Erin McCUSKEY Erin is a filmmaker, photographer and digital media artist with a bent on ‘difference’. She is the Creative Director at Yum Studio where she has forged a national reputation for delivering innovative and unique creative media projects, using projection, media, social media and social broadcasting. Ern McCuskey has a passion for producing projects with human rights at their core. Her short films, installations and commissions have screened at Museum of Australian Democracy at Eureka (MADE), Melbourne International Film Festival (MIFF), Flickerfest, Indiefest, Gertrude St Projection Festival, Ballarat International Foto Biennale, numerous exhibitions, performances and collections. Erin’s work is informed by the knowledge that difference is a necessary part of society and the core of a healthy one. She is passionate about creating media that is thought provoking, possibly controversial and also entertaining. Media creation is a group pursuit and those behind the camera are more often control the balance of power, therefore she is committed to unique collective story development. “I believe that art is in the everyday, that we all can, should and do, create. My work is informed by the moving images of my siblings as children recorded by my father, the houses and homes, spaces and events, which live on as objects themselves in various homes as photos, archives, projected and loved. These flickering images were embedded and now I spend time creating more.” (Central Highlands Art Atlas, http://www.artsatlas.com.au/erin/) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Three photographs mounted side by side (portrait orientation). #1 image of curtains #2 image of sculpture of man reflected in a mirror #3 light reflecting through crystal door handle. Slight scratching on front bottom of frame. art, artwork, erin mccuskey, mccuskey, photography, foto, available

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.A triptych commissioned for the Federation University Mt Helen A-Building Staircase.aboriginal, abstract

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriignal education centre collection

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection

Ill, p.623.fictionThis classic story of two nineteenth-century social climbers is the basis for countless films and TV series, and one of the UK's "Best-Loved Novels." Before the Real Housewives, there were Becky Sharp and Amelia Sedley. Ruthless and cunning, Becky may have been born in a lower class, but now that she's graduated from school, she's ready to climb up to a better life-and do whatever it takes to get there. Her friend Emmy, however, is the opposite. She may have mastered music, dancing, and embroidery like any young woman of her class, but she utterly lacks a backbone. Together these friends navigate the perils of Regency society as they search for love and happiness. Social battles are waged against the backdrop of the Napoleonic Wars, and when the smoke finally clears, there's no telling who will come out victorious.england - fiction, romantic fiction

Ill, p.232non-fictionThe true story of Horrie the Wog-Dog who was adopted by the Australian Signal Platoon of the M/G Battalion, in spite of all rules against keeping pets, and how Horrie not only won his stripes as a valuable addition to the group but had the further distinction of being smuggled into Australia on their return. The Wog-Dog was sneaked into Greece, went through the evacuation, carried messages as well as proving a dependable warning against air attacks. He went to Syria and Palestine, never learning to tolerate Arabs - he suffered cold and sickness, he fell in love with Ishmi, he was bombed off his ship and he never once was found during all necessary cover-up travelling. A story for all dog lovers, in spite of heavy Australian slang and style, of a dinkum Aussie who was kept, protected and loved by dinkum Aussies. Sentimentality over canines seldom misses fire. australia - armed forces - mascots, world war 1939-1945 - campaigns - north africa

