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matching ladies dress
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Blackburn Cricket Club1st Ladies - Great women of the Blackburn Cricket Club, Women of Blackburn
There are many outstanding woman who have made significant contributions to the success of our club. Phyllis Sloan (second row white pants) and Lisa Robertson (nee Paterson - front row brown dress) are just two of these women. Phyllis recieved her life membership in 1986-87 and was the clubs first female life member. Phyllis is also the only club memeber to win 3 Best Clubperson awards winning in 1982-83, 1983-84 and 1987-88. Lisa received her life membership in 2001-02. Lisa has served the club in many varied capacities over a sustained period and has also won the club's Best Clubperson award in 2000-01. Barb Schumacher (Best clubperson 2007/08) is also present. -
Glenelg Shire Council Cultural CollectionPhotograph - Photograph - ladies standing on a walkway above a weir, n.d
Black and white photo mounted on heavy card. 5 ladies standing on walkway atop weir. Rural setting. Estimated dress to be late 19th, early 20th Century.Back: 'largo or fargo Class 1' - black pen -
Glenelg Shire Council Cultural Collection
Negative - Glass Plate Negative - Botanic Gardens entrance, c. 1890
Stereoscopic glass plate negative. Image shows Entrance to Botanic Gardens. Two ladies standing just inside gate. Dress estimated to be late 19th, early 20th Century. -
Glenelg Shire Council Cultural Collection
Negative - Glass Plate Negative - Afternoon Tea, Portland, 1890-1910
Glass plate negative. Three ladies seated at a table, 'taking tea'. Wall covered with creeper in background. Dress late 19th, early 20th Century.tea, recreation, ladies, women -
Kiewa Valley Historical SocietyHat Child's Felt, Circa mid 1900's
This brown wool felt hat with a broad brim was, by its style, used by a adolescent child for church services. This was worn in a period where church services on Sunday was an important weekly ritual by the whole family. Special (church only) dresses and hats were worn not only to show respect to the church but also part of expected community mores relating to religious beliefs. This behavioural pattern was more entrench in the rural communities than within larger cities. The closeness of smaller rural communities is the main factor regarding social norms. The visible standing within the community was uppermost. The period pre 2000 was a more coheasive family environment ( due to greater intra family activities) which provided better communication and family activities.This "church styled" hat is very significant to the rural lifestyle and its mores. It clearly demonstrates the coheasive force that religion has on the Valley population. The closeness that the semi isolation (at this time) brought about by the Valley's physical land formation and the poor roads within the valley brought families closer together. Not turning up for important social functionsw was duely noted by all (and frowned upon). Mrs E. Fisher lived at Mongan's Bridge in the Kiewa Valley.Brown child's all felt hat size 6 1/4. A broad brim with a lighter brown velvet ribbon head band. Head band has a crossover to the left front with 100 mm extension flowing over the brim. The top of the inside of the head pocket is lined with a soft silk fabric.6 and one quarter (size tag). Unreadable crest / monogramchildren's head wear, social head dress, church hats -
Kiewa Valley Historical SocietySewing Machine - Singer
This sewing machine was bought by Alex Craig's dad in 1942 for his wife whom he married in 1943. Alex's grandmother used it in 1942. It still works (2013).Historical: Type of sewing machine used by S.E.C.V. wives living in Mt Beauty during the 1940's, 1950's and 1960's. Ladies made the family's clothes and sewed for the Annual Church and School fetes. eg. children's clothes and dolls' clothes. They bought dozens of dolls and made 'fairy' dresses for them using coloured netting.Singer sewing machine - brown wood lid & base. Handle on top of inside of lid as is the wooden bench that clips on to the side of the machine and also the steel knee lever that fits into the front of the machine. Black steel machine with silver fittings. Brown and white electric cord plugged in. "Singer" on front centre of lid. On machine - "Singer" above light. "The Singer manufacturing Co. / Manufactured in Great Britain" top of machine. "Singer" on front side of machine. Front - Gold plate - "The Singer Manfg. Co. / Trade Mark." Decoration on machine base and silver end.singer manufacturing co.. sewing. fetes. clothes. domestic. -
