Toy soldier painted brown with white belt and white armband with red cross. Pink facetoys, general

Toy soldier painted blue with red tie.Blue cap and pink face.toys, general

Queen Victoria’s appreciation of German artist Franz Xaver Winterhalter (1805-1873) began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Many legitimate copies of Winterhalter’s portrait were produced and presented to the Parliaments of the British Empire, including the Parliament of Victoria. Such copies are referred to as “After F. X. Winterhalter” and artists responsible include William Corden and John Prescott Knight. When creating copies, artists were not restricted by the size of the original portrait. Walterhalter’s original is 2.7m x 1.7m whereas copies can reach an impressive 4.5 metres in height. The portrait that hangs in Queens Hall at the Parliament of Victoria is not signed. Comparison with other copies of the work suggest that the Parliament’s painting may have been completed by William Corden. The Government Art Collection (United Kingdom), has a Queen Victoria copy in their collection and Parliament’s portrait has similar traits. A copy by John Prescott Knight which hangs in the Legislative Council in the Parliament of Tasmania is quite different, particularly with reference to the shape of the young Queen’s face, which is rounder in the Corden portraits.This portrait of Queen Victoria was presented as a gift by the British Government to the Parliament of Victoria in April 1860. Painted on fine linen supplied under Royal Warrant by the workshop Winsor and Newton, London, the frame has been embellished with elaborate wooden carvings. Framed portrait, oil on linen, of Queen Victoria. Victoria is posed in front of a curtain partially obscuring a building (possibly Buckingham Palace) in the background. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. A carved wood and composition element crown, resting on a tassled pillow sits on top of the frame.Canvas unsigned. Verso printed: ‘WINSOR AND NEWTON / Rathbone Place, London’. Embossed stamp into stretcher wood, stamped ‘Winsor and Newton’ in black ink.victoria queen of great britain, 1819-1901, winterhalter, franz xaver, 1805-1873, corden, william, queens hall, parliament of victoria

Possibly has a strong association with the Ballarat depot and the equipment used there.Electrical Current or Amp Meter mounted onto a piece of timber. Meter has the current marked in Amps from 0 to 15. No manufacturer or use details known, would have been collected from the depot. Could have been used for the grinder or wheel lathe. Wood block has four mounting holes, bevelled edges and opening for cables on the lower edge. White meter face, has a marked reading of 6Amps. Rest of the meter is generally painted black except for the bottom and rear of the timber which is unpainted. trams, tramways, depot, meters, electrical equipment

Four pages of black and white photos of mostly young people. One page has a photo of Peter Ellis with two cats. The second page has four photos of children, and a young man and a dog. The third page has three photos. One a young man in a laboratory, a couple dancing and three young men sitting at a table. A caption underneath. The fourth page has four photos, one a water skier, a young man in a row boat, a young man standing at some instruments and the fourth is a painted picture of a man in a large cooking pot, In the background is Hells Gate Rotorua N.Z. There are cut-outs in the painted area and two people have their faces showing through holes.photo, group, mixed group, peter ellis collection, peter ellis

Nippon dolls were made by Noritake in Japan.Stuffed doll with ceramic face, decolletage, hands and feet. Dress handsewn from emboidered and pleated cream material. Arms and legs made from rust colored linen type material. Pigtails painted blue. Eyes (blue/black), eyebrows (brown), hair (orange) and lips (orange) painted on.DI.464 on fabric is attached to back of right leg with sticky tape.toys, dolls, sewing

Nippon dolls were made by Noritake in Japan. This example is referred to as a China glazed doll. They were made about 1915. The shoulder plate bisque dolls were usually under 10inches tall.Stuffed doll with ceramic face, decolletage, hands and feet. Dress machine sewn from cream and brown printed material. Arms and legs made from browncolored linen type material. Eyes (blue), eyebrows (brown), hair (black) rouge (pink) and lips (red) painted on. Dress tied at back with pink embroidery cottontoys, dolls, sewing

