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Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION: COLLECTIONS
A damaged tennis ball box containing newspaper articles relating to collections of coins, medals, heraldry etc. Sources include 'Bendigo Advertiser,' 'The Sun' and 'Illustrated London News.' 1935 - 1967.The Sun, The Bendigo Advertiser, Illustrated London News.ephemera, mementoes, general interest, lydia chancellor, collection, collections, coins, medals, heraldry, badges, money, nameplates, scouts, decimal currency, entertainment -
Bendigo Historical Society Inc.
Newspaper - LYDIA CHANCELLOR COLLECTION: ROYALTY
A box with a photo of The Queen on the front. Contains cuttings from magazines of the British Royal Family. Sources include 'Pix,' 'Journal,' 'Australian Woman's Weekly,' 'Woman's Mirror,' 'Illustrated London News' and 'The Daily Mirror.' 1950 - 1954. A book titled 'Queen Elizabeth The Queen Mother' Norwich, Jarrold & Sons Ltd. 1973 is also included.Royaltyroyalty, british, royal family, lydia chancellor, collection, royalty, british royal family, the queen, the queen mother, 'queen elizabeth the queen mother, ' history, united kingdom, england -
Bendigo Historical Society Inc.
Newspaper - PETER ELLIS COLLECTION: BENDIGO ADVERTISER SATURDAY DECEMBER 3, 1998, 3rd December, 1998
Newspaper cutting from Bendigo Advertiser, dated Saturday, December 3, 1988 - Page 14. Photo on left is captioned: ABOVE: John Meredith and Peter Ellis prepare traditional dance music for the National Library archives. Top right picture is captioned: ABOVE: Peter Ellis plays and 80-year-old celluloid penny whistle. Ellis' 'Collector's Choice' will be launched today at the National Trust chambers in View St at 3 pm. LEFT: Peter Ellis demonstrates the one string fiddle and collection of various instruments. Article reads: Duo's work an insight to music over the years. Local musical identity and Australian social dance authority Peter Ellis, co-author of the Bicentennial publication 200 Dancing Years, has completed his series on dance music entitled 'Collector's Choice'. Noted Australian folklorist John Meredith will launch volume three of Collector's Choice today at the National Trust chambers in View St at 3 pm. A photographic display by John Meredith can be seen at the chambers between 2pm and 5pm. The display is called Pioneers of Performers and it exhibits a cross section of traditional musicians from all over Australia. Fifty superb black and white toned prints will also be on display. John Meredith is one of Australia's foremost folklorists and has many publications to his credit including Folk Songs of Australia, Frank the Poet and The Wild Colonial Boy. Peter and John have just returned from the third national folklore conference in Canberra. Collector's Choice has more than 300 popular tunes written in a clear single melody line with guitar chords provided. Forty different dances are represented with music including the Pride of Erin, Parma Waltz, Evening Three-step, Swing Waltz, Barn Dance, Progressive Jive and Old Time Medley. A detailed introduction provides handy advice on choice, presentation and suitable tunes plus historical details on the evolvement of colonial, modern ballroom, old time and new vogue dances and music. Illustrations on the social history of the bands and individual musicians can be found throughout the book. Bendigo bands of old which are illustrated including Cyril Sawyer's Swingsters. As part of the launch the Sandhurst Dance Club will host a free dance from 8pm at the Marong Public Hall.Bendigo advertiserperson, individual, peter ellis oam -
Bendigo Historical Society Inc.
Newspaper - LYDIA CHANCELLOR COLLECTION: ARCHITECTURE
A tin with a picture of two choir boys on the lid. It contains magazine and newspaper cuttings on buildings both in Australia and overseas. Sources include 'The Illustrated London News,' 'The Australian Women's Weekly,' 'Herald' and 'The Age.' 1949 - 1960.buildings, lydia chancellor, collection, tin, architecture, buildings, place, history -
Bendigo Historical Society Inc.
