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Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Rob McHaffie, Why did we go further than monkeys, monkeys know how to be monkeys, 2008
... scene abound with art historical references. A classical... building onto an imagined scene abound with art historical ...This work was painted following Rob McHaffie’s Australia Council Residency at Cité Internationale des Arts in Paris in 2007. Despite Paris being a beautiful city, McHaffie also found the experience challenging and felt that on a bad day, the city was no more than an ornately decorated concrete jungle. In this painting a monkey looks out from a green building onto an imagined scene abound with art historical references. A classical European figurative sculpture is surrounded by flowers from Monet’s gardens, while a contemporary sculpture by Franz West dominates the foreground of the work. McHaffie questions the so-called evolution of cultured humanity in comparison to the imagined contentedness of our pre-evolved species.oil on linenmonkey, sculpture, painting, rob mchaffie, paris, flowers, franz west -
Greensborough Historical Society
Notes, Lower Plenty Bridge notes by Russell Yeoman, 18/10/1887o
... , Eltham Historical Society; including references to Andrew Ross...Greensborough Historical Society 34A Glenauburn Road Lower ...Notes on the history of Lower Plenty by Russell Yeoman, Eltham Historical Society; including references to Andrew Ross from his "Reminiscences" and an article from Trove on the Lower Plenty Bridge. 3 typed pages.lower plenty, russell yeoman, andrew ross -
Victorian Aboriginal Corporation for Languages
Book, Giordano Nanni et al, Coranderrk : we will show the country, 2013
... -source materials and accurately references historical analysis...-source materials and accurately references historical analysis ...Comprises twenty-three extracts from the Minutes of Evidence of the Coranderrk Inquiry, accompanied by an analysis of the historical text and context. The book relies strongly on primary-source materials and accurately references historical analysis from scholarly and Aboriginal perspectives. This book is derived from a verbatim-theatre performance in which professional actors portrayed the witnesses who gave evidence before the 1881 Coranderrk Inquiry.illustrations, photographs, facsimiles, maps, portraitswurundjeri, woi wurrung, william barak -
Flagstaff Hill Maritime Museum and Village
Document - Ship Model Plans, Loch Ard, October 1977
... and interested persons for historical reference. An illustrated... and interested persons for historical reference. An illustrated ...These two framed model ship plans are from more than 650 produced for the LOCH ARD Centenary (1878-1978) Commemoration Committee. These plans were originally researched, designed and distributed in 1977 to assist entrants in the Committee’s Ship Model Competition. The competition was arranged as a means of creating public interest and awareness for the 100th anniversary of the tragic LOCH ARD shipwreck on Victoria’s south west coast in 1878. The main subject specified for modelling was “The Loch Ard ― Iron Wool Clipper 1873”. “The plans were drawn by Mr P Webb to the order of the Committee through Mr P Williams, organizer of the competition. The details were based on all available information which resulted in considerable historical research…and received favourable comment from model makers because of their attention to detail…In excess of 650 sets of plans were sold before entries closed…Many plans were probably purchased by collectors and interested persons for historical reference. An illustrated historical story sheet…was prepared and enclosed with the plans…” (‘Loch Ard Shipwreck Centenary 1878-1978 Report’, November 1978). An example of the attention to historical detail delivered on the plans is the inclusion of the following useful information about the original vessel: “Tonnage….1,693 G.R.T., 1,624 N.R.T. Builders….Charles Connell & Co., Ltd., Scotstoun, 1873. Owners….General Shipping Co., Glasgow, (Aitken Lilburn & Co., Ltd.)”. The quality of research and drafting makes these framed copies of considerable interpretive value to related items from the LOCH ARD shipwreck on display at Flagstaff Hill. They were originally mass produced but are now out of print. Flagstaff Hill retains other (unframed) copies in storage. The plans, in conjunction with the scale Ship Model of the LOCH ARD also on display, are of interpretive significance to Flagstaff Hill Maritime Village. The plans provide historical and technological context to artefacts from the shipwreck, increasing understanding and appreciation of those objects. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Two framed model ship plans of the LOCH ARD. These are detailed and researched plans from the original vessel, drawn to scale and printed on good quality paper, and framed behind glass to be hung on display. One slightly smaller plan “Lines, Decks and Details” portrays the hull lines as a body plan (straight on at the bow), a sheer plan (full side view), and a half breadth plan (a top-down view of deck to keel), as well as two top-down views of the upper decks and main deck with fittings and details of specific fixtures. One slightly larger “Sail and Rigging Plan” presents a side on, above deck view of masts and shrouds and a front on, above deck view showing “Elevation of Mainmast Looking Aft”. Each plan bears the draftsman’s initials and date of completion (“P.A.W. 10/77”). The larger plan also includes a boxed label attributing the project to the “LOCH ARD CENTENARY Commemoration Committee Ship Model Competition.”Smaller plan: heading “LOCH ARD: LINES, DECKS and DETAILS”; initials “P.A.W. 10/77”. Larger plan: heading “LOCH ARD: SAIL and RIGGING PLAN”; initials “P.A.W. 10/77”; label “LOCH ARD CENTENARY Commemorative Committee Ship Model Competition”. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, ship model plans, loch ard model plans, sailing ship, loch ard centenary -
Flagstaff Hill Maritime Museum and Village
Instrument - Compass, c. 1839
... Gray" , a valuable historical reference to colonial Victoria... Gray" , a valuable historical reference to colonial Victoria ...This magnetic compass is a good size to fit easily into a person's pocket or personal luggage and is protected from knocks by its wooden case. It could have been used for reference when travelling on land or sea. There is no visible manufacturer's mark, which may mean that it was not of high monetary value. Leith is a district of Edinburgh in the country of Scotland, the U.K. It was once the Port of Edinburgh and many migrant ships departed from here bound for the Australian colony. It had a busy shipbuilding industry, with wet and dry docks. It appears from the inscription on the case "Chas Gray, LEITH, 1839" that this pocket compass once belonged to Charles M. Gray (Chas is a common abbreviation for the name Charles). The inscription coincides with the name, place and date that the Western Victorian pioneer Charles M. Gray left Scotland and arrived in Australia. Charles Gray was born in Anstruther, Scotland, in 1818. His family was connected with the Royal Marines, which may have created his nautical instruments such as this pocket compass. Charles Gray arrived in Hobson's Bay on 15 June 1839 on the ship “Midlothian”. That same ship had departed from Leith, Scotland on February 15th 1839. Did Charles Gray acquire the pocket compass in Leith, perhaps as a gift or a souvenir of his motherland? Charles Gray was an early squatter and went on to become a very successful settler as a sheep pastoralist in the Western District of what is now Victoria (originally the colony of New South Wales). He and his wife had a large property called “Nareeb Nareeb”, Green Hill Creek District (now Glenthompson), Victoria, from 