The clock was purchased from Jas Murray & Co. of 107 Bourke Street East, Melbourne by Francis Barnard. James Murray & Co were well known clock and watchmakers operating from premises in London with branches in Calcutta and Melbourne. They were watchmakers and jewellers in Melbourne from 1860 to 1888. Francis Barnard established Barnard’s Pharmacy on the corner of Bulleen Road (later renamed High Street) and Cotham Road in 1857. In the early 1860s, after purchasing the clock, he placed it in his pharmacy where it could be seen by passers by. When he relocated across the road to 49 Bulleen Road (now 167 High St.) in 1880 he took the clock to the new premises. He maintained the accuracy of the clock so that local residents consulted it for the correct time, even after the Post Office building with its clock tower was opened in 1888. When Francis Barnard retired, his son took over the pharmacy. In 1925, the Barnard Pharmacy was sold to David Paton. The Paton’s were at first puzzled why people constantly peered in the door until they realised that the timepiece was the drawcard. When David Paton died in 1941, his widow sold the pharmacy but took the clock with her to her new florist shop at 145 High Street. When Mrs Paton retired in 1953, she took the clock to her home in Boronia. In 1973 her daughter donated the clock to the Kew Historical Society.Significant locally to Kew as an example of a timepiece that was used by the local community during the 19th century to tell the time.Barnard’s clock is a typical wall clock of the nineteenth century, variants of which could be seen in shops, offices, public buildings and stations. It has a mahogany case with a moulded wooden bezel encasing a hinged brass bezel housing the glass face which protects the dial and hands when working. The clock face has an off-white hand painted tin dial with black painted Roman numerals. The hands are black painted metal; the hour hand has a wide spade shaped point whilst the minute hand is much thinner. ‘Jas Murray & Co’ is painted above the centre, with ‘107 Bourke Street East’ and ‘Melbourne’ below, with the key hole in between. The clock movement is a fuse chain attached to a brass mainspring barrel which powers the pendulum for eight days. This is housed within a rectangular wooden casing with a convex curved base housing a hinged door giving access to the pendulum which is attached to the back of the clock by four wooden pegs.Jas Murray & Co / 107 Bourke St East / Melbournefrancis barnard, f g a barnard, high street - kew (vic), pharmacies - kew (vic), clocks, paton's pharmacy --- kew (vic.), bulleen road -- kew (vic.)

Wooden racquet with a blue painted throat, and a yellow painted stem. Inscription featured across both sides of the racquet: HAWTHORNE/MEDALIST/M/W/SPEED FLEX/FIBRE FACE. Inscription around the inside of the base of the racquet head: MADE IN BELGIUM. Decal inscription across the crown on obverse: STRATA-BOW. Materials: Wood, Nylon, Ribbon, Fibreglass, Leather, Plastic, Adhesive tape, Ink, Glue, Lacquertennis

A wooden racquet with orange and white painted surface and decal illustration of Ted Williams on the throat. Inscription across both sides of the racquet, from crown to stem: LAMINATED CONSTRUCTION/FOR CHAMPIONSHIP PLAY/CERTIFIED AND APPROVED BY/TED WILLIAMS/FOR ACTIVE AMERICANS/FIBER/FACE/SEARS/ROEBUCK AND CO. Materials: Wood, Nylon, Ribbon, Fibreglass, Leather, Plastic, Adhesive tape, Ink, Glue, Lacquertennis

A Wilson Speed Flo racquet, with 'SUPER-FLEX SHAFT', red painted throat and shaft, black-painted shoulder undersides, perforated black leather grip, and white cloth butt cover with red-stitched 'W' trademark. Inscription: WILSON/SPEED FLO/SPEED FLEX/FIBRE FACE. Materials: Wood, Nylon, Glue, Lacquer, Metal, Leather, Adhesive tape, Paint, Ink, String, Cloth, Ribbontennis

A piece of sporting equipment which seems to be a ping pong paddle with stretched hide face, on one side, and a junior lawn tennis racquet, with stringing, on the other side. Impressed gold designs geature around frame and shaft. During this period of table tennis history, it was merely a parlour game, and very distant from the professional competitive sport it was to become. Materials: Wood, Hide, String, Ink, Leather, Paint, Glue, Metaltennis