Newspaper - THE ILLUSTRATED LONDON NEWS 1902
... . Anonymous donor. Not found 30/08/2023 Newspaper THE ILLUSTRATED ...The Illustrated London News, August 14, 1902. 25 pages commemorating the Coronation and Procession of King Edward the 7th and Queen Alexandra. Front cover: red border, grey-blue print of Queen holding crown, members of the Commonwealth saluting. Coin of Edward VII and Alexandra heads in profile. Price 2/- and Coronation and Procession printed in red. Pages shows stages in the Procession and the Coronation. Anonymous donor. Not found 30/08/2023royalty, british, edward vii and alexandra -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: PAPER CUTTING AND NETBALL TEAM PHOTO
Newspaper cutting and Netball team photo laminated upon orange cardboard. From top [a] Newspaper cutting captioned 'Ex- Pupil Darren Scobie, [Australian Country Water Polo Rep, 1998'. Two water polo players illustrated. [b] Photograph of Ten female net-ball players with coach captioned Net-ball 5 ?? . Girls wearing Golden Square sports guernseys and skirts.bendigo, institutions, golden square primary school -
Bendigo Historical Society Inc.
Booklet - History of Gold Jubilee Statue, 2012
Spiral bound booklet of 29 pages (A4) with a clear plastic front cover and black card back cover. History of Gold Jubilee Statue/Discovery of Gold Monument, Howard Place Bendigo. Picture of sculpting the statue c.1902 on cover. Report prepared by A.Kiefel, City of Greater Bendigo 2012 Illustrated with colour and B&W photos, newspaper cuttings Various pencil comments written against several photos. Some words underlined in pencil. gold jubilee statue, howard place -
Bendigo Historical Society Inc.
Painting - LYDIA CHANCELLOR COLLECTION: SCULPTURE AND SCULPTORS
Magazine and newspaper articles on sculpture and sculptors. Sources include 'The Illustrated London News,' 'The Age,' 'Look and Learn and 'The Bendigo Advertiser.' Included are 'Bendigo Advertiser' cuttings relating to Ola Cohn (1965). 1940 - 1965.artwork, sculpture, sculptor, lydia chancellor collection, collection, ola cohn, sculpture, sculptor, artwork, art, female, person, recreation -
Bendigo Historical Society Inc.
Newspaper - LYDIA CHANCELLOR COLLECTION: TREES
A box with a picture of trees on the front.(Writing on back of box states 'Trees of Williamsburg U.S.A. by Michael Frome .This tree grew when Jesus was born'(from Look Learn 11.8.62 article .Mountain lake in Alberta Canada .Strand on the green near London ). It contains pictures of, and articles about, trees. Sources include, 'The Sun,' 'Illustrated London News,' 'The Australian Women's Weekly' and 'The Australasian Post.' 1937 - 1968.TREESsciences, general, trees, lydia chancellor, collection, natural history, place, trees, botany, sciences -
Bendigo Historical Society Inc.
Newspaper - LYDIA CHANCELLOR COLLECTION: NEWSPAPER CUTTINGS
A large cardboard folder containing (i) newspaper cuttings from various sources. These sources are, ' Illustrated London News,' ' Herald,' ' The Mail,' ' Herald,' ' Age', ' The Sun News-Pictorial,' and ' Everybody's,' and are dated 1938-1970. (ii) A copy of the 'Bendigo Advertiser,' dated Wednesday, November 27, 1968. (iii) 2 ' Bendigo Advertiser,' supplements dated February 16, 1963 and November 27, 1968. (iv) An 8 page fascimile of 'The Age' newspaper celebrating the move of the newspaper to a new building in Spencer Street. There is also some correspondance between Lydia Chancellor and Mr. M.P.J. Hurrell the Promotions Officer at 'The Age.' (v) An article titled ' John Fairfax 1804-1877 Maker of The Sydney Morning Herald,' from 'The Home,' March 1, 1941. An article titled, ' The Day & Age of David Syme,' from 'Walkabout' February, 1963. Information re the Lutine Bell at Lloyds of London. Articles re 'THE MAIL' newspaper for Bendigo beginning in 1968. Article by Claudia Wright re jumpsuits, Champagne and toys. Article Re Baron Julius de Reuter, founder of the Reuters news service. The Crystal Palace in London.newspaper, bendigo advertiser, various articles, lydia chancellor collection, collection, newspapers, ' the age' newspaper, ephemera, ' the bendigo advertiser.' -
Bendigo Historical Society Inc.
