In 1951 Victoria commemorated 100 years of the Victorian Parliament. A protective lined keepsake box contains a black rod (in two parts) with a small plaque: "Presented by [the] silver and electroplate ware Manufacturers Association. Made by Harold C. Hutchinson, Eltham. It was first used in 1954. Black Rod is best known for their part in the ceremonies surrounding the State Opening of Parliament and the Speech from the throne. They summon the Commons to attend the speech and lead them to the Lords. As part of the ritual, the doors to the chamber of the House of Commons are slammed in the approaching Black Rod's face. This is to symbolise the Commons' independence of the Sovereign. Black Rod then strikes the door three times with the staff, and is then admitted and issues the summons of the monarch to attend. - Wikipedia This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, eltham, black rod, harold c. hutchinson, victorian parliament, parliament house, ceremonial, ceremony, box

Hardcover book, 396 pages. Book has a yellow dust jacket which depicts a green wreath .fictionCrime novel about a miner.francis brett young, crime, mining, fiction

View from Clock Tower looking towards Black Range approx 1991stawell

Photograph of a Painting by Will Rees of the Grant and Lamont Crushing Plant. Black Range in Background.stawell mining

Two photographs of Borung Speedway Opening January 1972 in Black Range Stawellstawell sport

3 Post cards - Venus Bath. Sister Rocks. Flagstaff Black Rangestawell

"Across the black soil plains:a history of the Warren district" -R M Brennan 1975 .pastoral industry - settlement

Post Card - Mrs Nickelson. Mrs Boyd. Mrs Smeaton all of Black Range Great Westernstawell

Shirley Black is interviewed by Noel Withers. They discuss memories of growing up in Greensborough. This interview has not been transcribed.1 audio cassette in plastic caseSide 1: "At Shirley's place"oral history, shirley fraser (black), noel withers

Workers in Front of Coach Factory Wheelwright & Black Smith (John Rickard) Cnr. Main Street and Wimmera Streetstawell business industry

The Black Barn gallery at Christmas Hills was designed and built by Justus Jorgensen, founder of Montsalvat. The space has been a part of community and the arts for three generations. Bobby Bununngurr is a songman and multi art form creative from Ramingining (his outstation is Ngalayindi) in Central Arnhem Land. Fund raising event at Christmas Hills for the Black Barn gallery - being filmed for a video fay bridge collection, 2016-01, black barn gallery, bobby bununngurr, christmas hills, maurice hurry, rhiannon jorgensen, sebastian jorgensen

Group of 9 miners catching pyrite in creek run off from the Battery located at the south end of Black Hill.mining, battery, miners, pyrite, black hill

Digital image of Australian postage stamps, 5 penny black, 1959, stamped at Bundoora. Part of a collection of miscellaneous historical images.Digital image of stamps, colour. Features portrait of Queen Elizabeth II.Over-stamped Montmorency 1959postage stamps

Stories and pictures written and taken by the Research Fire Brigade during the 2009 Black Saturday fires. Includes list of Brigade members.72 p. : col. ill., facsims., col. ports. ; 25 cm.ISBN 9780646523057research fire brigade, bush fire 2009, kinglake victoria

Photograph of Black Range School No 2442 of Timber single story building with steps and water tank. Opened 8th Dec 1881

Draft of a brief screenplay. Sequence of vignettes involving seven sets and several characters. Story about an artist who paints black square paintings, including mystery, fight, theft of painting and death of the artist. After artist James A dies, H puts on A's strange sunglasses to discover that through the sunglasses, the black square paintings appear like conventional images eg landscapes. Value of paintings increases.Handwritten (pencil), quarto, 2 pagesscreenplay, contemporary art, drama, kazimir malevich, robin boyd, manuscript

In February 2009, the Black Saturday bushfires ravaged parts of Victoria. This book covers the stories of those who were caught up in this disaster.288p., illus. Paperback.bushfires, victoria, kinglake, strathewen, st andrews, kinglake west

Documents related to the sale of 33 Fifth Street Black Rock, including two colour photocopies with the external and internal views of a shed said to be a former tram shed associated with the Sandringham to Black Rock horse tram line. Includes the City of Bayside heritage report and Hocking Stuart sales sheets for an auction on Saturday 4 August 2007. It would appear from Google Earth that all buildings were demolished.Yields information about the sale of a property said to be associated with the Black Rock tramway.Four A4 sheets - two colour and one colour sheet providing auction details.trams, railways, vr trams, sandringham, black rock tramway, sale of land, 33 fifth st black rock

This black and white photograph is of a group of men playing golf - putting. Photograph was taken in the ground of Gresswell Sanatorium. https://www.findingrecords.dhhs.vic.gov.au/collectionresultspage/Gresswell-Sanatoriumtubuculosis

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series), No.22 / ‘Fern Bridge Gully, Black Spur’ / Albumen silver photograph mounted on boardInscription on reverse: 'Fern Bridge Gully is situated near the summit of the Black Spur, about two miles from Fernshawe. Here the foliage is exceedingly dense, so much so as to exclude daylight in many places. This stream has derived its name from the fact of the Bridge having been constructed of large massive fern tree. The stream which flows beneath the Bridge is one of the sources of the River Watt.’nicholas caire (1837-1918), australia - landscape photography

Collection of seven Certificates of Title for land in present-day Watsonia owned by members of the Black Family, ranging from 1891 to 1939, including transfers to 1967.Looseleaf folderblack family, watsonia

Donald Victor BLACK, gardener, served and died as a result of WW11 service, an oak tree in the Ballarat Botanical Gardens is dedicated to him, 19th March 1944. Donald V. Black was highly regarded as a gardener in the Ballarat Botanical Gardens before he saw action in the Middle East and New Guinea during World War 2. The dedication and plaque in his memory attests to one of the many sad stories of a young man lost to his family, the work he loved and his home city.All visibleAll visiblejohn garner collection, garner, dr, black, donald black, gardener, ww11, ballarat botanical gardens, ballarat, gardens, plaque, tom toop, donald victor, memorial oak tree, tablet dedication

Sepia photograph of the Sister Rock's with no graffiti therefore assume a very early photo. The view shows people standing on and around the rocks with three horse drawn Gigs in front of the rock's. c 1880'sSepia Photograph of the Sister Rock's. Very early photograph as no graffiti on the rocks. Black Photo Nhill "Front View" The Sister Rocks near Stawell - Langi Morgala Museum Ararat is stamped on the back stawell scenery

Series consists of one page of 39 black and white negatives, most of which were taken on the night of Cr Mary Grant's receiving the Shire President's chain. Includes 13 shots ofa council meeting and a number of shots of Cr Grant with her family, including her partner Doug Owens. A second page of 17 black and white negatives (of Shire Scenes and Council Stall) includes a number of shots of Cr Mary Grant and her family.shire of eltham archives, series listing

Photographic details of Ypes sector, Belgium 27/9/1917. Hellfire corner.Photographic details of Ypes sector, Belgium 27/9/1917 Area known as Hellfire Corner.Belgium: Flanders, West-Vlaanderen, Ypres, Menin Road, Hellfire Corner, on the Menin Road in the Ypres sector of Belgium 27/9/1917. It was continually under observation and notorious for its danger The area was piled with wreckage of all kinds of transport. "A very sticky spot."An A4 sheet of paper with a black and white photograph of Hellfire Corner attached in the center. and a small note describing the scene.belgium, ypres sector, 1917, hellfire corner

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total