A wooden racquet, with black string whipping, fine-grooved handle, and partially double-strung gut face. Inscription along throat on obverse: DAVEGA DRIVER. Inscription across throat on reverse: DAVEGA/"THE SPORTSMAN'S PARADISE"/NEW YORK CITY. Inscription across butt cover: DAVEGA. Materials: Wood, Gut, String, Paint, Ink, Leather, Glue, Lacquer, Metaltennis

Painted ceramic plate with design in blue depicting a pair of figures playing tennis against unseen opponents. Japanese script on face and on base of plate. Also text on base: 1878...Y.I.T.C.' Materials: Ceramic, Inktennis

Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Culls Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.One of only two fragments of the painted domed ceiling of the ballroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This triangular piece of the fresco is of a cherub's face.Label: 'This is from the "Southesk" ballroom 14-7-70'ordsall, southesk, cullis hill & co.

Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Culls Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.One of only two fragments of the painted domed ceiling of the ballroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This roughly square piece of the plasterwork shows a woman's head. Given the size of the face, it is believed that this section of the fresco represents one of the four 'geographic depictions of the earth including the seasons, night and morning'.Label: 'This is from the Southesk Ballroom 14-7-70'cullis hill & co., fresco, ordsall, southesk

Colour transparency (slide) created in June 1976 during a tour by the Junior National Trust, which was led by members of Kew Historical Society. The collection of 21 slides reveals that the tour covered all parts of Kew, but focused understandably on heritage buildings and sites.Image of an historic place in Kew that can be dated to an exact time and place. The images, albeit amateurish in composition, frequently reveal aspects of important buildings and sites that have changed over time.35mm colour transparency of the front portico of Burke Hall (formerly Studley Hall, Waverley) and now Xavier Junior School in Nolan Avenue, Kew. Since its construction in the 19th century, the building has had numerous additions made by subsequent owners. The original render has been painted and sections of the original colonnades glazed in. The facade of Burke Hall faces away from Studley Park Road to take advantage of the views to the south.historic houses -- kew (vic), xavier college -- kew (vic.), burke hall -- kew (vic.), waverley -- kew (vic.), nolan avenue -- kew (vic.), studley hall -- kew (vic.)

This is the home of Ernest Augustus Young (1891-1985) and Ruby Nichell Whitby (1892-1984) and their son Ernest Lance Young. Lance was born 24 March 1915 in Surrey Hills; after he married Beryl Mair. Electoral roll for 1937 gives the house name as 'Whitby Lodge'. Ernest and Ruby also had twins Clive and James who died in infancy. Buried at Box Hill Cemetery - M-*-0867 (family plot) This is part of a large collection relating to the Mair, Deakin and Young families. REF: Memoir of Laurie Newton (nee Young) - Her grandfather bought the land and had the house built. She remembers it as having pressed ceilings in some rooms and ornate fireplaces and tiles and leadlight windows in some rooms and doors with leadlight panels. Her grandfather was a keen gardener with an ornamental front garden and many vegetables and fruit trees in the back yard. Her grandfather sold the adjoining block (No 3 York Street), which had been used for growing flowers and vegetables, to John and Edna Jean. Reid. She also remembered that he extended the house and divided it into 2 flats, renting out the northern side for 20 years. Sold by Jellis Craig on 24 December 2010 - With formal living, dining, 3 bedrooms, 2 bathrooms, garage/ample OSP. Land: 18.2m x 40.8m (60' x 134') approx. Large 2 storey house replaced the house.Colour photo of the street view of 5 York Street, Mont Albert. The house is Edwardian in style, constructed from weatherboard painted white with a red corrugated iron roof with simple finials. There is a small veranda with simple fretwork, lead-light feature windows to one, possibly two front rooms, one of which has a bay window. There is a garage set back at the side of the house with a concrete driveway on the south side of the house towards Mont Albert Road. The fence is low and constructed from roughly faced stone. The garden contains mature shrubs.In blue biro on rear: "1985 / POP'S" ; "5 YORK ST / E.A. YOUNG". Red photographic processing stamp "PROCESSED BY / KODAK / MAY 85M"ernest augustus young, ruby nichell whitby, ruby nichell young, ernest lance young, box hill cemetery, whitby lodge, house names, mont albert