Book - THANK YOU…ST JUDE'S
Hard cover book 'Thank you..St.Jude's'. The History of St. Jude's California Gully. Cited from 'A History of the Diocese of Bendigo 1902-1976 by Keith Cole. Illustrated with B&W and colour photos plus newspaper cuttings. Colour photo of the Church on front cover.Keith Cole -
Bendigo Historical Society Inc.
Newspaper - LONG GULLY HISTORY GROUP COLLECTION: LANSELL ERECTS AUSTRALIA'S TALLEST POPPET HEAD
Photocopy of a newspaper article titled Discover Bendigo by James Lerk. Article is titled Lansell Erects Australia's Tallest Poppet Head.George Fauckner was responsible for erecting the tall poppet head at the 222 mine. Eight huge logs were used to make the four legs which morticed together. Blacksmiths made and riveted steel bands around the joints to secure them. Harkness Foundry manufactured the winding plant which was the largest in Bendigo at that time. An accompanying photograph illustrates the 222 Mine as it appeared in the 1890's.bendigo, history, long gully history group, the long gully history group - lansell erects australia's tallest popper head, george fauckner, ballerstedt's fortuna, 222 mine, 180 mine, fortuna crushing battery, harkness foundry, cleopatra's needle, fortuna -
Bendigo Historical Society Inc.
Book - SCHOOL DAYS - LOOKING BACK ON EDUCATION IN VICTORIA, 1985
187 page hard cover book 'School Days - Looking back on Education in Victotia. Edited by Brian McKinlay - History Officer with the Education Dept of Victoria. Published 1985 and printed by Globe Press P/L Illustrated with B&W photos and newspaper cuttings.Brian McKinlay -
Bendigo Historical Society Inc.
Book - THE SILENT CITIES
A,B. Blue hard covered book titled ' The Silent Cities. An Illustrated Guide to the War Cemeteries and Memorials to the missing in France and Flanders 1914 - 1918.' Compiled by Sidney C. Hurst, P.A.S.I. With a preface by Major-General Sir Fabian Warem K.C.V.O., K.B.E., C.B., C.M.G. Vice-Chairman of The Imperial War Graves Commission.' Methuen & Co. LTD. 36 Essex Street W.C. London, 1929. 407 pgs. First published 1929. (ill.) C. Also included is a newspaper article titled 'Memorial to our War Dead.' dated 25-6-38. D.dust cover of the book, incomplete missing back page.Sidney C. Hurstbooks, military, world war 1, book, books, war, wars, world war 1, cemeteries, memorials, france, flanders, soldiers, history -
Bendigo Historical Society Inc.
Book - OSBORNE HOUSE - A SCRAPBOOK
44 page soft cover, spiral bound booklet entitled 'Osborne House , 31 MacKenzie St, Bendigo A scrapbook of historical information about Osborne House compiled by Kevin Doyle , the once owner who renovated the building from 2000. Illustrated with B&W and colour photos, copies of Titles, newspaper articles, diagrams etc.Kevin Doyle -
Bendigo Historical Society Inc.
Book - JAMES & ANN BINKS & FAMILY, 1992
32 page soft cover book 'James & Ann Binks & Family, their lives around the Bendigo Gold Field c1853-1856.' Illustrated with B&W photos and newspaper extracts. Edited & compiled by Quentin C Binks for the Binks/Potter third reunion, Blakeville, April 1992Quentin C Binks -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK ''THEODORE, HIS LIFE AND TIMES'' BY IRWIN YOUNG
Book. ALEC H CHISHOLM COLLECTION. 189 page hardcover biography of Edward Granville Theodore, State and Federal politician, Union organiser, Premier of Queensland, Deputy Prime Minister and Treasurer in the Scullin Government. Forward by E. G. Whitlam. Illustrated with B & W photos. Published in 1971 by Alpha Books, Sydney and printed by the Griffin Press, Adelaide. Catalogue sticker ''2167 YOU'' on spine. Handwritten in biro on flyleaf ''For A. H. Chisholm Esq with kind regards and best wishes and the hope this book recalls interesting events, John Theodore 4.11.71''. Also a newspaper cutting (3-4-74) pasted on flyleaf relating to the estate of Mr N. B. Theodore. SBN 35553 064 2.Irwin Youngbooks, collections, biography, alec h chisholm collection, edward granville theodore, irwin young, n.b.theodore, e.g.whitlam, biography, politics -
Bendigo Historical Society Inc.