The bell was used for Trade Week to signify "time's up" at Optus Oval. Prior to this it was used to let Alan Espie's children on their Wandin property to come home.Why Al chimes in for Carlton Tony De Bolfo, Carlton Media Feb 20, 2014 11:05AM Alan Espie with the famous bell. (Photo: Carlton Football Club) Alan Espie with the famous bell. (Photo: Carlton Football Club) Related Etched into the rim of the bell Alan Espie has rung at every trade week gathering since 1994 is a touching quote attributed to his grandson. Dear Pa, May you always ring true blue, Love Harry Just thinking about that inscription often brings big Al to tears. The story of the Espie bell has its origins at the old family property at Wandin in the picturesque Yarra Valley, in the days when the Espies’ kids were at the neighboring creek fossicking for local platypus. “If they got too far away we’d ring an old cowbell,” Espie recalled, “and years later, my daughter Jo brought me this replacement bell from some second-hand naval place”. “Not long after Shane (O’Sullivan) asked me to officiate at trade week and that’s when the bell came into vogue.” A permanent fixture at trade week, Espie would ring the bell to signal the opening of trading when club recruiters gathered – initially within the confines of the Carlton Heroes Stand at Visy Park, more recently at Etihad Stadium. In those early days at Carlton he caused a stir as bell ringer, drawing curious responses from officiating journalists, recruiters and coaches alike. “I even remember (Kevin) Sheedy asking me if I was selling muffins,” he recalled. Then, when trade day was relocated to Etihad, Espie’s daughter thought it appropriate to get the bell inscribed. “Because the bell was leaving Carlton, Jo got it inscribed on my grandson’s behalf, because he was only four or five then. When I saw what was inscribed I was tearful,” Espie said. “The bell is very important to me, particularly at this time, because Jo is battling health problems at the moment, my grandson is autistic and she’s fought like hell to get him through.” Espie joined Carlton’s Under 19 committee on the eve of the senior Premiership season of 1979 and managed the club’s junior squads, the Bert Deacon Squad included. “I worked very closely with Geoff Southby, ‘Swan’ McKay and Trevor Keogh when they were coaching the Under 19s and I was recruiting as well,” he said. “In 1981 and ’82 I forward scouted for ‘Parko’ (David Parkin) and later on I did the same for ‘Wallsy’ (Robert Walls). After that I coordinated recruiting in central Victoria and it was nothing for me to do 25,000ks a year in my own car – and I loved every minute of it.” Espie’s passion for Carlton and empathy for its wartime players Bert Deacon, Ollie Grieve and Jack “Chooka” Howell can be sourced to his childhood years. His grandparents lived not far from the old ground on Wilson Street “and that’s how I got in for the ’45 Grand Final”. “My uncle, who had just got back from the war, grabbed a ladder from Wilson Street and set it up against the barbed wire fence at the ground. I climbed the ladder and caught my arm on the barbed wire, but I got over the top and saw the game while I straddled the fence,” Espie said. “What I saw was what you would today call ‘spotfires’ and I reckon it took football 20 years to get rid of it.” Today, Espie continues to ring in the yearly trade talk days at AFL headquarters (with the notable exception of 2012 when he was hospitalized), but he’s in no doubt as to where the bell belongs. “This bell has had nothing to do with Wandin but everything to do with Carlton - and with the 150th year of the club I think the bell stays here (at Visy Park). I still hope to ring the bell for the AFL this year, but at least I’ll know where it is,” Espie said. “I’ve told Jo about this and she tells me Harry’s rapt, because he’s a big Carlton supporter and he’s so happy his name is on the bell.”Wooden handle attached to a brass bell."Dear Pa, may you always ring true blue, Love Harry"

