""Annie Get Your Gun" is a musical in two acts with music and lyrics by Irving Berlin based on the life of Annie Oakley, a sharpshooter who starred in Buffalo Bill's Wild West. Music Programme for "Annie Get Your Gun" a musicall in two acts performed by Bendigo Theatre Co.Inc. June 15th to 24, 1989,at the J.B. Osborne Theatre, Kangaroo Flat - a 20 page booklet with acknowledgements, advertisements, details of cast, musical numbers and story synopsis. programme, concert

Part of Comedy Festival 1995 with comedians Colin Lane and Frank Wood, produced by Lano and Woodley. Special thanks to Micheal Wild,Yuri Worontschak, Zhodi Cummings, Marni Foulis.Black and White flyercomedy festival, curtains, athenauem theatre ii

This collection of 20 photos was most likely taken in c1978. The AUTOMAP 1 computer assisted cartography and mapping system was introduced in 1975. The components of AUTOMAP 1 were the Input Sub-System of four Wild B8s stereoplotters and three Gradicon digitising tables, the Optical Line Following Sub-System – Gerber OLF, the Verification Sub-System – Gerber 1442 drum plotter, the General Purpose Sub-system – HP21MX computer and the Output Sub-System – Gerber 1232 flatbed plotter). The first map was published in 1978 (Strickland 3665-3, 1:50,000). AUTOMAP 1 was the first computer assisted cartography and mapping system utilised by the Survey Corps and was the first system used by Australian mapping organisations. The history of the AUTOMAP 1 system is covered in more detail with additional historic photographs, in pages 116-118 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. See items 6122.20P, 6410.24P, 6183.19P, 6200.5P, and 6222.17P for additional photographs of the AUTOMAP 1 system.This is a set of 20 photographs of Air Survey Squadron military and civilian personnel operating AUTOMAP 1 equipment at the Army Survey Regiment at Fortuna, Bendigo, c1978-1980. Black and white photos .1P to .18P are on photographic paper and were scanned at 300 dpi. Photo .4P is in colour and mounted with a duplicate on manilla card. Black and white photos .19P to .20P are on 35mm negative film and scanned at 96 dpi.They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, c1978-1980, Gerber Optical Line Follower (OLF), SSGT John Bennett. .2) - Photo, black & white, c1978-1980, HP21MX computer General Purpose Sub-system. .3) - Photo, black & white, c1978-1980, Gerber OLF .4) - Photo, colour, c1978-1980, unidentified digitising on Gradicon edit table. .5) - Photo, black & white, c1978-1980, Gerber verification drum plotter. .6) - Photo, black & white, c1978-1980, Gerber OLF, CAPT Rob Bridge. .7) - Photo, black & white, c1978-1980, Programming and system administration, SGT Alan Toogood. .8) - Photo, black & white, c1978-1980, Unidentified digitising on Gradicon edit table. .9) - Photo, black & white, c1978-1980, CPL Rick Downie digitising on Gradicon edit table. .10) - Photo, black & white, c1978-1980, SPR Dave Irving digitising on Gradicon edit table. .11) - Photo, black & white, c1978-1980, Gerber OLF and CPL Rick Downie. .12) - Photo, black & white, c1978-1980, 1130 Computer System administration, L to R: unidentified, SSGT Les Dixon, SPR Geoff Havelberg. .13) - Photo, black & white, c1978-1980, AUTOMAP 1 tape administration, Maryanne De Groot. .14) - Photo, black & white, c1978-1980, AUTOMAP 1 tape drive. .15) - Photo, black & white, c1978-1980, HP21MX computer General Purpose Sub-system. .16) - Photo, black & white, c1978-1980, digitising topographic features with a Wild B8 stereo plotter, L to R: unidentified, CPL John Smith. .17) - Photo, black & white, c1978-1980, digitising topographic features with a Wild B8 stereo plotter, CPL John Smith. .18) - Photo, black & white, c1978-1980, digitising topographic features with a Wild B8 stereo plotter, CPL Adrian Rynberk. .19) - Photo, black & white, c1978-1980, Programming and system administration, SGT Alan Toogood. .20) - Photo, black & white, c1978-1980, Gerber OLF, CPL Chris Edwards. .1P to .20P - No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, automap 1