Document - EXTRACT: ADVERTISER MARCH 1977 RE ARTICLE FROM SAME NEWSPAPER 2ND FEB 1912 UPPER RESERVE CONCERT, 02/02/1912
Typed extract - Advertiser Mar. 1977 re article from same newspaper 2nd Feb 1912 - Upper Reserve concert. 1912 article refers to advertisement for a night of entertainment at Upper Reserve - seven pictures (movies) to be shown - titles of movies provided; singer (Mr Frank Monaghan (''which will be beautifully illustrated'') and a full orchestra to furnigh the incidental music. Extra seating on the lawn - the grandstand will be free. Price 6 pence, children free.document, newspaper -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK 'THE DROVER'S COOK AND OTHER VERSES' BY TOM QUILTY
Book. ALEC H CHISHOLM COLLECTION. 96 page hardcover book of verse by Tom Quilty. Printed and published in 1958 by F. H. Johnston Publishing Co., Sydney. Published to benefit the Flying Doctor Service (A.I.M). Illustrated with ten B & W photos of the Kimberly Region including one of the author opposite page 5. Catalogue sticker '2050 QUI' on spine. Two newspaper reviews of the book inside front cover. The Bulletin 30 July 1958 and the Daily Telegraph 3 May 1958. Also a bookmark saying that 1000 copies had been donated to the Australian Inland Mission and the Royal Flying Doctor Service.Tom Quiltybooks, collections, poetry, alec h chisholm collection, tom quilty, poetry -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK ''COLIN ARCHER, A MEMOIR'' BY JAMES ARCHER
Book. ALEC H CHISHOLM COLLECTION. 120 page hardcover memoir of Colin Archer, a Norwegian boat builder (1832 - 1921) who spent some early years in Australia. Illustrated with 25 B & W photos. Published circa 1950 but no publisher given. Printed by John Bellows Ltd, Gloucester. Newspaper cutting (30/9/59) on Archers pasted inside front cover. Catalogue sticker ''2168 ARC'' on spine. Handwritten in biro on flyleaf ''A. H. Chisholm with best wishes from Alister Archer April 1955.''James Archerbooks, collections, biography, alec h chisholm collection, colin archer, james archer, alister archer, boatbuilder -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK ''MY LIFE WITH THE ESKIMOS'' BY VILHJALMUR STEFANSSON
Book. ALEC H CHISHOLM COLLECTION. 308 page hardcover book of the journeys by the arctic explorer Vilhjalmur Stefansson. Illustrated with B & W photos and maps. Forewords by H.F. Osborn and R. W. Brock. Published in 1924 by George G. Harrap & Co, London. Printed in Great Britain by Unwin Bros. Ltd. Catalogue sticker '2142 STE' on spine. Handwritten in ink on flyleaf ''To Alec H Chisholm with pleasant remembrances of an afternoon at the Burrellls with the platypus from Vilhjalmur Stefansson Sydney August 8 1924''. Pasted inside front cover is a newspaper obituary to V. Stefansson from the Sydney Morning Herald 28-8-1962.Vilhjalmur Stefanssonbooks, collections, ethnology, alec h chisholm collection, vilhjalmur stefansson, arctic explorer, eskimos, ethnology -
Bendigo Historical Society Inc.