Photographs of Bruce DoullGroup pf photos of Carlton Player Bruce Doull Career : 1969 - 1986 Debut : Round 5, 1969 vs South Melbourne, aged 18 years, 234 days Carlton Player No. 811 Games : 356 Goals : 22 Last Game : Grand Final, 1986 vs Hawthorn, aged 36 years, 16 days Guernsey Nos. 4 (1969-71) and 11 (1972-86) Height : 185 cm (6 ft. 1 in.) Weight : 87 kg (13 stone, 10 lbs.) DOB : 11 September, 1950 Premiership Player: 1972, 1979, 1981, 1982 Best and Fairest: 1974, 1977, 1980, 1984 Norm Smith Medal 1981 Carlton Hall of Fame (1987) Team of the Century Half Back Flank AFL Team of the Century Half Back Flank Carlton Legend By any measure, Bruce Doull was a champion. One the greatest defenders ever to have played the Australian code of football, he racked up a club record 352 matches for the Navy Blues (including six Grand Finals for four flags) in a 17-year career that stretched from 1969 to 1986. He was Carlton’s Best and Fairest four times, and a member of both the AFL and Carlton’s Team of the Century. It’s a curious fact, however, that we know comparatively little about him. An intensely private person, Bruce shunned publicity and rarely gave interviews. Instead, he let his football do the talking - by taking on and beating the best forwards in the game, week after week. Born Alexander Bruce Doull in Geelong in 1950, he was recruited by Carlton’s Under-19 squad in 1968 from the Jacana Football Club in Melbourne’s northern suburbs. In those early days he was a ruck-rover or half-forward, with a conservative haircut and a burning ambition to be a League footballer. The Blues were the reigning premiers, and the club’s roster was rich in talent across all three grades. Even so, Bruce played only a handful of games with the Under-19 squad (in guernsey number 53) before he was promoted to the Reserves and allocated the highly-prestigious number 4. Then, in only his second season at Princes Park, the shy youngster was selected to make his senior debut for Carlton in a home-ground match against South Melbourne in round 5, 1969. He sat on the reserves bench throughout the first half that afternoon, before being called on to replace the injured Alex Jesaulenko at half-time. Once on the field, Bruce made the occasion even more memorable by kicking his first career goal early in the third quarter, and Carlton held off the fast-finishing Swans to win by 25 points. Throughout 1969-70, Doull played another 14 matches as a winger, ruck-rover or half-forward. He was overlooked for a finals berth in both seasons, but mid-way through 1971, senior coach Ron Barassi told him that there was a regular spot available in defence if he wanted it bad enough, which Bruce certainly did. Given an opportunity to impress at half-back, his judgement, deceptive pace and strength in the air stood out, as did his remarkable poise and calmness under pressure. At 185 cm and 87 kg, Doull was no giant. Yet he soon demonstrated a remarkable ability to "play tall" in a key defensive role. And when the ball came to ground, he stayed in the contest because he never lost his concentration. His all-round agility was exceptional - making him equally as effective in a pocket or on a flank - and physical pressure rarely unsettled him.show_image.php?id=34774 In his 53rd senior appearance for Carlton - the 1972 VFL Grand Final - Doull stamped himself as a rising League star by subduing Richmond’s champion centre half-forward Royce Hart on the biggest stage of all. The Tigers kicked a huge 22.18 that afternoon, but Carlton booted 28.9 in the highest aggregate decider ever played, and collected an eleventh VFL Premiership. Hart was kept to just a handful of possessions and two goals for the match, so the media was soon clamouring for information about the Tiger star’s conqueror. Bruce complied, but he was uneasy in the spotlight and from then on was rarely available. At the same time, Doull had become the latest folk hero at Princes Park. Supporters loved his no-nonsense approach, his courage and his consistency. In keeping with his shy nature is the story of his playing numbers. More and more during his first three seasons in number 4, he was uncomfortable in the locker room because of the attention that was focused on him, in the presence of some of the club’s modern greats like Serge Silvagni (number 1), John Nicholls (2), Kevin Hall (3), Syd Jackson (5) and Garry Crane (6). Therefore, at the conclusion of the 1971 season he was granted a request to switch to guernsey number 11, which had become available due to the retirement of another idolised Carlton defender in John “Ragsy” Goold. With his new number, Bruce shifted only a few metres down the line of lockers, but for him, anywhere further from the limelight was appreciated. By his mid-twenties, Doull was sporting lavish sideboards and hair to his shoulders, which contrasted somewhat with his shy nature, and made him hard to mistake on the field. He won Carlton's Best and Fairest award in 1974, and followed up again in 1977, 1980 and 1984. In 1979 he collected his second Premiership medal when the Navy Blues knocked over Collingwood in a hard-fought, controversial Grand Final remembered for Wayne Harmes’ brilliant solo effort to seal the match. Two years later, Bruce’s