Black and white photograph depicting committee members of the Kangaroo Flat Football Club holding the Premiers Flat for 1960. Inscriptions: Kanagaroo Flat Football Committee, 1961. G Edwards, Cr. A Llanson Pres., V Collins, B Langley, N Wild, J Sutherland.Herald Sunperson, group, sports team

Taken in 1880, the photograph depicts a group of eleven young men and women with a dog. They are having a picnic outdoors in what is thought to be Beechworth Forest. A number of the people in the photograph are holding bunches of wild flowers.Sepia rectangular photograph printed on matte photographic paper mounted on card.Reverse: 1997.270 / A02703 /entertainment album, picnic, beechworth, 1800s, dog, flowers, leisure, outdoors, forest

Black and white photrograph: residential street, 5 motor vehicles in middle distance. Noelene Wild 7.2000 ' photo, Peter Hyett, 1995, Sailors Gully Rd., from Kirkwood Road intersection, looking towards Darling St. intersection, Virginia Hill housing estate on right'Peter Hyettplace, streetscape, sailors gully road

black and white photograph of greyhounds exiting the starting boxes. Race 3. left No. 8 Cheetah's Lad, No.7 Halley's Lad,No. 6 (vacant box), No. 5 Mark Reward, No. 4 Super Hero, No.3 (Vacant Box), No.2 Hector Bunner, No.1 Wild Runner.clubs and associations, sport, greyhound racing

Members of the Milo family of horse-in a carriage travelling from Stawell Street Kew on a list to a violet farm in Doncaster."NAN TERRY W RAY FOX & JACK COGLIN GOING TO VIOLET FARM / DONCASTER / 'BUS' RAN FROM END OF TRAMLINE TO DONCASTER / MONT ALBERT TRAM / WILD LIFE SANCTUARYfamilies -- stawell street -- kew (vic.), milo family, violet farm -- doncaster

Soft cover, emerald green, title in silver on front, autobiographical diary of author's experiences on the Burma - Siam Railway. 185 pages. Photo of author on back cover with review of book. Title in white on spine. Some coloured illustrations of wild flowers plus black and white drawings throughout.Handwritten on fly leaf "Return to John W Toon OAM".books, military history, pow's

Black and white photograph of Charing Cross, High St., to Pall Mall. ( Noelene Wild July 2000 ) Alexandra Fountain on left Shamrock Hotel in background. In image ' The Beehive, the store for better value' ' Dorothy's Home stores ' 'Treloar's Jeweller' Santini's ' On back in grey lead pencil 'A5'place, streetscape, charing cross

The VOC sent its trading ships to the (then) Dutch East Indies to collect spices and other goods. In the 17th century accurate navigation was not always possible and ships might end up on the wild, unchartered West Australian coastline. Item recalls the fact that the WA coast was unintentionally visited by Dutch ships during the 17th and 18th centuries. Because the coast was so unattractive the Dutch did not try to settle the country.Large rectangular timber plaque with scalloped edges depicting historic shipwrecks of Western Australia.An insert reads: "Historic Shipwrecks of Western Australia (Protected as of 1983). Coastal cities are marked with their names and dots along the coastline indicate wreck sites. Most are named and dated; others marked as unidentified. An inset map deals with the area around Fremantle and shows a large number of wrecks. A separate typed notice attached to the map identifies the five known Dutch wrecks - all ships of the VOC - Vereennigde East Indian Compagnie (Dutch East India Company). Further than that there are a distance scale and a compass.

Program of the Official Opening of New Library and Classrooms - 37 Rowan Street 12.30 p.m. Friday 24th September 1976. Guests Mr K Houlahan, Mr S Gerry, Sr E Wilder, Councilor R.R.Cooper.Cream coloured program. Black writing on front - Official Opening Ceremony of new Library and Classrooms on front. Blank page on Left Hand side. Right hand side has programme listed, Blank back page. 1976nursing history, nurse training

