Diggers & Mining. The Digging - The Diggers. Slide; An article titled 'Mems From The Mount' At Eagle Hawk Gully, Bendigo, five men were plundering a tent - the inmates shouted out lustily; some of the occupants of tent near at hand rushed out with firearms, and it being moonlight, observed the robbers, and, firing into them, killed three on the spot. At the junction of Forest Creek and Bendigo roads there is a coffee shop, which twelve men attempted to attack the other evening; but a couple of bright double-barrelled fowling pieces, held by the resolute hands inside the coffee shop plainly showed them that possession; so the scoundrels skulled of. Not with-standing these stories, the Diggers generally are quiet and peaceable. While penning these few remarks, I have just heard of the discovery of another murder at the New Bendigo Flat Diggings. (M.M.H., July 17, 1852) Markings: -- 994.LIF:6. Used as a teaching aid.hanimounteducation, tertiary, goldfields

In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. Built in 1891 for Captain Murray to his own design, ‘Shenval’ originally stood on five acres fronting Bluff Road, Black Rock.Annette Meikle, Shenval 1977, ink and watercolour, 33 x 23.5 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, black rock, architecture, historic house, shenval, captain murray, bluff road, verandah

The 2017 Official Coin Collection – Legends of the Anzacs: Medals of Honour – commemorates 14 significant military honours (both Imperial and Australian honours) awarded to Australians throughout the 100 years of Anzac. This folder contains all 14 coins released as part of the News Corp program including the 4 unique issue 25 cent coins. Each coin design explores a different medal and the stories behind them, inspired by images supplied by the Australian War Memorial, Gary Ramage and the Australian Government Department of Defence. Coins presented in a card, which can be housed in the display folder. The themes featured in this collection include: Twenty Five Cent Coins: Victoria Cross, Distinguished Flying Cross, Medal for Gallantry, George Cross. Twenty Cent Coins: Star of Gallantry, Distinguished Service Cross, Nursing Service Cross, Military Cross, Distinguished Service Medal, Victory Medal, 1939 - 1945 Star, Australian Active Service Medal 1945 - 1975, Australian Operational Service Medal, Australian Defence Medal.military, world war 2, legends of the anzac

Twenty five page booklet with plastic comb binding' 'My Story' by Heidi Teague. Begun November 2005. Interviewed by Ines Tyson over several months in 2009. Ines Tyson, 2 Brougham street, Quarry Hill 3550. Ph. 5442 3763 Reworded and transcribed by Carol Woolman, 75 Neale Street, kennington. Ph 5443 5856.

The context in which the hat was made and worn assists in establishing its potential historic significance. 'Bailliere's Victorian Gazetteer and Road Guide containing the most recent and accurate information as to every place in the Colony' (1870), describes the village of Vaughan as being located on the road from Daylesford to Castlemaine. In 1870 the Vaughan was deemed to be entirely a gold mining area, gold having been discovered in the district in 1853. Intriguingly the entry in the Gazetteer claims that the electoral division of Vaughan began at the junction of the Middleton Creek and the Loddon River, so perhaps the cap might have belonged to a member of a significant local family. In 1870, Vaughan had a population of about 1000 persons and included almost 300 dwellings. Articles from newspapers, published on Trove refer frequently to a Mr Middleton as a litigant in court cases before the Vaughan Court in the 1860s. By the 1870s, the Mt Alexander Mail, in an article on ‘Mining: The Pioneer Wheel’ describes the success of Mr Middleton and his Middleton’s Reef Gold Quartz Mining Company, which had built the largest water wheel in the Colony. The wheel was 20’ in diameter and 2’ wide. Quartz mining as practiced by companies such as Middleton’s had become necessary after the exhaustion of alluvial quartz mining deposits in the 1860s. So we can probably establish a link between the cap and a significant mining identity in the period in which the article was made. The historical significance of the cap is only one part of the story. Caps such as the Middleton example can also be items of aesthetic significance as they were typically, examples of women’s work, using published patterns in magazines such as the Ladies Home Magazine. While women might follow or adapt a published pattern, their choice of materials reflected what was available locally. The fine hand stitching on this example is evidence of high quality domestic needlework. The maker crafted the cap from five triangular pieces of cotton cloth, each piece lined with a faded yellow net. The net provides some stiffening for the cap and has a functional purpose in that it anchors the hand-stitched, looped design of yellow silk ribbon that decorates the surface of the cap. Gentleman’s smoking (lounging) cap believed to have been made in c.1860-69. The conical hat is made of a dark green cotton fabric embroidered with narrow ribbon of a paler green silk. The unlined rimless hat is made of four pieces of fabric. There is no evidence of the hat at one stage featuring a tassle. The original donation record noted that the cap had been made for, and was worn by, a Mr Middleton, of Vaughan in Central Victoria. Nilhats, smokers hats, men's clothing