finest hour arrived when the Blueboys broke myriads of Magpie hearts again to win the 1981 Grand Final by 20 points. Impassable all day at centre half-back, Doull beat four opponents, and was a worthy winner of the Norm Smith medal as Best on Ground. Twelve months on from that triumph, Bruce collected his fourth Premiership medal when the wounded Blues upset their other traditional rival, Richmond, for the '82 flag. By then nicknamed the “Flying Doormat” by TV commentator Lou Richards - in deference to his balding pate, shaggy beard and hair, kept under control by a navy blue or white headband - Doull led a Carlton defence that was rock-solid in the Blues' 18 point win. Although he would not have been overly concerned, plenty of good judges were gobsmacked afterwards when Bruce missed out on his second Norm Smith medal, which went instead to Richmond's Maurice Rioli. From 1976 to 1981, Bruce was a fixture in the Victorian State team, and earned a recall in 1984 at the age of 33. He was a remarkably durable and suffered a debilitating injury only once in his career, in 1985 – shortly after he had set a new games record at Carlton of 329 matches to succeed John Nicholls. He wrenched a knee at training a few days later, and ended up playing only three senior games for the season. Eventually, Doull made 356 appearances for Carlton, including 162 in succession to set another club record. He was never reported by the umpires for foul play, and widely respected for his fairness in playing the ball rather than the man. A former team-mate, Brent Crosswell once wrote: "Doull's game has a moral purity about it, and that is why opponents have always found it extremely difficult to be unfair to him. It would have shamed them." Carlton Coach of the Century David Parkin was equally as complimentary when he described Bruce as “the best team player I ever coached.” Doull’s final game for Carlton came in the sixth Grand Final of his career, when Hawthorn demolished the Blues in a one-sided 1986 decider. Star Hawks full-forward Jason Dunstall kicked six goals on the 36 year-old veteran in that match, but in the context of Bruce’s career as a whole, it was barely a blemish. He may have been a shy and reserved individual in public, but when Bruce Doull pulled on the famous Old Dark Navy Blue, he became one of the true legends of VFL/AFL football. Just one year after his retirement, Bruce was elected to the Carlton Hall of Fame. In September 1996 he was named on a half-back flank in the AFL Team of the 20th Century, and in 2000 filled the same spot in Carlton's Team of the Century. Then, in June 2014, during celebrations marking Carlton's 150th year of VFL/AFL competition, Bruce was named as one of the five greatest Blues of all time, alongside John Nicholls, Stephen Kernahan, Alex Jesaulenko and Stephen Silvagni. Footnotes On the way to victory in the 1982 Grand Final against Richmond, Doull was involved in a celebrated incident that stopped the game and both amused and infuriated the 107,536 fans at the ground. During a tense third quarter, Carlton was in front by one point when a naked female dashed out into the middle of the MCG. Wearing nothing but a Blues scarf, 18 year-old Helen D’Amico made a bee-line for Doull, and tried to embrace him before she was intercepted by his team-mate Wayne Johnston and disturbed match officials. With the crowd in uproar, she was bundled into an over-sized cardigan and marched off the ground, as Carlton went on to upset the Tigers by 18 points. It later emerged that Ms D’Amico had been working as a strip-tease artist at an Adelaide nightclub, and her streak was a publicity stunt. Milestones 50 Games: Semi Final, 1972 vs Richmond 100 Games: Round 22, 1974 vs St Kilda 150 Games: Round 3, 1977 vs St Kilda 200 Games: Round 14, 1979 vs Fitzroy 250 Games: Round 18, 1981 vs Geelong 300 Games: Round 19, 1983 vs St Kilda 350 Games: Round 19, 1986 vs Collingwood Career Highlights 1972 - 5th Best & Fairest 1972 - Premiership Player 1973 - 8th Best & Fairest 1974 - Robert Reynolds Memorial Trophy - Best & Fairest Award 1975 - Arthur Reyment Memorial Trophy - 2nd Best & Fairest 1976 - Arthur Reyment Memorial Trophy - 2nd Best & Fairest 1977 - Robert Reynolds Memorial Trophy - Best & Fairest Award 1979 - 7th Best & Fairest 1979 - Premiership Player 1980 - Robert Reynolds Memorial Trophy - Best & Fairest Award 1981 - 4th Best & Fairest 1981 - Norm Smith Medal 1981 - Premiership Player 1982 - 5th Best & Fairest 1982 - Premiership Player 1983 - 2nd Best & Fairest 1984 - Robert Reynolds Memorial Trophy - Best & Fairest Award 1984 - Best Clubman Award Links Articles: Bruce Doull Speaks | Yesowooloonko - You Beauty! | Moving Guernsey Numbers - UP! | Carlton's Magnificent Seven Footage Interview after the 1981 Grand Final: https://www.youtube.com/watch?v=uzAqqk2u6y0 Toyota Bruce Doull Advertisement: https://www.youtube.com/watch?v=Zk_yu4t8vYQ Driving with Sam Pang: https://www.youtube.com/watch?v=WNwUaqVYBDo Bruce Doull vs Glenn Archer: https://www.youtube.com/watch?v=yVmHGMLFVqg Blueseum: Playing Career of Bruce Doull | Carlton Legends | Career Breakdown | Doull's Blueseum Image Gallery Video 1972 1973 1976 1977-79 1980 1981 1982 1983 1984 1985 InterviewBlack & White photos

