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matching geelong show
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National Wool Museum
Certificate
... sample of merino lambs wool at the annual show for the Geelong...National Wool Museum 26 Moorabool Street Geelong geelong ...Certificate awarded to Mr. Charles Wilson Peel for the best sample of merino lambs wool at the annual show for the Geelong Agricultural and Pastoral Society. The certificate is undated. Mr Peel owned a superfine merino stud at Gnawarre named CallenondahRed coloured stiff paper certificate with black printed text and sketches. Black ink handwritten personalised text to C.W. Peel for best lambs wool sample. Heading at top of certificate above the Australian coat of arms and sketch of horse and cow heads. -
National Wool Museum
Document - Certificate, 1973
... sample of Corriedale ewe or wether fleece at the annual show... show for the Geelong Agricultural and Pastoral Society, 1973 ...Certificate awarded to Mr. Charles Wilson Peel for the best sample of Corriedale ewe or wether fleece at the annual show for the Geelong Agricultural and Pastoral Society, 1973. The certificate is undated. Mr Peel owned a superfine merino stud at Gnawarre named Callenondah.Red coloured stiff paper certificate with black printed text and sketches. Black ink handwritten personalised text to C.W. Peel for best corriedale wool sample. Heading at top of certificate above the Australian coat of arms and sketch of horse and cow heads.geelong agricultural and pastoral society, corriedal ewe, wether fleece, charles wilson peel -
National Wool Museum
Ribbon
Ribbon awarded to Mr Charles Wilson Peel of 'Callenondah' at Gnawarre. Mr Peel ran a superfine merino stud. This ribbon is from the Geelong Agricultural & Pastoral Society 1961 Show and was awarded Champion Fleece of Show. Red, white and blue wool ribbon with yellow tassels on short ends. Yellow stitched/stamped text. Text is divided across the three coloured panels which are stitched together with white thread. -
National Wool Museum
Ribbon
Ribbon awarded to Mr Charles Wilson Peel of 'Callenondah' at Gnawarre. Mr Peel ran a superfine merino stud. This ribbon is from the Geelong Agricultural & Pastoral Society 1959 Show and was awarded Champion for Sample of Merino Lambs Wool. Red, white and blue wool ribbon with yellow tassels on short ends. Yellow stitched/stamped text. Text is divided across the three coloured panels which are stitched together with white thread. -
National Wool Museum
Ribbon
Ribbon awarded to Mr Charles Wilson Peel of 'Callenondah' at Gnawarre. Mr Peel ran a superfine merino stud. This ribbon is from the Geelong Agricultural & Pastoral Society 1973 Show.Dark red wool ribbon with yellow stamped text. -
National Wool Museum
Ribbon
Ribbon awarded to Mr Charles Wilson Peel of 'Callenondah' at Gnawarre. Mr Peel ran a superfine merino stud. This ribbon is from the Royal Melbourne Show 1969.White wool ribbon with yellow stitched text. -
National Wool Museum
Bale Hook, 1900-1980
The bale hooks were used on the Dennys Lascelles building's show floor by the donor's father Maurice Dalton. Maurice was the foreman of the show floor of the Dennys Lacscelles building until his retirement after 34 years with the company and also worked as a wool classer in rural Victoria and New South Wales.Wood handle with curved rusted metal hock ending in a sharp point. One Hook is plain but longer. One hook is shorter and has inscription M.DALTON. on each side of handle. Third hook is much shorter, has dual hooks and a shaped handle.Handle of bale hook. Mirrored. Wording: M.Dalton. -
National Wool Museum
Shears, 1900-1980
Shears belong to donor's father Maurice Dalton who was foreman of the show floor of the Dennys Lascekkes building until his retirement after 34 years at the building. Maurice used the shears in his work as a wool classer in rural Victoria and New South Wales. The shears are 14" N.1 Combination UTS hand shears made in Sheffield, England.A pair of metal blade shears. The blade is engraved with 'MADE IN ENGLAND / COMBINATION / U.T.S. / SHEFFIELD / N.1'. The ends of the two symmetrical grips loop around on themselves where they are riveted together to form a spring action.Mirrored. Lettering: MADE IN ENGLAND / COMBINATION / UTS / SHEFFIELD / N. 1 -
National Wool Museum
Dagging Shears, 1900-1980