A classic of its kind, The Long Gray Line is the twenty-five-year saga of the West Point class of 1966. With a novelist's eye for detail, Rick Atkinson illuminates this powerful story through the lives of three classmates and the women they loved―from the boisterous cadet years, to the fires of Vietnam, to the hard peace and internal struggles that followed the war. The rich cast of characters also includes Douglas MacArthur, William C. Westmoreland, and a score of other memorable figures. The class of 1966 straddled a fault line in American history, and Atkinson's masterly book speaks for a generation of American men and women about innocence, patriotism, and the price we pay for our dreamsFollowing the lives of 3 graduates, from cadets through to post war and their integration back into a changes Americasoft cover non-fiction book with 592 pages with photos

The hotel was built some time shortly after 1842 by John Cahill, who arrived in the colony in 1842 from Thurles in Tipperary, Ireland. The building although much altered with render covering the original \blue stone structure is on the south-west corner of Macedon and Jackson Streets. The hotel was called the Ball Court because Cahill also had a hand-ball court set up behind the hotel.Originally five hotels were built along Macedon Street between Jackson Creek and Evans Street. The Ball Court Hotel is the only one still standing and operating as a hotel.A non-digital black and white photograph with a cream border of man and three ladies standing outside a single story blue stone hotel building with a corner entrance. AS well as the corner entrance there is another doorway on the RHS along with three narrow windows and three other windows on the other side. One of the ladies is holding a little child. Two trees surrounded by tree guards are on each side of the photograph.Ball Court Hotel, John Cahillball court hotel, hotels, sunbury, macedon street, jackson street, ball court

Tells the real life stories of seventy-five local men and women leaving Canterbury to serve in the World War Two.Incl. bibliographical references (pages 239-240) and index. canterbury baptist church (vic) - registers, world war, 1939-1945 - participation, world war, 1939-1945 - victoria - canterbury, soldiers - canterbury - biography, war memorials - victoria - canterbury, canterbury (vic) - history, military, armed forces

The Feelix library was developed to help children who were blind or have low vision experience the connection with books via tactile objects. Each print book was hand selected, a clear Braille overlay placed on the pages, and items relating to the story were made or purchased and added to the kit. The kit (book and objects) was held inside a cardboard suitcase and sent through the mail in a bright orange, zippered plastic padded pouch with a carry strap. Launched at the Melbourne Zoo on 11 February 2003, ambassador Sigrid Thornton read 'The Story about Ping' by Margery Flack and Kurt Wiese to a group of five children, who played with the other objects in the suitcase as well as those for 'The Tiger who Came to Tea' by Judith Kerr. These included a soft toy duck in bright plaid fabric, a shiny metal tea pot, a cassette recording of the story, tactile books for both stories, and metal cups.37 digital photographs of Sigrid Thornton and five children at launch of Feelix libraryroyal victorian institute for the blind, feelix, sigrid thornton

The Feelix library was developed to help children who were blind or have low vision experience the connection with books via tactile objects. Each print book was hand selected, a clear Braille overlay placed on the pages, and items relating to the story were made or purchased and added to the kit. The kit (book and objects) was held inside a cardboard suitcase and sent through the mail in a bright orange, zippered plastic padded pouch with a carry strap. Launched at the Melbourne Zoo on 11 February 2003, ambassador Sigrid Thornton read 'The Story about Ping' by Margery Flack and Kurt Wiese to a group of five children, who played with the other objects in the suitcase as well as those for 'The Tiger who Came to Tea' by Judith Kerr. These included a soft toy duck in bright plaid fabric, a shiny metal tea pot, a cassette recording of the story, tactile books for both stories, and metal cups.36 digital photographs of Sigrid Thornton and five children at launch of Feelix libraryroyal victorian institute for the blind, feelix, sigrid thornton

