1988: 12 November. “Bush Nursing” Our float in the Eltham Community Festival Parade won the award for the best display for the second year running. We received a trophy donated by the Billabong Family Bistro, Lower Plenty. The theme of the float was the Eltham Bush Nursing Hospital. The float was prepared by Bruce Ness with some help from other members. A number of members contributed with costumes and other props. Hospital equipment was kindly loaned by the Judge Book Village. As with previous parades members of the Victorian Folk Music Club joined us, their music providing a welcome addition to the float. Silver plated cup with two handles on brown plastic base with inscription on metal plaque1988 Eltham Festival Best Display Entry Donated by Billabong Family Bistro, Lower Plenty1988, award, billabong family bistro, eltham community festival, eltham festival, lower plenty, trophy, shire of eltham historical society, eltham district historical society, victorian folk music club

The Ballarat Technical Art School boasted a well-stocked Antique Room replete with plaster copies of classical, Renaissance and Gothic sculptural examples, which were used as drawing props by students. The school inherited some casts from its predecessor institutions, and further consignments were purchased during the 1920s, including full length, bust and relief figures, as well as dozens of ornamental and architectural casts. Unfortunately, much of the collection was lost or destroyed in the late 1950s. This is one of the few surviving pieces, with TAFE students reportedly drawing from it into the twenty-first century. It was removed to the University's Historical Collection in 2012.White plaster cast of a woman with closed eyes. The cast is hollow, with an opening at the back. There is a metal wire at the back so it can hang on the wall.ballarat technical art school, ballarat school of mines, art, drawing, plaster, drawing the human figure from cast, drawing from the antique

The Ballarat Technical Art School boasted a well-stocked Antique Room replete with plaster copies of classical, Renaissance and Gothic sculptural examples, which were used as drawing props by students. The school inherited some casts from its predecessor institutions, and further consignments were purchased during the 1920s, including full length, bust and relief figures, as well as dozens of ornamental and architectural casts. Unfortunately, much of the collection was lost or destroyed in the late 1950s. This is one of the few surviving pieces, with TAFE students reportedly drawing from it into the twenty-first century. It was removed to the University's Historical Collection in 2012.White plaster cast showing the side profile of a child's face.ballarat technical art school, ballarat school of mines, art, drawing, plaster, drawing from the antique, drawing the human figure from cast, copy, replica

A photo of a group of female junior legatees in sporting outfits entering the Annual Demonstration with a prop of a totem pole. There are 14 young girls and part of the audience is visible. Legacy clubs ran classes for junior legatees for many years such as gymnastics, swimming or dancing classes. It was part of providing for the children of their deceased comrades. The skills they learned were show cased in an annual demonstration usually at the Melbourne Town Hall. It appears to be photo taken professionally, as there are several photos of different classes (see 00862 - 00873) perhaps to record Legacy classes for promotion purposes. A note with the photo identifies two young ladies; "Kneeling at the front Michelle and Anne O'Connor.A record of a way Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo of girls in sports outfits with the Legacy logo carrying a totem pole into a venue.Handwritten 'Legacy P2' in blue pen and 'Annual Demo 1963' in pencil.junior legatee, annual demonstration

Bendigo Central Bottle Club Newsletter - James Lerk Collection, Vol. 7, No. 4 (ca. March/April 1982). Includes: Sketches of Charcoal one-gallon Filter (G D Guthrie, Bendigo Pottery; bottle T R Jones, Chemist, Bendigo;A Simpson & Son, Eaglehawk; Union Cordial Works, D Egan Prop. A Simpson & Son, Eaglehawk; McKenzie & Co. Wine and Spirit Merchants, Sandhurst; reprint from ''Bendigo and Vicinity'' (1895) re T R Jones, Chemist, Hargreaves St;One page has a photo of James Lark receiving congratulations from a bottle Judge.