Dagging shears belonged to donor's father Maurice Dalton who was foreman of the show floor of the Dennys Lascekkes building until his retirement after 34 years with the company. Maurice used the shears in his work as a wool classer in rural Victoria and New South Wales. The shears are SUCCESS 11" Ball Bros. & Co. Dagging Shear, made in Sheffield, England.A pair of metal blade shears. The blade is engraved with 'SUCCESS / BALL BROS & CO / SHEFFIELD ENGLAND'. The ends of the two symmetrical grips loop around on themselves where they are riveted together to form a spring action.Mirrored. Image: Sword Mirrored. Lettering: SUCCESS / BALL BROS & CO / SHEFFIELD ENGLAND -
National Wool Museum
Cog Spanner, 1900-1980
Cog spanner used for maintenance on a sheering hand piece. This particular spanner belong to Maurice Dalton who was the foreman of the show floor of the Dennys Lascelles building until his retirement after 34 years at the company. Maurice used the cog spanner in his work as a wool classer in rural Victoria and New South Wales.Three prong spanner, two prong look like spanners while the third has two small metal prongs extending from flat metal arm edge. Hole is present in the middle where the three prongs meetInscription. Lettering: LISTER -
National Wool Museum
Sculpture - Cocoon Sculpture, Kathy Holowko, 2018
Handmade cocoon sculpture made from wool. The sculpture appeared in Kathy Holowko's exhibition "Spidergoat and the Insect Electro" on show at the National Wool Museum from 4th May to 29th July 2018. the sculpture is representative of the other pieces that appeared in the exhibition.The cocoon is constructed with armature wire and pure wool from the National Wool Museum. The wool was looped over the armature wire and hand sewn at each intersecting wire ring.kathy holowko, 2018 -
National Wool Museum
Certificate, The Australian Corriedale Association: Champion - International Fleece Competition 1965
The Wettenhall family were well known sheep breeders. The family owned the "Stanbury" corriedale stud at Ceres.ESTATE LATE R E WETTENHALL/ VICTORIAN CORRIEDALE RAM FLEECE/ 13/ 268sheep breeding corriedale studs agricultural shows, stanbury corriedale stud australian corriedale association, sheep breeding, corriedale studs, agricultural shows -
National Wool Museum
Certificate, The Australian Corriedale Association: Supreme Champion - International Fleece Competition 1965
The Wettenhall family were well known sheep breeders. The family owned the "Stanbury" corriedale stud at Ceres.ESTATE LATE R E WETTENHALL/ VICTORIAN CORRIEDALE RAM FLEECE/ 13/ 268sheep breeding corriedale studs agricultural shows, stanbury corriedale stud australian corriedale association, sheep breeding, corriedale studs, agricultural shows -
National Wool Museum
Photograph
"Jellalabad" show and stud ram, 2yrs old, sold for $1000, Aug /67, weight 188lbs letters/number combination "The Lockwood Studios, Geelongwoolclassing education, cowey, mr gordon - gordon institute of tafe, wool department, anderson, mr ken - gordon institute of tafe, woolclassing, education -
National Wool Museum
Photograph - Advertising Poster
Digital image of a poster mounted on cardboard advertising blankets. Image shows a woman surrounded by blankets in a desert setting, with text explaining the range and costs.textile design textile industry - history, collins bros mill pty ltd, textile design, textile industry - history, david jones -
National Wool Museum
Photograph, Sterling Silver Ewer
Sterling Silver Ewer Trophy won by Grainy Point Biswrath for Champion Merino Ram at the 2nd A.S.B.A Show in 1989. Made in 1878 by Martin Hall and Co. of Sheffield England from silver mined in South Africa. Used in the NWM Woolbrokers office display.Sterling Silver Ewer Trophy won by Grainy Point Biswrath for Champion Merino Ram at the 2nd A.S.B.A Show in 1989. Made in 1878 by Martin Hall and Co. of Sheffield England from silver mined in South Africa.merino sheep agricultural shows, elders limited, merino sheep, agricultural shows -
National Wool Museum
Textile - Quilt, Lucy Anderson, 1960-1965