Golliwog dolls were enormously popular in the first half of the 20th Century, but became socially incorrect during the Civil Rights Era of the 1960's. A lot of people owned them in their childhood and remember them with affection. The stories of "Little Black Sambo" and "Epaminondas" similarly were books loved by children but have since disappeared from the shelves for the same reason.Two knitted Golliwogs. 1. - Green pants, yellow belt, red top, green cravat and blue eyes, black face hands and feet. 2. - Red, blue and yellow striped pants, red jacket, blue cravat, blue eyes and red shoes, black face, hands and feet.golliwogs, soft toys, leisure objects

A navy blue hardcover novel, The Old Helmet by Elizabeth Wetherell. The gold title is printed in a recessed rectangle on the front cover with Cole's Favourite Library embossed at the bottom. The title and publisher are in gold on the spine.fictionA story of Eleanor a lost soul seeking her creator. She finds love and her faith.fiction, books, religious stories

Merve from Auntie Zillie and Uncle Henry. with love Xmas 1927Grey hardcover children's book The Boy Ranchers by Willard F Baker with brown and white illustration on front with two boys riding horses in the rocky country. Cover has title and author, spine has title, author, publisher and illustration of a cow.Merve from Auntie Zillie and Uncle Henry. with love Xmas 1927children's fiction, adventure stories, books

A collection of English schoolboy adventure stories by Tom Bevan, G.G. Jackson and Alastair Kennedy and others.Medium sized orange covered hardcover fiction book with a large coloured illustration of a group of young cheering cricketers holding one boy on two of their shoulders. The title Schoolboys' Story Bumper is printed in black lettering at the top of the cover. Spine has black lettering of title, publisher and a black illustration of a boy playing soccer. Has a coloured picture opposite the title page with black and white illustrations throughout.Lance, with love from Auntie Tillie. Christmas 1936.children's fiction, adventure stories, school stories

Faded khaki coloured Children's fiction book - with the title Con's Acre by Mrs C.M. Clarke written in yellow lettering in a box at the top surrounded by yellow and pink flowers. Author's name in black is at the bottom underneath an illustration of a man helping a lady alight from a carriage with another woman close by. 160p.fictionA story about young women growing up in England with the trials and tribulations of young love and friendship. Family life in the late 1800's is depicted with strong religious themes. religious stories, family life stories

Donald Victor BLACK, gardener, served and died as a result of WW11 service, an oak tree in the Ballarat Botanical Gardens is dedicated to him, 19th March 1944. Donald V. Black was highly regarded as a gardener in the Ballarat Botanical Gardens before he saw action in the Middle East and New Guinea during World War 2. The dedication and plaque in his memory attests to one of the many sad stories of a young man lost to his family, the work he loved and his home city.All visibleAll visiblejohn garner collection, garner, dr, black, donald black, gardener, ww11, ballarat botanical gardens, ballarat, gardens, plaque, tom toop, donald victor, memorial oak tree, tablet dedication

A vintage 1950's hardcover children's book with the title Champion Book for Boys printed in blue at the top of the coloured illustration showing a boy eating an orange with other footy team players in the background. It is bound on the left side with stained red tape. The back cover is plain grey coloured cardboard.The frontispiece coloured illustration inside depicts a man in a blue suit and hat looking surprised at two boys in school uniform holding a large colourful model of a Komodo Dragon, Ho-Ling, to be used in a parade. This is related to the first story, The Eyes of Ho-Ling. The title page has the title, publisher and printer details. There are three further coloured plates in the collection of nine adventure stories. Pp. 124.fictionA vintage 1938 collection of adventure stories for boys with black lined illustrations and coloured plates throughout. children's books, books, children's stories, adventure stories

A badly damaged red cloth covered hardcover book with the title: Stories in British History for Young Australians printed in black lettering on the front cover with the publisher, a round publisher symbol and 2/6 at the bottom. The title is printed on the spine. This is a First Course in British History by William Gillies, M.A. Inside, opposite the title page, is a lined sketch of Oliver Cromwell. Black white illustrations, maps and photographs are included. At the back is an Index as well as three additional recommended titles of other history books. Considerable markings, lists and a love poem is scribbled at the back. It is quite damaged and worn through use. Pp.315.non-fictionA simple study in British History for secondary school students with a fold out map of the British Empire at the time - published in 1920. There is a list of the dynasties and kings and queens and a table of Periods in British History which can be referred to.great britain - history, history, textbooks

A very damaged, stained red antique hardcover book for girls with the title printed in gold lettering in the middle of the front cover. There is a gold outlined drawing of a girl sitting looking out of a window. There are red flowers and green leaves decorating the cover. The spine has the title printed in gold letters with red flowers and green leaves.On the front right side end paper is an inscription for a Sabbath School award dated 1882. The frontispiece balck and white illustration is of a girl sitting at a table at a fair. Tissue paper protects it. The title page has the title, author Howe Benning as well as publisher details. 296Pp. Throughout are black and white illustrations. There are four pages at the back are lists of Recent Gift Books published by the Religious Tract Society. The spine is broken from the pages.fictionThe book is an example of a story dealing with a girl's (Margaret) life in America which is readable, pleasing and instructive, without the ordinary excitement of a love story. It has strong religious themes. It hopes that in many 'quiet corners" of our native land it may help to develop the spirit of self-sacrifice and true Christian thought for others.religious stories, family life fiction, stories for girls

Mary Ena married Keith John Robinson son of Isaac and Henrietta nee Raleigh of Creighton Melton. Mary and her father are photographed beside the Darlingsford house prior to her wedding in February 1930. Mary their first child was born in 1907. In circa 1980 she wrote about her parents and her early life. Page 1 of part of the original hand written script - Mother and father were married at the Methodist Church Melton by the Rev B E Williams on Aug 23rd 1906 and lived in the house beside the chaff mill for some years. [The family left Melton South in 1910. In 1911 they moved to the farm “Darlingsford” near the town of Melton home for their nine children born between 1907 - 1922 They had three daughters and six sons, the second boy died of diphtheria 1916 aged 5 years.] Page 2 Mary writes… Each winter Father would send a 20 ton truck to the Collingwood Central Methodist Mission to be distributed to the needy people in the area. Sr. Faith who was at the mission for many years became a very much loved friend of my parents and the family. I remember her as a prolific writer of childrens stories in the Methodist paper the “Spectator”. I still treasure a book sister Faith gave me for my birthday. Father and Mother gave the first donation of 10 pounds to open the fund to start “Yooralla” for crippled children all because a small boy asked for a bag of sweets for his brother who was crippled and not able to attend kindergarten. Sister Faith who was a small fragile woman with a tremendous spirit was a frequent visitor at our home where she loved the warmth, good food and the loving companionship of the family for many years. Later she ran the Chaucer Library in Collins just below Georges near the Athenaeum Theatre. Mother was an avid reader and many of the books she read came from this library. Page 4 – Mary writes….. Dad was always involved in district affairs ever ready to help someone in need, especially as a J. P. helping young people who may have been in trouble. He was always involved in the care of his [eight] brothers who were in need at times. He was an elder at the Scots Church Melton and Sunday School Superintendant when the Sunday School thrived. The anniversary became a special event with good singing supplemented by good music by Dad’s friends from Footscray saxophone and violin. The church would be packed both Sundays. The family home was open to all and sundry from the little Salvation Army lass from Bacchus Marsh driving a horse and jinker (without any experience) round the district. collecting, came looking for a bed for the night (and later crept into bed with me because she was terrified). The Methodist local preachers regularly spent several night and breakfast while visiting people in the Melton area. They were stationed at Bacchus Marsh and again drove a horse and jinker. One preacher I remember with gratitude was Mr Webster a retired school master and a fine man. Another was Pastor Tuttlebee again with no experience driving a horse and jinker. The first time he called Mother found him taking the winkers off the horse whilst it was still harnessed to the jinker. Another regular visitor was Mr Lister the federal member for Corio, he always stayed with us when he had meeting in this area. Another evening just as dusk another minister and his dear little wife were driving the horse and buggy to a new parish at Ballarat. They had asked at the Mac’s Hotel for accommodation, and their reply was we have no accommodation, go down to Mr and Mrs Barrie they will put you up for the night. They were most grateful to be taken in and cared for, somehow it seemed the most natural thing in the world that they would be welcome. A copy of Mary’s writing was given to her niece Wendy in 1990. Mary Ena Barrie's wedding daylocal identities