Murray Comrie Collection.Sepia photographic postcard, with image of soldiers in uniform posed in a makeshift studio setting, with a prop boulder at left. Subjects are residents of Tarnagulla and other towns in surrounding district who served in First World War, dating the image to circa 1914-1918. Reverse is printed with postcard template. Handwritten note on reverse gives the following names: (From Left to Right) Back Row: Luther Stone, George Corrie, Cash Fitzgerald, Harry Biggs, Geo. Williamson Front Row: Bert Runting, Claude Whimpey, Bill (WIlliam) James, Bert Gray Same image as THA-2019.0026 (slight difference in names) Handwritten on reverse '1914-19 War' and 'Tarnagulla Boys' plus names.tarnagulla, waanyarra, war, military, service, soldiers, veterans, ww1, first world war, stone, corrie, fitzgerald, langan, runting, whimpey, james

BHS CollectionBendigo Advertiser ''The way we were'' from Tuesday, November 30,2004. Team mates: this picture shows team YCW, but where and when it was taken is unknown. Back row: R. Kelly, L. Janssen, J. Burke, N. Smith, R. Anderson, J. Boag, J. Barrett, R. Keating, J. McQuillan, L. Raeburn. Centre: J. Butler, J. O'Brien,, J. Mason (captain), F. Krausgill (V.C.), E. Jenkins. Front: W. Dean (prop steward), R. Flynn (trainer), A. Mason, L. O'Brien, B. O'Farrell, R. Christopher, R. Mustey, W. Dwyer (trainer).newspaper, bendigo advertiser, the way we were

BHS CollectionBlack and white photo of a streetscape with various buildings, earth street and wood rail fencing. At the right edge is the Commercial Hotel. In the centre is a building with a veranda with P. Pentreath printed above the veranda. At the edge of the veranda is a sign with Post Office on it. Next is a Dr J W Sibley, Physician next to a bakery. On the left of the photo is a slab building with the windows propped open and a cart in the front of it. A two rail fence is in the front of the hut. There are other buildings in the background including what looks like a church behind the slab hut. The photocopy for this item is not available at this time, 23 Jan. 2020. The original photo for this item is at the bottom of box 621bendigo, history, long gully history group, the long gully history group - streetscape, p pentreath, commercial hotel, dr j w sibley?

1. 2x Anglesea Drapery business cards 2. 3x 'Anglecrest' Guest House business cards Both businesses owned by Betty Butterworth from 1956 to 1963.Card 1. Anglesea Drapery Mrs E. V. Butterworth Prop. Shop 79 Great Ocean Rd Anglesea 3230 Residence 51 Noble St Phone 63-1296 Card 2. 3x: With compliments 'Anglecrest' Guest House (Mrs E.V. Butterworth Proprietress) Harvey St Anglesea PO Box 1 Vic. Phone 63-1498butterworth, anglecrest guest house, anglesea drapery, business cards

This hat is one commonly called a fez but there are many variations of the style and colour and many different names according to the country or group wearing this type of hat. The name fez comes from the city of Fez, the capital of Morocco up to 1927. This style of hat was part of the traditional clothing of Cyprus and introduced into the Balkan countries in the Byzantine era. In the early 1800s it was made part of men’s clothing by the Sultan of the Ottoman Empire and was used particularly as part of the military uniform. Today in military circles it is used as part of a dress uniform only but is extensively worn by men in many countries and is now seen to be part of oriental cultural identity. This particular fez appears to be a theatrical prop.This hat is not an authentic one, being a theatrical piece, but it will be useful for display.This is a short cylindrical peakless hat made of cardboard covered with a burgundy-coloured felt. There is a black tassel attached to the top and hanging down the side of the hat. The inside of the hat has a green and white striped material around the edge and patterned material covering the rest of the inside. ‘8’men’s headwear, history of warrnambool

Robin Boyd’s unbuilt scheme for two residential towers for Carnich Pty Ltd in East Melbourne is one of his most striking late projects – remarkable for its daring scale, its indebtedness to the megastructural polemics of Paul Rudolph and Japanese Metabolism, and its prescience – a high-rise apartment building now sits on the same site. The drawing is spectacular: trays of space are held aloft on angled concrete props that branch off trunk-like vertical slabs. With balconies and spandrels highlighted in white, the scheme’s dynamism echoes El Lissitzky’s mad Wolkenbugel (‘Skyhooks’) while also signalling a tragic last hurrah before Boyd’s 1971 death. Philip GoadIncludes sketch of two structures and surrounding flora.Inscribed upper left of recto, "ROBIN BOYD'S SKETCH FOR / COMBINED PROJECT 60-64 / CLARENDON ST. + CORNER SITE"architecture, mid-century modern, emigre, rmit design archives

