Competitions and Novelty Events at the Gymkhana held on Friday 3rd May 1946,, and printed in the publication of the?Photocopy of columns out of local paper of the time.gymkhana

This style of first aid kit was marketed to local sports clubs, and is socially and historically significant.First Aid Kit, dark brown heavy cardboard case with metal corner and edge reinforcing and metal clips. Including collapsible wooden splint, boracic lint, gauze, linen sling, castor oil,sal volatile, anteseptic, band-aids, adhesive tape and snake bite instructions.first, aid, kit

Toasting fork, brass. Casting of cat handle and pierced tines, 3 tines. The body of the fork has been indented along its length in seveal places, appears to be post manufacture decoration.Body of fork has several indentationsfork, toasting, brass

Glass milk bottle 1 pint capacitybottle, milk, glass

Glass milk bottle 1 pint capacitybottle, milk, glass

Feeding Bottle, clear borosilicate glass (Pyrex) hexagonal. Embossed "Made for Maws". capacity 4 fluid ounces

Carry bag, Gladstone, bark brown leather. Embossed with crocodile skin pattern. Red cloth lining, metal supports, clasps and locksbag, gladstone, leather

Bottle, salt glazed terracottabottle, ceramic, terracotta

Various bromides used for printing Advertisements, including for Emerald Cricket Club, Emerald Netball Club, Emerald Hardware, Rotary Inner Wheel, Peter Stickley Real Estate, Emerald Nobelius Estate sale,Emerald Tolley and Lamble Agricultural Services,Emerald District Waterboard, Melbourne Reptile and Fauna Reserve and Emerald Security.bromides, emerald, clubs

White embroidered tablecloth (unfinished) belonging to Mrs Ogilvy's mother

Rocking chair, carved wood with rattan seat and backrest, in the windsor style.

From 'Australia' by Edwin Carton Booth. Thomas Baines joined Augustus Gregory as official artist and storekeeper, in the expedition across northern Australia between 1855-1857 sponsored by the Royal Geographical Society to evaluate the northern area of Australia for suitability as a colonial settlement. The Baines River was named after him.The item is socially and artistically significant as it is a very early image of Northern Australia.Framed black and white etching depicting a cap site located near the ocean.Artist T. Baines - J.J. Crew. From 'Australia' by Edwin Carton Booth. Thomas Baines joined Augustus Gregory as official artist and storekeeper, in the expedition across northern Australia between 1855-1857 sponsored by the Royal Geographical Society to evaluate the northern area of Australia for suitability as a colonial settlement. The Baines River was named after him.print, baines

Major Ogilvy was a local community leaderMonochrome photograph of Major Arthur James Ogilvy with his dog JockDad with Jock (about) Xmas 1949

Monochrome photograph of Emily Ogilvy (nee Stoddard) in nurses uniform, mounted on cardboardEmily Stoddard Ogilvy Ethel Ogulvy

Monochrome photograph of Walter Hemmy brother of Emily Ogilvy (nee Stoddard) mounted on cardboard with gold edging1919 Walter Hemmy Jean Franks Uncle

Original steel engraving by J.C Armytage after John SkinnerPROUT (1806 - 1876). Prout was born in Plymouth and was a member of the New Watercolour Society in London, he latter emigrated and lived for some time in Sydney and Hobart before returning to England. Published in "Australia... Illustrated with Drawings by Skinner Prout, N Chevalier, etc. by Edwin Carlton Booth F.R.C.I. (printed 1873-76) Virtue & Co., London, and as part work from about 1873. Steel Steel Engraved antique print some with marking to the margins. Image 12 x 18 cm. John Skinner Prout (1806 - 1876) was an architectural illustrator and painter. Born in Plymouth and nephew of Samuel Prout (Topographical illustrator, drawing master and colourist). John specialised in similar subjects to his uncle but was practically self-taught. He was elected a member of the New Watercolour Society on his return from Australia in 1849, where he visited Sydney and Hobart. He had already forfeited his membership of the NWS in 1838 by being overseas. John settled in Bristol after 1849 whewre he became a good friend of W.J. Muller (artist). He later moved to London where he died, at Camden Town on 29th August 1876Framed print of etching depicting four aboriginals one of which is climbing a treeprint, gwalior plains

The album was used by the Worrell family early 20th centurythe Worrell's are a locally renowned family Worrellalbum, photograph, worrell

A mahogany engineers' set created prior to 1900. It was used by Allison Osborn Burrows, a chartered engineer, post-1900. Mahogany instrument box with brass hinges, lock, and name plate. No key. Insert tray covered in blue velvet lining pressed into grooves to hold each instrument. Nickle silver instruments. Some items missing their bone handle. Base of box contains ruler, protractors. Lid has hidden compartment behind it, containing Japanese issued currency note from World War II.Owner's label pasted inside lid, reading "A.O. Burrows, Esq. A.M.I. E. Aust., Chartered Engineer (Australia), 9 Kendall Street, Pymble, N.S.W."mahogany engineers set, draftsmen's box, world war 2

The collection is socially significant as Gus Ryberg OAM was a significant figure in Emerald community and was pivotal in establishing the Emerald MuseumPersonal coin collection, compiled by Gus Ryberg, comprising several hundred coins from around the word.