1840-1886. He was also a local Councillor and Justice of the Peace, and had an interest in the local indigenous people; he named his property after their tribe. Charles returned to England in 1890 and died there in 1905. Charles Gray had written an account in 1890 of his life at Nareeb Nareeb, called Western Victoria in the Forties: "REMINISCENCES OF A PIONEER The Western District in the 1840's By Charles Gray" , a valuable historical reference to colonial Victoria. His book was published by the Hamilton Spectator in 1932. Charles Gray's photograph is one of 713 historical photographs of early Victorian settlers, created as a montage by Thomas Foster Chuck in 1872. The State Library of Victoria holds the framed montage titled “The Explorers and Early Colonists of Victoria”. To qualify for inclusion on this montage the Settlers must have arrived in Victoria before 1843. Charles Gray's photograph is number 349! The pocket compass is associated with Charles Gray, one of the early squatters and settlers in Western Victoria, possibly given to him as a parting gift on his emigration to Van Diemans land in 1839. The item is very significant as it's connection with one of Victoria's early pioneers is well provenanced by the inscriptions on the wooden case. Pocket compass, brass, set into a square wooden case with hinged lid and small hook catch. Compass is marked with 360 degrees and compass points and has two pointers; one to show magnetic north and one to set the direction of travel. Hinges are triangular and inset into the wood. The lid has an attached brass plaque with the inscription "Chas Gray, Leith, 1839" (It likely belonged to Charles Gray, Leith, UK, who migrated to Port Philip Australia in 1839 and became a successful pastoralist.) “Chas Gray / LEITH / 1839” engraved on brass plaque on lid.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, magnetic compass, pocket compass, charles m. gray, chas gray, migrrant from leith 1839, charles gray anstruther, scottland, ship midlothian 1839, squatter western victoria, settler western victoria, hobson's bay port phillip australia, charles gray nareeb nareeb - green hill creek district, western victoria in the forties: reminiscences of a pioneer by charles m. gray 1890, leith edinburgh u.k., western victoria in the forties: reminiscences of a pioneer - montage by thomas foster chuck 1872, charles gray, reminiscences of a pioneer, the western district in the 1840's, compass, scientific instrument, nautical instrument, direction, directional compass, navigation -
Federation University Art Collection
Painting - Artwork, 'Ring of the Nibellings' by David Noonan, 1989
... and complex layering of historical and cultural references. Animals... and complex layering of historical and cultural references. Animals ...David NOONAN (1969- ) Born Ballarat, Victoria. Lives and works Melbourne, Victoria and London, United Kingdom. Leaving secondary school as soon as he could, David Noonan enrolled in a Visual Art Course at the Ballarat School of Mines. He described this time as 'an inspiring time, with every art form covered and treated with passion and rigour.' He studied ceramics, photography, painting and knew that he had to be an artist. (https://art150.unimelb.edu.au/articles/david-noonan-making-art-in-a-dark-and-quiet-place, accessed 17 January 2020). Between 1987 and 1989 David Noonan completed a Bachelor of Fine Art at Ballarat University College, Victoria, Australia (Now Federation University Australia). He undertook Post Graduate Studies at the Victorian College of the Arts, Melbourne in 1991 and 1992. Since 2005 he has been based in London with his work featuring in a number of major international exhibitions of contemporary art, including 'Altermodern', the 2009 Tate Triennial at Tate Britain, London. Producing works in a range of media including painting, photography, film, print-making, collage and sculpture David Noonan's work often evoke the subconscious realm through their fragmented imagery, allusive qualities and complex layering of historical and cultural references. Animals, actors and masked figures are recurring motifs that imbue his works with a magical atmosphere that is suggestive of childhood memories or half-forgotten dreams. ( produced works in a range of media including painting, photography, film, print-making, collage and sculpture. His works often evoke the subconscious realm through their fragmented imagery, allusive qualities and complex layering of historical and cultural references. (https://www.ngv.vic.gov.au/essay/david-noonan-untitled/, accessed 17 January 2020) David Noonan has become known for large-scale monochromatic collages on linen comprised of fabrics which are torn, folded, cut, stitched and combined with silkscreened images. This approach was used to produce his 2018 atmospheric film 'A dark and quiet place'. Noonan is interested in combining art and traditional craft techniques. (https://artgalleryofballarat.com.au/gallery_exhibitions/david-noonan-stagecraft/, accessed 17 January 2020) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Six stretched canvases making up the work 'Ring of the Nibellings'. art, artwork, david noonan, oil on canvas, alumni -
Federation University Art Collection
Painting, 'Through a Dark Glass Darkly' by David Noonan, c1989
... and complex layering of historical and cultural references. Animals... and complex layering of historical and cultural references. Animals ...David NOONAN (1969- ) Born Ballarat, Victoria. Lives and works Melbourne, Victoria and London, United Kingdom. Leaving secondary school as soon as he could, David Noonan enrolled in a Visual Art Course at the Ballarat School of Mines. He described this time as 'an inspiring time, with every art form covered and treated with passion and rigour.' He studied ceramics, photography, painting and knew that he had to be an artist. (https://art150.unimelb.edu.au/articles/david-noonan-making-art-in-a-dark-and-quiet-place, accessed 17 January 2020). Between 1987 and 1989 David Noonan completed a Bachelor of Fine Art at Ballarat University College, Victoria, Australia (Now Federation University Australia). He undertook Post Graduate Studies at the Victorian College of the Arts, Melbourne in 1991 and 1992. Since 2005 he has been based in London with his work featuring in a number of major international exhibitions of contemporary art, including 'Altermodern', the 2009 Tate Triennial at Tate Britain, London. Producing works in a range of media including painting, photography, film, print-making, collage and sculpture David Noonan's work often evoke the subconscious realm through their fragmented imagery, allusive qualities and complex layering of historical and cultural references. Animals, actors and masked figures are recurring motifs that imbue his works with a magical atmosphere that is suggestive of childhood memories or half-forgotten dreams. ( produced works in a range of media including painting, photography, film, print-making, collage and sculpture. His works often evoke the subconscious realm through their fragmented imagery, allusive qualities and complex layering of historical and cultural references. (https://www.ngv.vic.gov.au/essay/david-noonan-untitled/, accessed 17 January 2020) David Noonan has become known for large-scale monochromatic collages on linen comprised of fabrics which are torn, folded, cut, stitched and combined with silkscreened images. This approach was used to produce his 2018 atmospheric film 'A dark and quiet place'. Noonan is interested in combining art and traditional craft techniques. (https://artgalleryofballarat.com.au/gallery_exhibitions/david-noonan-stagecraft/, accessed 17 January 2020) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A large painting on canvas. art, artwork, david noonan, noonan, alumni, oil on canvas, available -
Whittlesea Historical Society Inc.
