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Chiltern Athenaeum Trust
Photograph - Reproduction
Annie Jessup, an artist, was the youngest daughter of the well-known Australian self-taught artist, Alfred William Eustace. Like her father, Annie created some of her oil landscape paintings on gum leaves. Her older brother Sidney presented one of her paintings to the Chiltern Athenaeum together with his own timber collection.Annie Jessup, and artist, was the daughter of the well-known Australian self-taught artist Alfred William Eustace.Photograph of an oil painting on gum leaf by Annie Jessup, under glass on blue paper in a reddish plastic timber-look frame.Artist's signature on bottom right hand corner of photograph: Annie Jessup/ Myrniong Sticker on back: MADE IN/ CHINA/ FABRIQUE'AU/ CHINEannie jessup, gum leaf painting, landscape -
Port of Echuca
Colour photograph, 1979
Discussed in book : Echuca: A centenary history by Susan Priestley, pp.21, 38, 45, 66, 114-123, 126, 174 R.J.Evans established this mill on the banks of the Murray River, Echuca in 1923 & it operated until 1980. The mill later became a tourist attraction, Red Gum Works, continuing to cut timber until it was taken over by The Port of Echuca as a display (Port of Echuca booklet, 2005 ed., p. 32)Sawmilling was a very important industry for Echuca. At its peak in Echuca in about 1877 there were between 1000-1500 men employed in the industry (Priestley, Susan. 1965, p.118). Red gum was sourced from the forests along the Murray river. It is a very strong timber suitable for bridge & wharf building, construction works as well as housing and especially for sleepers for the railways. Mills relied on government contracts especially for the sleepers. Colour photograph (post-card size) of red gum sawmill on the Port of Echcua. Photograph is taken looking north.Printed on reverse: "this paper manufactured by Kodak."echuca, port of echuca, sawmilling, evans, r. j., red gum works -
Stawell Historical Society Inc
Photograph, Indigenous or First Nation Person at Carrs Plains with Traditional weapons
Indigenous or First Nation Person beside a large Red River Gum and next to a river (Richardson River) with aboriginal tools. Photo taken at Carrs Plains. Holford Wettenhall, took over as Protector when William Dennis left the Station. Observed during this time indigenous people mainly hunted possum. At the turn of the century the last surviving indigenous people at Carrs Plains were moved to Lake Tyers Mission in East Gippsland 588Km away. Photo said to be of "Blind Tommy" but unsure of this information. Black and white photograph of a large River Red Gum, with a man standing holding a boomerang, killing stick and shield. Copyright Museum of Victoriastawell aboriginal portrait -
Maryborough Midlands Historical Society operating the Worsley Cottage Museum
Trophy, circa 1978
Trophy awarded to Gumleaf Playing Champion during annual Golden Wattle Festival (now defunct)The Golden Wattle Festival was held in Spring each year. This trophy is part of the memorabilia collection held by the society.Rectangular polished hardwood trophy awarded to individual winner of Gum Leaf Playing Championship. Trophy tapers from 4cm at base to 2 cm at top.Three plaques: Circular Golden Wattle Festival symbol sticker. Gold coloured metal gum leaf. Rectangular metal plaque reading "Australian Gumleaf Playing Championship, Golden Gumleaf Award, sponsored by Ampol, won by Les Hawthorne, Palm Beach Queensland 1978"trophy festival -
Anglesea and District Historical Society
Cigarette Roller and Papers, ?
