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Ballarat Tramway Museum
Photograph - Bendigo Birneys 28 & 30 Charing Cross, Robert Wallace Studios
Photograph shows Bendigo SEC Birney trams 28 and 30 at Charing Cross in Pall Mall, prior to the closure of the SEC operated system in April 1972. Photograph by Robert Wallace Studios. Has The Behive buildiing in the background. No. 28 has a SEC Briquettes roof advertisement.Yields information about the operation of SEC Birney's in Bendigo prior to closure.Photograph - Black and White mounted onto heavy card.Photographer's studio stamp on rear - Robert Wallace Studiosbendigo, tramways, trams, birney tramcars, tram 28, tram 30, charing cross, pall mall -
Federation University Art Collection
Bookplate, 'Ex Libris John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Upturned basket or urn spilling coins onto a surfacebookplate, australian bookplate design award, keith wingrove memorial trust, printmaking -
Federation University Art Collection
Painting - Acrylic on Canvas, Advance Australia
This artwork was found among items associated with the Ballarat School of Mines. Although its purpose remains unknown, it was possibly painted by a staff member or student for use on Wattle Day. Wattle Day originated in October 1889 by the Wattle Blossom League, and was associated with the Australian Natives Association during the lead up to the Federation of Australian States. The first 'national' Wattle Day was celebrated on 1 September 1910. Early Wattle Days involved planting wattle trees in school grounds, street decorations of wattle blossom, and wearing sprigs of wattle. As public support for Wattle Day peaked, World War I broke out. Wattle took on a new significance during the war years, symbolising home for military personnel serving overseas. Beautifully designed Wattle Day badges, as well as wattle sprigs, were sold as a means of raising money for organisations such as the Red Cross. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.The Australian coat of arms with wattle, painted onto canvas.art, artwork, emu, kangaroo, crest, advance australia, wattle day, wattle, coat of arms, patriotic, australian coar of arms, national symbol -
Federation University Art Collection
Painting - Artwork - Painting, Lord Krishna marrying Radha (Madhubani Art), c2014
Madhubani art or Mithila painting was traditionally created by the women of various communities in Mithila region of the Indian subcontinent. It originated from Madhubani district of Mithila region of Bihar, and, it is popularly called Mithila painting or Madhubani art. Madhubani is also a major export centre of these paintings. This painting as a form of wall art was practiced widely throughout the region; the more recent development of painting on paper and canvas mainly originated among the villages around Madhubani, and it is these latter developments led to the name Madhubani art being used alongside the name "Mithila Painting." The painting was traditionally done on freshly plastered mud walls and floors of huts, but now they are also done on cloth, handmade paper and canvas.[3] Madhubani paintings are made from the paste of powdered rice. Madhubani painting has remained confined to a compact geographical area and the skills have been passed on through centuries, the content and the style have largely remained the same. Madhubani paintings also use two-dimensional imagery, and the colors used are derived from plants. Ochre and lampblack are also used for reddish brown and black respectively. Generally, no space is left empty; the gaps are filled by paintings of flowers, animals, birds, and even geometric designs.(wikipedia)Framed traditional Hindu story painted onto textile.madhubani, indian, krishna, radha, punjab, mehndi -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Plaque - 36 Squadron RAAF plaque
the 36 RAAF squadron is fixed onto the centre of the plaque -
Trafalgar Holden Museum
Functional object - Ammunition pouch
Pouch made to attach to belt to carry ammunition by soldiersAs manufactured an sold by Holden and FrostBrown leather pouch with tab to fit onto beltHolden and Frost 1916military, ammunition pouch -
Federation University Art Collection
Painting, Robert Jenyns, 'Deux Cheveux' by Robert Jenyns, 2008
Robert JENYNS (1944- 16/11/2015) Born Melbourne, Victoria Bob Jenyns' career spanned over four decades. Producing sculptures, prints, drawings, and paintings he has participated in many of Australia's most significant art exhibitions including the first Biennale of Sydney (1973), the 1973, 1975 and 1978 Mildura Sculpture Triennials, the 1981 Australian Perspecta, the 2nd Australian Sculpture Biennale, and the 1990 Sculpture Triennial. Humour and subtle satire is a focus of his work. Jenyns was a finalist in the 2006 Helen Lempriere National Sculpture Award, and in 2007 won the award with his work Pont de l'archeveche. At the age of 16 Jenyns studyied advertising art at the Caulfield Institute of Technology. He then studied fine art with artist/teachers including Ken Scarlett, Kenneth Jack and Fred Cress, and night life drawing classes at the National Gallery schools under John Brack. After graduating the 20 year old Jenyns taught sculpture and carving at Aspendale Technical School (Melbourne). Two years later he moved to Daylesford and where he taught art until 1978, having received teaching qualifications from Hawthorn Teachers College in 1972. From 1979 Jenyns was based in Tasmania, initially lecturing in sculpture at the Tasmanian School of Art and later serving as head of the sculpture department until 2005. Gift of the Jenyns Family, 2021Painting of a blue truck painted onto stretched canvas.truck, bob jenyns, robert jenyns, available, transport -
