Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer Bev Baxter. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a white rendered house with striped yellow and white window awnings. Other features include a tiled roof, a cast iron work front porch door, garden urns in front of the house and a low unpainted brick fence in the foreground with a car in its garage down the drive to the left. The garden beds are also supported by walls of the same unpainted bricks with plants including a palm and succulents.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, cast iron work gates, striped awnings, outdoor ornaments, brick fences, drives, cars, garages (private), palm trees, brick chimneys

Jemmys Point showing an old dead grey box tree trunk many limbs lying on ground near base trunk stabilized by two long poles straight ladder from ground to fork at top Lakes Entrance Victoria. This tree eventually fell down in 2024. East Gippsland shire have placed a garden bed around it.Black and white postcard of Lookout on Jemmys Point showing an old dead grey box tree trunk many limbs lying on ground near base trunk stabilized by two long poles straight ladder from ground to fork at top Lakes Entrance VictoriaLookout Tree Lakes Entrancejetties, waterways, jemmys point lakes entrance, topography

Coloured photographic postcard. Image depicts a large public building with many cupolas on towers. In the foreground are several trees surrounding a garden bed. The words Exhibition Buildings Melbourne are printed in red in the top left hand corner. Reverse is addressed to Miss Gladys Dean Esmond McKenzie Street Golden Square, remains of a stamp postmarked Melbourne is in top righthand corner with handwriting covering the left hand side of card.Valentines Seriespostcard

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 18 Simpson St., Mitcham This property is listed as having sold for $347,000 in 2002 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 18 Simpson St., Mitcham depicting a black and white line drawing of a single story weatherboard house, on the left hand is a driveway leading to a separate garage. While in front of the house is a front lawn with garden beds and a large gumtree. There is a path leading from the left edge of the artwork to the front door. There are two holepunch holes on just under the upper edge 18 Simpson St., Mitcham Picken © 2002 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

Postcard, a B&W Vincent Kelly photo of a residence called "Cwmciofran" in Bendigo. A gravel path leads through a rose arbour up to the house, garden bed on left and lawn on right. On the back the PC is addressed to Mrs Randal, City Family Hotel, Bendigo with the message 'I wish you a happy Xmas and bright New Year.' Senders signature not decipherable. Affixed is a one penny Victoria stamp. Postmarked 'Bendigo 23 ? 05'postcard, photograph, postcard, cwmciofran, bendigo, city family hotel, vincent kelly

High Street Charlton streetscape. Shows Sweatman's North Central Panel Beaters (formerly Charlton Motors Pty Ltd garage), Heather's Choice Gift Shop (in the former Bilton/Dillon building built 1889), Westpac Bank, War Memorial (built 1923)Colour photograph of High St Charlton taken near the corner of Armstrong Street looking west. Garden beds in lower LH, road signs pointing to St Arnaud and to Mildura and Donald. North Central Panel Beaters on corner. Orange car driving west, person crossing the road, man standing near white ute in front of Westpac bank on RH side of photo. Heather's Choice sign on side of building. War Memorial at the end of the road.sweatmans, north central panel beaters, heather's gift shop, bilton building, westpac, war memorial, charlton, business, industry

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 31 Ormond Ave., Mitcham This property is listed as having sold for $115,000 in 1994 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 31 Ormond Ave., Mitcham depicting a black and white line drawing of a single story house with attached double garage on the right. With large colonial style windows, and a bay window on the left side wall. In front of the house is a front lawn with trees and garden beds, all set back from the pedestrian path. There are two holepunch holes centred just under the upper edge.31 Ormond Ave., Mitcham Margaret Picken - 94 Woodards - B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 6 Haros Ave., Nunawading, Although the inscription reads '6 Heros Ave., Nunawading' This property is listed as having sold for $269,000 in 2000 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house with a veranda extending into a connected carport in front of the house. A driveway runs along the righthand side and curves into the carport. In the left side foreground is a lush garden bed. The artwork has been titled: 6 Heros Ave., Nunawading, However the actual address is 6 Haros Ave., Nunawading. It can reasonably be presumed that this is a typo.6 Heros Ave., Nunawading Margaret Picken © 2000 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

