Probably Fitzroy Gardens according to Georgina Whitehead who was writing a book on Public Gardens of Melbourne City Council, 1991.Black and white/sepia photograph of an avenue of Poplar trees in a Public Garden. A man standing in the middle of a wide path. Some iron fencing.avenue, poplar trees, fitzroy gardens, georgina whitehead, public gardens, melbourne city council

Central Park Gardens. Lady beside mature palm tree with hedge in background. c1920'sBlack & white photograph of Central Park gardens with woman standing on path beside garden bed with truck of palm tree in center of photo.stawell

Kay is sitting on the path described in previous photo. She is holding the handle of a pram with a doll in it. The front wheels of the pram are lifted off the ground.

Note by T.H. Kneen 19 November 1991, "View of Principal's residence from vicinity of orchard gate - the three steps in altered form still exist (1991). Middle ground plantation of camellias still exists."Looking across garden area from the Orchard with path and shrubs to back of Principal's Residence in background. There are more steps than are extant now.On reverse, "1913." principal's residence, lynch design, camellias, principal's house, orchard, field station

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of white rendered house with the concrete path removed from the front garden . Other features include a semi enclosed porch with arched entrances and barrel tiled flat roof with four pillars. Property features also include a tiled roof, a concrete driveway and '23' on the adjacent mailbox. Bricks are scattered on dirt path in the front garden.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, arches, letterboxes, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, rendered houses

Finlay Currie is seated on a wooden garden bench set beside a rock-edged path up to Belgrave House. He is wearing a hat, an open-necked shirt, waistcoat and trousers, and has his legs crossed. Another man stands further up the path, posed with his right foot on the rock edging. The dog sits at his feet.

The cottage is typical of the holiday houses that could be rented in Halls Gap. This house was called "The Wattles" and was one of the houses used as "Girls Hut".The photo shows a weatherboard cottage set in bush. A sandy path through bracken can be seen in the foreground. There is a tall gum tree in the right of the photo."The Wattles" written in pen on rear.buildings, houses

Laura Ritchie was the sister of Frank Wright who was a renown resident of Smeaton, She was a gifted viola player and won the Australian Violin Championship. They lived at Laura Villa, and attended Smeaton State School. Frank's father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. Hand coloured photograph of a woman with a baby on her lap, seated on a path in front of a cottage with a picket fence. The woman is Laura Ritchie nee Wright.frank wright, cornet, conductor, ballarat, laura ritchie

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man in a light coloured suit, holding a hat and gloves. He is standing on a path within a park, with trees in the middle distance.Printed on back - Veloxfrank wright, cornet, conductor, ballarat, st hilda's band, parkland

This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities, are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to a lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up a home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Path of Glory Author: Anatole France Publisher: The Bodley Head Date: 1916 Further Information: A translation by Alfred Allinson. Edited by Frederic ChapmanThe label on the spine cover with typed text PAT 844 FRA Front loose endpaper has a sticker from Corangamite Regional Library Service. Front loose endpaper has a stamp from Corangamite Regional Library Service. Inside Front, loose endpaper has a sticker from Warrnambool Public Library. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, the path of glory, anatole france

Postcard, In the fernery, Bendigo, showing plants and ferns both sides of a path. Printed in Great Britain. Card has a gold coloured braid around it.The Valentine & Sons Publishing Co. Ltd, Melbournepostcard, photograph, bendigo fernery

Slide. Bendigo Views. The Fernery, Rosalind Park. Ferns, trees and creepers growing in the fernery. A rock lined gravel path winds among the ferns.slide, bendigo, bendigo views, bendigo views

Photograph - black and white. Photograph of The Fernery, Rosalind Park, Bendigo. On the right hand side of photo No.11. Dense shrubbery and plants border the path.place, public gardens, fernery, rosalind park, rosalind park the fernery bendigo.

