back: "France / 23/1/1916 / To Dear Little Enid / From Daddy Dear / Best Love / xxxxxxxxxxxxxxxx"wwi, postcard, embroidered postcard -
Brighton Historical Society
Apron, circa late 1800s, 1908 and 1950
Three generations of women are represented in this apron. The linen used was woven by Olga's great-grandmother Efstathia in the late nineteenth century with flax grown on the island of Ithaca. Olga's mother Toula Raftopoulos added the whitework around 1908 at age 16 - the first piece of lacework she made on her own - and embroidered her initials on the front. Olga embellished the apron with coloured embroidery around 1950 at age 20. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Cream linen embroidered half apron. White lace along hem, along with white embroidered initials, "T.P." Coloured floral and abstract embroidery along sides in red, black, blue and green.olga black, toula raftopoulos, migration, embroidery -
Tatura Irrigation & Wartime Camps Museum
Tray Cloth, Exodus of Templers to Australia, 1942
Calico brought from Palestine and embroidered in camp 3 by 14 year old Anne Marie Treftz (now Mrs Anne Marie Reugg)Calico tray cloth, embroidered in many colours, around the 4 edges with scenes depicting the progressive exodus of the Templers from Palestine to Australia by bus, train, camel, and super liner the Queen Elizabeth. Sydney Harbour Bridge, Army personnel and unique Australian fauna. In the centre is an embroidered map of Australia. Around the map are the words: Tatura Camp 3 1942 VictoriaAround the Map of Australia- words Tatura- Camp 3- 1942- Victoriatatura, tray cloth, treftz, anne marie, palestine, kazenwadel, kurt, camp 3, reugg, templers, handcrafts, embroidery, manchester, table, linen -
Melbourne Legacy
Accessory - Badge, Junior Legacy Club Patch, 1955
An embroidered cloth Legacy badge patch that was given to Junior Legatees to add to their tunics. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics, elocution and eurythmics. Boys classes also included basketball, judo, swimming and boxing. Boys classes were generally held in the suburbs and girls classes were held at Legacy House, usually Tuesdays and Fridays. Uniforms were provided free of charge. The patch was with a group of items donated by Legatee Derithe Harrison, including several certificates, a photo and a silver metal trophy.A record of the equipment given to junior legatees for their classes.Green cloth embroidered patch to be added to uniforms.junior legatee, derithe ames, girls classes, jlc -
Kew Historical Society Inc
Textile - Household Textile, Tray Cloth, 1930-1950
In the early 20th century it was common for ladies to work doilies in lace or embroidered cloth. They were used to decorate sideboards or dressing tables and also on trays underneath crockery and on plates under food. These could be made from purchased kits or pattern books. They may form part of a trousseauWhite cotton rectangular tray cloth embroidered with boronia, wattle, blue flower and two birds.tray cloths, household textiles -
Wangaratta RSL Sub Branch
Embroidered Postcard, c. 1917
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered yellow, orange, red, white rising sun badge, green banner and english maritime flags.Front: "AUSTRALIAN COMMONWEALTH" "Australian Commonwealth Military Forces" (embroidered) Back: "To Alice best of love from loving husband Will xxxxxxx write soon"wwi, postcard, embroidered postcard, carte postale -
Bendigo Military Museum
Souvenir - SOUVENIR, FRAMED SILK LACE CLOTH
St Omer Church was built from 13th to 16th century in Omer, France. Omer airfield is not far from Ypres and was an airfield used by the RFC and RAF.Square multi coloured embroidered cloth. Flower, flower buds, leaves, stems on cream silk. Cotton lace border on all sides. Blue nylon ribbon bows attached at each corner. Centre - black lead sketch of St Omer Church. The item is framed in a dark wooden frame and has a dark green mounting board behind the silk." St Omer" embroidered in metal thread under the picture of the church.souvenir, embroidery, textile, ww1 -
Greensborough Historical Society
Doilies, Cut-work doilies (small), 1950s
Set of two cotton doilies, possibly hand made in the 1950s for domestic use. Doilies like this were used to protect furniture from scratches and for ornamental use. These doilies are embroidered using the cutwork method.2 cotton doilies (small ornamental mats), cream cotton fabric cut into the shape of a leaf with a small embroidered bunch of grapes.doilies, cutwork embroidery, soft furnishings, table linens -
Greensborough Historical Society
Doilies, Cut-work doilies (large), 1950s
Set of three cotton doilies, possibly hand made in the 1950s for domestic use. Doilies like this were used to protect furniture from scratches and for ornamental use. These doilies are embroidered using the cutwork method.3 cotton doilies (small ornamental mats), cream cotton fabric cut into the shape of a leaf with a several embroidered bunches of grapes.doilies, cutwork embroidery -
Wangaratta RSL Sub Branch
Postcard - Embroidered Postcard, c. 1917
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered pink flower, green foliate and yellow rising sun decoration on front. Handwritten message on the back.Front: "To my dear Wife" (embroidered) Back: "Best love from your loving / H[usband] ??????? France ???? 1919 / ???? presents / money on ??? to not / so you keep ?????"wwi, postcard, embroidered postcard -
Kew Historical Society Inc
Decorative object - White cotton tray cloth
In the early 20th century it was common for ladies to work doilies in lace or embroidered cloth. They were used to decorate sideboards or dressing tables and also on trays underneath crockery and on plates under food. These could be made from purchased kits or pattern books. They may form part of a trousseauWhite cotton tray cloth, embroidered with a spray of flowers. Montmellick work? Commercial Broderie Anglais lace applied.tray cloths, household textiles -
Williamstown High School
Apron 1969, Janie Winter, 1969
This apron was made by Janie Winter in 1969, Form 1 Needlework class - Teacher Mrs Church. Binding trim is hand sewn as is the embroidered name. The apron was used the following year in Form 2 during Cookery classes. A matching scarf (85.2) was also made in that year.Gold linen apron with red binding and pocket and rick rack trim. Embroidered with 'Janie' on top left hand front. williamstown high school, 1969, needlework, mrs church, janie winter, apron -
Whitehorse Historical Society Inc.
Textile - Handkerchief
Silk piece donated by Adele Grey from the collection of the late Jenny Lang. Jenny was a member of the Embroiderers Guild of Victoria and held exhibitions of her work at the Arts & Crafts SocietyCream silk square with scalloped edge. Each corner is embroidered with a design of flowers, leaves and butterflies. The scallop edging is embroidery os hand worked with silk thread.costume accessories, female -
Bendigo Military Museum
Uniform - DRESS UNIFORM, RAAF
E, HAYWARD OAM1. Jacket - Polyester, Blue, Yellow metal buttons. Service insignia, embroidered Coat of Arms on lower sleeves. 2. Trousers, polyester, Blue. 3. Shirt - polyester, light blue. 4. Tie - polyester, Navy blue. 5. Cap - Polyester, blue, black band, Badge - red crown over Eagle and Ferns."Australia" embroidered flash badge on upper shoulders. Coat of Arms on lower sleeves.uniform, hat