Kiewa Valley Historical SocietySewing Machine Attachment - Buttonhole
This sewing machine was bought by Alex Craig's dad in 1942 for his wife whom he married in 1943. Alex's grandmother used it in 1942 to make button holes.Historical: Type of machine used by S.E.C.V. wives living in Mt Beauty in the 1940's, 1950's and 1960's. Ladies made the family's clothes and sewed for the Annual Church and chook fetes e.g.. children's clothes and dolls clothes. They bought dozens of dolls and made 'fairy' dresses for them using coloured netting.Green & white box containing black & silver metal with 4 parts for attaching to Singer sewing machine for sewing button holes."Singer Buttonhole Attachment" on green 'cloud' top of box. "The Singer manufacturing Company" on green 'cloud' on side of box. "For Light Manufacturing and Home Use" on green 'cloud' on side of box. "Made in Great Britain" on white top half of end of box & teen 'cloud' below end of box is "Singer / Buttonhole Attachment / No. 86662 / For Singer Lock Stitch/ Family Sewing Machines.singer manufacturing co.. clothes. fetes. domestic. sewing. -
Kiewa Valley Historical SocietySewing Machine Accessories
This sewing machine and its accessories was bought by Alex Craig's dad in 1942 for his wife whom he married in 1943. Alex's mother used it and the accessories in 1942. Historical: Type of machine used by S.E.C.V. wives living in Mt Beauty in the 1940's, 1950's and 1960's. Ladies made the family's clothes and sewed for the Annual Church and School fetes. eg. children's clothes and dolls' clothes. They bought dozens of dolls and made 'fairy' dresses for them using coloured netting.Dark green box with red & white inscription on top. Inside are 7 metal (silver coloured) attachments for Singer Sewing Machine including one for sewing zips, ruffling foot, rolled hemming foot .singer manufacturing co.. clothes. fetes. domestic. sewing. -
Kiewa Valley Historical SocietyBlazer - Bowls -Mt Beauty Working Man's Club
Mt Beauty Workman's Club was formed in 1945, re-built and opened in 1954 and again in 1962 and 1968. The Bowls club was founded in 1970 and later was affiliated with the Victorian Ladies' Bowling Association (VLBA) and the North Eastern District LBA in 1974. There were strict rules regarding the Bowlers' uniform.The Mt Beauty Workman's Club was built by the SECV in 1945 to service their employees on the Kiewa Hydro Electric Scheme. As Mt Beauty grew it became the centre of activity for residents including the Bowling Club. The blazer is an example of the dress code for men playing bowls at the time.Black wool blazer fully lined with long sleeves, collar, 2 silver buttons. 3 pockets on the front - 2 on the bottom - left and right - and one at the top on the left. This one has a woven green, yellow and white logo with RVBA at the top and 'Mt Beauty Workman's Club' underneath. There is an inside pocket on the top right side with a label 'Blazer and Uniform Specialists / David Lack / Pty Ltd / Melbourne / Name "R. Burnett" / No. "3888"' - the name and number are typed in.mt beauty workman's club, mt beauty bowling club, r. burnett, bowling blazer -
Kiewa Valley Historical SocietySewing Patterns - ladies
Dressmakers used patterns to make clothes. Companies included 'Simplicity, Butterick and Vogue etc. The packet would contain transparent paper shapes with printed lines and instructions. These were pinned onto the material, cut, then sewn together as per the lines and the included instructions.In the 1950s and 1960s women sewed the clothes for the family. In the Kiewa Valley dress shops were not available and a journey to the bigger cities was less frequent than it is today.Coloured pictures showing the finished garment. Patterns were in sizes. eg. size 10 1. Fashion - lady's dress 2. x3 Simplicity - lady's clothes 3. x3 Butterick lady's clothesdressmaker, simplicity butterick, ladies fashion -
Eltham District Historical Society IncPhotograph, Gala Day, Panton Hill, 1916. Mr. W. Smith and Horse Float. Passengers include: Beatrice and Ruby Cracknell, Lily Harris, Rose Smith