Federation University Art Collection
Painting, Robert Jenyns, [Red Truck] by Bob Jenyns, c2008
Robert JENYNS (1944 - 16/11/2015) Born Melbourne, Victoria Bob Jenyns' career spanned over four decades. Producing sculptures, prints, drawings, and paintings hee has participated in many of Australia's most significant art exhibitions including the first Biennale of Sydney (1973), the 1973, 1975 and 1978 Mildura Sculpture Triennials, the 1981 Australian Perspecta, the 2nd Australian Sculpture Biennale, and the 1990 Sculpture Triennial. Jenyns was a finalist in the 2006 Helen Lempriere National Sculpture Award, and in 2007 won the award with his work Pont de l'archeveche. At the age of 16 Jenyns studyied advertising art at the Caulfield Institute of Technology. He then studied fine art with artist/teachers including Ken Scarlett, Kenneth Jack and Fred Cress, and night life drawing classes at the National Gallery schools under John Brack. After graduating the 20 year old Jenyns taught sculpture and carving at Aspendale Technical School (Melbourne). Two years later he moved to Daylesford and where he taught art until 1978, having received teaching qualifications from Hawthorn Teachers College in 1972. From 1979 Jenyns was based in Tasmania, initially lecturing in sculpture at the Tasmanian School of Art and later serving as head of the sculpture department until 2005. Gift of the Jenyns family, 2021Painting of a red truck painted onto a stretched canvas.truck, bob jenyns, robert jenyns, transport, available -
Whitehorse Historical Society Inc.
Decorative object - Motif
Sample of sequin decoration.Black jet sequins stitched onto a black netting.black sequin, black netting, elsie doris whitten -
Orbost & District Historical Society
match box and matches, 1950's
This box and matches were owned by Lindsay Thomson and purchased by him for use at a scout jamboree - Senior Scout Venture which was held on Fraser Island, north of Brisbane in January (1-7), 1951. (Matches were not officially allowed to be taken by the scouts onto the island.) It was for Scouts over 15 years of age who had reached the first-class standard. The jamboree was extended by one week because of a suspected case of poliomyelitis. A photo of the Orbost contingent returning to Spencer Street Station Melbourne was taken by The Leader newspaper. A box for Bell's Waxies. It is a rectangular shape coloured red, white and blue. The waxed matches are made of fine twisted cotton threads. The contents are in a sliding tray. There are some matches inside. The box has been glued onto paper with some cotton threads on the left and a complete match on the right.Bell's Waxies Made in Australia Average Contents 100 1/2matches smoking-accessories bell wax-matches -
Melbourne Tram Museum
Functional object - Section of 1906 rail - Essendon Tram Depot, Carnegie Steel Co, 1906
Rail used by The North Melbourne and Essendon Tramways and Lighting Co. at their Essendon Depot. Based on item 2566, originally rolled by Carnegie Steel in Pittsburg. The reference link provides the history of the company. Section taken from No. 13 road July 2005. Has rolling date welded onto one side, with location and date written in yellow paint on the foot of the rail.Yields information about the type of rail used in 1906 at Essendon Tram depot.Section of rail recovered from Essendon Tram depot relay with "1906" welded to one side. Has a hole on the underside cut using an oxy-acetylene torch for a bolt possibly to secure the rail. Has been sawn from a salvaged section of rail. See item 2566 for a photograph of a section of rail at Essendon depot with the date and manufacturer's name rolled onto it. tramways, rail, essendon tram depot, carnegie steel, nmetl -
Tatura Irrigation & Wartime Camps Museum
Photograph, New Fence Styles - Irrigation Channels, 1957
Taken by the photographer for Victoria State Rivers and Water Supply Commission.Large black and white photograph Concrete "fence" styles - One male worker handling sample in mid-distance, right of centre.Below photo: "New Fence Styles to enable easy access onto Commission Channel Reserves."irrigation, victoria state rivers and water supply commission, channel maintenance -
Nillumbik Shire Council
Sculpture: Matcham SKIPPER, George Dreyfus Composer, 1987