Newspaper - THE CHILDREN'S NEWSPAPER (10 ISSUES), 1924
Newspaper. Ten issues of 'The Children's Newspaper', from April 19 to July 26, 1924. A weekly issue edited by Arthur Mee. Each 12 pages. Price Twopence. Illustrated with B & W photographs. Printed and published by The Amalgamated Press, London. Page 7 of issue No. 266 has a photo of Australia's new Parliament House under construction.Handwritten in pencil on the top of each front page 'Mrs Bush'newspaper, newspaper, children, arthur mee, mrs bush, australia's first parliament house -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK ''SHEAF TOSSER & OTHER POEMS'' BY ERIC C ROLLS
Book. ALEC H CHISHOLM COLLECTION. A 58 page hardcover book 'Sheaf Tosser and Other Poems' by Eric C Rolls. Published by Angus and Robertson in 1967 and printed in Australia by Halstead Press. Gold, black and white illustrated dust jacket. Catalogue sticker '2009 ROL' on spine. Inside front cover is a newspaper article 'Collections by Two Australian Poets' from The Sydney Morning Herald 18/3/67 reviewing this book.Eric C Rollsbooks, collections, poetry, alec h chisholm collection, eric c rolls, poetry -
Bendigo Historical Society Inc.
Ephemera
A box containing a variety of items - (I) Newspaper and magazine cuttings covering a range of topics. Sources include 'The Age' and 'The London Illustrated News. These are all in two F.J. Every paper bags. (II) 3 travel brochures. (III)3 'Antique Dealers' Fair brochures.' 1966. (IV) Booklet titled 'Little Johnnnie's Prayers.' 1939 - 1964.lydia chancellor, collection, current affairs, history, news, antiques, tourism, sydney, travel, religion -
Eltham District Historical Society Inc
Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Honjo, Tokyo - sign on tower remains "Sapporo Beer Hall", 1923
The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する 東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama -
Eltham District Historical Society Inc
Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Burnt remains of Shintomi Theatre, built in 1630 for Kabuki Theatre, 1923
The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する 東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama -
Eltham District Historical Society Inc
Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Kanda Ryo, Chiyoda Ward, Tokyo - Kanda Station in the suburbs, 1923
The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する 東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama -
Eltham District Historical Society Inc
Document - Folder, Pugh, Clifton
The artist, Clifton Pugh, grew up in Briar Hill. He served in WWII and settled at Cottles Bridge, building his own house and forming Dunmoochin artist colony. He married three times and had two sons. He painted the portraits of many eminent people. Contents Newspaper article: "This is the house that Cliff built", The Age, 2 May 1964. Description of Clifton and Marlene Pugh's house.. Folder: Brief biography Clifton Pugh. Photocopy section of "Clifton Pugh: Patterns of a lifetime", Traudi Allen, Nelson, Melbourne 1981. Magazine article: "Clifton Pugh: His home is a work of art", Woman's Day, 16 January 1894. Describes Clifton Pugh's house at Hurstbridge. Newspaper article: "A guide to our orchids", Diamond Valley News, 14 February 1984. Clifton Pugh contributed to the book "A Year of Orchids". Newspaper article: "A family tradition is continued". Diamond Valley News, 28 February 1984. Clifton Pugh's childhood and career. Magazine article: "Clifton Pugh's bush paradise", Home Beautiful, May 1989. Clifton Pugh's house and studio. Clipping: "Clifton Pugh award winning artist". Clifton Pugh currently working on illustrations for a book, with Pam Blashki, on wood chipping ["A Kingdom Lost: A Story of the Devastation of Our Wilderness", published 1989]. Newspaper article: "Funeral drama shows the Pugh touch", The Age, 19 October 1990. Clifton Pugh's funeral at Montsalvat. Newspaper article: "Friends bid farewell to Pugh". Herald-Sun, 19 October 1990. Clifton Pugh's funeral at Montsalvat. Newspaper article: "Friends paint a lowing portrait". Herald-Sun, 19 October 1990. Funeral and obituary of Clifton Pugh. Newspaper