B&W photo showing hay being stacked at Glen Park Farm, Selby. The photo shows two women and a man in a sloping paddock. On the left is a woman in a pale, knee-length dress, climbing a ladder propped up against a tall haystack. The haystack has a covering with a repeated logo on it. A man stands near the bottom of the ladder, holding a sheaf of hay on his right shoulder. He is wearing a hat, light jacket and dark trousers. A woman stands uphill of the others. She has a light blouse and slightly darker calf-length skirt. The haystack is set between trees on the downhill side. In the distance Black Hill can be seen.

"The bonfire at Beckett Park was the culmination of the EMPIRE DAY/CELEBRATIONS in Surrey Hills in 1935 and 1936. In 1937 vandals lit the fire prematurely but residents hastily rebuilt it - about / 100 tons including old tyres. A volunteer fire-watcher had his caravan close by until lights-up time on Saturday night. / Courtesy Ian Barkla. / see 180 (handwritten on backing board)." / "BONFIRE BUILDING at BECKETT PARK/EMPIRE DAY CELEBRATIONS IN 1930s/ The celebrations were centred on the/ shopping centres in Surrey Hills and/Mont Albert to boost local business (and/ the spirits of residents) after the Depression./ - from a glass negative - Mr Ian Barkla."Image depicting the building of a large bonfire made primarily from rubber tyres, supported by a wooden frame c1937/8. There is a significant crowd of people watching the erection of the pyre from ground level. Several members of the crowd are seated or holding bicycles. There are multiple persons situated on the pyre or on a ladder propped up against the mound of tyres. The area containing the pyre has been fenced off with rope (?). A white coloured caravan in situated to the right (facing) of the bonfire in close proximity to a dark coloured car. Two stone towers and a park bench are also visible in the image.Black and white, W 25.3 cm x H 20.3 cm, landscapeparks and reserves, beckett park, balwyn, bicycles, crowds, empire day, depression 1929-1939, economic depression, frank leslie barkla, bonfires

Murray Comrie Collection.Sepia photographic postcard, with image of soldiers in uniform posed in a makeshift studio setting, with a prop boulder at left. Subjects are residents of Tarnagulla and other towns in surrounding district who served in First World War, dating the image to circa 1914-1918. Reverse is printed with postcard template. Accompanied by a note that gives the following names: (Left to Right) Back Row: 1. Luther Stone 2. Geo. Corrie (Waanyarra) 3. Cashen Fitzgerald 4. Bill Langan 5. ______________ 6. _______________ Front Row: 1. Bert Runting 2. Claude Whimpey 3. Bill James 4. _________________ Same image as THA-2019.0201 (slight difference in names).Stamped on reverse 'M. Comrie'. Hadwritten on reverse 'M. Comrie' and 'For Le Messurier, per Bill Gore' and '1'.tarnagulla, waanyarra, war, military, service, soldiers, veterans, ww1, first world war, stone, corrie, fitzgerald, langan, runting, whimpey, james

David Fletcher Jones was born in Bendigo in 1895. He served in World War 1 and returned in 1917 and with a war repatriation loan bought a hawkers wagon and commenced working a circuit around the Western District. In 1924 he bought a business in Warrnambool and after an initial shaky start he started to build his business. He was well regarded and involved in the town and the 1960-70’s saw the Fletcher Jones brand and factory expand to become one of the largest employers in the town. Ownership was based on a co-operative model with employees owning shares in the company. As well as manufacturing he had a number of retail stores across Australia. This item is likely to be a prop from one such store. A minor item which is linked to an important part of Warrnambool’s past.Piece of wood shaped like a necktie with advertising slogan and small diagram in black text.Fletcher Jones says “Gentlemen prefer Blends” You will never wear a colour that hurts your eyes_ When you accept the help of “The Man’s Shop”sir fletcher jones, david fletcher jones, fletcher jones warrnambool

This portrait was presented by the Victorian Bar to the Library in 1917 to commemorate Schutt’s fifty years as the Supreme Court Librarian. The portrait was presented at a ceremony presided over by Mr Mitchell KC who noted the “unanimity with which the members of the profession had adopted the suggestion that the eminent services of Mr Schutt should be recognised in this way.” Chief Justice Madden also spoke on this occasion and there were a number of judges and members of the legal profession present. John Schutt had been born in England in 1831 and migrated to Victoria as a young man, initially working as a school teacher he was appointed librarian, during Redmond Barry’s time in 1866. He started work in the Old Court in Russell street and would have supervised the move of the library to its new and greatly expanded premises in William Street in 1884. As well as secretary to the Library committee, he also acted as the Secretary of the Board of Examiners on occasion. After his death in 1919 in its obituary, the Williamstown Chronicle noted that Schutt was regarded as a Solon, an ancient greek law giver who gave wise advice. Away from the Court he was a councillor of many years standing in Williamstown, representing the Victoria Ward, what is now the suburb of Newport, it would appear Schutt street in Newport was named after him. His eldest son William Schutt was appointed a Supreme Court judge in 1919. The portrait of Schutt is a companion piece to the Sir Thomas a’Beckett picture painted shortly before the Schutt portrait and for the same client, they share the same frame design with gum leaf motif. This portrait was undertaken early in Meldrum’s career and before he had fully developed his theory of painting. Duncan Max Meldrum (1875-1955) was a controversial figure in his later years as he strongly opposed modernism and non-figurative art. His works are found in most of the state galleries, including a wide selection at the National Gallery of Victoria. This portrait is of interest for whom it portrays and as the work of a well known artistFull length portrait in oils of John Schutt. Schutt is standing up looking out the to the viewer. His hand rests on a small pile of books. He is dressed soberly in a three piece black suit. His white beard and hair all meticulously trimmed and realised. The props used in this painting provide the main colour as the background has become dark over the years. The books sit atop of a red and gold draped table. Behind Schutt is what appears to be a crimson velvet chair and he gives every appearence of having just arisen from the chair to engage with the viewer. The painting has an unusual light source at the foot of the painting with Schutt's legs providing shadows. Signed Meldrum lower right hand corner. Plaque inscription is John Schutt, Esq. Supreme Court Librarian

Auction Catalogue. Two copies of an auction catalogue for antique furniture and furnishings at 'Lancewood House', McLaren St. Bendigo. Contents of 18 rooms. Auction held over 3 days, May 31 to June 2. 1949. Auctioneers Bishop & Earl and Curnows (Bendigo) Prop. F. C .Dyett. Home once owned by Ernest Mueller. Catalogue includes 4 B & W photos of 3 rooms. Copy 'a' - Handwritten in ink on the first page 'Lydia Chancellor, Taraxville, Golden Square. Selling prices written against most items. 5 press cuttings re the auction are loose inside front cover. Copy 'b' - selling prices typed in against most items.Bishop and Earl, Curnows ( Bendigo)cottage, miners, lancewood house, auction, ernst mueller, bishop & earl, curnows (bendigo), lydia chancellor

[from a contemporary report:] In 1988 the assembly point for the Parade changed from previous years from Cecil Street to Youth Road behind the Eltham Station for the start of the parade at 12.00. The Shire of Eltham Historical Society's float in the Eltham Community Festival Parade won the award for the best display for the second year running. We received a trophy donated by the Billabong Family Bistro, Lower Plenty. The theme of the float was the Eltham Bush Nursing Hospital. The float was prepared by Bruce Ness with some help from other members. A number of members contributed with costumes and other props. Hospital equipment was kindly loaned by the Judge Book Village and in what has become something of a tradition, members of the Victorian Folk Music Club accompanied the Society for the Parade. Their music was again a welcome addition to the float.Colour photographeltham festival, shire of eltham historical society, sue law, doug orford, russell yeoman, 1988, main road