WW2 era Austrian metal cigarette rolling machine "RAPID" circa 1940s. This machine is designed to roll tobacco into individual cigarettes using cigarette papers. This item is a white metal box which opens up and on the inside has a cloth rolling mechanism. A cardboard container with 50 gummed papers is also included.Top: 1. "RAPID" - etched on top. Etched pattern in middle of top / 2. TALLY HO - 50 GUMMED Cigarette Papers. Bottom: TALLY-HO 50 GUMMED PAPERS / Made in Australia D10139. Inside: The individual papers herein have specially cut corners for your convenience / Make it a rule - use Tally-Ho smoking, cigarettes, tally-ho -
Kew Historical Society Inc
Photograph - Construction of the F19 [Eastern Freeway], Ron Setford, May 1976
Ron Setford and his wife Grace Setford lived in Tanner Avenue, East Kew, from c.1946 to c.1995. A keen photographer, he recorded the changing face of Kew over a 20 year period. Apart from 30 photographs of built structures and places in Kew dating from 1960 and 1961, 145 of his 35mm colour slides chronicle the development of the F19 (later renamed Eastern) Freeway through the Yarra Valley in Kew over a five year period from c.1972 to c.1977. This important collection was donated to the Society by his granddaughter in 2025.This collection of 175 35mm slides is of local and statewide significance, owing to its subject matter, particularly the major development of road transport infrastructure during the 1970s with the construction of the Eastern Freeway. The photographer also took care to annotate and date most of his slides which enable the researcher to pinpoint temporal and spatial locations."Gums near lagoon"ron setford, eastern freeway, f19 freeway -
Chiltern Athenaeum Trust
Photograph - Reproduction
These copies of five oil on gum leaf paintings by Alfred William Eustace (1820-1907) display the subjects and detail of his small gum leaf paintings. A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Alfred William Eustace was a well-known self-taught Australian artist who was known worldwide for her unique oil on gum leaf paintings. He was also a prominent Chiltern citizen.Copies of five A.W.Eustace oil paintings on gum leaf, under glass, displayed on blue paper in a black metal frame.alfred eustace, gum leaf painting, chiltern -
Wangaratta Art Gallery
Sculpture, Rose Wedler, Gentle Giant 1, 2013
Wangaratta Art Gallery CollectionA sculpture of a steel gum tree silhouette on a stained red gum base.rose wedler, sculpture, gum tree -
Wangaratta Art Gallery
Sculpture, Rose Wedler, Gentle Giant 2, 2013
Wangaratta Art Gallery CollectionA sculpture of a steel gum tree silhouette on a stained red gum base.rose wedler, sculpture, gum tree -
National Wool Museum
Sample, Wool
Wool was dyed in dyeing workshop at Warrnambool TAFE College. (unconfirmed)Gum Leaves /Alum mordanthandicrafts, south west college of tafe - textiles department, dyeing -
Horsham Regional Art Gallery
Sculpture, Bruce ARMSTRONG, Knot, 1985
Donated through the Australian Government's Cultural Gifts Program by Bruce Armstrong, 2022red gum -
Horsham Regional Art Gallery
Sculpture, Bruce ARMSTRONG, Mr Stool, 1993
Donated through the Australian Government's Cultural Gifts Program by Bruce Armstrong, 2022red gum -
Horsham Regional Art Gallery
Sculpture, Bruce ARMSTRONG, The cricketer, 1987
Donated through the Australian Government's Cultural Gifts Program by Bruce Armstrong, 2022red gum -
Upper Yarra Museum
Serviette holder
Used at the Mayer Chalet, Warburton.Wooden Serviette holder made from 2 tone wood.with hand painting on the sideRed Gum flowers with green gum leaves hanging down, creme writing "From Mayer Chalet"serviette holder, mayer chalet -
Beechworth Honey Archive
Hand-Written Notes by Frank Lebbell Frost [ca 1915-1924]
Hand-written notes on vegetation and flowering quality. Includes the areas of Rutherglen, Chiltern, Beechworth, Barnawartha, Yackandanda. Includes the trees Yellow Box, Iron Bark, Red Box, Cape Weed, Green Cabbage Box, Stringy Bark and Hill Gum. Written with black ink on paper.hand written, hand-written, notes, flowering, eucalypts, gum, trees, frost, beekeeper, beechworth honey -
Bendigo Historical Society Inc.
Book - CHINESE VILLAGE TOURIST PROJECT, 1974
Land for the Bendigo Chinese precinct was set aside by an Act of parliament' Bendigo (Dai Gum San Village) Land Act 1975' to be administered by the Bendigo Trust. The cultural precinct includes the Golden Dragon Museum, Yi Yuan Gardens and the Kuan Yin Temple.DAI GUM SAN BENDIGO'S BIG GOLD MOUNTAIN - CHINESE VILLAGE TOURIST PROJECT Softcover booklet with red cover and black and silver printing. Booklet contains 31 pages with description of the project to be built and outlining the benefits to the community. Also contains colour photographs.The Bendigo Trustchinese -
Horsham Regional Art Gallery
Furniture, Neville SELLECK, Scrap table, n.d. (1980s)
Gift of the artist, 1988red gum, jarrah -
Magnet Galleries Melbourne Inc
gum leaf, alban pearce-01.tif
Inscribed gum leaf"From the Australian Bush Bairnsdale 23/4/18"gum leaf, ww1, world war 1, momento, australia -
Tatura Irrigation & Wartime Camps Museum
Painting - Pastel Drawing
Dr Frederich Kaempfe, a Chemist, was interned in Camp 3. He was captured in Iran on 15/09/1941 and transferred on the Rangitiki to Loveday South Australia. Transferred to Tatura in Feb 1945 and released to Sydney on 20 July 1946.Pastel drawing of a large gum tree surrounded by smaller gum tress in an undulating paddock.Blue hills in the background. F. Kaempte 1945camp 3, tatura, painting, gum tree, pastel, art work, kaempfe, chemist -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Vehicle - Race sulky built by Wes Hammill, Kangaroo Flat, Wes Hammill, Hammill race sulky, c. 1950
Hammill Brand race sulky, manufactured by Wes Hammill, coachbuilder, Kangaroo FlatWes Hammill was a coach-builder in Kangaroo Flat, a suburb of Bendigo.Spotted gum race sulky Hammillsulky, trotting, race sulky, spotted gum, wes hammill -
Bendigo Historical Society Inc.