article: "Montsalvat mourns passing of a great". Diamond Valley News, 23 October 1990. Clifton Pugh's funeral at Montsalvat. Newspaper article: "Loner who was a fair dinkum mate". Diamond Valley News, 23 October 1990. Obituary of Clifton Pugh. Newspaper article: "Pugh's last works", Tempo, The Age, 17 July 1991. Clifton Pugh was illustrating Helen Lunn's book 'The Digger's Mate' when he died. Newspaper article: "Dunmoochin's rich tradition to live on", Diamond Valley News, 29 October 1993. Dunmoochin Foundation Board to advertise lease of studios. Newspaper article: "Clean up for Cliff", Herald Sun, 8 December 1993. Preparation for exhibition of Clifton Pugh's work at LaTrobe University Art Museum. Flier: Exhibition "Clifton Pugh: A Retrospective", Montsalvat, 12 to 14 November 1999. Newsletter: "Dunmoochin: an edited version of the history prepared for the Heritage Study by David Bick", Eltham District Historical Society newsletter 140, September 2001 Newspaper article: "Hail rising of Phoenix", Diamond Valley Leader, 20 July 2005. Dunmoochin Foundation and official opening of buildings Phoenix I and Phoenix II after the 2001 bush fire. Newspaper article: "Legacy to the arts", Diamond Valley Leader, 10 August 2005. Dunmoochin Foundation and the rebuilding after the 2001 bush fire. Newspaper article: "Tiwi art to go on show", ?publication, ?2002. Shane Pugh, Johnny Young and Ian McKimmie organising exhibition of Tiwi art to mark 100th birthday of Strathewen hall. Flier: Exhibition "Clifton Pugh AO: Reflections of Dunmoochin". Briar Hill Primary School, 23 to 25 November 2007. Printout: "Dunmoochin", http://www.standrews.vic.edu.au/dunmoochin.html. 19 May 2004. Newspaper article: "Hail rising of Phoenix", Diamond Valley Leader, 20 July 2005. Rebuilding at Dunmoochin after bushfire. Newspaper article: "Legacy to the arts", Diamond Valley Leader, 10 August 2005. Rebuilding at Dunmoochin after bushfire. Newspaper article: "Artist's legacy on show". Dunmoochin one of four Cottles Bridge sites for a tour by Trust for Nature, 2 and 3 October no year. Newspaper clippings, A4 photocopies, etcclifton pugh, hurstbridge, adriane strampp, princess michael of kent, arthur boyd, john brack, charles blackman, fred williams, shane pugh, marlene pugh, professor jock marshall, briar hill victoria, cottles bridge victoria, turner family of briar hill, yandell family of briar hill, st helena church, st helena road, briar hill primary school, eltham high school, dunmoochin, campbell beardsell, david beardsell, ivanhoe boys grammar school, national gallery art school, hurstbridge grevillea, montsalvat, george dreyfus, kew city band, justus jorgensen, sir edward "weary" dunlop, prue acton, john howley, fay dunmore singers, derryn hinch, jeff kennett, tom uren, dennis gowing, matcham skipper, kyra skipper, gordon ford, hilary jackman, peter graham, robert marshall, john greaves, jenni mitchell, rodney roschollor, gough whitlam, sir john kerr, lionel murphy, manning clark, arts policy committee of victorian branch of the australian labor party, latrobe's art museum, rudy komon gallery, leonard french, jon molvig, rick armor, john olsen, latrobe university, donovan pugh, trevor welshman, australia council visual arts board, lesley alway, dailan pugh, paul barnett, helen nixon, helen lunn, a year of orchids book, campbell bearsdell, david bearsdell, johnny young, ian mckimmie, tiwi art, strathewen hall, rhonda noble, latrobe university art museum, traudi allen, clifton pugh patterns of a lifetime book, trust for nature, randall robinson -
Eltham District Historical Society Inc
Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Bank in Chidoricho Hungama - Disastrous scene of Yokohama Honmachi Town. No. 1 Bank Building, 1923
The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する 東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama -
Eltham District Historical Society Inc
Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Keizen's after-disaster earthquake Daiichi Hamaki - overall view of Yokohama City, 1923
The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する 東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama