Coloured photographic postcard with a 2cm white border on right hand side depicting gold digging on the Ovens River. Aspect is taken from behind a waterwheel with a man standing on a platform looking over the river. The banks are thickly treed and mountains can be seen in the distance. The words Gold Digging on the Ovens River are printed in red on the margin and handwritten in black are the words Have you this PC? Returning home on Tuesday Father is much better L.C. On the reverse card is addressed to Miss R Dean 'Esmond" Golden Square Bendigo.44140postcard

Postcard, WW1, B&W photo of 8 men at a camp kitchen. Two pairs of ovens and hotplates with chimneys and one inground oven with chimney. Pile of firewood in left foreground. Wooden buildings behind and conical tents in the background. Seven soldiers standing near ovens holding some implements and one soldier sitting at lower right. Location not known.postcard, postcard, ww1, camp kitchen

Photographs. Two pages of copies of coloured photographs of eight Funeral Towers: Beechworth Funeral Tower 2011. Vancouver Island BC Canada 1999. Bendigo Funeral Tower 2009. Maldon Funeral Tower 1995. Avoca Oven 1995. Dunolly Oven 1994. Castlemaine Funeral Tower 1995.photograph, landscape, copies of eight funeral towers

Coloured slide transparency. Image is of a hut in the bush. The hut is of iron sheet construction, with a brick oven at the front. A sign with the words Red Box Hut is attached to a tree at the front and a dam is on the left hand side of the hut. The words Red Box Hut are handwritten on the top border.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Jonathan Harris operated a winery on the banks of the Axe Creek, Axedale in the 1850s.A camp oven 31 centimetres diameter. It has three legs on the bottom which are three and a half centimetres long, The pot is 25 centimetres diameter on the bottom 13 centimetres high and 30 centimetres diameter at the top, It has a partly curved lid which is three centimetres high and has a one centimetre wide and seven centimetre long handle on top. Attached to the top of the pot is half centimetre diameter 70 centimetre long handle which extends 21 centimetres above the lid. Part of the Harris Collection.harris collection, camp oven

Sepia Toned Photograph, gold sluicing on the Ovens River near Germantown) Showing a man standing on a water wheel looking over a water course flanked by trees & shrubbery with mountains in the background. Markings on rear Photo read 'N.J. Caire Landscape Photographer 4 Darling Street South Yarra Victoria'N.J. Cairephotograph, water wheel landscape, water wheel, mining

Textiles.Calico flour bag with the following printed on one side; ''Mammy'' oven puff, creamed self raising flour large bags, 25 lb net weight. When packed. Contains Vita-phos. The only creamed flour. Prepared with phosphate aerator. Manufactured by WATSON Milling Co. Pty. Ltd. 1097 Dandenong Road, East Malvern, Se5 Phone UL3131''. Centre front is a picture of an African-American lady holding a cake. Picture has a border of wheat sheaves. The boy has remnants of stitching used to close the top of the bag. Collection holds two other uncatalogued samples. 7lb bag has picture of three scones on one side.textiles, domestic, watson milling flour bag

This photograph was taken during a tour of the Drystone Asociation to Yandoit. Sir James and Lady Gobbo were in the party.Colour photographs showing at bread oven at the home of Antonio Gervasoni of Bergamo, Lombardy, Italy. antonio gervasoni, yandoit creek, drystone, bread oven

Colour photograph of the Chinese section in the Bendigo Cemetery.A plaque states: This Pomelo Tree (known to the Chinese as the tree of life) was planted on 9 October 1996 in recognition and to the memory of the many Chinese buried at or in close proximity to this site during the 19th and 20th centuries. bendigo cemetery, graves, headstones, chinese, oven

Centre pages show a map of the system and the sections. The extension to North Bendigo is yet to be constructed. Gives times for trams leaving the city or the terminals for the routes and for the Eaglehawk route, leaving Long Gully Bridge. Has four SECV Advertisements within the book for hot water, ovens - cookers, toasters and electric fan heaters. Three copies held. See item 5356 for a digital image of the same document with a photograph of Len Smith of Geelong loading a pram into a Birney tram.Provides details of 1940 tram services in Bendigo.Forty-page booklet, with orange lightweight covers, saddle-stapled, SECV Provincial Tramways with the title "Official Time Table Bendigo June 1940". Has address if Hargreaves St Bendigo on bottom of the cover. Two copies held.bendigo, timetables, secv