This majestic peacock embodies technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897), and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians, loved majolica, and the large peacock would have been the ultimate home accessory, as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became famous pottery and porcelain manufacturers. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms, and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best known work. Comolera, kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio, to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today some historians now believe that twelve were fired at the Minton factory, research is still on-going. These peacocks were so admired that the Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, assuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics, tiles and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares including the peacock at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria in calm foggy weather in June 1878 on the final leg on the ships journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods including this peacock back into the sea. The two men found the peacock in its case ‘bobbing along in the water’, and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue the head had broken from the body. This account was proven to be true in 1988, following the birds display in Brisbane. This peacock began its life in Australia, not in grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton &Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home for many years, and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Florence tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell the peacock, it was displayed in the window of the Argus newspaper office on Collins Street, and at the National Museum on 1st June 1935, the date of the 57th anniversary of the Loch Ard wreck. As a result, the peacock again attracted public attention with books, newspaper and magazine articles being published telling the story of its survival from a shipwreck. After Miller's death, the peacock remained in an antique dealer's shop in Melbourne for many years until it was bought at auction by Frank Ridley-Lee, in the 1940s, who displayed the bird at his home in Ivanhoe/Heidelberg. The peacock remained in the hands of the Ridley-Lee, until it was offered for sale in 1975 as part of Mrs Ridley-Lee's estate. In 1975, an advertisement in Melbourne newspaper, the Age announced the sale by auction of the art collection of the Ridley-Lee estate that included this peacock. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to raise the necessary funds through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half of the of the cost. On 9 September 1975, the peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since, it has only left Warrnambool twice. Firstly, in 1980 at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire

Bendigo Advertiser ''The way we were'' from 1999. Changes: this site was originally Smith's butcher shop in Victoria Street, Eaglehawk, owned by Jimmy Wild from 1924-1939. It was then run by Roy Shuttleworth. Later it became Allen's Pet Supplies. House on the right is now the sight of IGA supermarket.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser '' The way we were'' from Monday, September 30, 2002. Debutants: four pairs of Bendigo debutants of yesteryear. From left, back: Ian Snell, Ken Reid, Max Kent and Bill Coakes. Front: Norma Wild, Yvonne Russell, Mareon Cox and Elaine Straub. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Rabbits were brought to Australia on the First Fleet as a source of food. However the plague of rabbits appears to have originated with the release of 24 wild rabbits by Thomas Austin for hunting purposes in October 1859, on his property, Barwon Park, near Winchelsea, Victoria. This a typical Rabbit trap used by residents of Moorabbin Shire c1930Austral Box Steel Rabbit trap 20thCAUSTRAL

The photograph shows SEC Ballarat tram No. 13 just before it crossed Albert St on its way to Lydiard St North. The photo shows the "wilds" or unkempt nature of Albert St at the time. Photo by I K Winney of Sydney, 12/1949.Yields information about tram 13 and the nature of the southern section of Albert St. Sebastopol.Black and white photograph with photographers details on rear."Car No. 13 on open right of way 1/2 mile from Sebastopol terminus, Ballarat 12/1949, I K Winney"tramcars, sebastopol, albert st., tram 13

Commemorative limited edition (5/30) collage from 'The Kooyong Collection', featuring digital print reproduction of photograph of doubles team Brookes/ Wilding playing against Alexander/Wright at 1908 Australian Championships. Certificate of authenticity adhered to back of frame. Materials: Paper, Ink, Wood, Glass, String, Adhesive label, Cardboardtennis

The Man from Snowy River" is a poem by Australian bush poet Banjo Paterson. It was first published in The Bulletin, an Australian news magazine, on 26th April 1890. The poem tells the story of a horseback pursuit to recapture the colt of a prizewinning racehorse that escaped from its paddock and is living wild with the brumbies (wild horses) of the mountain ranges. Eventually the brumbies descend a seemingly impassably steep slope, at which point the assembled riders give up the pursuit, except the young hero, who spurs his pony down the "terrible descent" to catch the mob.Two characters mentioned in the early part of the poem are featured in previous Paterson poems; "Clancy of the Overflow" and Harrison from "Old Pardon, Son of Reprieve".The town of Orbost is situated on the Snowy River and the town has always been "the heart of Snowy River country".A first day cover for "The Man From Snowy River" stamps. There is a picture of a saddle in the top left-hand corner. There is a strip 5 stamps on the envelope and it has been stamped at Orbost Post Office. This strip has 5 scenes based on the Banjo Patterson legendary poem by the same name. The stamps include: At The Station, Mountain Bend, The Terrible Descent, At Their Heels and Brought Them Back.first-day-cover man-from-snowy-river stamps philately