Photograph - Copy, Lindsay Mann, Mayfield Presbyterian Church, Mernda, 2011
... bluestone. HISTORICAL REFERENCE J.W. Payne, The Plenty, 1985... bluestone. HISTORICAL REFERENCE J.W. Payne, The Plenty, 1985 ...Mayfield Presbyterian Church, on Plenty Road Mernda. MAYFIELD PRESBYTERIAN CHURCH The Mayfield Presbyterian Church at Mernda was erected in 1860, and the first service held on 23 October that year. The erection of the Mayfield Church, and others at Janefield and Whittlesea soon after, reflected the relatively large number of Scots in the Plenty Valley in the 1850s. Presbyterian services had been held at Mernda prior to the erection of the Mayfield church. In 1851 and 1852 the Rev. P. Gunn of Campbellfield conducted services at Mr. Radcliffe’s (now the Poplars), a barn at Carome and at Moses Thomas’ newly erected house on Marsh Farm. Mayfield Church was built on an acre of land, apparently donated by Moses Thomas. The block was a 66 feet frontage to Plenty Road. It is not clear who designed and built the Mayfield Church, although it has been generally accepted that it was Moses Thomas. Dr. Richard Ely, the historian who owns the adjacent property The Poplars, believes it was most likely Thomas, given that he possessed both the capacity and resources for the task, as well as a personal interest. For a short time, the newly completed church was called the Guthrie Church, after the prominent Scottish Free Church Leader. Moses Thomas died in 1878. His son Walter, who had joined him on the church committee in 1861, served on it almost until his death in 1932, having been ordained as an Elder in about 1880. During the 1880s he became Superintendent of the Mayfield Sunday School, a task he also performed until shortly before his death. On 15 October 1922 a special service was held at the Mayfield Church to celebrate its recently completed renovation, including the installation of the four still present Gloria lights. Further minor repairs and renovations have been made in recent times. Mayfield Church is the earliest of the five Presbyterian Churches in the City of Whittlesea, predating Kalkallo (1860), Whittlesea (1863), Mill Park (1861) and Epping (1867). Like Mill Park this church was built by Moses Thomas and similarly suffers from differential settlement on the uneven foundations. Here the cracking and movement is less severe than at Mill Park and this building is reasonably sound. It appears to be the design prototype for the more elaborate Mill Park building. It is a simple preaching hall with small gabled porch. The only elaboration occurs at windows where render quoins are formed to reveal and to gable ends, where a bull's eye louvre decorates the gable, and a rendered string course terminates them. The general proportions and the squat rectangular windows give the church a Georgian character clearly based on Scottish precedent. The windows are the dominant feature of the design. They are unusually large for the size of the church and incorporated on the principal entrance facade in similar manner to Mill Park. Whereas at Mill Park the windows are also large, their pointed Gothic form clearly indicates a church. Here the windows have a domestic quality and contribute to the simple “village” quality of the building. The bluestone walls are well executed in coursed random rubble to a much better standard than the Mill Park design. As for the initial Mill Park church (added in later) there is no separate sanctuary or vestry. The interior is remarkably plain and incorporates an altar, lectern and communion rail all within the nave. The gloria lights of 1922 survive apparently in working order. At the rear of the large open site is a stable built c1920 for parishioners' horses. Mayfield Church is historically significant for its association with the “Laird of Mernda”. Moses Thomas and his early effects to create a town at this site. It is architecturally significant for its simple construction probably incorporating Scottish precedents and for the high-quality use of local bluestone. HISTORICAL REFERENCE J.W. Payne, The Plenty, 1985. Mayfield Presbyterian Church Mernda : Historical notes on its origin by R. Ely 1991. City of Whittlesea Heritage Study. Historical building in Mernda.A4 colour copy of a photograph and digital image on HDmayfield presbyterian church, mayfield mernda, bluestone church, guthrie church, laird of mernda, moses thomas, church, red gum tree, stable -
Whittlesea Historical Society Inc.