In 1987 a farewell was held for John Wicking, former President of the AFB. The presentation of a medal "Rara Avis" (rare bird) and on the reverse 'Nil Taurus excretis' (no bull excretement) was made to the bemused honouree. Upon the front face of the plate is an image of Mr Wicking wearing a name plate 'The Guiding Light', as he climbs an 'Association for the Blind' sign to reach the guiding light at the top. On the reverse is a drawing of a bull snorting.Medal chain with metal plate attached upon which paper images are pasted, either side of the plate is plastic gold braiding holding white painted wicker upon which 'Rara Avis' and 'Nil Taurus Excretis' has been Dymo labelled.john wicking, association for the blind

Carved pot. Owned by Wandin Sebire.Wooden powder pot with painted red/black floral design around the outside. Has separate lid. Inside there is a wool/leather powder puff.toiletries, face powders

Shield shaped varnished wooden plaque with a Royal Australian Infantry hat badge located in the centre. "TASK FORCE GREEN TROPHY *FOR VOLLEYBALL* 1969 6RVR 1970 1 SUB-DEPOT 11BOD 1971 1RVR 1972 1973 1974 1975" painted in gold on the face of the plaqueplaque, 6rvr, task force green, wark vc club, infantry'

These hand carved framed wooden pictures are part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.Two hand carved Indigenous busts in wood frames.1: A mother wearing a headband and striped gold, white blue and pink painted clothes draped over a baby. Only the face of the baby is depicted. 2: A father's upper body bust also has clothes draped over the baby he is holding. Both are framed using natural sticks which are painted brown on a white backfround.wood carvings, carvings, portraits, artworks, objects

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Remains of a white wash over surface with yellow on the face and neck. Face, wig and hieroglyphs on front in black, hands of crossed arms in red/brown paint. On back across shoulders basket painted in black. Small paper label inscribed with 'A8' attached to back.james dodgson, aquila dodgson, flinders petrie, wood, shabti

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Three columns of hieroglyphs and remains of a red/brown paint on the face of the cone and on body, end broken off. Small paper label inscribed with 'A6' attached to cone.funerary cone, james dodgson, aquila dodgson, flinders petrie

This item is from a collection donated by descendants of John Francis Turner of Wodonga It is one of many souvenirs produced to represent landmarks in the Albury-Wodonga district. The Albury and District War Memorial was opened on Anzac Day 1925 by General Paine. Designed by the Architect Louis Harrison, the site was chosen by the town planner Charles Reade. The monument is a white ferro concrete tower, in the form of a tapered lighthouse painted stark white and surmounted by a 'torch of liberty'. This torch is 1.8 meters high and faced with 40 panes of prismatic glass. During the day sunlight plays through this glazing giving the torch the illusion it is lit.This item comes from a collection used by a prominent citizen of Wodonga. It is representative of a items produced to represent historic landmarks or features of the district.A small butter bone china butter dish with scalloped edge with gilt edge trim.It features a black and white image of the War' Memorial in Albury.Below image: "WAR MEMORIAL ALBURY"domestic items, albury souvenirs, war memorial albury

Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her photos are held in the Society Collection. The Wodonga Post Office was constructed on the corner of Sydney Road (High Street) and South Street in 1874. It was Wodonga’s second Post Office. The original post office opened on June 1, 1856 near Wodonga Creek. This building was originally built of red brick, although it was later painted over in white. It had an attached residence in South Street and was connected to it by a door. The residence was later demolished to move the mail boxes which had faced High Street, to South Street. The brick Telephone Exchange was constructed in 1946 behind the Post Office but separated from it. It operated as a manual exchange until the late 1960’s or early 1970’s. In 1985 a new post office was opened further south in High Street. This building, greatly renovated, is now part of the Wodonga Community College.This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the 20th century. A black and white image of the 2nd Wodonga Post Office. There are 6 windows across the front of the building and the name Wodonga Post Office below a round clock. To the left of the building is the royal insignia of the crown above the letters E.R. A sign for the Commonwealth Saving Bank of Australia is also attached to the wall.high st wodonga, wodonga post office, businesses wodonga

Painted plaster statue of boy with bag on his green jacket, red shirt, dark face and pants. Mark rear of base: 13 Triaca & Picchi