The budgie is a very social bird, found in large groups in the wild. They primarily live across mainland Australia. They are often found near water. Budgies are very popular pets globally (called parakeets in other countries). They eat grasses and seeds. They nest in hollowed trees. Budgies in the wild are often right green with a yellow face. This specimen is a good example because it has the common colouring of wild budgies and has not got signs of wear/use. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This male budgie is perched with its wings partially opened and looking to the left. It has a yellow head with black stripes on the back, indicating the specimen was quite aged before it was killed. It has a blue nose, indicating it is male. Its body is light green. Its wings are green-yellow with black lines. Its tail is a blue-green. It has some minor pest damage around its eyes.no markings or identification tags

This collection of four photos was most likely taken at Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo in 1988. Orthophoto mapping provided the Survey Corps with the capability to produce map products quickly in the event of a crisis. These are four photographs of equipment used by the Army Survey Regiment to produce orthophotomaps. The OR1 orthophoto projector and workstation was introduced in the mid-1980s. It was the second-generation equipment used to orthorectify colour and monochrome film aerial photography, replacing the system introduced in 1973. Orthorectification is the process of removing geometric distortions and scale errors/variations from images. Images have tilt and relief distortions that make it difficult to compare accurately a map and an image of the same geographic area. Once an image is orthorectified, features on the image are shown in their planimetric locations. These four photographs of orthorectification equipment in operation were taken at the Army Survey Regiment at Fortuna, Bendigo, 1988. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) to .4) - Photo, black & white, 1988, WILD OR-1 Orthorectification Workstation, SPR Carmel (Butler) Fauth.No personnel are identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

Black and white photograph: looking up Mitchell Street, Bendigo to the south. Photo taken from Charing Cross with the Bendigo Building Society Fountain Court Building on the immediate right. On back of photo in grey lead pencil B14. Noelene Wild 7/2000 ' photo Peter Hyett, 1995, Mitchell St. from Charing Cross.Peter Hyettplace, streetscape, mitchell street, bendigo

Wall calendar 1924 for Hume & Iser Pty Ltd Bendigo. The main part is a painting by J. C. Park titled ''Haunt of the wild duck'' Under the painting the name Hume & Iser Pty Ltd Bendigo Timber and iron Merchants and ironmongers, established over 50 years. Large stocks of all building material always on hand.business, retail, hume and iser

This collection of 20 photos was most likely taken in 1980. The AUTOMAP 1 computer assisted cartography and mapping system was introduced in 1975. The components of AUTOMAP 1 were the Input Sub-System of four Wild B8s stereoplotters and three Gradicon digitising tables, the Optical Line Following Sub-System – Gerber OLF, the Verification Sub-System – Gerber 1442 drum plotter, the General Purpose Sub-system – HP21MX computer and the Output Sub-System – Gerber 1232 flatbed plotter). The first map was published in 1978 (Strickland 3665-3, 1:50,000). AUTOMAP 1 was the first computer assisted cartography and mapping system utilised by the Survey Corps and was the first system used by Australian mapping organisations. The history of the AUTOMAP 1 system is covered in more detail with additional historic photographs, in pages 116-118 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. See items 6410.24P, 6183.19P, 6184.20P, 6200.5P, and 6222.17P for additional photographs of the AUTOMAP 1 system.This is a set of 20 photographs of Air Survey Squadron military and civilian personnel operating AUTOMAP 1 equipment at the Army Survey Regiment at Fortuna, Bendigo, c1980. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. Photos .19P and .20P are printed on photographic and scanned at 300 dpi. .1) - Photo, black & white, c1980, Gerber plotter. .2) - Photo, black & white, c1980, Gerber plotter, LT Rob John .3) - Photo, black & white, c1980, Gradicon edit table, SPR Jamie McRae .4) - Photo, black & white, c1980, Gradicon edit table, SPR Steve Linane .5) - Photo, black & white, c1980, 1130 System administration, unidentified. .6) - Photo, black & white, c1980, Wild B8 stereo plotter, SPR Van Dalen? .7) - Photo, black & white, c1980, Wild B8 stereo plotter, SPR Van Dalen? .8) - Photo, black & white, c1980, Gerber Optical Line Follower (OLF). .9) - Photo, black & white, c1980, Gerber OLF. .10) - Photo, black & white, c1980, Gerber OLF. .11) - Photo, black & white, c1980, Gerber OLF. .12) - Photo, black & white, c1980, Gerber OLF. .13) - Photo, black & white, c1980, Data management, CPL Greg Gilbert. .14) - Photo, black & white, c1980, Data management, CPL Greg Gilbert. .15) - Photo, black & white, c1980, 1130 Operating System administration, SGT Denis Marshall. .16) - Photo, black & white, c1980, Programming System, L to R: unidentified, SGT Alan Toogood. .17) - Photo, black & white, c1980, Programming System, L to R: Robert Cox, WO1 Bob Mason, John Dean. .18) - Photo, black & white, c1980, Programming System, L to R: Robert Cox, WO1 Bob Mason, John Dean. .19) - Photo, black & white, c1980, Gradicon edit table, CPL Chris Carter. .20) - Photo, black & white, c1980, Gerber plotter, LT Rob John..1P to .18P - No personnel are identified .19P - ‘CPL Chris Carter’ annotated on backroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, air survey, automap