Photograph, Gwen Hawke, Mayfield Presbyterian Church, Mernda, 20 Oct 2010
... bluestone. HISTORICAL REFERENCE J.W. Payne, The Plenty, 1985... bluestone. HISTORICAL REFERENCE J.W. Payne, The Plenty, 1985 ...Mayfield Presbyterian Church, on Plenty Road Mernda. MAYFIELD PRESBYTERIAN CHURCH The Mayfield Presbyterian Church at Mernda was erected in 1860, and the first service held on 23 October that year. The erection of the Mayfield Church, and others at Janefield and Whittlesea soon after, reflected the relatively large number of Scots in the Plenty Valley in the 1850s. Presbyterian services had been held at Mernda prior to the erection of the Mayfield church. In 1851 and 1852 the Rev. P. Gunn of Campbellfield conducted services at Mr. Radcliffe’s (now the Poplars), a barn at Carome and at Moses Thomas’ newly erected house on Marsh Farm. Mayfield Church was built on an acre of land, apparently donated by Moses Thomas. The block was a 66 feet frontage to Plenty Road. It is not clear who designed and built the Mayfield Church, although it has been generally accepted that it was Moses Thomas. Dr. Richard Ely, the historian who owns the adjacent property The Poplars, believes it was most likely Thomas, given that he possessed both the capacity and resources for the task, as well as a personal interest. For a short time, the newly completed church was called the Guthrie Church, after the prominent Scottish Free Church Leader. Moses Thomas died in 1878. His son Walter, who had joined him on the church committee in 1861, served on it almost until his death in 1932, having been ordained as an Elder in about 1880. During the 1880s he became Superintendent of the Mayfield Sunday School, a task he also performed until shortly before his death. On 15 October 1922 a special service was held at the Mayfield Church to celebrate its recently completed renovation, including the installation of the four still present Gloria lights. Further minor repairs and renovations have been made in recent times. Mayfield Church is the earliest of the five Presbyterian Churches in the City of Whittlesea, predating Kalkallo (1860), Whittlesea (1863), Mill Park (1861) and Epping (1867). Like Mill Park this church was built by Moses Thomas and similarly suffers from differential settlement on the uneven foundations. Here the cracking and movement is less severe than at Mill Park and this building is reasonably sound. It appears to be the design prototype for the more elaborate Mill Park building. It is a simple preaching hall with small gabled porch. The only elaboration occurs at windows where render quoins are formed to reveal and to gable ends, where a bull's eye louvre decorates the gable, and a rendered string course terminates them. The general proportions and the squat rectangular windows give the church a Georgian character clearly based on Scottish precedent. The windows are the dominant feature of the design. They are unusually large for the size of the church and incorporated on the principal entrance facade in similar manner to Mill Park. Whereas at Mill Park the windows are also large, their pointed Gothic form clearly indicates a church. Here the windows have a domestic quality and contribute to the simple “village” quality of the building. The bluestone walls are well executed in coursed random rubble to a much better standard than the Mill Park design. As for the initial Mill Park church (added in later) there is no separate sanctuary or vestry. The interior is remarkably plain and incorporates an altar, lectern and communion rail all within the nave. The gloria lights of 1922 survive apparently in working order. At the rear of the large open site is a stable built c1920 for parishioners' horses. Mayfield Church is historically significant for its association with the “Laird of Mernda”. Moses Thomas and his early effects to create a town at this site. It is architecturally significant for its simple construction probably incorporating Scottish precedents and for the high-quality use of local bluestone. HISTORICAL REFERENCE J.W. Payne, The Plenty, 1985. Mayfield Presbyterian Church Mernda : Historical notes on its origin by R. Ely 1991. City of Whittlesea Heritage Study. Historical building in Mernda.2 colour photographsmayfield presbyterian church, mayfield mernda, bluestone church, guthrie church, laird of mernda, moses thomas, church, red gum tree, stable -
Eltham District Historical Society Inc
Book, Giordano Nanni et al, Coranderrk; We will show the country, 2013
... -source materials and accurately references historical analysis...-source materials and accurately references historical analysis ...Comprises twenty-three extracts from the Minutes of Evidence of the Coranderrk Inquiry, accompanied by an analysis of the historical text and context. The book relies strongly on primary-source materials and accurately references historical analysis from scholarly and Aboriginal perspectives. This book is derived from a verbatim-theatre performance in which professional actors portrayed the witnesses who gave evidence before the 1881 Coranderrk Inquiry.; Inscriptions and Markings: illustrations, photographs, facsimiles, maps, portraits About the book One of the first sustained campaigns for justice, land rights and self-determination in colonial Australia was undertaken by the Aboriginal people of Coranderrk reserve in central Victoria. Despite having created an award-winning farm they were targeted for removal to make way for white settlement. As skilled communicators and negotiators, they lobbied the government, in alliance with their white supporters, and succeeded in triggering a Parliamentary Inquiry in 1881. Coranderrk – We Will Show The Country derives from a unique verbatim-theatre performance where professional actors brought to life the witnesses who gave evidence before the 1881 Parliamentary Coranderrk Inquiry. Rescued from dusty archives, and including renowned Wurundjeri leader, William Barak, those witnesses continue to speak to contemporary audiences. Here, their powerful petitioning can be read alongside that of their non-Aboriginal