The object is historically and socially significant as it shows the opening of Heroes Avenue (Avenue of Honor) three years after the end of Word War I. The trees planted in the Avenue came from the Nobelius Nursery.Photograph mounted on card of the opening of Heroes Avenue, Emerald on ANZAC Day 1921. Showing Mrs Mahony cutting the ribbon.Mrs Mahony, wife of Shire President, cutting the ribbon. ANZAC Day 1921 Heroes Aveanzac, heroes avenue, avenue of honor, emerald

The object is historically and socially significant as it shows the opening of Heroes Avenue (Avenue of Honor) three years after the end of Word War I. The trees planted in the Avenue came from the Nobelius Nursery.Photograph mounted on card of the opening of Heroes Avenue, Emerald on ANZAC Day 1921. Showing The newly planted memorial trees..View of Heroes Avenue showing Memorial Trees. ANZAC Day 1921 Heroes Aveanzac, heroes avenue, avenue of honor, emerald

The object is historically and socially significant as it shows the opening of Heroes Avenue (Avenue of Honor) three years after the end of Word War I. The trees planted in the Avenue came from the Nobelius Nursery.Photograph mounted on card of the opening of Heroes Avenue, Emerald on ANZAC Day 1921. Showing Lieutenant-Colonel Bladin addressing the gathering.Lieu-Col Bladin adressing gathering Miss Waters at piano. ANZAC Day 1921anzac, heroes avenue, avenue of honor, emerald

The object is historically and socially significant as it shows the opening of Heroes Avenue (Avenue of Honor) three years after the end of Word War I. The trees planted in the Avenue came from the Nobelius Nursery.Photograph mounted on card of the opening of Heroes Avenue, Emerald on ANZAC Day 1921. Showing Shire President Cr J Mahony opening the AvenueShire President Cr J Mahony, opens Heroes Avenue. ANZAC Day 1921anzac, heroes avenue, avenue of honor, emerald

The object is historically and socially significant as it shows the opening of Heroes Avenue (Avenue of Honor) three years after the end of Word War I. The trees planted in the Avenue came from the Nobelius Nursery.Photograph mounted on card of the opening of Heroes Avenue, Emerald on ANZAC Day 1921. Showing opening of Heroes AvenueSchool Children, Diggers + Speakers ect. People of Emerald. Opening of Heroes Avenue, ANZAC Day 1921, School Masters' Residence in backgroundanzac, heroes avenue, avenue of honor, emerald

This apron is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes - adding her own handmade embroidered or crocheted decorative trim. In March 1915 Eliza travelled to San Francisco to visit her son, James. She went by train to Melbourne ("a pleasant journey on the up express') and the next day caught the express train to Sydney. She noted in her letters home that a " number of young men were going to Sydney to enlist but they had to stop in the corridors most of the way as there was no room for them to sit down". She spent the night on the train and arrived in Sydney the next morning and on the following day she boarded the R.M.S. "Moana" (a steamer which took about twenty-four days to reach San Francisco). She returned from Vancouver about five months later on board the "Manuka". It is very likely Eliza took this "Travelling Apron" with her on her travels. Eliza was travelling by herself and had no one to help her with her dress or her hair. "Travelling Aprons" (also known as Toilet Aprons or Tourist Aprons) were designed with different sized pockets for holding a lady's toiletries - hairbrush, hair pins, comb and sometimes even soap and a powder puff. This allowed the owner, when travelling and getting dressed in small places such as an overnight train compartment or a ship's cabin, to have all her requirements at hand without needing to search for them or have them roll onto the floor. Some of the pockets are finished with buttoned flaps to keep the items in place and when not in use, the apron could be hung up or rolled up and put away. Articles about the "Traveller's Apron" appeared in numerous Women's columns in Australian newspapers in the early 20th century - often with instructions and sometimes a pattern. In the "Age" on Sat 5th October 1907 in a column titled "Feminine Facts and Fancies" the author wrote "No man can appreciate the difficulties of dressing in a "wobbly" train or trying to do one's hair while a ship is weathering a storm". A year earlier (Saturday 24th March 1906) in the same column, the author wrote "... you have to spend nights in a train... forever struggling to dress yourself in a wretched little lavatory. You know how your hairpins and combs jump all over the place ... a train is always at its liveliest when you're trying to do your hair. My travelling apron saved me many a rage."This item is an example of the needlework skills of women in the early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical domestic object. It is also an excellent (and rare) example of an early 20th century innovation that helped solve the difficulties of privacy and convenience that many women experienced at a time when travel was becoming more accessible to them. A half apron, made of ivory linen with two waist ties and seven pockets. Along the top are two smaller pockets with triangular, buttoned flaps labelled "Hairpins" and "Nailbrush" and one larger unlabelled pocket. Underneath are two larger pockets labelled "Brush & Comb" and "Work" and two unlabelled narrow pockets. The seams are machine stitched and the pockets are outlined with hand embroidered feather stitch. The labels on the pockets are embroidered in stem stitch."Hairpins" / "Nailbrush" / "Brush and Comb" / "Work"flagstaff hill maritime museum and village, nhill, eliza towns, apron, travelling apron, tourist apron, textiles, toilet apron, sewing, embroidery, travel, warrnambool, great ocean road, trains, ships, moana, manuka, feather stitch, stem stitch, fashion, handmade, clothing, charles towns, needlework

