Manik’s referential language maintains a fundamental connection to derided or “low-brow” sources, spanning popular and visual culture sources such as graffiti, google image searches or YouTube clips. In this work, Manik aestheticises a conspicuously framed police photograph, reproducing the sensationalist image with a considered painterly quality. Attending to the ways in which wide dissemination leads to a clouding and blurring of meaning, Manik challenges conventional ideas of authenticity, circulation, and so-called high/low modes of production. Artist Bio Gian Manik is a Naarm-based artist whose dextrous approach to image-making is characterised by an irreverence for genre and driven by a compulsion to paint. Interested in undermining the colonial properties arming the buttresses of historical painting, Manik ambiguates tradition through the representation of multivalent or tangential subjects. Informed by a childhood spent voraciously copying reproductions of old master paintings, a subsequent indifference to the polarities of high and low culture has rendered his work resistant to traditional stylistic categorisation. Instead, Manik’s practice can be read as an ongoing investigation into the boundaries of representation which often sprawls into the modalities and enviornments of fashion, music and performance. His compositions interweave both carefully distilled and intensely gestural passages, forming a layered palimpsest that references and registers the quotidian fabric of his social and cultural surroundings. Distinguished by an interminable mix of nostalgia and desire, drama and tragedy, his work reverberates an uncertainty of meaning. Strategies such as repetition and mimicry blur the intended resonance or ‘truth’ attributed to each object, place, scene or character. As a result, Manik’s paintings often function as parafictions, interpolating personal experience within constricted frameworks of historical narrative. Gian Manik (b. 1985 in Perth/Boorloo) received a BFA (Honours) from Curtin University in 2011. After relocating to Naarm/Melbourne, the artist completed a Master of Fine Art (Honours) at Monash University in 2012. Since then, he has exhibited widely across Australia and Aotearoa New Zealand in institutional and commercial contexts. He has received institutional commissions by the Australian Centre for Contemporary Art (2022) and the Perth Institute for Contemporary Art (2024). Additionally, his work has been featured in significant exhibitions at the Museum of Contemporary Art Australia, Sydney; Art Gallery of Western Australia, Perth/Boorloo and the Art Gallery of South Australia, Adelaide.

Sepia toned photograph showing Geodetic camp of the survey team working on the Geodetic line marking the border between N S W and Victoria from Cape Howe to nearest source of the Murrary River Gippsland Victoriapublic works, road construction and maintenance

A collection of 17 photographs recorded on DVD. These have been copied to "Master Images". One image has been selected for this entry.Donated by Laurie Allen and Clive Manly, members of the Probus Club, in May 2024. This item was part of a two large box collection given to RDHS to catalogue and store, after the Club closed.

ill, p.64.non-fictionDetails of the locomotives and rollingstock of the NSW Rail Transport Museum at Thirlmere NSWthirlmere railway museum - nsw, tourist railways and museums - australia

ill, p.40.non-fictionDetails of the locomotives and rollingstock at the Museum of Historic Engines in Goulburn NSWmuseum of historic engines - goulburn nsw, tourist railways and museums - australia

index, ill, p.105.non-fictionA history of communications systems on the NSW railways from morse code to microcircuit electronic communications from 1857 to 1987.railroad signalling - new south wales - history, railroad operations - new south wales - history

ill, maps, p80.non-fictionA history of the transition from steam to diesel on the North Coast railway to Casino in NSW.locomotives -- new south wales -- north coast -- history, railroads -- new south wales -- north coast -- history

A booklet of the Returned Sailors, Soldiers and Airmen's Imperial League of Australia NSW Branch. Front cover has the original RSL badge printed above the Price of Liberty is Eternal Vigilance. ANZAC Memorial Sydney M4313Front Cover: YOUR BADGE/ colour picture of original RSL Badge./ THE RETURNED SAILORS, SOLDIERS & AIRMEN'S IMPERIAL LEAGUE OF AUSTRALIA/ (NSW BRANCH)/ THE PRICE OF LIBERTY IS/ ETERNAL VIGILANCE/ ANZAC MEMORIAL SYDNEY/ M4313// Inside Cover: THE LEAGUES PLEDGE/ November 1939./ "That this Federal congress - the first to be held since the declaration of war/ publicly states that the whole body of the/ RSS&AILA is heart and sole behind/ the new Australian Expiditionary Force, and/ gladly accepts the new obligations to protect/ the interests of all who shall serve the Empire/ in the present war.// Page 1: A Welcome home/ From your Reception Committee/ The Old and New Diggers.// Page 2& 3: A Message from the State President.// Page 4: Policy of the RSS&AILA.// Pages 5,6,7: R.S.L. Policy.// Pages 8,9,10 & 11: Record of Service (outlines the services the RSL provides and the Principles on which it was established.// Pages 12, 13, 14, 15, 16 & 17: List of Sub-Branches NSW. Women's Services/ Merchant Navy// Centre Page: Nomination for Membership // Pages 18,19,20,& 21: War Pensions.// Page 22: Did you know.//Page 23: Eligiblity for Membership.// Page 24: If there were no League. // Pages 25, 26: ANZAC Centre. // Page 27: Memorandum (clear page)// Page 28 Personal memoranda (to be filled in) Conclusion.book, anzac, imperial, sailors, soldiers, league, badge, your, returned, airmen, memorial, hand

non-fictionA history of the development of the management of the Fish River Water Supply Scheme in Central NSW. The scheme extends across the local government areas of the Shire of Oberon, the City of Lithgow and the City of the Blue Mountains.water nsw, fish river region nsw, oberon dam, water resources development nsw australia