Diggers & Mining. The Chinese on the Gold Fields. Slide: Many Chinese took up other occupations; some became successful market gardeners, fishermen, laundrymen, cooks, and sellers of tea and sugar (till near the end of the 19th century, both these commodities came from China). In Melbourne, they made fine cabinet makers; the first successful tobacco growers in Victoria were Chinese in the Ovens Valley. Markings: 12. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. Gold. ? Chinese quarter on an Ovens diggings. Slide shows the Chinese quarters which is a different style building to all others. There are also some Chinese caring buckets in the traditional Chinese manner. Markings: 2 994.GOL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. Getting the Gold. Slide: On some fields, but notably at Ballarat and Daylesford, the diggers soon began building water races from streams and springs, and running the race water into small reservoirs near their claims. (Water races, as we have seen, were also constructed all over the Ovens field for sluicing purposes.) Later in the gold decade, the building of water races went on space - chiefly by large co-operative groups of diggers engaged in small scale mining operations. Markings: 69 994.LIF:4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. Getting the Gold. Slide: On some fields - notably those on the Ovens and its tributaries, where there were no leads - ancient gold-bearing sands and gravels were found in river terraces high above the level of the stream. These were usually treated by a process known as sluicing. Water from higher levels of the stream was diverted through races to point of operations . . . Markings: 59 994.LIF:4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. The Digging - The Diggers. Slide depicts: Murrey River, Kiewa River, Ovens River, King River. The Ovens Field consisted of widely separated diggings, discovered and worked at intervals during the gold rush. Markings: 23 994.LIF:6. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. The gold licence. The Government Camp. As well as government escorts, there were a few private gold escort companies operating in the early 1850s. One of them carried gold from the Ovens diggings to Sydney. In 1852, the South Australian government established a gold escort service between Mount Alexander and Adelaide. Why? Markings: 25 994.LIF. 4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Wirebound booklet, 80 pages, approx A5 size, titled "Electric Cooking Recipes" Prepared by the SECV November 1955.non-fictionProvides a series of recipe and potential dinner menus. Prepared by the home advisory service of the SECV. The SEC promoted electric cooking on Ballarat tramcars using large roof advertisements. The lady in the photo could be Margaret Fulton, a well known cook.secv, power supply, tramcars, cookbooks, recipe books, home advisory

I conceive my work as unfinished fragments of memory and childhood rituals, and through the art making process, I build and then peel back the layers of these memories and early influences, to reveal my personal dreamscape. Through the fusion of colour, texture, mark making and rubbing back, my intuitive rendering of the media creates layers that like memories, can be stacked up, hidden, peeled away, rubbed out, etched back in, and the process of layering and building up of a tactile textured surface, reflects memory itself; with its elusiveness and hard to grasp impressions that are more like ingrained watermarks. As I work, layering the surface then taking it back; rebuilding, adding marks and burnishing back, I feel into the textures, and through this tactile rendering I often discover something unintended and the end result is not quite how I perceived it in the planning. Perhaps something of a happy accident, which again reflects the arbitrariness of memory. I see my artworks less as paintings, but assemblages, with the layering technique creating a sculptural effect that reflects my great interest in the landscape and its beautiful and varied colours, shapes and textures. Part of my process is to take long drives into the country where I grew up, photographing along the way, to create a visual documentary that then informs my practice. The wide paddocks of the Victorian wheatbelt, beneath the endless blue of the horizon evokes very early memories so that a singular Bullock, a fencepost, a hay roll or corrugated iron wall, is so uniquely resonant to me, I am compelled to create this in my work. My connection to the land, to farming practices; the poplars, oaks and elm trees of my childhood holidays, is a mindscape that I return to again and again as I try to recreate that early sense of wonder, love and familiarity, grief and joy, that forms my unique vision. Veronica DRUM (1967 - ) Born Donald, Victoria A student at Federation University Arts Academy from 2015 until 2019, Veronica Drum is committed to establishing regular studio practice. Veronica Drum made this work in the final studio semester of the Bachelor of Visual Arts at the Federation University Arts .Academy.Framed Mixed media artwork depicting the Ovens Rivers, Victoria. Artists' Statement: Through the fusion of colours, textures, mark-making and a 'rubbing back' process, my intuitive rendering of the chosen media creates layers in my artwork that reflect and build upon cherished childhood memories. This work won the 2019 Federation University DVC 2D Art Acquisition Award.veronica drum, mixed media, alumni, oven river, dvc art acquisition award, trees, landscape, treescape