Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. John S. Weir, Mayor of Kew 1912-13. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "John S. Weir, Mayor 1912-13" [Photographer] "J.E. Barnes / Kew"mayors of kew (vic), australian photographers - josiah earl barnes, ct. john s. weir, kew (vic.) — municipal collection

This tea pot was used in the original Kiosk at Healesville Sanctuary during the 1940'sParamount medium-sized 2 pint silver teapot; functional classic design is similar to ones used in hotel dining rooms during the 1940's - quite plain with no markings or embellishment. Long spout, handle with swirl on upper side and marble-sized knob on lid. Larger in diameter at bottom than at the top. Stamped on base - "PARAMOUNT / PLATE / BEST QUALITY / EP NS AI /WARRANTED / HARD SOLDERED / K G LUKE MELB / 2 PT" teapot, k-g-luke,

This framed certificate was presented to J. G. Boyes in recognition for his many years of membership and service to the Bacchus Marsh Lodge of the Grand United Order of Oddfellows. The certificate was presented at a social evening held at the Bacchus Marsh Mechanics Hall on Saturday 10 September 1938. The social was held to mark the 70th anniversary of the Bacchus Marsh Lodge for the Grand United Order of Oddfellows. A detailed report about the social appeared in the Bacchus Marsh Express, 17 September, 1938, page 5, ''Oddfellows Social', accessible via Trove, http://nla.gov.au/nla.news-article262579717 . Large framed certificate. Glass covered.Grand United Order of Oddfellows Friendly Society presented to Brother J. G. Boyes 10 September 1938.grand united order of oddfellows friendly society, friendly societies, j.g. boyes, bacchus marsh lodge no. 1324

In 206-7 the Science (S) building was being refurbished and repurposed.Two photographs of laboratories in the Mount Helen S Building pre refurbishment.federation university, science building, mount helen s building, labororatory

Greensborough Hockey club junior team c 1960'sColour photograph of Greensborough Hockey club junior team c 1960'snoel constantine, greensborough junior hockey club

Lt-Col Hosken was Commanding Officer of 4/19 Prince of Wales's Light Horse Regiment from 1957 to 1960One of a collection of portraits of former Commanding Officers of the RegimentFramed oil painting of Lt-Col B G Hoskenportrait, hosken

Lt-Col Coleman was Commanding Officer of 4/19 Prince of Wales's Light Horse Regiment from 1960 to 1962One of a collection of portraits of former Commanding Officers of the RegimentFramed oil painting of Lt-Col L G Coleman portrait, coleman

Lt Col Garde was Commanding Officer of 4/19 Prince of Wales Light Horse Regiment from 1984 to 1986One of a collection of portraits of former Commanding Officers of the RegimentFramed oil painting of Lt-Col G Garde RFD portrait, garde

J & G Meakin was an English pottery manufacturing company founded in 1851 and based in Hanley, Stoke-on-Trent, Staffordshire. In the 19th century, J & G Meakin was known for the vast quantities of cheap ironstone china it produced for the domestic English market and export to Australia, Canada, New Zealand, and the United States and one of these pottery lines was called "EMPRESS" and was in production through the 1930s. From around 1970, designs included Liberty, Sterling, Trend, Classic, and Heirloom. Some of these were influenced by earlier designs. The newer wares can be distinguished by back stamp markings such as 'permanent colours', 'everlasting colour', or 'dishwasher proof'. J & G Meakin had close family and corporate affiliations to the potteries Johnson Brothers, and Alfred Meakin Ltd, which explains why many patterns are similar, if not almost the same. There was a takeover by J. & G. Meakin in 1968 of Midwinter Pottery. The firm was then taken over by the Wedgwood Group in 1970. In 2000 production under the Meakin name ceased and their long-established works, Eagle Pottery, was then used for the production of Johnson Bros pottery. Eagle Pottery closed in 2004 when production was transferred abroad; the works were demolished in 2005.Item is significant as today the "EMPRESS" china pattern from the 1930s by Meakin is today a collectable item and a good example of the Meakin range of china.Serving vegetable bowl with two handles on either end, plus a lid with a handle on the top lid also has a pattern around the edge.Inscription to base "J & G Meakin Manley England " warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, alfred meakin, staffordshire potteries, iron stone pottery, serving dish