[from a contemporary report:] In 1988 the assembly point for the Parade changed from previous years from Cecil Street to Youth Road behind the Eltham Station for the start of the parade at 12.00. The Shire of Eltham Historical Society's float in the Eltham Community Festival Parade won the award for the best display for the second year running. We received a trophy donated by the Billabong Family Bistro, Lower Plenty. The theme of the float was the Eltham Bush Nursing Hospital. The float was prepared by Bruce Ness with some help from other members. A number of members contributed with costumes and other props. Hospital equipment was kindly loaned by the Judge Book Village and in what has become something of a tradition, members of the Victorian Folk Music Club accompanied the Society for the Parade. Their music was again a welcome addition to the float.Colour photographeltham festival, shire of eltham historical society, sue law, doug orford, russell yeoman, 1988, main road

[from a contemporary report:] In 1988 the assembly point for the Parade changed from previous years from Cecil Street to Youth Road behind the Eltham Station for the start of the parade at 12.00. The Shire of Eltham Historical Society's float in the Eltham Community Festival Parade won the award for the best display for the second year running. We received a trophy donated by the Billabong Family Bistro, Lower Plenty. The theme of the float was the Eltham Bush Nursing Hospital. The float was prepared by Bruce Ness with some help from other members. A number of members contributed with costumes and other props. Hospital equipment was kindly loaned by the Judge Book Village and in what has become something of a tradition, members of the Victorian Folk Music Club accompanied the Society for the Parade. Their music was again a welcome addition to the float.Colour photographeltham festival, shire of eltham historical society, doug orford, russell yeoman, 1988, main road

[from a contemporary report:] In 1988 the assembly point for the Parade changed from previous years from Cecil Street to Youth Road behind the Eltham Station for the start of the parade at 12.00. The Shire of Eltham Historical Society's float in the Eltham Community Festival Parade won the award for the best display for the second year running. We received a trophy donated by the Billabong Family Bistro, Lower Plenty. The theme of the float was the Eltham Bush Nursing Hospital. The float was prepared by Bruce Ness with some help from other members. A number of members contributed with costumes and other props. Hospital equipment was kindly loaned by the Judge Book Village and in what has become something of a tradition, members of the Victorian Folk Music Club accompanied the Society for the Parade. Their music was again a welcome addition to the float.Colour photographeltham festival, shire of eltham historical society, 1988, main road, blanche shallard

[from a contemporary report:] In 1988 the assembly point for the Parade changed from previous years from Cecil Street to Youth Road behind the Eltham Station for the start of the parade at 12.00. The Shire of Eltham Historical Society's float in the Eltham Community Festival Parade won the award for the best display for the second year running. We received a trophy donated by the Billabong Family Bistro, Lower Plenty. The theme of the float was the Eltham Bush Nursing Hospital. The float was prepared by Bruce Ness with some help from other members. A number of members contributed with costumes and other props. Hospital equipment was kindly loaned by the Judge Book Village and in what has become something of a tradition, members of the Victorian Folk Music Club accompanied the Society for the Parade. Their music was again a welcome addition to the float.Colour photographeltham festival, shire of eltham historical society, 1988, main road

[from a contemporary report:] In 1988 the assembly point for the Parade changed from previous years from Cecil Street to Youth Road behind the Eltham Station for the start of the parade at 12.00. The Shire of Eltham Historical Society's float in the Eltham Community Festival Parade won the award for the best display for the second year running. We received a trophy donated by the Billabong Family Bistro, Lower Plenty. The theme of the float was the Eltham Bush Nursing Hospital. The float was prepared by Bruce Ness with some help from other members. A number of members contributed with costumes and other props. Hospital equipment was kindly loaned by the Judge Book Village and in what has become something of a tradition, members of the Victorian Folk Music Club accompanied the Society for the Parade. Their music was again a welcome addition to the float.Colour photographeltham festival, shire of eltham historical society, 1988, main road

[from a contemporary report:] In 1988 the assembly point for the Parade changed from previous years from Cecil Street to Youth Road behind the Eltham Station for the start of the parade at 12.00. The Shire of Eltham Historical Society's float in the Eltham Community Festival Parade won the award for the best display for the second year running. We received a trophy donated by the Billabong Family Bistro, Lower Plenty. The theme of the float was the Eltham Bush Nursing Hospital. The float was prepared by Bruce Ness with some help from other members. A number of members contributed with costumes and other props. Hospital equipment was kindly loaned by the Judge Book Village and in what has become something of a tradition, members of the Victorian Folk Music Club accompanied the Society for the Parade. Their music was again a welcome addition to the float.Colour photographeltham festival, shire of eltham historical society, 1988, main road, sue law, doug orford, russell yeoman

