Book: "Where The Twain Meet" by Mary Gaunt, 1922, publisher John Murray Albermarle Street, W.1, LondonThe book "Where the Twain Meet" is written by Mary Gaunt, a member of the prominent Gaunt Family who were active in the Indigo Shire during the nineteenth century. Her writing depicts in great detail the social structure and the ongoing changes that faced the people of Jamaica before and after British colonial rule. It is a historic perspective of Jamaica's reckoning with the slave trade. A hardcover book bound in navy blue fabric with gilt embosses titles and decals. Image one: WHERE/ THE TWAIN/ MEET/ _ MARY GAUNT/ JOHN MURRAY Image three: Sister Bessie Smythe/ Dear Bushwanderer/ With love from/ aunt Prue/ Gb. Wood/ Jan. 16 1923/ Image four: (embossed) WITH Mr MURRAY'S COMPLIMENTS/ WHERE THE TWAIN MEET/ BY MARY GAUNT/ Author of "Alone in West Africa,""A Woman in China,"/ "A Broken Journey,""The Uncounted Cost," etc./ LONDON/ JOHN MURRAY, ALBEMARLE STREET, W.1/ 1922/mary eliza gaunt

Main Street Stawell Murray View No 5 Main Street Stawell Vicstawell streetscape

Part of a series of tourist postcards.Small black & white photo of two koalas close to each other in a tree.Murray Views No. 3 Australian Native Bear ‘Koala’photographs, koalas, wildlife - koala, postcards

The area covered by this map is the same as the CFS Riverland & Murray Mallee Map Book. The area covered adjoins the Mount Lofty Ranges map book on the eastern boundary at Murray Bridge, north to Morgan and east to Renmark and the State Border. It extends southwards to join the northern boundary of the Lower South East map book at Padthaway.CD-ROMfire protection, victorian maps

Part of a series of tourist postcards.Small black & white photo of a ferry unloading using a gantry at Cowes Pier.Murray Views No. 5, The Pier, Cowes, Phillip Island, Vicferries, cowes pier, photographs, cowes jetty, water transport

Part of a series of tourist postcards.Small black & white photo of coastal scenery of The Nobbies and Seal Rocks.Murray Views No.18 The Nobbies, Cowes, Phillip Island, Vicphotographs, the nobbies, coastal views, seal rocks

Murray, Sons and Company Ltd was a tobacco manufacturing company based in Belfast, Northern Ireland. The company traded under its own name but under various ownerships, from its foundation in 1810[1] until closure in 2005. Murray, Sons and Company Ltd began trading in Belfast in 1810, and became a limited company in 1884. By 1921, it shared most of the Belfast manufacture of tobacco, cigarettes and snuff with Gallaher Limited, who had moved to Belfast in 1867. Dunlop McCosh Cunningham, born 1901, took over the running of the works in the mid-1920s from his uncle. The firm produced Erinmore and Yachtsman Navy Cut brands. In 1953, Murray, Sons and Company Ltd was acquired from Dunlop McCosh Cunningham by London-based Carreras Tobacco, which merged with Rothman's of Pall Mall to become Carreras Rothmans Limited. Carreras Rothmans became known as Rothmans International in 1972. In June 1999, Rothmans International was acquired by British American Tobacco. In 2004, British American Tobacco announced the closure of Murray, Sons and Company Ltd in 2005. Throughout its trading life, Murray Sons and Company Ltd manufactured various brands of tobacco products including pipe tobacco Craven, Dunhill, Erinmore, Yachtsman Navy Cut cigarettes.A tin with a lift off lid for Tobacco flake ‘Murray’s Erinmore’MURRAY’S / ERINMORE / FLAKE / trade mark cheltenham, moorabbin, bentleigh, early settlers, cigarettes, tobacco, dunhill tobacco, erinmore cigarettes, rothmans international ltd., british american tobacco ltd., murray sons and company ltd.,

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.An early black and white photograph of the Taggerty River from Murray Pass near Marysville, Victoria. Murray Pass is located on the Lady Talbot Drive. Lady Talbot Drive a 24 kilometer scenic rainforest car journey which passes a number of walks and waterfalls in the Yarra Ranges National Park. Lady Talbot Drive is named after Lady Sarah Elizabeth, the wife of Sir Reginald Talbot, who was the Governor of Victoria from 25th April, 1904 to 6th July 1908. This postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.POST CARD. Correspondence Addressmarysville, victoria, photograph, taggerty river, murray pass, lady talbot forest drive, southern cross series, 2309, postcard, souvenir, lady talbot drive, sir reginald talbot, sarah elizabeth talbot