This is an artist's impression in reproduction of the Mechanics Institute building as it was in the 1880's. It has since changed quite significantly, especially what can be seen of the surrounds. The insert picture is an impression of the Industrial Pavilion which, as is stated, was used between 1856-1864 as temporary premises for the Institute. The print was first published in 'The Australian Sketcher' under the title "Sandhurst Mechanics Institute and free library: the new and old." [Go to the State Library of Victoria and the following link for more details.] http://www.slv.vic.gov.au/miscpics/gid/slv-pic-aab22020This is a significant print in an historical context, portraying the Bendigo School of Mines and Industries as it was in the 1880's, as well as the Industrial Pavilion. It indicates the significance of it to the community that an artist's impression was sought. Significance assessed in-house.A3 print on heavy paper. A reproduction of an artist's impression of the Mechanics Institute Building in the 1880's. The picture is of the building with an insert impression of the Industrial Pavilion used as temporary premises for the Institute from 1856-1864. It is a black and white print of the front of the building with rough depictions of people, horses, a carriage and trees in front of it."A reproduction of an artist's impression of the Mechanics Institute Building in the 1880's. / Insert. An impression of the Industrial Pavilion used as temporary premises for the Institute from 1856-1864"bendigo school of mines and industries, industrial pavilion, mechanics institute, bendigo, 1880, 1856-1864

Black box containing a Matrix Braille writing machine, with a paper spool attached to the feeding mechanism. The front portion of box is hinged and lifts up to reveal keyboard. Top half of box lifts to reveal Braille writer which is bolted to a wooden base that can be lifted out. The base is secured with a metal latch. Machine has black keys and the wooden case has black leather-like covering, hinged lid, metal clasps, and leather handle on the side. "Model G, Matrix, Coventry Gauge & Tool Company, Ltd., No. 792, For The Royal National Institute for the Blind, London W.I." is stamped on the front,Black vinyl-covered case containing black metal writer and paper spool"Model G, Matrix, Coventry Gauge & Tool Company, Ltd., No. 792, For The Royal National Institute for the Blind, London W.I." is stamped on the front.braille equipment, royal national institute for the blind

Sign displayed at the 1 RVR O.R.'s club at Menin BarracksLaser cut aluminium sign. Sign has a green tinge and engavings show up silver against it 1 RVR O.R.'S CLUB MENIN AReswark vc club, 1rvr, menin barracks, ors club

Major Rees-Jones was Administrative Commander of 4/19 Prince of Wales's Light Horse Regiment from May to December 1977One of a collection of portraits of former Commanding Officers of the RegimentFramed oil painting of Major G Rees-Jones RFD EDportrait, rees-jones

Lt Col Smith was Commanding Officer of 4/19 Prince of Wales's Light Horse from 1993-1996One of a collection of portraits of former Commanding Officers of the RegimentFramed oil painting of Lt-Col G L Smith RFDportrait, smith

22C/1394 On bottom of carton CON/KX/R/890/CB22 (B)2 Packed June 1969

Linocut of a four marching soldiers.Lino cut, by G. Yorkelinocut, printmaking, alumni, soldiers, redcoats, g. yorke

R S Corson was a chemist in Koroit in the 1920s. This bottle was unearthed in a garden in the nearby township of Kirkstall.The bottle is an example of the type of bottle used by a chemist at this time.clear glass pharmacy bottle that would have held a liquid.the name "R S CORSON/CHEMIST/KOROIT" is moulded into the glass.chemist, corson, bottle

Invoice from David G. Staley, Grocer, Drapers, butcher and General Merchant, of Yandoit.luigi gervasoni, philately, invoice, yandoit, grocer, draper, general merchant, david staley, david g. staley

Working ropesRope splicing34 photo Proof sheet print of G Beazley "working with rope" at QMC c1987.Reverse " 25cms top x 20cms / or / 30 x 42 cms / at least (6) / 27-120N / Geoff Beazley (Fleshing 7-strand rope fender & splicing) / Fox / 7 on each=14 total "rope splicing

Nose piece is marked with 6D/775

MIL-A834068B (USAF) Lite Industries Inc. F41608-85-D-0222