The children and their teacher were engaged in a variety of outdoor gardening activities for the three days from 26th - 28th April 1989 for Arbor Week. Over the three days a new garden bed was set out as well as tree planting. During Arbor Week, people are encouraged to plant trees as well as caring for established gardens. The date varies from across different countries and takes into account suitable seasonal planting conditions. Arbor Week gives an awareness of the importance of trees in the environment and the need to provide green areas in the community.A non-digital coloured photograph of seventeen children and an adult moving a long log to a designated area.arbor week, bulla primary school

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 63 Lisbeth Ave., Mitcham. This property has be listed as having sold for $325,000 in 2002. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Maragret Picken, of an angled view from above of a elevated bush block, with three story timber stilt house situated into the hill. In the lower right corner is the bottom of the hill, and a front lawn with a edged garden bed behind. While on either side of the house are steps leading up the hill to the back of the block. The house has steps leading up to a partial wrap around verandah There are two hole punch holes along the top edge63 Lisbeth Ave., Mitcham Margaret Picken - 94 Woodards -whitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer Bev Baxter. See also 2104A-19 which seems to be same property but with different colour and different larger plants in the right garden bed.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of light brown coloured rendered house with unpainted brick features. Other features include a curved wall porch, tiled roof, and concrete driveway and path leading to the front porch. murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, brick features, chimneys

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer Bev Baxter. See also 2104A-18 which seems to be same property but with different colour and different smaller plants in the garden bed.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of light green rendered house with unpainted variegated brown brick features. Other features include a curved porch, tiled roof and concrete driveway and path to the porch.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, brick features, chimneys

Black and white photo: 3 storey rendered building with parapet. 8 columns at front. Driveway with grass and garden beds each side. Hinged traffic barrier at front left. Motor vehicles in front of building. In image on building ' Anne Caudle Centre' on back in grey lead pencil O 24. ( Noelene Wild 7.2000 Photo, Peter Hyett 1995. Anne Caudle Centre, main entrance from Barnard Street. ( formerly Home and Hospital for the Aged, originally Bendigo Benevolent Asylum )Peter Hyattbuildings, hospital, anne caudle centre

Kodachrome Transparency - 35mm slide - cardboard mount, with one side with red border and words "Kodachrome Transparency / Processed by Kodak" top and bottom. Photo taken by Ben Parle 5/4/1958. Has slide No. "18" stamped in red in top corner. Photo of Ballarat No. 41, pass through the King St. Loop, Victoria St., inbound to the City. Tram has the destination of Special and has the AETA special tram sign. Note the garden beds. For high resolution scan see btm2851h.tif"Victoria St line" "5-4-58"tramways, trams, victoria st, king st, aeta, tram 41

The Kew Historical Society's map collection includes a substantial number of real estate subdivision plans, mainly of Kew but also of surrounding suburbs in Melbourne. Most of the subdivision plans date from the 1920s and 1930s when the districts old homes and local farmland were being split up to accommodate residential growth in the postwar period. These early plans were assembled by a local firm, Jas R Mather & McMillan, which had an office in Cotham Road. Many of the plans, and sometimes photos, were annotated by the agents.Subdivision plans are historically important documents used as evidence for the growth of suburbs in Australia. They frequently provide information about when the land was sold as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.The photograph may also be aesthetically significant depending on the importance of the photographic atelier.On the reverse of a subdivision plan of the Palmyra Estate (Kew) is a photograph of a double-fronted Edwardian villa. The weatherboard and stucco house with high brick chimneys provides a clear indication of the style of curtains and gardens in houses of the period. Holland blinds with lace inserts are used in the left front window. They are combined with long lace curtains. The garden, with its curved pathway is bordered with garden beds that include marguerite daisies and roses. Reflecting a new interest in the Australian landscape, tree ferns and ground ferns are planted closer to the house.houses - kew, architecture - edwardian, real estate photographs

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 8 Menin Road., Nunawading. This property is listed as having sold for $225,000 in 1997 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story weatherboard house with bullnose verandah covering the front porch. On the right is a driveway leading to a separate garage in the background. In the foreground is a picket fence enclosing the front garden. black and white line drawing of a single story weatherboard house, with a driveway on the right leading to a separate garage in the background. In the foreground is a front garden, with garden beds and central tree. There are two holepunch holes on just under the upper edge.8 Menin Road., Nunawading Margaret Picken - 97 Woodards - B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

This statue of Hebe standing tall in Sturt Street is a religious reference to the youth. She holds aloft the cup of youth while the flask or jug of knowledge hangs in her fallen arm. Both Hebe and Ruth as iconic figures face each other across their garden beds forming a part of the sculptural vista of Sturt St. Hebe, Greek Goddess of Youth and the biblical figure Ruth, were the gift of wealthy local benefactor John Permewan, who owned carrier firm Permewan & Wright. He commissioned Charles Summers to sculpt both of the women figures. The artwork is of aesthetic and historical significance to the people of Ballarat.Marble sculptural depiction of the Greek goddess Hebe Presented to The City Council of Ballaarat by John Permewan J.P. 1899/ Unveiled 3 April 1889. / This wealthy gentleman of the firm of carriers Permewan & Wright, was also an investor.hebe

ballarat botanic gardens, excursion, garden design

Used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 69. The caption in the book reads, "George Russ among some of the dahlias, of which he was such an excellent judge." "Demonstrator in Horticulture from 1910 to retirement in 1936. An Englishman thoroughly trained in the old school and highly respected by all who were privileged to know him." E.B. LittlejohnColour photograph of a b/w photograph on a table of George Russ, Head Gardener standing in a bed of Dahliasgreen grows our garden, a.p. winzenried, george russ, dahlias, demonstrator in horticulture

There are 3 tracks; the third track was built in 1971, which gives an approximate date for the photo. At this time the original station buildings were demolished and replaced by buildings constructed from concrete bricks and a second subway replaced the overhead footbridge. According to Roderick Smith, a local railway enthusiast, originally there had been 3 railway houses at the Mont Albert end of the northern car park. These were demolished to extend the car park. Certainly 8 Bedford Avenue, built as the station master's house was demolished at this time. The palm tree had been planted in the station master's front garden and was retained in a small garden bed within the car park. A black and white photograph of a station with cars parked on both sides of the 3 tracks. A Harris train is departing the station heading towards Mont Albert. A palm tree is prominent in the station car park to the north.1971, surrey hills station, railway stations, car parks, public transport, trains, railway lines, palm tree

This photograph shows a small timber house in Wooragee. In 1855, the Ovens district made a shift towards farming development that included the sales of land in the Wooragee Valley. This shift came because of miner's demands and concern about stabilising the area around the goldfield. Continual migration needed to be supported, unlucky diggers needed alternative employment, and there was a lack of affordable fresh produce available on the goldfields. Initially, the cost of land in areas like Wooragee was prohibitive, and miners chose to squat rather than overpay for poor land. Throughout the 1850s and 1860s, land reform was a key topic for miners and politicians, as they attempted to improve land access and protect financial interests. This photograph is an example of rural development in the Wooragee area, showing the cottage, tents, and garden beds. While the date is unknown, the image nevertheless links us to the 1850s-1860s story of rural development in Indigo Shire. Black and white rectangular photo, copy of original, printed on paper. wooragee, timber, timber cottage, corrugated iron, cottage, housing, tents, gardening, farming, farming and agriculture, construction, garden bed, flowers, verandah, squatting, tent, field

Extinction Rebellion protest mural painted on the western wall of Platform 3095 cafe facing the railway station Prior to September 2016 a grouping of five trees were planted in the small garden bed on the western end of the cafe in two groups either side of the traffic sign which at that stage was the taller By October 2017 the five trees had doubled in height to about 1m above the roof line By April 2018 the trees were all about 2m above the roof line By August 2019 all five trees had been cut down and the wall was a mixture of paint patches from ongoing graffitti attacks By January 2020 the wall had been adorned with this mural which appears to have discouraged ongoing graffitti attacks but its message is tinged with irony that five healthy young trees were removed fay bridge collection, 2020-01-29, eltham, platform 3095, extinction rebellion

The bluestone blocks were originally part of the bluestone lockup located behind the Police Residence and Courthouse. The stones at one stage formed an edging to a grass island at the intersection of Wattletree Road and Main Road and were painted white. When that intersection was reconstructed the stones were brought back to the former residence, occupied by the Shire Department of Parks and Environement where again they were used as edging for a newly constructed driveway put through from Main Road through where the original Police Station was sited. The stones now form part of the garden bed edging at the rear of the building. At some stage in 1989 a reproduction Police Station was built beside the residence as originally located, for the purpose of providing a lunch room for shire staff. The residence has been the home of the Eltham District Historical Society and Local History Centre since 2008. 35mm colour positive transparency (1 of 8) Mount - Agfa CS System grey 8 dots728 main road, eltham, eltham courthouse, local history centre, police residence, parks and environment, shire of eltham

A memorial to still born babies at Eltham cemetery lies under the trees on the west side. A plaque within a garden bed states: “Cherished, but not cradled. This small garden is adjacent to a communal gravesite for stillborn babies, or those who died soon after birth. They were all born and /or died at Queen Victoria Medical Centre and buried between March 1979 and April 1986.” The landscaping was funded by Stillborn and Neonatal death Support (SANDS) Vic. Members. It also initially had a low wooden seat in place. (No longer in place as of April 2022) The Queen Victoria Medical Centre itself was founded in 1896 and at the time was one of only three hospitals worldwide founded, managed and staffed by women. The Centre has since merged and amalgamated with the Monash Medical Centre. EDHS records indicate that the communal burial site was also fo bodies that were donated to science. Roll of 35mm colour negative film, 6 stripsKodak GC 400-9eltham cemetery, communal grave, stillborn, plaque, memorial plaque, memorial to still born babies, women in eltham cemetery tour

These hand tools are examples of early to mid-20th century garden cultivators, designed for home gardening, small-scale agriculture, or kitchen gardens. Their full-metal construction suggests they were built for durability and could be used in tough soils where wooden-handled tools might break. The minimalist yet practical design would have made them ideal for weeding, soil aeration, or root work in garden beds. Such tools were commonly found in household sheds and were often homemade or locally manufactured by blacksmiths or rural toolmakers. – Roy SCHMIDT resided with his siblings Mabel and Jack at ‘Parklands’ 85 Lake Avenue Natimuk home of Heinrich Friederick ‘Heiny’ & Minna Christina SUDHOLZ nee LANGE and their children Louis, Sophie, Alma, Lena (Roy's Mother), Florence 'Florrie' and Edward ‘Ted’.The image shows two vintage hand garden forks or cultivators, each constructed entirely from metal, including coiled wire handles. The implements are similar in size and style, but differ in tine configuration: [1] Handmade Garden Fork Straight Prongs: Has five straight, flatter tines, more like a rake, and is better suited for fine cultivation, weeding, or breaking up soil clods. [2] Handmade Garden Fork Claw Prongs: Features three thick, curved tines arranged in a spiral and claw-like fashion. These tines are more widely spaced and likely used for loosening tough or compacted soil, or for aerating.gardening

A memorial to still born babies lies under the trees on the west side of Eltham cemetery, Mt Pleasant Road, Eltham. A plaque within a garden bed states: “Cherished, but not cradled. This small garden is adjacent to a communal gravesite for stillborn babies, or those who died soon after birth. They were all born and /or died at Queen Victoria Medical Centre and buried between March 1979 and April 1986.” The landscaping was funded by Stillborn and Neonatal death Support (SANDS) Vic. Members. It also initially had a low wooden seat in place. (No longer in place April 2022) The Queen Victoria Medical Centre itself was founded in 1896 and at the time was one of only three hospitals worldwide founded, managed and staffed by women. The Centre has since merged and amalgamated with the Monash Medical Centre. EDHS records also indicate that it was also a communal gravesite for bodies that were donated to science. Roll of 35mm colour negative film, 6 stripsKodak GC 400-9eltham cemetery, communal grave, stillborn, memorial to still born babies, women in eltham cemetery tour, memorial, garden, sands, stillborn and neonatal death support

Information page with photos about the memorial to still born babies at Eltham cemetery, Mt Pleasant Road, Eltham which lies under the trees on the west side of cemetery. A plaque within a garden bed states: “Cherished, but not cradled. This small garden is adjacent to a communal gravesite for stillborn babies, or those who died soon after birth. They were all born and /or died at Queen Victoria Medical Centre and buried between March 1979 and April 1986.” The landscaping was funded by Stillborn and Neonatal death Support (SANDS) Vic. Members. It also initially had a low wooden seat in place. (No longer in place April 2022) The Queen Victoria Medical Centre itself was founded in 1896 and at the time was one of only three hospitals worldwide founded, managed and staffed by women. The Centre has since merged and amalgamated with the Monash Medical Centre. H.G's research also indicated that the communal burial sites within Eltham Cemetery was also for bodies that were donated for science.communal graves, eltham cemetery, s.a.n.d.s., stillbirth and neonatal death support, memorial to still born babies, women in eltham cemetery tour, memorial

Plaque in the memorial to still born babies at Eltham cemetery, Mt Pleasant Road, Eltham which lies under the trees on the west side of cemetery. The plaque within a garden bed states: “Cherished, but not cradled. This small garden is adjacent to a communal gravesite for stillborn babies, or those who died soon after birth. They were all born and /or died at Queen Victoria Medical Centre and buried between March 1979 and April 1986.” The landscaping was funded by Stillborn and Neonatal death Support (SANDS) Vic. Members. It also initially had a low wooden seat in place. (No longer in place April 2022) The Queen Victoria Medical Centre itself was founded in 1896 and at the time was one of only three hospitals worldwide founded, managed and staffed by women. The Centre has since merged and amalgamated with the Monash Medical Centre. Records in EDHS files also indicate that the communal burial sites within Eltham Cemetery was also for bodies that were donated for science. Tomorrow's history documented todayeltham, jim connor collection, eltham cemetery, sands, stillbirth and neonatal death support, memorial to still born babies, memorial plaque, plaque, women in eltham cemetery tour

Illawarra was the name given to the Geelong office of the Association for the Blind. These physical photographs were unfortunately too damaged to be retained in the collection, so a digital image was taken. 1. 1977 - Unnamed people undertaking carpentry at Illawarra. 2. 1970 to1980's - The Illawarra building in Pakington Street, Newtown. 3. 1970 to 1980's - A seascape mural with raised sea animals and corals was presented by the Embroiders Guild for the benefit of AFB members. An unknown female is feeling the mural. 4. 1970 to 1980's - A fragrance garden at Illawarra completely maintained by the Geelong Pelargonium Society, enables AFB members to enjoy the plants by their distinctive perfumes of lemon, lime, nutmeg and peppermint. A female stands in front of a garden bed and smells a pelargonium leaf. 5. 1982 - To encourage independence from costly and impersonal health services, diabetics attend Illawarra to learn self-management of their condition at home. A dietitian speaks with diabetics on treatment. 6. 1976 - The Geelong office of the AFB at Illawarra.6 digital images of Illawarra and the people involved with itillawarra (geelong), association for the blind