Booklet - Rutherglen heritage walk : a self-guided tour of Rutherglen's Historic Streetscapes / by Rutherglen Wine Experience. 2009, p. 5 - states that the Red Boot Shop was "demolished sometime after WWII, and no trace remained until a wild storm uncovered the tiled entrance in the mid 2000's."Black and white photograph of the front of a café, with a central door flanked by two display windows. In tile, in front of the door, is the sign "The Red Boot Shop".On back of photo: "Ozone Café Main St Rutherglen | approx. April 1958 | purchased by Harold Hall March 1958 from McKinlays. | owners after H. Hall | McCarthy | Alan Zotti"main street rutherglen, red boot shop, ozone cafe, harold hall, alan zotti, mccarthy

A 52 playing card set (plus two jokers) with large print numbers and suit types. A fact card is included about the death of Wild Bill Hickok during a game of poker. The Aviator brand of cards was released just after the first trans-Atlantic flight in commemoration of the crossing. Playing cards with with red and white design with numbers and suit in large print in paper packet. recreation equipment, games

Black and white photograph taken from St. Paul's, Mitchell runs from left corner. Cathedral spire in centre. T.V. towers in background. Central Deborah poppet head far left ? Ian Wild 7.2000 ' photo - Peter Hyett 1995 - ? From St. Paul's. Mitchell St. runs across photo - intersection with Edwards St. on left ';Peter Hyettcottage, miners

Building block set used by Enid Wall as a young child Building block set of fifteen (15) blocks in original box without lid. Each block has images of domestic and wild animals, alphabet and numbers. Blocks appear to be made from balsa wood or equivalent due to light weight, and images have been adhered. Flowers motif wall paper (very worn) adhered to the sides of the box.blocks, toys, building block, toy block, children toys, learning blocks

The Type 62 is a re-badged British Pattern 1907 bayonet. Siam purchased 10,000 SMLE rifles and Pattern 1907 bayonets from Britain in 1919 to equip the "Wild Tiger Corps," royal bodyguard of Vajiravudh, King Rama VI (reigned 1910–1925). The tiger figural on the ricasso is representative of the Wild Tiger Corps. Year 2462 on the Buddhist Calendar corresponds to 1919. SMLE rifles and Pattern 1907 bayonets were taken from British stocks, refurbished by Birmingham Small Arms (BSA), and remarked with Siamese markings. The bayonets were shipped with standard steel-mounted leather scabbards. However, the leather rapidly deteriorated in the tropical climate, so the Siamese made a replacement steel scabbard body to which the original steel mounts were brazed. Sword bayonet for use with the .303 caliber Short, Magazine, Lee-Enfield No. I Mk. III (SMLE) rifle.A tiger head on the left side with some symbolsww2, world war 2, bayonet