Black and white photograph taken of midget Japanese submarine being retrieved from Sydney Harbour during WWII Sydney NSWships and shipping, ports and harbours

The story of a family of Black Forest farmers and trades people, from the 15th to the 20th Century in Germany, Palestine and AustraliaBeige hard cover book. Gold text front cover and along the spine. Yellow dust cover with map of Germany on the front cover and Palestine on the back coverPresented to this Museum by Mr. HW Beilharz, Bellvue Hill, NSW 1989beilharz, sauer p, camp 3, tatura, ww2 camp 3, books, history, local

Two steel wire strainers, one with makers tag noting Whites Wires Arndell Park NSW 2148; includes directions for application. Items stored in Pittock Coach builder's box, reference 13000.1.Whites Wires Arndell Park NSW 2148

A postcard to the Comradeship Committee when a Legatee was travelling in NSW. The picture is totally black and says it is Tura Beach, Sapphire Coast New South Wales BY NIGHT. It is addressed to Mr Lin Kirk, Chairman, Comradeship at Melbourne Legacy. It is undated and signed Reverend Caffrey. It says: " Fabulous holiday. Terrific night life. Warm regards to all, especially the College of Cardinals."A record of a Legatee travelling and relating experiences back to his comrades in Melbourne.Colour postcard from NSW.Printed "Panoramic night shot from lookout." Australian 45c postage stamp. Handwritten text in black pen.comradeship, legatee

Appears to be a Japanese trading vesselBlack and white postcard showing a steamer moored beside a long jetty. Goods, timber, on wharf being loaded. A number of fishing boats and other craft moored at jetty and offshore Eden NSWships and shipping, transport

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. Two small round badges. The NSW CWA badge has a light and dark blue design with orange. The Victorian badge has a yellow, green and gold design.On Victorian badge: "VICTORIA/CWA". On NSW Badge: "COUNTRY WOMENS ASSOCIATION N.S.W./CWA".hamilton-smith collection, hamilton-smith, ellwood, charity, volunteer, voluntering, cwa, country women's association, rural, women, women's history, domestic, cooking, food, community

Portrait of Cpl Marcus Wakely b. 1890 from Yenda NSW part of the garrison at Hay Internment Camp. Sketched while Hofmann was in Camp Hospital, Hay, NSW. 1941.Photocopy of a sketch. Portrait of a soldier in uniform.Robert Hofmann March 41garrison, robert hofmann, wakley, hay

Colour photograph of family group taken at wedding of James Edward Charles Forsyth Hancock to Jane Elspeth McWhennell, named are Trevor Hancock father, Brian Hancock uncle, Shirley Hancock grandmother, at St Clements Anglican Church Mosman NSW. hancock family, wedding, events

Items in the collection re J.C.W. LEDEUX, refer cat No 2378 for his service details.Cream card printed in blue & black ink.“11670 N.S.W.G.R”military - fortnightly - ticket, railway, nswgr

The original of this map was drawn by an Italian priest Father Victorio Riccio in 1676 from knowledge brought to Manila on Dutch ships. Father Riccio was suggesting a Catholic mission to Terra Australia.Reproduction of an early map of Australia, pre-dating the voyages of Captain Cook.Facsimile map in cardboard protective tubeterra australis

Dennis O'Keeffe's definitive account of Waltzing MatildaThe story of Waltzing Matilda starts in Warrnambool and the story encompasses Aust at the time of Eureka Stockade and Ned KellyPaperback. Swagman sitting in front of sepia bush scene. Paperback. Swagman sitting in front of sepia bush scene. paperback. waltzing matilda. dennis o'keeffe. australiana. favourite song., warrnambool, dennis o'keefe, waltzing matilda

A predominantely red carpet. Custom made with woven inscription Royal Australian Engineers 1959 Wilson R B 1968 - 2411848. Ubique Viet 66' 67' with fringes top and bottom. 5 wooden rings attached to topThis fully imported & hand woven rug was custom designed for Graeme Wilson.royal australina engineers

White 16 page card covered booklet with blue text and Methodist Girls' Comradeship emblem on the cover. There are three photographs in the booklet which is held together with two staples.non-fictionBooklet published as part of the golden jubilee, 50th anniversary, celebrations of the Methodist Girls' Comradeship.methodist girls' comradeship, methodist girls' comradeship rays' section, methodist girls' comradeship golden jubilee 1968, methodist youth of australasia

The advice given to the Attorney General regarding completion of Opera House in accordance with Utzon's design is at variance with the suit of Mr Barkell and Mr Peacock that works cannot be completed without Utzon's employment. The Attorney General will consider other expert evidence submitted by Mr Barkell and Mr Peacock. Utzon had resigned on 28 February, 1966. Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Photocopy, 2 pages, part of plastic folder stuck on first pagesydney opera house, utzon, sydney opera house project, walsh st library