allies, and those who would move them off their land. The book features a concise and accessible history of the Coranderrk Aboriginal Station and of the events that led to the appointment of the 1881 Parliamentary Coranderrk Inquiry. The book also contains a special edition of the verbatim script which has been annotated and referenced so as to provide a blueprint of how the original minutes of evidence from the 1881 Parliamentary Coranderrk Inquiry were adapted into a theatre script. Each scene of the play has also been introduced with a short biography of each character and a discussion of the key themes raised in their testimony. Supplementing the verbatim script of the performance, the book includes a range of historical images and stills from the ILBIJERRI Theatre Company’s production. Coranderrk – We Will Show The Country celebrates the spirit of collaboration between black and white in pursuit of justice, and offers an engaging way to learn about our past – and to think about our future. Coranderrk - We Will Show The Country. (2023, October 19). Retrieved from http://www.minutesofevidence.com.au/education/coranderrk-we-will-show-the-country-book/Ex Yarra Plenty Regional Library copyaboriginal australians, coranderrk, first nations people, healesville, indigenous history, performance, play -
Eltham District Historical Society Inc
Document - Folder, Wellers of Kangaroo Ground, 1984-2017
... of printouts of historical newspaper articles referencing the hotel... of historical newspaper articles referencing the hotel 1866-1911 https ...Wellers of Kangaroo Ground Vertical File Contents: 1. Article: History of Wellers Restaurant by Sandra Cahir, revised 2017. 7 pages 2. Article: Weller’s Hotel of Kangaroo Ground (final draft) by Jim Allan, 1 June 2017, including feedback email from Sandra Cahir (7 May 2017). 3. Printout of online image - Kangaroo Ground landholders from 1841, Kangaroo Ground Presbyterian Church. (2022, June 29). Retrieved from https://kgpc.pcvic.org.au/images/history_images/Kangaroo-Ground-landholders.jpg 4. Folder of printouts of historical newspaper articles referencing the hotel 1866-1911 https://trove.nla.gov.au/list/163201 5. Printouts (various versions) from Victorian Heritage Database (National Trust and Nillumbik Shire) https://vhd.heritagecouncil.vic.gov.au/ 6. Collection of research notes, copies of records from various publications including EDHS Chronology of Events and Kangaroo Ground: The Highland Taken by Mick Woiwod, pp90, 180-181 (EDHS_01618). 7. Report: Request for ministerial amendment to use the property as a restaurant, includes existing conditions and plan for development, 1 November 1984 8. Papers donated by Diana and Peter Bassett-Smith including: a. Photocopy of Weller’s Hotel, Licensee M. Weller b. Letter: Shire of Eltham to Office of the Secretary for Planning and Environment, 23 Feb 1984 - Information regarding inclusion of Wellers Hotel into the Historic Buildings Register c. Letter: Historic Buildings Council letter to Peter Bassett-Smith seeking historical information on Wellers Hotel, 10 Jan 1985 d. Memo: Peter Bassett-Smith to Robert N. Hendrey on history of Wellers Hotel, 28 Jan 1985 - Includes extract of information about Mary Weller, Dept. of Crown Lands and Survey Map NILLUMBIK showing properties of John Weller and E. Weller and a Diamond Valley News article from 10 April 1973, p11, "Eltham on old coach route" 9. Information about the Weller family including family trees from various sources a. Edward Weller, Pioneer Families in Victoria, http://mepnab.netau.net/w/w09.html, 1 Jan 2017 (link broken) b. The WELLER family tree. (2017, January 1), 2 pages. Retrieved from https://www.weller.org.uk/cgi-bin/FamilyTree/ShowFamily.pl? and 27 pages Retrieved from https://www.weller.org.uk/cgi-bin/FamilyTree/ShowFamily.pl?ListAllPeople=A c. Edward WELLER on the WELLER family tree. (2017, January 1), 1 page. Retrieved from https://www.weller.org.uk/cgi-bin/FamilyTree/ShowFamily.pl?PersonID=516 d. Photograph (print copy), believed to be Edward Weller, 1836-1883 e. Photograph (print copy), Gravestone of Weller family at Kangaroo Cemetery f. Wellers of Kangaroo Ground, 1 page, possibly from History, http://www.wellers.com.au (broken) c.2016 g. Edward and Mary Weller miscellaneous biographical research notes (by Jim Allen?) including from Ancestry.com, and extracts from Chappel file (EDHS_04448) with relevant names highlighted h. Information about the Vernon Pitman family from Ancestry.com 10. Newspaper articles: a. Cobb & Co called here by Marguerite Marshall; Diamond Valley News, May 4, 1982, p2 b. Rich is history, 30 August 1983 (very similar to previous article) c. Weller’s Pub - restaurant, craft store or art gallery? Diamond Valley News, October 22, 1985, p3 d. Despite years of neglect a magical charm lies waiting, Diamond Valley News, October 29, 1985 e. Old pub fate still in doubt, Diamond Valley News, (?) 29 October 1985 f. Renovated Weller’s Pub to begin its new stage of life, DVN 26 January 1988 g. Wellers Restaurant, Lynne Hillier, Network, October 1988, p14 h. Revolution at Wellers, Nillumbik Mail, December 20, 2000 i. Wellers brings on good times, Valley Weekly, June 22, 2005 j. Dine in with ideal outlook, Valley News, 10 August 2005 k. Advertisement: Wellers of Kangaroo Ground, Enjoy lunch, afternoon tea and dinner at Wellers from Tuesday to Sunday, Valley Weekly, Wednesday, August 31, 2005 l. Advertisement: Wellers of Kangaroo Ground, Appearing live; Normie Rowe Fri 24 Feb, Diamond Valley Leader February 22, 2006, p11 m. Advertisement: Wellers of Kangaroo Ground, Lunch Special, Diamond Valley Leader March 27, 2010 n. Braithwaite abounds to Kangaroo Ground, Gig Guide, The Age, Friday, October 8, 2010, p14 o. History up for grabs, Diamond Valley Leader, March 28, 2012 p. Advertisement: Wellers Restaurant, Freehold only for sale, Morrison Kleeman, Diamond Valley Leader, March 28, 2012 q. Restaurant’s crash course, Megan Bailey, Diamond Valley Leader, January 1, 2014, p3. Also accessible online - Staff praised after car crashes through Kangaroo Ground eatery. (2022, June 29). Retrieved from https://www.heraldsun.com.au/leader/north/staff-praised-after-car-crashes-through-kangaroo-ground-eatery/news-story/021c896a1ab6d76bd6b73f2e57dc1854 r. Eatery set for revival, Brittany Shanahan, Diamond Valley Leader 15 February 2017; Also, online as Much-loved Wellers of Kangaroo Ground to be relaunched as Italian restaurant Fondata 1872. (2022, June 29). Retrieved from https://www.heraldsun.com.au/leader/north/muchloved-wellers-in-kangaroo-ground-to-be-relaunched-as-italian-restaurant-fondata-1872/news-story/665777fb347584ef483867ae2b536a8f s. Fondata 1872 proves a big hit with food, Diamond Valley Leader 3 May 2017, p3 11. Wellers of Kangaroo Restaurant Bar Entertainment Functions, tri-fold brochure promotional brochure 12. Website Printout: Wellers Restaurant, Live Guide, (2017, January 5). Retrieved from http://www.liveguide.com.au/Restaurants_Bars/VIC/Kangaroo_Ground/Food_Styles/3... 