The samples are examples of products made at the Returned Sailors and Soldiers Mill in Geelong but discontinued before 1960. They were used to show shops what materials were available. The samples were given to Mr Robert Anderson, an apprentice fitter and turner at the mill between 1960-1965. His mother, Mrs Lucy Anderson, sewed the samples into quilts in the early 1960s. This is one quilt of three.A quilt made of rectangular woven samples of polychrome woollen fabric. The samples are machine sewn together. It has a blue, red and yellow pieced backing which is loosely handsewn onto the quilt.Back: [handwritten] A Andersonhandicrafts, returned soldiers and sailors mill, wagga, samples, anderson, mr robert anderson, mrs lucy, geelong, victoria -
National Wool Museum
Textile - Quilt, Lucy Anderson, 1960-1965
The samples are examples of products made at the Returned Sailors and Soldiers Mill in Geelong but discontinued before 1960. They were used to show shops what materials were available. The samples were given to Mr Robert Anderson, an apprentice fitter and turner at the mill between 1960-1965. His mother, Mrs Lucy Anderson, sewed the samples into quilts in the early 1960s. This is one quilt of three.A quilt made from woven samples of woollen fabric with herringbone and checked designs, mostly in brown, green, blue and red. The samples are machine sewn together. It has a cream backing which is machine sewn onto the quilt.handicrafts, returned soldiers and sailors mill, wagga, anderson, mr robert anderson, mrs lucy, geelong, victoria, quilts, necessity -
National Wool Museum
Textile - Quilt, Lucy Anderson, 1960-1965
The samples are examples of products made at the Returned Sailors and Soldiers Mill in Geelong but discontinued before 1960. They were used to show shops what materials were available. The samples were given to Mr Robert Anderson, an apprentice fitter and turner at the mill between 1960-1965. His mother, Mrs Lucy Anderson, sewed the samples into quilts in the early 1960s. This is one quilt of three.A brown quilt made from woven samples of woollen striped fabric in browns and olive greens. The pieces are machine stitched together. It has an off-white backing which is machined and hand sewn into place.handicrafts, returned soldiers and sailors mill, wagga, anderson, mr robert anderson, mrs lucy, geelong, victoria -
National Wool Museum
Poster
Poster promoting the 150th Royal Melbourne Show, 1998The ROYAL MELBOURNE SHOW 17-27 THE BIGGEST EVENT IN THE EVENT STATE 1848..1998wool marketing, royal agricultural society of victoria -
National Wool Museum
Poster
Poster promoting the 150th Royal Melbourne Show, 1998The ROYAL MELBOURNE SHOW 17-27 THE BIGGEST EVENT IN THE EVENT STATE 1848..1998wool marketing, royal agricultural society of victoria -
National Wool Museum
Book, Woollen Crafts from Unspun Fleece
Written by Joyce Hucker, this is one of two books about working with unspun fleece, a skill which she developed greatly. She began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.$7.50knitting crochet, hucker, mrs joyce, knitting, crochet -
National Wool Museum
Book, Woollen Crafts from Unspun Fleece Book Two
Written by Joyce Hucker, this is one of two books about working with unspun fleece, a skill which she developed greatly. She began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.knitting crochet, hucker, mrs joyce, knitting, crochet -
National Wool Museum
Place mat
Placemat made with the in 'wrapping' technique taught by Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Placemat made with the 'wrapping' technique developed by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Container
Conatiner made with the 'wrapping' technique developed by Hucker. She began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Toy (container and pig) crocheted by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Beret
Knitting by Joyce Hucker. She began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitting by Joyce Hucker.knitting, hucker, mrs joyce -
National Wool Museum
Bag, Costume
Crochet example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crochet example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Balaclava
Knitting example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitting example by Joyce Hucker.Late J. Hucker 1972 Ski Capknitting, hucker, mrs joyce -
National Wool Museum
Foot stool
Example of wrapping technique of crochet by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Example of wrapping technique of crochet by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Puppet
Knitting example by Joye Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitting example by Joye Hucker.knitting, hucker, mrs joyce