Slide - KURTING, Dec1968
Slide. Kurting. A gum tree in a paddock.slide, bendigo, kurting., kurting. -
University of Melbourne, Burnley Campus Archives
Slide - Glass slide, 1891-1905
Scrubby gums and possible drainage line. -
National Wool Museum
Sample, Wool
Made in dyeing class/workshop at Warnambool TAFE College.Wool dyed with sugar gum leaveshandicrafts, south west college of tafe - textiles department, dyeing -
Port of Echuca
Plaque - Timber sign, Murray River Sawmills, 1926
This large wooden sign was originally attached to the barge D26 which was one of the 4 barges used to carry logs behind the PS Adelaide. The D indicated that it was the fourth barge to be built in 1926 by Murray River Sawmills. The number represented the year it was built.This original timber piece, salvaged from the D26 barge is an important relic from an original outrigger logging barge from the early 20th century, one of the last logging barges built as the Murray River timber trade was declining. The barge was restored by the Port's chief shipwright Kevin Hutchinson with assistance from Laurie Rendle and Alan Battsch. and the PS Adelaide is also a significant feature in the Port's collection. Large red gum timber signD 26d26, barge, logging industry, murray river sawmills, ps adelaide -
Lakes Entrance Historical Society
Photograph, Lady Harriet Barge, Lakes EntranceVictoria, 1988
Photograph taken after barge was purchased from Elliott family before being towed to Lakes Entrance for Entrance Centenary celebrations. , small jetty bottom left hand corner, Silt jetties with Jones Bay in distance limb of gum tree could be on the Mitchell River near Bairnsdale Gippsland Lakes VictoriaBlack and white photograph of Lady Harriets barge moored with mast removed and lying on deck, small jetty bottom left hand corner, Silt jetties with Jones Bay in distance limb of gum tree overhanging top left corner could be on the Mitchell River near Bairnsdale Gippsland Lakes Victoriabusinesses, barges, boats and boating -
Phillip Island and District Historical Society Inc.
Photograph
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of Manna Gum on Peter Forrest's property.local history, photography, manna gum tree, black & white photograph, trees, manna gum, koala food, peter forrest, john jenner, bryant west -
Bendigo Historical Society Inc.
Document - JAMES LERK COLLECTION: DAI GUM SAN VILLAGE
Document. DAI GUM SAN VILLAGE Project.document, memo, dai gum san village -
Clunes Museum
Memorabilia - STICKERS
Circular adhesive/gummed stickers of various colours Colour Red: "Frequent applications having been made for the amount of this account, proceedings will be taken if not paid within seven days" Colour Tan: "A remittance for this account will be esteemed a favour" Colour Green: "As these small accounts account bear the expense for re-rendering, your kind attention to this matter will oblige" remittance, stickers, accounts -
Ballarat Heritage Services
Ceramic - Artwork - Ceramics, Ian Cook, Plate by Ian F. Cook
Ian F. COOK Studio potter in Geelong.A ceramic plate with leaf and gum blossom design. ian cook, ceramics, studio pottery, ian f. cook, australian studio ceramics, gum blossom -
Greensborough Historical Society
Domestic object - Glass, Greensborough College, Greensborough College glasses, 1990s
Presented to graduating students.A limited number of these glasses would have been presented. Pair of clear glass water glasses, with gold rim.Printed in blue with 'Greensborough College' and emblem of gum leavesgreensborough college, commemorative glasses