13. Website Printout: Wellers of Kangaroo Ground, Only Melbourne (2017, January 30). Retrieved from http://www.onlymelbourne.com.au/wellers-of-kangaroo-ground 14. Printouts from Fondata 1872 website and Facebook page including colour photograph of sign in front and business card (2017). Related EDHS Collection items • Wellers Hotel of Kangaroo Ground by Jim Allen, Part 1, Newsletter No. 235, Eltham District Historical Society, August 2017. Retrieved from https://elthamhistory.files.wordpress.com/2017/08/edhs-nl-235-aug-2017.pdf • Wellers Hotel of Kangaroo Ground by Jim Allen, Part 2, Newsletter No. 236, Eltham District Historical Society, October 2017. Retrieved from https://elthamhistory.files.wordpress.com/2017/10/edhs-nl-236-oct-2017.pdf • EDHS_03997 - Slide, Wellers Hotel, Pitmans Corner, Eltham-Yarra Glen Road, Kangaroo Ground, c.1975 https://victoriancollections.net.au/items/5e59e36221ea671798ac40eb • EDHS_03998 - Slide, Wellers Hotel, Pitmans Corner, Eltham-Yarra Glen Road, Kangaroo Ground, c.1975 https://victoriancollections.net.au/items/5e59e39e21ea671798ac9c27 • EDHS_03999 - Slide, Wellers Hotel, Pitmans Corner, Eltham-Yarra Glen Road, Kangaroo Ground, c.1975 https://victoriancollections.net.au/items/5e59e3c721ea671798acd2ef • EDHS_04000 - Slide, Wellers Hotel, Pitmans Corner, Eltham-Yarra Glen Road, Kangaroo Ground, c.1975 https://victoriancollections.net.au/items/5e59e3e021ea671798acfd68 • EDHS_04066-18 - Photograph, Wellers Restaurant, Eltham-Yarra Glen Road, Kangaroo Ground, c.Mar. 1989 https://victoriancollections.net.au/items/610f4dafa346aadcee7ac79c • EDHS_04041-26 - Photograph, Wellers Restaurant, 150 Eltham-Yarra Glen Road, Kangaroo Ground, c.May 1988 https://victoriancollections.net.au/items/610e2f4a7d65e7c945a35e69 • EDHS_04437 – Newsclipping, Renovated Weller's Pub to begin its new stage of life by Linley Hartley, Diamond Valley News, 26 January 1988 https://victoriancollections.net.au/items/5de4913921ea6710a46a85c7 • EDHS_04438 - Newsclipping, Wellers Restaurant by Lynne Hillier, Network, October 1988, p14 https://victoriancollections.net.au/items/5de4916f21ea6710a46aea0f • ArtStreams magazine (from Volume 9, 2004) ‘partnered' with Wellers in promoting and supporting the arts and culture. Various advertisements throughout, particular with live performance acts. Numerous references throughout to art and music performances on site. • Stephen Cummings and Joe Camilleri at Wellers Kangaroo Ground, ArtStreams, Vol. 9, No. 4, Sep/Oct 2004, p17 EDHS_04406 - Journal, ArtStreams: Whittlesea, Banyule, Darebin, Manningham, Nillumbik, Yarra; Vol. 9, No. 4, Sep-Oct 2004 https://victoriancollections.net.au/items/5bcc086021ea6804a82a92a9 • Daryl Braithwaite rocks up at Wellers, Fiona Sievers, ArtStreams, Vol.10 No.2, 2005, pp6-7 EDHS_04409 - Journal, ArtStreams: Vol. 10, No. 2, 2005 https://victoriancollections.net.au/items/60f5416ab06f0c13a9419541 • Ephemeral Sculpture by Peter Dougherty, ArtStreams, Vol.10 No.3, 2005, pp7-9. About sculptures created in or on the grounds of culinary establishments throughout the Shire. - Denise Keele-Bedford constructed ‘Ou Well’ at Wellers Restaurant and Vicky Shukuroglou, also at Wellers set up cotton banners printed and painted with natural dyes from onion skins, spinach, radish beetroot, turmeric and charcoal. EDHS_04410 - Journal, ArtStreams: Vol. 10, No. 3, 2005 https://victoriancollections.net.au/items/60f5436db06f0c13a941ae19 • Music at Wellers Restaurant, ArtStreams, Vol.10 No.4, 2005, p23 EDHS_04411 - Journal, ArtStreams: Vol. 10, No. 4, 2005 https://victoriancollections.net.au/items/60f543e4b06f0c13a941b059 • Weller’s Pub, Diamond Valley sketchbook / text by Brian McKinlay ; drawings by Graham Hawley, 1973, pp42-43 EDHS_00856 - https://victoriancollections.net.au/items/590852edd0ce7b14e8177da3 • Gold Field Coaches Stopped Here, Nillumbik now and then / Marguerite Marshall; photographs Alan King with Marguerite Marshall, 2008, pp86-87 EDHS_00977 - https://victoriancollections.net.au/items/5935f315d0cdd42c80f9cc52 External Links: • Historic Kangaroo Ground venue comes up for rare sale. (2022, June 29). Retrieved from https://www.smh.com.au/business/companies/historic-kangaroo-ground-venue-comes-up-for-rare-sale-20120325-1vshw.html • Wellers, Kangaroo Ground property sold with leaseback. (2022, June 29). Retrieved from https://www.urban.com.au/expert-insights/investing/37735-wellers-kangaroo-ground-property-sold-with-leaseback • Wellers, Kangaroo Ground | With Mark Seymour, at one of his …. (2022, June 29). Retrieved from https://www.flickr.com/photos/robertmilesdesign/4564390893/ • 2016 Notice of proposed deregistration - WELLERS OF KANGAROO GROUND PTY LTD 124 435 409. (2022, June 29). Retrieved from https://publishednotices.asic.gov.au/browsesearch-notices/notice-details/WELLERS-OF-KANGAROO-GROUND-PTY-LTD-124435409/35d43b89-159a-4435-963f-daec688a61ca • Search results for: Websites (archived). (2022, June 29). Retrieved from https://trove.nla.gov.au/search/category/websites?keyword=%22wellers%20restaurant%22 29 June 2022 edward weller, wellers of kangaroo ground, wellers hotel, wellers restaurant, mary weller, pittmans corner, fondata 1812 at wellers, historic buildings register, hotels, john weller, kangaroo ground, pitman's corner, bassett-smith collection -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Tools, whetstone , 'Bridestowe' with box, 20thC