Three horses with cart decorated with passengers for Gala Day. Mr. W. Smith & horse float, passengers include Beatrice and Ruby Cracknell, Lily Harris and Rose Smith. The Evelyn Observer and Bourke East Record reported on April 28, 1916 on the Red Cross Carnival at Panton Hill. “The Red Cross Carnival in aid of local Patriotic Funds' held on the Panton Hill Recreation Reserve on Easter Saturday, sand instant, proved a gratifying success, so much so that £70 was netted on the occasion…. The fancy dress procession, although not as lengthy as the previous one for the Belgium Carnival, lost nothing of its effectiveness, and those who helped In this part of the entertainment de: serve the very best thanks. The prize for the best decorated vehicle (which was kindly provided by Mr. Wm. Smith) was awarded to Miss Goldman's bevy of young ladies representing the "Allies." Arbor Day was once a big celebration, especially celebrated in schools usually acknowledged on the last Friday of April. Wikipedia reports that the first Gala Day was held on November 3, 1916, to raise money for the Red Cross Society at the height of World War I in Geelong. Reference: RED CROSS CARNIVAL AT PANTON HILL. (1916, April 28). Evelyn Observer and Bourke East Record (Vic. : 1902 - 1917), , p. 3 (MORNING.). Retrieved April 3, 2016, from http://nla.gov.au/nla.news-article60664371 https://en.wikipedia.org/wiki/Gala_Day This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection'. It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, panton hill, beatrice cracknell, lily harris, rose smith, ruby cracknell, w. smith, carnival, float, red cross, easter, decorated vehicle, ww1, world war 1914-1918, parade float -
Flagstaff Hill Maritime Museum and VillagePainting - Religious Portrait, P Butcher, artist, The Infant Samuel, ca. 1943
This painting was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The Church was operated by the Mission to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This painting is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The painting is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this painting to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Painting, oil on board, behind glass framed with wood. Portrait of a child dressed in white, kneeling in prayer, within a dark room. The artist, P Butcher, titled the picture "The Infant Samuel". This object is part of the St Nicholas Seamen's Church Collection. Painted at centre bottom edge "THE INFANT SAMUEL.", and right bottom edge "B. BUTCHER"flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, painting, oil painting, religious painting, infant samuel, p butcher -
Flagstaff Hill Maritime Museum and VillageClothing - Mourning Outfit, Late 19th to early-20th centuries
This Edwardian-era mourning outfit was worn by a wealthy woman from the rural area of Willaura, southeast of the Grampians. It was inherited by the donor from his mother, who had purchased it from a clearing sale in the 1960s. The jacket has a peplum or flounce below the waistline, a fashion that was seen in the 1860s and is still around in the 1900s. The outfit represents the female mourning fashion and wardrobe from the late 19th to early 20th centuries. Such garments were a necessary inclusion as death often occurred to the young, due to illness, accidents and hard work - it was a regular part of life in rural Victoria. Mourning outfits were part of a person’s wardrobe and often passed from one generation to the next. This particular outfit appears to have been adjusted at some stage to allow for a wider waistline. The original skirt may have been replaced by the one that is now part of this outfit; the skirt is all machine-sewn, unlike the jacket and petticoat. The fabric of the skirt may be silk or it could be a synthetic fibre such as artificial silk or rayon; both were available in the 1800s,but nylon wasn’t invented until the 1930s. This skirt has sunray pleating, which was advertised on skirts for sale in the 1890s, and 1909, and was part of a fashionable bridal gown train in the 1930s. The mourning of death was part of both family and community life, particularly in rural and remote areas. People were bonded through work, religion, disasters, tragedy and social activities, supporting one another. They came together from near and far on such an occasion, giving each other the care that was needed and showing respect for the member who had passed away.This three-piece silk Edwardian mourning outfit is significant historically for its connection with rural Victoria and the social and religious customs surrounding the death of a family or community member. The high-quality outfit is also significant for representing the financial management of the times, being tailored by a dressmaker for a person of means and then adjusted to fit at least one different-sized person. Ladies’ Edwardian mourning outfit; three-piece tailored suit comprising of a black silk long sleeve, short-waist fitted and lined Jacket, a long sunray pleated skirt and long, lined petticoat. Items have been machine-sown and hand-sewn by a dressmaker. The skirt has handmade buttons of the same fabric.Handwritten in ballpoint pen “Jenny” and “Mrs Sheila Handscombe, Wallaura, Jenny”flagstaff hill maritime museum and village, warrnambool, shipwreck coast, edwardian era, tailor-made, dressmaker, mourning outfit, handmade garment, mourning dress, death mourning, sunray pleats, western district victoria -