Index, p.684.Two volumes of short stories by Henry Lawson (1867-1922) . Volume one organised into four sections: 'While the Billy Boils' (first series); 'While the Billy Boils' (second series); 'On the track'; 'Over the sliprails'. Volume two organised into five sections: 'Joe Wilson'; 'Joe Wilson's Mates'; 'The romance of the swag'; 'The rising of the court'; 'Send round the hat'. australia - social life and customs, australia - literary works

Issued as a uniform item post WWII until the late 1980s. It was also used parade dress until its replacement of a newly designed uniform made of polyester. This particular sample belonged to CPL K. Howe 3144504 whist in the Army Reserves 1982 to 2005The khaki battledress was standard uniform issued post world war two and used until the introduction of the polyester uniform in the late 1980s. This uniform belonged to CPL K. Howe, the donor providing good provenance. In conjunction with other items of militaria donated by the Howe family. Item can be to tell a story of multi generations of military service of the Howe familySingle breasted hip-height jacket in khaki fabric, fastened with five buttons down the centre of the chest. Two pleated breast pockets with triangular flaps fastened with two buttons. All buttons plastic and khaki green in colour. Jacket is fastened around the hips with a belt, attached on left hand side and buckled in a rectangular metal buckle on right hand side. Both left and right sleeves bear two patches, a double chevron and red rectangular patch rounded to follow the seam of the shoulder, with embroidered text. Navy lanyard looped around right shoulder, held in place by epaulet and tucked into right side pocket. Red patch reads "ROYAL AUSTRALIAN ENGINEERS" Internal left chest label reads "A.G.C.F./VIC. 1981/[broad arrow symbol]/6405.66.025.6408/SIZE OF CHEST/SIZE 99-102R/MACQUARIE 80/BATCH J/DRY CLEAN ONLY/CREASE UPPER/HALF OF/LAPELS ONLY/No. 3144504 [handwritten]/NAME/CPL K. HOWE [handwritten]"jacket, battledress jacket, battledress jacket khaki, royal engineers

The building was originally the Colonial Bank of Australasia and has a series of occupants, include a real estate firm in the 1970's20cm x 10cm black and white photograph of 1 Powlett street, former colonial bank of Australasia. corner of Powlett Street and Lancefield Road. Two story light coloured rendered building with signage for "Real Estate House" on top of the ground floor. Other signage painted on the Lancefield Road side of the building include: "Land specialists to Kilmore & district". The building also has an adjoining cottage on the Lancefield Road side of the property. There is also a figure crossing the road and five vehicles in the background of the photograph, three regular vehicles and two possible emergency service vehicles. A street sign can be seen pointing to: Lancefield, Kyneton, Foote Street, Melbourne and Seymour.PHO-00003banks and banking, real estate agents

The grey painted heavy wooden, homemade box has a freehand inscription in black on outside, which reads ‘LEVINGS To MAAT IS’. The writing refers to Alan and Marlene Levings, who began their twenty-two year career in lightkeeping with a posting to Tasman Island, off Port Arthur, in the 1960s. After four years they moved to Maatsukyer Island off south-west Tasmania, Australia’s southern-most lightstation, followed by postings to South Bruny, Eddystone Point and Wilsons Promontory. The robust box journeyed with the Levings through their postings to five lightstations and came to rest at Wilsons Promontory when Alan retired. It is not known whether the box was used in an office or domestic context. The movement of people and objects is a significant and unique theme that runs through the history of Australia’s lightstations. This historical process relates Victoria to the much bigger story of Australia’s network of lightstations. Alan Levings has been described as an extremely interesting character and artist. When Levings was a lightkeeper at Wilson’s Promontory, delivery of goods was by boat, then off the boat by a winch and onto the back of a truck. For this reason, packing boxes in earlier years had to be extremely robust. Today, anything that is not carried into Wilson’s Promontory Lightstation by foot, comes by helicopter, eradicating the need for heavy packing boxes such as Levings’. This humble box has first level contributory significance for its reliable provenance which traces its journey through five lightstations; for its association with a former lightkeeping family; and for contributing to an understanding of the pattern of lightstation life.Wooden box, light blue/grey painted. Made of horizontal pieces of timber with some tin reinforcment on the sides. Writing in black on side of box.On side of box in freehand,"LEVINGS To MAAT IS"

A large yellow covered hardcover fiction book for children with a coloured picture of Humpty Dumpty sitting on a brick wall. He is wearing green pants with yellow stars and red and white spotted bow around his middle. There is a drawing of a girl and boy either side of the title The Prize at the top of the cover. There are books and candles drawn at the bottom under the brick wall. The spine is blank. There are advertisements on the endpapers both front and back. There is foxing noted on the edges of the pages. On page 72 there is a loose insert of black and white portraits of five men and a woman who appear to be wearing sporting or school clothes. There are stories and poems written by various authors and black and white illustrations and coloured plates throughout. The title page is very ornately decorated with a black and white floral design. The coloured frontispiece is of Humpty Dumpty again. At the front there is a Contents and List of Illustrations page. 140p.fictionA collection of stories and poems for young children - Volume LXVI (66)children's fiction, poetry

A detailed account of the story of Lone Pine in Gallipoli and how seedlings were grown from a pine cone brought back by Sgt. Keith McDowell. The author and date of this account is not known but was post 1989. The text says: " Gallipoli Lone Pine Lives On The Gallipoli Lone Pine has become a piece of living history in Australia. Every Australian solider who served at Gallipoli, knew Plateau 400 or ‘Lone Pine’ – the scene of some of the fiercest hand-to-hand combat by Australian in World War 1. The Plateau was distinguished by a solitary lone pine which bore silent witness to the heroism and tenacity of Australians who fought there. Lone Pine was a heavily fortified Turkish trench position, identified by a solitary Pinus Halepensis species commonly known as an ‘Aleppo Pine’. (** NB this has since been corrected and the species is not an 'Aleppo pine' but Pinus Brutia, commonly called Turkish pine) At 5.30 pm on August 6th, 1915, Australians of the First Brigade attacked the Turkish trenches under heavy machine-gun and artillery fire. The Australians found the trenches were roofed over with pine logs covered with earth. They clawed the roofing back and jumped into the trenches below. After savage hand-to-hand fighting the trenches were taken by 6 pm. Attack and counter attack continued until August 10, when fighting at Lone Pine ceased, and the position as firmly held in Australian hands. The six Australian Battalions involved lost 80 officers and 2197 men in the battle for Lone Pine. Turkish deaths were estimated at between 5,000 and 6,000. At Gallipoli during the evacuation, 33 men of the 24th Battalion mounted a gallant action. They were left behind to keep up the pretence that the Lone Pine trenches were still occupied. They destroyed the remaining guns, and embarked before daylight 20 minutes before the appointed time, and less than two hours before a storm blew up which would have made withdrawal impossible. Although the Lone Pine was destroyed in the fighting it lives on today in Australia. Which is where the Legacy Lone Pine story begins. During the withdrawal a soldier, Sgt. Keith McDowell, picked up a pine cone from the original Lone Pine and placed it in his haversack as a souvenir. Sgt. McDowell carried the cone for the remainder of the war and when he returned to Australia gave it to his Aunt, Mrs Emma Gray of Grassmere near Warrnambool. “Here Aunty, you’ve got a green thumb, see if you can grow something out of this”, the late Mrs Gray’s son, Alexander, recalled. But it wasn’t until some 12 years later that Mrs Gray planted the few seeds from the cone, five of which sprouted and grew into little trees. One of the pines eventually died but the remaining four survived. In May, 1933, one was planted in Wattle Park on the occasion of the Trooping of the Colour by the 24th Battalion. On the 11th June 1933, the second tree was planted with full military honours by S G Savige of the 24th Battalion, at the Shrine of Remembrance in Melbourne, where it now shades the well-loved statue of Simpson and his donkey. The late Lieutenant-General Sir Stanley Savige KBE, CB, DSO, MC, ED, was the founder of Melbourne Legacy. Formed in 1923, the Melbourne Legacy Club was the first such Club to be established. On the 18 June 1933 the third tree was planted at the Sisters, near Terang, just north east of Warrnambool. This is the area Mrs Gray’s family lived and the home of several Gallipoli veterans. The fourth tree was planted in the Warrnambool Gardens on 23 January 1934. In 1964 Legatee Tom Griffiths, then President of Warrnambool Legacy, put forward the idea that more seedlings should be raised in the Jubilee Year of Gallipoli from the established trees with the object of planting memorial trees throughout Australia in memory of those who fell in action at Lone Pine in 1915. The project was outlined in a paper presented to the Perth Conference in 1965 and was strongly supported. Two batches of cones were sent to Melbourne, one from the tree at ‘The Sisters’ and another from the tree at the Warrnambool Gardens, and the full cooperation of the (then) Forests Commission of Victoria, was guaranteed by the Chief Commissioner, Mr Benallack. Unfortunately, these cones had been gathered too late as the seeds had already been cast, and the few seeds that survived failed to germinate. However, Melbourne Legacy then undertook the propagation and distribution of seedlings. With the assistance of the Shrine of Remembrance Trustees, permission was granted by the Melbourne City Parks and gardens Curator to harvest a limited number of cones from the 24th Battalion tree at the Shrine and these were gathered by the Forest Commission and after the necessary preparatory treatment were planted in the Commission’s nursery at Macedon. Approximately 150 seedlings were raised from these cones by Dr Grose, Director and Silviculture. Melbourne Legacy’s Commemoration Committee was responsible for the collection, propagation, presentation and dedication of Lone Pines from the 24th Battalion tree at the Shrine of Remembrance. One the 14 September 1989 further cones were collected with the hope to raise 1000 trees from the seeds. This could not have been done without the invaluable assistance of the Department of Natural Resources and Dr Peter May at the Victorian College of Agriculture and Horticulture in Richmond, Victoria. Thus, Legacy is helping to keep the memory of the Gallipoli ‘Lone Pine’ alive – its spirit living on today. Presentations are made to schools, ex-service organisations and interested bodies by Legacy Clubs in the hope that they will be cherished as a symbol of Australian nationhood and of its just pride, devotion, courage, selflessness and sense of service to others. "The Legacy Lone Pine program helped promote the Anzac story throughout Australia.White A4 paper with black type x 3 pages recounting the story of Legacy's propagation of Lone Pine seedlings. lone pine, gallipoli

The Torch is a newsletter published twice a year and contains a report from the President with highlights of the year and stories of people Legacy has helped. It grew out of the highlights report that was published alongside the Annual Report. The annual report would usually contain pages containing the Presidents report and highlights of the year in photos. In 1987 these were published in a separate document called Highlights from the Annual Report. This could be used in promoting Legacy in different ways, without all the financial information normally held in an annual report. In following years it became called 'Report from the President' then 'Highlights from the President', before becoming 'Melbourne Legacy Highlights' which was published twice a year from 2007. It was eventually renamed, 'The Torch, Melbourne Legacy Highlights' in 2012. 'The Torch' is still published twice a year.A record of the newsletters of Legacy Melbourne, including activities and telling stories of Legacy's impact.Five issues of the Torch newsletter that is published twice a year. 01323.1 June 2013 01323.2 February 2014 01323.3 June 2014 01323.4 June 2016 01323.5 June 2018newsletter, annual summary

Letter dated 27 November 1959 addressed to James G. Gillespie at his place of work from D.J. Cartledge of Login Corporation Pty Ltd (North Sydney), enclosing extracts from Sydney newspapers following the publication of the Savige biography. Cartledge notes that there could have been reference to the book on television and in the Bulletin newspaper, but he has been unable to monitor them. He enclosed a cheque for one pound five shillings for a signed copy of the book.Part of the story of how the book 'There goes a Man' came to be created.Letter head quarto paper with two additional larger plain sheets, newspaper clippings pasted to them.Letter corrected and initialled in blue ink. 00929.2 handwritten in blue ink: "John, Herewith cuttings and reviews of "There goes a man", Kind Regards, Bert Scargand(?)" Annotated "D.M. 7.10.59" in blue inkstamped 7 Oct 1959. 00929.3 Annotated "D.M. 29.9.59" in blue ink, "Mrs Godfrey" in pencilsavige book, biography

Newspaper clippings and a photo of Stan Savige's funeral from a file about the life of Stan Savige. The file contained documents pertaining to the creation of the book 'There goes a man' by W.B. Russell (catalogued separately) as well as these newspaper clippings and photo of Sir Stanley Savige's funeral. The newspaper features refer to the portrait by E Buckmaster submitted to the Archibald Prize competition (00634.4 and 00634.5, page 7 missing) as well as to the book (00634.6). The portrait is hung in the Stan Savige Comradeship Room on level 2 at Legacy House.The items indicate the high esteem in which Sir Stanley Savige was held by the Australian public for both his war service, and for founding Legacy.00634.1 Buff coloured cardboard folder, metal slide 00634.2 Black and white photo, funeral Sir Stanley Savige. 00634.3 Five newspaper clippings. 00634.4 Newspaper feature - The Argus Weekend Magazine, May 10th, 1947. Photo of a portrait of Stan Savige. 00634.5 Newspaper feature - The Argus Weekend Magazine, May 10th, 1947 00634.6 Newspaper clipping - The Age, Friday September 25th, 1959 00634.1 Folder, 'Book biography of Sir Stanley Savige' hand written in black ballpoint pen. 00634.2 Stamped in purple ink "Copyright not for reproduction Herald Sun Feature Service Melbourne Australia'savige book, stan savige, funeral