This bolster sham is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes and household linens - adding her own handmade embroidered or crocheted decorative trim. Most beds during the late 19th and early 20th century had a feather, hair or spring mattress covered by a blanket and topped with an under sheet, an upper sheet, several blankets and a bedspread. A flat bolster could be placed either under the pillows or on top of the pillows with a decorative sham. Washing pillows and quilts by hand would have been a very onerous task (involving heating water and handwashing in a tub or using a copper) and so it became the practise of many housewives to cover the pillows and bolsters with an outer slip (or sham) of washable material which could be easily removed and washed when needed. If the bolster was kept under the pillows it wouldn't need to be very decorative but many shams or slips that were "on show" were often highly decorated with embroidery, pintucks, ribbons or lace. This bolster sham is machine made and quite plain with the exception of some pintucking and eyelet lace on each end which suggests that it would mostly be hidden under the top pillows with just the decorative edges on display.This item is an example of the needlework skills of women in the early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical domestic object. It is also significant as an example of an early 20th century innovation that helped make the working lives of housewives a little bit easier.A long white cotton rectangular bolster sham, machine sewn, with seven ties and two buttons (plus one missing button) to enable it to be folded over lengthwise and closed. It has two pull string ties near each end to enclose a bolster and is finished with a decorative edge of pintucks and handmade eyelet lace and embroidery.flagstaff hill maritime museum and village, eliza towns, sham, bedding, great ocean road, shipwreck coast, warrnambool, household textiles, sewing, bolster sham, housework, pillow sham, charles towns, nhill, haberdashery, needlework, manchester, handmade, household linen

This child's dress is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. A photograph of their youngest child, Alice, taken in circa 1903 depicts her wearing the dress. The dress would have been only worn on special occasions (such as a formal family photographic portrait) as most young girls in that era would have smocks or pinafores for everyday wear. The age of the dress is in question as it may have been made by Eliza for her eldest daughter, Dorcus, who was born in 1884. This dress has some machine sewing at the neck, waistband and pintucks but much of the dress is handsewn and richly embroidered with Broderie anglaise. Broderie anglaise (also known as eyelet lace) is a form of cutwork embroidery. The foundation fabric is cut to make decorative holes which are sewn with overcast or buttonhole stitches to create a lace like effect. Designs often involve floral motives that are enhanced with simple embroidery stitches such as stem stitch and satin stitch and scalloped edges finished with buttonhole stitches. It was commonly used to trim baby clothes, dresses, nightclothes, underclothes and household linens - particularly in the Victorian and Edwardian eras. This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a child's special dress.Child's white dress made of cotton and lawn, with a skirt of hand embroidered circular cutwork (broderie anglaise), a scalloped hem edged in buttonhole stitch and a gathered waist. The lined bodice has three panels of hand embroidered broderie anglaise (eyelet lace) inserted in a V shape with pintucks and bordered with a broderie anglaise lace frill. The short sleeves also have an inserted broderie anglaise lace strip, three pintucks and a broderie anglaise lace frill. The skirt is semi lined with fine lawn. The dress has a back opening with one button and two ties. The neckline is decorated with two rows of hand embroidered broderie anglaise lace.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, shipwreck coast, great ocean road, nhill, wimmera, eliza towns, dorcus towns, child's dress, machine sewing, hand sewing, broderie anglaise, cutwork, embroidery, eyelet lace, clothing, handmade, charles towns, alice towns

Dr Briscoe was appointed Dean of the Faculty of Pain Medicine in 2008 and gifted the vase at the end of her term in 2010. Dr Briscoe was the first woman to be appointed Dean of the Faculty. The artist Robert Wynne is an accomplished glass artist in Australia. His artworks are held in significant public and private collections nation wide and overseas. Public collections include the Tasmanian Museum and Art Gallery, Artbank and the Queensland Contemporary Art Gallery. Wynne's artworks are also part of the private collections of Bill Clinton, Sir Elton John and the Royal Family Collection of Japan.Tear shaped, emerald green, hand-blown glassEtched on base - DENIZENdr briscoe, penelope (penny), wynne, robert, dean, faculty of pain medicine, fpm