Children's book of Scripture stories given to Flora McDonald Xmas 1909. See inscriptions inside front page.Board cover with cloth spine, stapled sections. Colour plate opposite title page, black & white illustrations throughout. Some loose pages, foxing and yellowing of pages. 88 pp. Good condition.Inside front cover, '25/12/09/To Flora - died 7- 10-1910/aged 15 years/With love from /her Mother - died 31-1-1910/Wishing you a Happy Xmas, & New Year'.religion, flora mcdonald, whitburgh cottage collection, childrens literature

A large hardcover children's book with the title Against all Odds - Adventure Stories for Boys printed in white and black lettering at the top. The spine has the title in black letters with an African porter drawn beneath. The front cover has a wrap around with the back cover of a coloured illustration of hunters in Africa shooting at a rhinocerous with local porters running away. There is a printed bookplate on the front endpaper and a coloured frontispiece opposite the title page of two tigers sitting on rocks in the grass. There are coloured plates and black and white illustrations throughout. fictionA collection of adventure stories for boys written by various authors.adventure stories, children's fiction

Index, bib., p.218.non-fictionLetters ranging from those of convicts writing to their wives in the 1820s, through accounts of the voyage out and pioneering life in mid-century, through love letters, to short stories and failure to master the land, to the remarkable family saga (1883-1929) which ends the book. irish - australia - correspondence., australia- minorities- history.

Index, bib, ill, plates. p.295.non-fictionConstance Markievicz, born Gore-Booth, was known in Anglo-Irish society as the Rebel Countess, and to the Dublin poor who loved her as 'Madame'. She is chiefly known for her part in the Easter Rising of 1916, but how she came to be there, what role she played and what happened to her afterwards is a fascinating and strange story.ireland - biography - constance markievicz, ireland - politics and government

A 2 page double spread feature in the Herald Sun on 29th August 2000 to promote Legacy prior to Legacy Week. The photo of widows Jo Stanley and Muriel Love is accompanied by the article 'Picking up the pieces'. They were helped by Legacy when their husbands passed away. Muriel nursed her husband and after his death found a void, Legacy was a 'lifesaver'. Jo joined the younger widows club where each of them still have children on their hands so they have more in common and meet every second month. The other article 'Keeping a promise' gives an overview of Legacy and an interview with David Kelly who was president in 2000.A story on how Legacy works and its impact on the lives of two widows.Colour photo x 2 of two widows and a newspaper article about them.Photocopy of a newspaper articles are titled 'Picking up the pieces' and 'Keeping a promise'.legacy promotion, legacy week

Ill, p.367.fictionTells the story of two men, Charles Darnay and Sydney Carton, who look similar but are very different in personality. Darnay is a romantic French aristocrat, while Carton is a cynical English barrister. However, the two are in love with the same woman, Lucie Manette. english fiction, charles dickens 1812-1870

Ill, p.877.fictionThe story of an abandoned waif who discovers life and love in an indifferent world, this classic tale of childhood is populated with a cast of eccentrics, innocents, and villains who number among the author's greatest creation.england - fiction, charles dickens 1812-1870

p.544.fictionThe stories that comprise 'Scenes of Clerical Life' display the central themes of what later became the hallmark of George Eliot's writing, namely the impact of religious controversy and social change and the power of love to transform people's lives. clergy - fiction, religion

Ill, p.399.fictionDickens's story of solitary miser Ebenezer Scrooge, who is taught the true meaning of Christmas by a series of ghostly visitors, has proved one of his most well-loved works. Ever since it was published in 1843 it has had an enduring influence on the way we think about the traditions of Christmas. Dickens's other Christmas writings collected here include 'The Story of the Goblins who Stole a Sexton', the short story from The Pickwick Papers on which A Christmas Carol was based; along with shorter pieces drawn from the 'Christmas Stories' that Dickens wrote annually for his weekly journals. In all of them Dickens celebrates the season as one of geniality, charity and remembrance.english fiction, charles dickens 1812-1870