Flagstaff Hill Maritime Museum and VillageClothing - Mourning Outfit, jacket, Late 19th to early-20th centuries
This Edwardian era mourning outfit was worn by a wealthy woman from the rural area of Willaura, southeast of the Grampians. It was inherited by the donor from his mother, who had purchased it from a clearing sale in the 1960s. The jacket has a peplum or flounce below the waistline, a fashion that was seen in the 1860s and is still around in the 1900s. The outfit represents the female mourning fashion and wardrobe from the late 19th to early 20th centuries. Such garments were a necessary inclusion as death occurred often to the young, due to illness, accidents and hard work - it was a regular part of life in rural Victoria. Mourning outfits were a part of a person’s wardrobe and often passed from one generation to the next. This particular outfit appears to have been adjusted at some stage to allow for a wider waistline. The original skirt may have been replaced by the one that is now part of this outfit; the skirt is all machine-sewn, unlike the jacket and petticoat. The fabric of the skirt may be silk or it could be a synthetic fibre such as artificial silk or rayon; both were available in the 1800s,but nylon wasn’t invented until the 1930s. This skirt has sunray pleating, which was advertised on skirts for sale in the 1890s, and 1909, and was part of a fashionable bridal gown train in the 1930s. The mourning of death was part of both family and community life, particularly in rural and remote areas. People were bonded through work, religion, disasters, tragedy and social activities, supporting one another. They came together from near and far on such an occasion, giving each other the care that was needed and showing respect for the member who had passed away.This three-piece silk Edwardian mourning outfit is significant historically for its connection with rural Victoria and the social and religious customs surrounding the death of a family or community member. The high-quality outfit is also significant for representing the financial management of the times, being tailored by a dressmaker for a person of means and then adjusted to fit at least one different-sized person. The black silk tailor-made jacket is one of three pieces of a ladies’ Edwardian mourning outfit. It has long sleeves, a stand-up collar trimmed with appliqued black crochet lace, and pleated sashes on the left and right sides from front to back fastened at the shoulder and waist. The jacket has a peplum or flounce below the waistline. The front of the jacket has brass hooks and fabric eye fastenings. The back of the jacket has two tails. The jacket is lined and the shoulders are padded. It has been machine sewn and finished with hand stitching. A white card is tied with a ribbon inside and has an inscription. The poplin skirt on the jacket has been cut up to the waist at the side seams. There is an attached card with an inscription, handwritten in ballpoint pen.“Jenny” and “Mrs Sheila Handscombe, Wallaura, Jenny”flagstaff hill maritime museum and village, warrnambool, shipwreck coast, edwardian era, tailor-made, dressmaker, mourning outfit, handmade garment, mourning dress, death mourning, sunray pleats, sunburst pleats, western district victoria, mourning jacket -
Flagstaff Hill Maritime Museum and VillageClothing - Mourning Outfit, skirt, Late 19th to early-20th centuries
This Edwardian-era mourning outfit was worn by a wealthy woman from the rural area of Willaura, southeast of the Grampians. It was inherited by the donor from his mother, who had purchased it from a clearing sale in the 1960s. The jacket has a peplum or flounce below the waistline, a fashion that was seen in the 1860s and is still around in the 1900s. The outfit represents the female mourning fashion and wardrobe from the late 19th to early 20th centuries. Such garments were a necessary inclusion as death often occurred to the young, due to illness, accidents and hard work - it was a regular part of life in rural Victoria. Mourning outfits were part of a person’s wardrobe and often passed from one generation to the next. This particular outfit appears to have been adjusted at some stage to allow for a wider waistline. The original skirt may have been replaced by the one that is now part of this outfit; the skirt is all machine-sewn, unlike the jacket and petticoat. The fabric of the skirt may be silk or it could be a synthetic fibre such as artificial silk or rayon; both were available in the 1800s, but nylon wasn’t invented until the 1930s. This skirt has sunray pleating, which was advertised on skirts for sale in the 1890s, and 1909, and was part of a fashionable bridal gown train in the 1930s. The mourning of death was part of both family and community life, particularly in rural and remote areas. People were bonded through work, religion, disasters, tragedy and social activities, supporting one another. They came together from near and far on such an occasion, giving each other the care that was needed and showing respect for the member who had passed away.This three-piece silk Edwardian mourning outfit is significant historically for its connection with rural Victoria and the social and religious customs surrounding the death of a family or community member. The high-quality outfit is also significant for representing the financial management of the times, being tailored by a dressmaker for a person of means and then adjusted to fit at least one different-sized person. The full-length black silk tailor-made skirt is one of three pieces of a ladies’ Edwardian mourning outfit. The skirt is made from black silky fabric. The garment has only two seams; at the side closure and the centre back. The whole skirt has sunray pleats; narrow pleats at the waist that fan outwards towards the hem. The top of the skirt is finished with a waistband that is shaped as an upward V shape in the centre. The side seam is closed with four self-fabric buttons with silver metal backing. The shirt has been machine sewn.flagstaff hill maritime museum and village, warrnambool, shipwreck coast, edwardian era, tailor-made, dressmaker, mourning outfit, mourning dress, death mourning, sunray pleats, western district victoria, full-length skirt -
Flagstaff Hill Maritime Museum and VillageClothing - Mourning Outfit, petticoat, Late 19th to early-20th centuries
This Edwardian-era mourning outfit was worn by a wealthy woman from the rural area of Willaura, southeast of the Grampians. It was inherited by the donor from his mother, who had purchased it from a clearing sale in the 1960s. The jacket has a peplum or flounce below the waistline, a fashion that was seen in the 1860s and is still around in the 1900s. The outfit represents the female mourning fashion and wardrobe from the late 19th to early 20th centuries. Such garments were a necessary inclusion as death often occurred to the young, due to illness, accidents and hard work - it was a regular part of life in rural Victoria. Mourning outfits were part of a person’s wardrobe and often passed from one generation to the next. This particular outfit appears to have been adjusted at some stage to allow for a wider waistline. The original skirt may have been replaced by the one that is now part of this outfit; the skirt is all machine-sewn, unlike the jacket and petticoat. The fabric of the skirt may be silk or it could be a synthetic fibre such as artificial silk or rayon; both were available in the 1800s,but nylon wasn’t invented until the 1930s. This skirt has sunray pleating, which was advertised on skirts for sale in the 1890s, and 1909, and was part of a fashionable bridal gown train in the 1930s. The mourning of death was part of both family and community life, particularly in rural and remote areas. People were bonded through work, religion, disasters, tragedy and social activities, supporting one another. They came together from near and far on such an occasion, giving each other the care that was needed and showing respect for the member who had passed away.This three-piece silk Edwardian mourning outfit is significant historically for its connection with rural Victoria and the social and religious customs surrounding the death of a family or community member. The high-quality outfit is also significant for representing the financial management of the times, being tailored by a dressmaker for a person of means and then adjusted to fit at least one different-sized person. The full-length black silk tailor-made petticoat is one of three pieces of a ladies’ Edwardian mourning outfit. The petticoat is made from black silk lined with lightweight cotton. The petticoat and lining are constructed from eight panels each, brought together at the waist and gently gathered into the band. The back seam opening is fastened with brass hooks and fabric eyes. The lining has been reinforced with a heavier-weight hem. The hemline is finished with black velvet ribbon than encloses both the petticoat and lining. flagstaff hill maritime museum and village, warrnambool, shipwreck coast, edwardian era, tailor-made, dressmaker, mourning outfit, handmade garment, mourning dress, death mourning, sunray pleats, western district victoria, petticoat, undergarment, slip -
Federation University Historical CollectionPhotograph, Frank Wright's Mother, 1905
Sarah Wright was the mother of Frank Wright who was a renown resident of Smeaton. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A mounted black and white formal photograph of a woman standing in front of a classical scene of a column and fabric swathe. She is dressed in a fine white tucked skirt and a white blouse with lace and puffed sleeves. The women is Sarah Wright.Written in ink of the back of the mount - 'Xmas 1905'sarah wright, frank wright, 1900s ladies skirt and lace blouse -
Federation University Historical CollectionPhotograph - Black and White, Frank Wright with two ladies, March 1940
Frank Wright was a renoun resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died on 16 November 1970.Small black and white photograph of a man dressed in a suit, standing with two ladies in an area with a few plants. The man is Frank Wright. The place is possibly in New Zealand.Written in pencil - March 1940frank wright, musician, composer -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Photograph, 1936 Back to Cheltenham State School, 1936 Back to Cheltenham State School, 1936
1936. Back to Cheltenham State School, Charman Road, Cheltenham. Photograph is black and white. Four rows of men and women dressed in their best clothes. School photo of coming back to Cheltenham in 1936. The men are wearing suits, some with waistcoats, and white shirts with neckties. The women are wearing dresses some with jackets,. On every man and women, they have a sticker against their chest with their names on it. Most of the ladies are wearing hats on their head, and about four ladies have their hats on their lap. The front row are sitting on the ground, second row sitting on a chair and third and fourth rows are standing.Front of Mount : Back to Cheltenham 1936 / CHARMAN RD. SCHOOL Stamp on back of Mount : N. R. McGeehan. / 154 / Hotham St / Ripponlea / Photographer.state school, charman road, cheltenham, 1936, school, cheltenham primary school, charman stephen, gettens mary, spring grove, balcombe road, nepean road, dairy farmers, market agrdeners, poultry farmers, methodist church -
Bendigo Historical Society Inc.Medal - GEORGE V CORONATION MEDALLION, 1911
George V Coronation Medallion: Inner circle has coat of arms with two ladies leaning on a banner with kangaroo holding a crown on top of banner with an inscription above VICTORIA. Underneath inscribed in a ribbon is 'PEACE & PROSPERITY' Outer circle inscribed 'TO COMMEMORATE THEIR MAJESTIES CORONATION JUNE 22 * 1911' One the back is a picture of the King and Queen in ceremonial dress with the inscription 'KING GEORGE V QUEEN MARY' Box 625.numismatics, medals - commemorative, george v coronation. commemorative medal. -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: PROGRAM OF COMING EVENTS, 1916
Princess Theatre Bendigo - Program of coming events in c1917. Coming Events: Gonsalez, Italian Grand Opera Company, commencing Monday May 7, for 3 nights' season. The Brilliant and Incomparable Gonzalez, Italian Grand Opera Company. Opening Production_Verdi's Immortal Masterpiece Il Trovatore. Page 3. Monday, May 7, 1917. Il Trovatore. Opera in 4 acts. Music by G Verdi. Cast of Characters: Signorinas: De Revers, Russ, Capelli. Signors: Scamuzzi, Cacialli. Chorus of voices. Overture at 8pm sharp. Director of Orchestra: Giovanni Gonsalez. Leader of Orchestra: Mr S de Tarczynski. Cello Soloist: Mr Laurie Kennedy. Page 9 Farewell Night. Wednesday, May 9, 1917 Faust, Opera in 5 acts. Music by Gounod. Cast of Characters: Signors Balboni, Cacialli, Filippini, Cesaroni. Signorinas: Visoni, Russ, Piccolo. Overture at 7.45pm sharp. Director of Orchestra: Giovanni Gonsalez. Leader of Orchestra: Mr S de Tarczynski. Cello: Mr Laurie Kennedy. Cast members: Signors Balboni, Cacialli, Filippini and Cesaroni. Signorinas: Visoni, Russ and Piccolo. Director of Orchestra: Giovanni Gonzalez. Leader of Orchestra: Mr S de Tarczynski. Cello Soloist: Mr Laurie Kennedy. Page 11, Repertoire of Operas to be produced by the Gonsalez Opera Company to Wednesday, May 9. Monday, May 7, at 8pm. Cavalleia Rusticana, I Pagliacci. Wednesday, May 9 at 7.45pm. Faust. Between the acts. The story of 'Cavalleria Rusticana' is based on truth and reality alone. It is built up on the fact Turridu, a young peasant, has loved and wooed Lola before . . . . . . Of all the many successful productions in which Mme. Petrova, the celebrated Metro star, appeared, 'The Black Butterfly,' in which she appears in this Theatre, on Thursday, Friday and Saturday, next, is considered her greatest, In 'The Black Butterfly . . . The story of 'Rigoletto' is taken from Victor Hugo's drama 'Le roi S'amuse.' In it the Duke of Mantua a wild and unprincipled youth makes love to every . . . Programme Compiled. Wholly Set Up and Printed by The Cambridge Press, Phone 130. Market Sq., Bendigo. Many ads appear throughout the brochure: Allan's, 253 Mitchell Street Bendigo. Ph 244. W Brown, 171 Mitchell Street, 'Centerway' 105 View Street, Bendigo's Leading Pastrycook & Caterer. Hume & Iser: English and Canadian wallpapers. Timber Merchants & Iron Mongers, full range of stoves, Mantlepieces, grates, tiles, bath-heaters, bathroomware, Berger's Paints. Phones: Yard 48, Showroom 470. Cambridge Press: For artistic programmes, menus, concert tickets, At-Home Cards, and Commercial Printing. Ph 130. Delves' Café, Dainty Service. 'Class' Suppers at moderate Cost. Ph 805. Next to Royal Bank (above Hampton's). Bendigo Business College: Evening Commercial Classes, book-keeping, typewriting, shorthand. Applications to James E Holland, F.P.S.A. Pianoforte & Organ Tuning. A B Challen, Qualified Tuner Ph 319, 42 Rowan St., Bendigo. Chatfield Bros. The Motor Experts, High Street, Bendigo. Ph 609. Car repairs, New cars, hire cars, something for your car. Service Station for Ford car parts, Dunlop & Goodyear tyres. Accessories of all kinds stocked. Oxy Acetylene welding of all metals. Bartlett Bros. Photographers. Bartlett Bros' Studios, (R W Bugg, Proprietor) Williamson St, (opp Hotel Shamrock). Half & Half (Registered) Non-Alcoholic and Invigorating. Manufactured by C J Glover, Ph 343, Chapel Street, Bendigo. R D Ellis, Ladies & Gents Tailor, 241 Mitchell Street, (opposite Morley Johnson's). Nursery (Rose) at Epsom, Stock to be Sold at Half Usual Price. Mr S H Hunt, who has 33 prizes & championships, has accepted a position with Brunning's of Bendigo and has sold the of his 10,000 Roses to them. There are . . . Baker & Woods, 313 Hargreaves St, Ph 209. Electric light installed in your home. 'THE BEEHIVE' Bendigo's Famous Store. Blouses of Beauty, Coats of Comfort, Costumes of Character, Dresses of Delight, Skirts of Style, Millinery of Merit are Permantant Features of Bendigo's Famous Store 'The Beehive'. Best by Test, Leggos of Bendigo 'Progress' Tomato Sauce on the table, wether at home or in the restaurant, there should always be Leggos of Bendigo 'Progress' Tomato Sauce. It's the kind of Sauce you enjoy to the last-no bitting acidity-but a Delicious and Delicate Flavor combined with a Smoothness always agreeable to the palate,. Leggo's 'Progress' Sauce is the result of the . . . H M Leggo& Co Manufacturers, Bendigo. Est. 1881.The Cambridge Press, Market Sq. Bendigo Ph 130program, theatre, princess theatre bendigo -
Bendigo Historical Society Inc.Photograph - GROUP OF MEN AND WOMEN, 1900-1905
Black and white photograph of well dressed group of males and females in front of trees. Men in suits with ladies in long frocks and large decorated hats and parasols. Inscriptions: on back - 'From Mrs Lowndes, McIvor Road', '1900-1905'. Rubber stamp 'WH Robinson, Photographer, Mundy St., Bendigo', circular stamp RHSV, Bendigo Branch.person, group -
Bendigo Historical Society Inc.Photograph - PHOTO OF TWO YOUNG LADIES, 1890
Hand coloured photo of two young ladies. 1. Lady standing in long brown dress, white lace collar, pink bow, gold broch, blue eyes, fair hair clipped up in bun with red leaf in hair. 2. Lady sitting, in long brown dress, white lace collar, orange neck band, orange broach, blue bow. Green bush and ferns in background.Alans Studio. 318 Smith street. Collingwood. All kinds of photography excuted in best style.person, group, portrait -
Bendigo Historical Society Inc.Photograph - ELMA WINSLADE WELLS COLLECTION: PHOTO OF THREE YOUNG LADIES
Photograph - sepia. Portrait of three young ladies. All in white lacey dresses, hair tired up in buns, holding hats with flowers on them. Written on back 'The figure standing is Margaret Rotherham (bridesmaids probably to Sophie Rotherham), who was mother of Miss Elma W.Wells'. At the front bottom: Bartlett bros, Sandhurst.Bartlett Bros. Sandhurst.person, group, women, margaret rotherham. elma wells. sophie rotherham. -
Bendigo Historical Society Inc.Photograph - FOSTER AND WILSON COLLECTION: PHOTOGRAPH
Coloured photograph of two ladies taken in a house. Both are sitting on a couch, one is holding a little brown dog on her lap. She is wearing a purple and aqua dress with a brooch at the neck, a short necklace, gold bracelet and a pearl hair clip. The other lady is wearing a mauve & multi coloured dress, mauve jacket and a wide brimmed mauve hat. On the table in front of them is a large, round glass/crystal vase.photo, group, 2 ladies, foster & wilson collection, photograph -
Bendigo Historical Society Inc.Photograph - FOSTER AND WILSON COLLECTION: PHOTOGRAPH
Coloured photograph of two ladies, one holding a little brown dog, standing in front of a yellow shop door with the number 52 on the front. The older lady is wearing a deep blue dress and shoes, a long necklace and brooch. The younger lady is wearing a multi coloured top and black trousers. The shop is called Nefertiti Video. There is notice with Jackson at the top in the window. There are curtains inside the window. There are red & white Coca-Cola advertisements on both sides of the door.photograph, portrait, female group, foster & wilson collection, photograph -
Bendigo Historical Society Inc.Photograph - FOSTER AND WILSON COLLECTION: WEDDING PHOTOGRAPH
Photo of a wedding group. Photo has black & brownish colouring. There are six men and six women in the group. One man and three women are seated and the rest are standing. All the men are wearing 3 piece suits and 5 of the women are wearing light coloured dresses and the 6th one has a dark dress with a white collar. They are all wearing hats. 3 of the ladies are holding large bouquets. Photo mounted on cream cardboard with raised frame 10 mm from the edge of the photo.W. Vincent Kelly Mitchell St Bendigophotograph, portrait, group, foster & wilson collection, photograph, wedding photo -
Bendigo Historical Society Inc.Photograph - W. G. DAHL PHOTO SERIES
W G Dahl series of nine photographs. Group photograph of mixed aged females dressed in white with suited males in foreground sitting on tarpaulin and against brick wall. Men and possibly ladies wearing labels. Possible label connection with Bendigo Miner's Association. W H Robinson, Bendigo photographer. Stamped W H Dahl, 79 Lansdowne Street, Blairgowrie, 3942, Phone 8861 on reverse not contemporary with photograph exposure. Biro ticked subject described in margin 'Second Top Row' Mum's Mother, possibly depicts W H Dahl grandmother. Front row males holding Gun Powder flask, .22 calibre single shot rifles, with muzzle loading pistol between feet of male second from left. Enlistment papers for William George Dahl. Dahl's had a hotel at Diamond Hill, Dahl's Hotel.bendigo, history, dahl family -
Bendigo Historical Society Inc.Clothing - LADIES CREAM SYNTHETIC FABRIC AND BEADED DRESS, 1940's
... ladies cream synthetic fabric dress... COSTUME Female ladies cream synthetic fabric dress Clothing. Three ...Clothing. Three quarter length sleeves, finished on the outside with a peak, outlined with tiny pink, glass beads-13 cm long. The inner side of the sleeve has three rows of gathering 13 cm long. A peaked collar at the front neckline is also edged with tiny pink glass beads, and tapers in shape at the back opening. This opening is 56 cm long and fastens with 1.2 cm covered buttons and loops, (31 buttons in total). The back centre panel is peaked at the lower edge. Side panels are ggathered at the side seam, and also as they join the front and back centre panels. Circular skirt. A beaded floral motif is stitched to the centre front panel, midway between neck edge and waist. Centre panels extend below the waist at both front and back. An underarm ''protector panel'' under the left armhole with printed motif. Tiny glass beads, beaded flower panels. On underarm protection panel a circular shaped printed label reads: PERFECT FITTING GUARANTEED HYGENIC, REGD. ''ADMYRA''. MADE IN ENGLAND, RUBBER LINED 1585 3- DRESS SHIELDS COTTON AND RUBBER.costume, female, ladies cream synthetic fabric dress -
Bendigo Historical Society Inc.Photograph - HARRY BIGGS COLLECTION: GROUP OF PEOPLE
Photograph of a large group of adults and children in front of a school., all are formally dressed, even the children. The men are in suits and the ladies are wearing large hats or bonnets. Many of them are holding British? Flags with Empire ? Day written across the centre. On the back is written Dingee, Negative 201.person, group, empire day, dingee, empire day