A Whetstone is a sharpening stone used for knives and other cutting tools. Sharpening stones, water stones or whetstones are used to grind and hone the edges of steel tools and implements e.g. scissors, scythes, knives, razors and tools such as chisels, hand scrapers and plane blades. Though it is sometimes mistaken as a reference to the water often used to lubricate such stones, the word "whetstone" is a compound word formed with the word "whet", which means to sharpen a blade, not the word "wet". The process of using a sharpening stone is called stoning.A square block of grey abrasive material used for sharpening steel blades , with the original boxBRIDESTOWE / Picture of ‘Kangaroo, Stag and Emu among radiating wheat stalks’ / TASMANIAwhetstones, sharpeners, steel blades, tools, cutlery, razors, moorabbin, bentleigh, cheltenham, early settlers, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Badge - Centenary of Melbourne, c. 1935-35
White metal medal issued to commemorate Melbourne’s centenary 1934-35. This medal was given out to Victorian school children; 325,600 white metal medals were struck. The medal references Portland, the location of Victoria’s first settlement. The Henty brothers, entrepreneur farmers and whalers, established the state’s first permanent European settlement in Portland in 1834. Melbourne was established the following year by a party of settlers led by John Batman. In 1934, as Melbourne planned to celebrate the centenary of European settlement, it seemed to some that there was little to celebrate. The financial strains of the depression, unemployment and the scandal of the city’s slums all undercut claims of unbridled progress. Perhaps because of such troubles, the organisers of the centenary celebrations tried doubly hard to be positive. The themes of the celebrations were conservative, reflecting the desire of some Melburnians for security in troubled times. The widely promoted image of the ‘Garden City’ and ‘Queen City of the South’ emphasised the idea of Melbourne as a very British city. White metal badgeCentenary of Melbournemelbourne centenary, victorian school children -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Badge - Red Triangle Day, ca 1917
Fundraising badge from World War I. Red Triangle Days were held in both Australia and New Zealand to raise money for the Y.M.C.A. The earliest references to Red Triangle Days seem to be from 1917.This Badge is an example of the general community support for organizations providing aid to the Soldiers in WW1Triangle enamel BadgeFor God King and Countrywwi, fundraising, y.m.c.a., red triangle day, moorabbin shire, cheltenham, bentleigh, market gardeners, early settlers -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Tools, marker wooden gauge, c1900
A marking gauge, also known as a scratch gauge, is used in woodworking and metal working to mark out lines for cutting or other operations. The purpose of the gauge is to scribe a line parallel to a reference edge or surface. It is used in joinery and sheet metal operations.The gauge consists of a beam, a headstock, and a scribing or marking implement, typically a pin, knife, pen or wheel. The headstock slides along the beam, and is locked in place by various means: a locking screw, cam lever, or a wedge. The marking implement is fixed to one end of the beam.Early settlers in Moorabbin Shire had to be self reliant and made their own clothes and tools as they established homes and farms for their familiesc1900 A hand made wooden marker gaugeearly settlers, pioneers, market gardeners, moorabbin, bentleigh, brighton, cheltenham, tools -
Ballan Shire Historical Society
Book - Book. The Walsh Papers, The Walsh Papers, 1985
The former Shire of Ballan commissioned this work which ties in with the formation and early years of the Ballan Shire Historical Society. It is a collection of articles, works and memoirs written and compiled by James Henry Walsh, an early resident of Ballan, that have been edited for publication by James Turner. The book contains maps and photographs and is fully indexed. It is considered by some to be the foremost reference work on the history of Ballan.The book is significant as it is a comprehensive collection covering the history of Ballan. It is a limited edition and now out of print.A soft covered book, ivory in colour. Printed on the cover is - "The Walsh Papers. Edited: J.L.Turner. Memoirs of the early settlement of Western Victoria and, in particular, Ballan Shire: 1830 -1875. Written and compiled by James Henry Walsh (1863 -1930) of Ballan." The back cover is a full page sepia photograph of James Walsh (head and shoulders only) and the printed number "ISBN 0 95599911 1 5". Book No.106. 312 pages.The book bears the stamp of the Ballan Shire Historical Society and the handwritten marking "Receipt P.1." Book No.106 and Reg No. (VC) 00909 in pencil.walsh james henry, ballan memoirs, turner j l, ballan history -
Greensborough Historical Society
Folder, Mayger Family, 1840o
Contents: Mayger family trees; entries from Digger database; copies of emails relating to family; copies of photographs; references to George Mayger in Melbourne directories 1874-1908; unassisted passenger list, G.Mayger; The Mayger family in Australia, compiled by Colin McKenzie.History of the origins of this Greensborough family.20-page plastic binder, spiral bound, clear cover. Contains documents relating to the Mayger/Maygar family.Collected by Greensborough Historical Society. Folder commenced 2012mayger family, maygar family, greensborough -
Greensborough Historical Society
Book and CD, Birrarung database; compiled by Mick Woiwod, 1863-1924
This book and database attempts to develop an understanding of the place of Aborigines in the Victorian context. It uses a wide variety of references from early white settlement (1835) and more recent documents.Detailed information such as this will be valuable to researchers in their understanding of Indigenous peoples of Victoria.Paperback. 318 pages, illus. Includes CD-Rom "Birrarung database compiled by Mick Woiwod".Signed by compiler.yarra valley, aborigines victoria, birrarung, mick woiwod -