A light grey cloth covered book titled Velveteens. A Norfolk Story by Edward Gilliat, M.A., Assistant Master in Harrow School. Illustrated by F. Barnard. The title is printed in yellow decorative lettering at the top of the front cover with a brown illustration of a man hunting with a rifle and dogs. The author's name is at the bottom in brown lettering. Inside is a Bookplate. Opposite the title page is a frontispiece black and white illustration for P.33, titled "Dead? Who's dead?" asked the squire. Publishing details are noted on the title page which has a faded tissue paper page. There is a Contents page, listing XXX chapters. Each chapter has at the top of the page a decorative nature illustration inside a rectangular box. P.125 has another black and white full page illustration. 250 Pp. At the back are lists of Publications of the Society for Promoting Christian Knowledge. fictionA family story set in the countryside in County Norfolk in England in the late 1800's.It has strong religious themes. The father, a gamekeeper to a Squire, was shot dead by poachers and the family has to survive and continue to manage the land they live on.religious books, religious fiction, family life fiction, english fiction, children's fiction

January 1967, John 'Jethro' Thompson is a 21 year old Aussie Digger on his way to the war in South Vietnam. Five months later he returns home - doctors don't expect him to survive his horrendous wounds, This is the remarkable true story of Jethro's journey: his struggles to cope with enormous physical pain and the psychological effects of becoming a triple amputee, and the people who teach him the true meaning of mateship.soldier, wounded soldier, vietnam, aussie digger, john 'jethro' thompson, sgt brett nolen, lt joe cazey

This book has been written by Vanda Savill and is about the settlers in the Wallacedale area in Western Victoria. Wallacedale is 28 kilometres south west of Hamilton and was created by the draining of the Condah Swamp. Vanda Savill (1913-2005) and her husband ran a dairy farm and the Bower Birds Nest Museum and History Centre at Heywood. Vanda Savill was passionate about keeping alive the personal histories of local people and for 20 years she wrote and published many books about the areas in which she lived. This book is of interest because it tells the stories of settlers in the Wallacedale area of Western Victoria. It also has appeal because of the warm, conversational style of the author.This is a soft cover book of 216 pages. The cover has a white background with a black and white image of a hand holding a pen and, on the front cover, five black and white photographs and, on the back cover, nine black and white photographs. The title of the book is in red cursive writing. The information in the book is printed from the original handwriting of the author (Vanda Savill). The book also has many black and white photographs. The book is bound with red tape.wallacedale, history of western victoria, vanda savill, warrnambool

non-fictionA biographical study of the life of Edwin James Beardmore as told by his son John. Edwin James Beardmore was a successful pastoralist and served as a Member of the Queensland Legislative Assembly from 3 August 1957 until his retirement on 17 May 1969. He was awarded an MBE for services to State and Local Government. Born in Victoria in 1891, he moved to Queensland in 1914 as a stock-dealer at St George and lived the remainder of his life in that area of the State. He served on the Balonne Shire Council for 15 years and was its Deputy Chairman for eight years. He died in Brisbane, Queensland on 8 April 1985. Politics and the desire to help others were part of Eddie Beardmore's heritage and when he entered Parliament it was a case of like father, like son. His father, Mr Henry Beardmore, was a member of the Victorian Legislative Assembly many years earlier after serving on the Wodonga Council for 20 years, including five terms as President. Henry then won the seat of Benambra in the Victorian Legislative Assembly at a by-election on 20th April 1917. Henry Beardmore died in Wodonga on 29 August 1932edwin james beardmore, beardmore family, queensland politicians