Small tobacco tin. Yellow with red banner. Showers picture of house, path, two horses and a man sitting on a log with mountains and trees in background.FLAKED GOLD LEAF "Log Cabin" W.D. & H.O. WILLS (AUSTRALIA) LTD. SYDNEY SUCCESSOR IN AUSTRALIA TO LAMBERT & BUTLER. On side: FINE 2oz net weight when packed. Upper right corner: Red Sphinxlog cabin, tobacco, smoking

View of St. Matthew’s Church looking north. Shows Baptist Church (built 1869) in background on right.View of ST Matthew's Church looking north. a long wooden picket fence along the path in front of the church. A building in the background to the right of the church.stawell religion

Whitehorse and Knox councils are lobbying the State Government to help fund a shared path and bridge over Dandenong Creek to connect Wantirna and Vermont South.dandenong creek, vermont, wantirna, city of whitehorse, vicroads, bridges, cycling, pedestrian overpass

William Cook was one of the earliest settlers in Vermont. Having returned from the W.A. goldfields he married Jane Maggs in 1880 at Wickliffe, Victoria and his only child, Amy, was born in 1881 at Box Hill. William Cook's property fronted Whitehorse Road, Mitcham and ran north almost to the Mullum Mullum Creek. He shared part of his eastern boundary with the Schwerkolt family. William Cook specialised in cherries and became known as 'The Cherry King'Sepia photograph mounted on card of a woman and a girl standing in front of a wooden house with iron lace on the verandah. A path leads down the side of the house.cook, amy, jane, orchards

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.Colour postcard of garden beds with man (gardener) standing beside tree with a sign on it on right side of card. A path is in the foreground with rocks standing at the edge.Front: ‘Botanic Gardens, Williamstown’. Reverse: ‘POST CARD’ centre top of card, underlined with a dividing line down the centre of the card. ‘This Space may be used for Correspondence.’ on left side of line; ‘For Address Only.’ and ‘155/103598’ inside dotted lines to indicate stamp placement. In pencil on top right corner ‘1906 SLV’ (believed to be inserted by the vendor).postcard, garden-beds, gardener, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, 1906, colour-postcard

Black and white photograph. Garden view looking down from the Administration Building at the Emily Gibson garden beds in front of it. A group of students on the path.garden view, administration building, garden beds, emily gibson, students

Hand drawn sketch plan of placement of trees to the N.E., E. and S.E. of the Principal's Residence also showing placement of buildings, paving, lawns and paths.buildings, paving, lawns, burnley school of horticulture, principal's residence

Corner of Fitzroy St and Lower Esplanade, St Kildacolour photograph, unmounted, good conditionThe Path of Duty Be the Way to Glory. To Commemorate Those Men and Women Who Served Their Country & Paid the Supreme Sacrifice During 1939-45 War'

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.Black and white photograph of Billie Wilson and Zelda Lyons walking down the path from Amess House to go for a swim. The large Norfolk Pine is in the background.Catalogue number written in pencil on reverse. Written in pen on reverse '1940 Self Explaitory. Zelda Lyons Billie Wilson on way for a swim'churchill island, billie wilson, zelda lyons, amess house, norfolk pine

Colour photograph of Old Buninyong Baths after restoration in 1993-94 showing the reinforced concrete wall built by returned soldiers from World War 1 circa 1919The swimming baths were originally built in the early 1870s and the reinforced concrete wall was constructed c 1919 by returned soldiers and was a focal point for community swimming until the 1950sColour photograph of the memorial garden created in the area of the old Buninyong Baths showing the reinforced concrete walls, plants, paths after restoration in 1993-94Old swimming pool, Buninyong gardens built c 1918, restored 1993-94. Photo taken Jan 1995returned soldiers ww1, buninyong gardens, memorial gardens, buninyong baths

The opening services of the Glendearg Grove Methodist Church South Malvern were held on 5th February 1905. The church had seating for 400 people and was built at a cost of 1200 pounds. The President of Conference the Rev. W.H. Fitchett D.D. preached at the opening services. An extension was added to the church in 1918.B & W postcard showing the front of the Glendearg Grove Methodist Church, South Malvern. The church is behind a picket fence, and a woman stands on the path with a pram.Glendearg Grove Methodist Church as it was 1904 - 1918.glendearg grove malvern, methodist