Mediun size, Yellow and Orange Front Cover. Brown fabric Spine. White back. Heavy white envelope inside back cover that contains mapsnon-fictionReport on public land use in the Murray Valley area in 1983soils and land use

Ref: Searching for Nineteenth-Century Florida Water Bottles by Catherine Sullivan, p.88-9. 'New York City directories list Murray and Lanman, druggists, at 69 Water Street from 1835 to 1849; David T. Lanman, druggist, at 69 Water Street from 1836 to 1857; and Lanman and Kemp at 69 Water Street from 1858 to 1870, when they relocated to William Street (New-York Historical Society 1834-1873).'Tall aqua tinted clear glass bottle, round in section with embossed text on sides and numerals on baseEmbossed on base '24' (indistinct). On sides 'FLORIDA WATER, MURRAY & LANMAN DRUGGISTS NEW YORK'.florida water, druggist, wholesale.

Digitised directly from 'Blackfellows of Australia' by Charles Barrett and A.S. Kenyon (Sun Books)Aboriginal woman known as "Queen" Aggie of the Moolta Tribe is dressed in European costume stands in a bark canoe. Four children sit in the canoe. Title - Bark Canoe on a Murray Swamp. "Queen" Aggie (standing) was the last of the Moolta Tribeaborigine, aboriginal, j.t. millen, bark canoe, murray swamp, queen aggie, moolta tribe

03059 PC Murray Views No 30 'Hydro' 1930 Warburton. Upper Yarra Shire 1888-1988 Centenary collection. Black & white Negative, scanned at 600 dpipc murray views no 30 hydro warburton

03053 PC Murray Views 14, Alpine Retreat Hotel Warburton Upper Yarra Shire 1888-1988 Centenary collection. Black & white Negative, scanned at 600 dpialpine retreat hotel warburton pc murray views 14

03058 PC Murray Views No 10 Green Gables, Quest House, Warburton. Upper Yarra Shire 1888-1988 Centenary collection. Black & white Negative, scanned at 600 dpigreen gables warburton pc murray views no 10 c1938 austin car

Collector says - "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display." " For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Checked blanket, pink, blue and lavenderClan Murray series of Challenge/Lambswool 'Perma-nap' blankets/All pure wool/Super Grade blanket, blanket fever, wool, challenge woollen mills

CEMA Art Collection Previously located in History HouseA large body of water with a shore line in the foreground on the left. Depicted in shades of grey, the calm water features a patch of white in the centre - reflection. In the background to the right, is a distant view of a small patch of land covered in trees. Behind the land is an out of focus view of mountains in the distance. The top half of the work features a grey cloudy sky. The work has a gilded ornate frame with cardboard and gold mounts and glass.Front: A.S. Murray Label attached to glass front: Presented to Council in 1984 by A.S. Murray Dunrobin Back: W. Hamer 189 Sturt Street Ballarat VICTORIA BUILDINGS, OPPOSITE CITY FIRE BRIGADElandscape

Part of a donation of commecial documents relating to Burkinshaw Bros, "Wareek", and Strachan, Murray & Shannon Pty Ltd, Geelong, including correspondence and sales accounts.Part of a donation of commecial documents relating to Burkinshaw Bros, "Wareek", and Strachan, Murray & Shannon Pty Ltd, Geelong.Strachan, Murray & Shannon Pty Ltdwool sales wool brokering, strachan, murray and shannon ltd, wool sales, wool brokering

Part of a collection of commecial documents relating to Burkinshaw Bros, "Wareek", and Strachan, Murray & Shannon Pty Ltd, Geelong, including correspondence and sales accounts.Part of a collection of commecial documents relating to Burkinshaw Bros, "Wareek", and Strachan, Murray & Shannon Pty Ltd, Geelong.Strachan, Murray & Shannon Pty Ltd,wool sales wool brokering wool sales - auction system, strachan, murray and shannon ltd, wool sales, wool brokering, wool sales - auction system

Photographic panorama of the Mount Lyell Mine. Gift of Murray Flintcroftmount lyell, mining, tasmania

Photographic panorama of Mount Lyell Mine. Gift of Murray Flintcroft.mount lyell, mining, tasmania