Greensborough Historical Society
Newspaper clipping, Diamond Valley Leader, Preschool washout, 25/01/2012
Half page article on damage from floods on Christmas Day 2011. Noting in particular damage to Briar Hill Preschool.A further reference to the Christmas Day 2011 floods.Half page newspaper article featuring 2 coloured photographs. D V Leader 25/1/12 in biro.christmas day 2011, floods, briar hill preschool, tom melican -
Greensborough Historical Society
Newspaper clipping, Glimpses of the Past, 18/03/1986
The article was written by Linley Hartley on the reminiscences of Lorraine Coates (nee Poulter) of her life in Greensborough. There are a lot of references to her ancestral families, particularly the Poulters and also the Roys and Hewitts. The article also refers to Lorraine's family's activities during World War 2 in Richmond.Poulters, Roys and Hewitts were all local pioneer families.An A3 sized photocopy of a Diamond Valley News story. Includes photograph of Lorraine Coates and two scenes of 'old' Greensborough. Copy 2: Item 522.Some minor biro markspoulter, hewitt, roy, greensborough, lorraine coates, richmond, st helena cemetary -
Greensborough Historical Society
Newspaper clipping, Grimshaw Street Greensborough, 13/12/1935
Article from the Hurstbridge Advertiser (13/12/1935) reporting on the proposed construction of Grimshaw Street and who was responsible for paying for it. Includes reference to many Greensborough streets.2 page article downloaded from the National Library of Australia. Copy 2: Item # 540.heidelberg road trust, grimshaw street, cordner -
Greensborough Historical Society
Article, Bushranging, murder and capture of the murderer, 02/11/1866
Article from 'Colonist' newspaper (2/11/1866) reporting on the capture of bushranger Robert Bourke in Diamond Creek.Has references to Greensborough.5 page article downloaded from National Library of New Zealand website 'paperspast'. bushrangers, greensborough, murder, robert bourke, diamond creek, hurstbridge -
Greensborough Historical Society
Article, Watsonia - a short history, 1934o
A history of the Watsonia with no definite author shown and no references. Information requires verification. [By inference etc. The author was John Kellow]5 pages of typed text.Handwritten on last page in red pen: "Kellett - Greenswood Dve" followed by in pencil: "Kellow 9 7 72"watsonia, electric station estate, black family. -
Greensborough Historical Society
Article, Watsonia [some memories] by John Kellow, 1934_
A short history of Watsonia and surrounding area. told in oral history format by John Kellow. This article is not referenced and details require verification. 5 pages of typed text.watsonia, electric station estate, black family, grace park, greensborough, john kellow. -
Greensborough Historical Society
Genealogical document, Mayger, 1839o
Outlines some research findings regarding George John Mayger, William John Mayger and Sarah Mayger. Includes references found in various publications including Melbourne directories.The Mayger family were pioneers in the Greensborough area.5 x pages, typed.mayger family, george john mayger, maygar -
Greensborough Historical Society
Application, Squatters, speculators and settlers: Plenty River Cultural heritage trail, 20/12/2011
This application is for the restoration and preservation of listed heritage sites along the Plenty River in Greensborough and surrounding area. Although the 2011 application was not successful there is much information about the Plenty River trail in this document.This document contains relevant information regarding the various sites along the Plenty River. 3 copies. 60 p., ill. (some col.). Copy 1 is in an A4 3 ring binder and plastic pockets (Location Greensborough Historical Society publications shelf), copy 2 is spiral bound (Location Plenty River Cultural heritage Trail file), copy 3 has loose pages (Location GHS file)Heritage Victoria application reference: 53149plenty river cultural heritage trail, dennis ward, anne paul, rotary club of greensborough, plenty historical society, plenty river -
Greensborough Historical Society
Newspaper clipping, A long road to history, 09/03/2011
Records the origins of local street names.Explains how streets were named from the 1850s, with reference to Main Road Eltham to Research.A Diamond Valley Leader article on the history of street names in the local area. Illustration is a photograph of Main Road Research in the early 1900s. Written by Russell Yeoman and Jim Connor of Eltham District Historical Society.In pen "DV Leader March 9 2011."research, eltham, street names, main road -
Greensborough Historical Society
Book, Melbourne University Press, Heidelberg: the land and its people 1838-1900; by Donald P. Garden, 1838-1900
This book covers the early history of Heidelberg, Victoria from its beginnings in 1838 to 1900.There is some reference to the 'annexation' of Greensborough in 1875 and the route of the Heidelberg-Eltham railway line, 1893.Hard cover book. 218 p., ill., maps. Slip cover has a drawing based on an early photograph of the Old England Hotel.Property stamps from Nunawading Public Library (cancelled from their collection)heidelberg, greensborough, donald garden -
Phillip Island and District Historical Society Inc.
Newspaper clippings
100 year old painting of Cowes Pier and reference to painting of Phillip Island Hose "Wollomai". Reference to wreck of vessel "Speke".Photograph of 100 year old painting of Cowes Pier and reference to painting of Phillip Island horse "Wollomai" and wreck of "Speke"local history, documents, newspapers, newspaper clippings, black & white newspaper clipping, cowes pier, phillip island, racehorse "wollomai", "speke" -
Phillip Island and District Historical Society Inc.
Book, WELLS, John, Colourful tales of old Gippsland, 1990
Maps on endpapers. First published Rigby, 1977. Includes bibliographical references.gippsland, history