[from a contemporary report:] In 1988 the assembly point for the Parade changed from previous years from Cecil Street to Youth Road behind the Eltham Station for the start of the parade at 12.00. The Shire of Eltham Historical Society's float in the Eltham Community Festival Parade won the award for the best display for the second year running. We received a trophy donated by the Billabong Family Bistro, Lower Plenty. The theme of the float was the Eltham Bush Nursing Hospital. The float was prepared by Bruce Ness with some help from other members. A number of members contributed with costumes and other props. Hospital equipment was kindly loaned by the Judge Book Village and in what has become something of a tradition, members of the Victorian Folk Music Club accompanied the Society for the Parade. Their music was again a welcome addition to the float.Colour photographeltham festival, shire of eltham historical society, 1988, main road, jock read

[from a contemporary report:] In 1988 the assembly point for the Parade changed from previous years from Cecil Street to Youth Road behind the Eltham Station for the start of the parade at 12.00. The Shire of Eltham Historical Society's float in the Eltham Community Festival Parade won the award for the best display for the second year running. We received a trophy donated by the Billabong Family Bistro, Lower Plenty. The theme of the float was the Eltham Bush Nursing Hospital. The float was prepared by Bruce Ness with some help from other members. A number of members contributed with costumes and other props. Hospital equipment was kindly loaned by the Judge Book Village and in what has become something of a tradition, members of the Victorian Folk Music Club accompanied the Society for the Parade. Their music was again a welcome addition to the float.Colour photographeltham festival, shire of eltham historical society, 1988, panther place, sue law, doug orford, russell yeoman, alistair knox park

[from a contemporary report:] In 1988 the assembly point for the Parade changed from previous years from Cecil Street to Youth Road behind the Eltham Station for the start of the parade at 12.00. The Shire of Eltham Historical Society's float in the Eltham Community Festival Parade won the award for the best display for the second year running. We received a trophy donated by the Billabong Family Bistro, Lower Plenty. The theme of the float was the Eltham Bush Nursing Hospital. The float was prepared by Bruce Ness with some help from other members. A number of members contributed with costumes and other props. Hospital equipment was kindly loaned by the Judge Book Village and in what has become something of a tradition, members of the Victorian Folk Music Club accompanied the Society for the Parade. Their music was again a welcome addition to the float.Colour photographeltham festival, shire of eltham historical society, 1988, doug orford, russell yeoman, central park

[from a contemporary report:] In 1988 the assembly point for the Parade changed from previous years from Cecil Street to Youth Road behind the Eltham Station for the start of the parade at 12.00. The Shire of Eltham Historical Society's float in the Eltham Community Festival Parade won the award for the best display for the second year running. We received a trophy donated by the Billabong Family Bistro, Lower Plenty. The theme of the float was the Eltham Bush Nursing Hospital. The float was prepared by Bruce Ness with some help from other members. A number of members contributed with costumes and other props. Hospital equipment was kindly loaned by the Judge Book Village and in what has become something of a tradition, members of the Victorian Folk Music Club accompanied the Society for the Parade. Their music was again a welcome addition to the float.Colour photographeltham festival, shire of eltham historical society, 1988, central park, joh ebeli, eileen gibbons, opal smith, blanche shallard

[from a contemporary report:] In 1988 the assembly point for the Parade changed from previous years from Cecil Street to Youth Road behind the Eltham Station for the start of the parade at 12.00. The Shire of Eltham Historical Society's float in the Eltham Community Festival Parade won the award for the best display for the second year running. We received a trophy donated by the Billabong Family Bistro, Lower Plenty. The theme of the float was the Eltham Bush Nursing Hospital. The float was prepared by Bruce Ness with some help from other members. A number of members contributed with costumes and other props. Hospital equipment was kindly loaned by the Judge Book Village and in what has become something of a tradition, members of the Victorian Folk Music Club accompanied the Society for the Parade. Their music was again a welcome addition to the float.Colour photographeltham festival, shire of eltham historical society, 1988, central park