Eltham was a creative hub during the twentieth century, attracting innovative visual artists, architects, writers and film makers to collaborate, forging lifelong friendships and artistic legacies. Skipper produced this bronze sculpture of friend, Composer George Dreyfus for the then Shire of Eltham Art Award. Matcham Skipper (b.1921 NZ - d. 2011 Melb.) was a renowned local sculptor, jeweller and builder and an accomplished teacher, designer, ironworker, and photographer. His work is held by many museums and public collections in Australia and overseas. He was a long term resident of Montsalvat in Eltham with his family deeply involved in the building and evolution of this artists colony, which was the vision of architect and painter Justus Jorgensen. George Dreyfus (b.1928 Germany - arrived 1939 Aus) is an Australian contemporary classical, film and television composer. He has composed numerous film and television scores, including Tim Burstall's 'The Adventures of Sebastian the Fox' (1963), 'A Steam Train Passes' (1974), 'Rush' (1974), 'Dimboola' (1979) and 'The Fringe Dwellers' (1986). It was the score for 'Rush' which brought him wider recognition. He has written four operas, two symphonies, chamber music and film scores spanning five decades. Dreyfus is well known for having worked with the late director, writer and producer Tim Burstall, a key figure in Australian postwar cinema and local who lived in Eltham. Burstall was instrumental in rebuilding the Australian film industry in the 60s, creating groundbreaking Australian films including 'Stork' and 'Alvin Purple'. Figurative bronze bust of well known Australian composer George Dreyfus. He is wearing a shirt underneath a sweater. His left arm/hand is placed over his chest. His eyes are half closed as if immersed in the music. A green patina can be seen in areas on the sculpture. Signature and date cast (incised with tool) onto the back shoulder blade: 'MATCHAM SKIPPER 1987'ek prac 2015, montsalvat, eltham, george dreyfus, matcham skipper, bronze, bust, tim burstall, sculpture, rush -
Friends of Westgarthtown
Ship, model, Pribislaw'
Constructed with timber from the wreck of the Pribislaw by3-masted ship modeled on the Pribislaw and constructed from this ship's wood, salvaged in the Shetland Islands. On timber base with descriptive panel. Ship complete with trimmings - German flag, sails, ladders, steering wheel etc.In printed type, cut out and stuck onto the back end of the model ship 'Pribislaw' and 'Hamburg'.maritime technology, model ships, pribislaw, 1849, 1850, german migration, model ship, hamburg -
Mont De Lancey
Glass bottle, R. Mackey & Co
Thick glass bottle with 4 indentations on the neck and two constricting lines below the neck with a glass marble rolling along the ridge. No cap or stopper.Embossed onto bottle: "R. Mackey & Co. Trade Mark and the company's Globe logo, Kalgoorlie".bottles -
Bendigo Military Museum
Literary work - POEM, TOBRUK, C.1941
Thomas James Morgan sent the copy home, he served in 2/12th Aust Field Artillery Regt. This copy was in the collection re Bill Jeffers VX57282, refer Cat No 147 for his service details.Poem, copy of pasted onto card, print in black with surround.“VX17773 Driver T.J.Morganliterary work, poems, tobruk -
Glenelg Shire Council Cultural Collection
Newspaper - Newspaper Article, c. 1952
Copy newspaper article c1952 glued onto white paper. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Ship loading, Untitled, n.d
Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Croftonkraft containers loaded onto a ship, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Sheep loaded onto live transport ship, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: p. 6 (circled, blue pen, upper centre) Sheep (circled, blue pen, centre) Reduce to 90%/ -2/col (circled, blue pen, centre) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Sheep being loaded onto ship through hull doors, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Sheep loaded onto live transport ship, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: p. 6 (circled, blue pen, upper centre) Sheep (circled, blue pen, centre) Reduce to 90%/ -2/col (circled, blue pen, centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Sheep loaded onto live transport ship, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Ramp to load sheep onto ship moved into position with crane, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Sheep being loaded onto ship through hull doors, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: No. 14 (pencil, lower right)port of portland archives -
Federation University Historical Collection
Map, Ballarat and Sebastapol Gold Mines, Late 19th Century
colored printed map on paper lined onto linen backingprinted "Rider & Mercer's Plan of the Ballarat & Sebastapol Gold Mines Scale 30 Chains to One Inch"gold mines, mine allotment map, mining leases, ballarat, sebastopol, rider and mercer, golden shaft co, prince of wales and bonshaw united, leviathan gold mines, holst and co, speedwell co, sebastopol plateau, rothschild co, tower hill co, south plateau, south star co, band of hop and albion consols, prince regent co, chenhall and co, despza, buninyong estate, one eye hully, winter's freehold, luplau plateau, e. morey, carrill's quartz -
Federation University Historical Collection
Teacher's Aid, Building Construction: Details of Portland Stone Staircase
Building construction poster stuck onto thick blue card.building, portland stone staircase, architectire, building construction, cassell and company -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Lucerne pellets for the Japanese market loaded onto ship with conveyor belt, 1972
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - crane loading container onto the ship 'Jadroplov', 1980s
Port of Portland Authority archives. The Jadroplov is a Croatian bulk carrier.Front: (no inscriptions) Back: (no inscriptions)port of portland archives, jadroplov, carrier, cargo -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - crane loading container onto a ship, 1980s
Port of Portland Authority archivesport of portland archives, cargo, crane, container