Five Northern Territory veterans share their personal stories and inner-most thoughts about the Vietnam War.vietnam war, 1961-1975 - personal narratives, australian, soldiers - northern territory - biography, robert brennan, hmas albatross, garry casey, australian army, private frank topp, battle of long tan, denis newsham, jack pegg, hmas leeuwin, barry ryan

On the crest of Stanhope Hill at Peter Street, Eltham, stands the former home of a couple, Clem and Nina Christensen who had a major influence on the literary development of post World War 2 Australia. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p109 On the crest of Stanhope Hill at Peter Street, Eltham, stands the former home of a couple, who had a major influence on the literary development of post World War Two Australia. In 1946, Clem and Nina Christensen bought the house, which had been designed by Harold Desbrowe Annear, considered to be one of Australia’s most innovative architects in the first quarter of the 20th century.1 That year the stucco building with a metal roof, built in 1910, was extended to the north and south. The main residence was built of jarrah, with stucco walls, floors of Tasmanian hardwood and rooms panelled with Californian redwood (sequoia). The property included a cottage, former stables, a dairy and meat-house. From its beginnings the property has attracted artists and intellectuals. Official World War One artist, Will Longstaff, bought the property – then 15½ acres (6ha) around 1900. Famous for his painting The Ghosts of Menin Gate, now in the Australian War Memorial Canberra, Longstaff was the cousin of another well-known painter, Sir John Longstaff. Several leading artists visited Longstaff at Stanhope including Walter Withers of the Heidelberg School, who lived in Brougham Street, Eltham. In 1919, Theo Handfield, father of author and journalist John Handfield, bought the property from Mrs Longstaff. Then in 1924 the land was subdivided and most of the estate (80 blocks) was auctioned. The next owner was related to novelist Virginia Woolf. Bishop Reginald Stephen, Warden of Trinity College, bought the house and five acres (2 ha) in 1928. He was related to Sir Leslie Stephen, the first editor of the Dictionary of National Biography and Woolf’s father. Novelist and music critic John Harcourt, was the next tenant, while he and his wife Fay, built their mud-brick house Clay Nuneham, at the foot of Stanhope Hill. Dr Clem and Mrs Nina Christensen, lived in the house until their deaths. Clem Christensen – who died aged 91 in 2003 – was a poet, short story writer and painter. However, he is most noted for founding Australia’s foremost literary journal2 Meanjin (originally Meanjin Papers), which he described as ‘democratic left of centre’, in Brisbane in 1940. Clem brought Meanjin to Melbourne in 1945 and remained editor until 1975. Enormously influential, Meanjin spawned and encouraged many of Australia’s best literary talents and it had an international reputation. Meanjin was the first to publish such writers as Judith Wright and David Malouf and it encouraged writers like Patrick White and Peter Carey. Nina Christensen – who died aged 89 in 2001 – was founding Editor of the Melbourne Slavonic Studies Journal and pioneered the study of Russian in Australia. In 1946 she established the Department of Russian Language and Literature at The University of Melbourne, which she led until 1977. Nina’s graduates largely staffed subsequent departments, in other Australian universities.3 However Nina’s Russian heritage and Clem’s outspoken views caused problems. They were forced to defend themselves in the Petrov inspired Royal Commission on Espionage in the 1950s, but were exonerated. The Christensens attracted and hosted many distinguished Australian and foreign writers, artists and academics, including Nobel prize-winning novelist, Patrick White and the world’s then leading cellist, Mstislav Rostropovich.4 Other writers and intellectuals who visited Stanhope were: Vance Palmer, Alan Marshall, A D Hope, Xavier Herbert, Nevil Shute, Geoffrey Dutton, Martin Boyd, Judah Waten, Bruce Grant, Dorothy Hewett and Sir Herbert Read. Painters included: Danila Vassilieff, Arthur Boyd, Albert Tucker, Justus Jörgensen, Robert Hughes and Clifton Pugh. Academics included: Manning Clark, Geoffrey Blainey, W Macmahon Ball, Richard Downing, Geoffrey Serle and scientist Tim Marshall. Politicians included: Jim Cairns, Pauline Toner, Lance Barnard, Sir Paul Hasluck, Sheryl Garbutt and performance artists included: film star Olivia Newton-John, members of the Bolshoi ballet and the Russian State Ballet of Siberia.5 Nina Christensen was honoured in 2006 at the Eltham Living and Learning Centre with the building of an amphitheatre designed by V Sverdlin.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, clem christesen, eltham, nina christesen, peter street, stanhope