Showing 2510 items
matching saw-tooth
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Stawell Historical Society Inc
Accessory - Realia, Woomera
Came into family about 80 years ago (1930's). Believed gifted to Dorothy's father who was born in Stawell. Both sets of Grandparents were local residents (Schneider & Hunter. Also one set of Great Grandparents (Grey). It is highly Likely that these artifacts originated during their time 1870's.Wooden Hardwood with tooth embeded at one endaboriginal -
Glenelg Shire Council Cultural Collection
Tool - Saw, n.d
Sawtrades, tools, saw, carpentry -
Kiewa Valley Historical Society
Photograph - Anzac Day Mt Beauty (Before 1966), Pre 1966
Anzac Day in Mt Beauty before 1966. Background- SEC workshops with saw tooth roof. Taken in the days before the service station was built on the corner.Record of community of Mt Beauty and surrounds commemorating the involvement of their community members in military service and remembering those who gave their lives in war.Black and white photograph of Anzac Day commemorations in Mt Beauty - pre 1966. Photo looking down the highway towards Tawongamt beauty, anzac day -
Orbost & District Historical Society
D.V.D, Laurie Popeye Light, 1950-1992
The video shows Laurie LIght, a sleeper cutter for 42 years, using a swing saw. There is also a video of a lyre bird display. Laurie Light was born on May 12, 1938 to parents, Arthur Vernon Light and Nellie Hall. He started work with his father, a sleeper cutter for the Victorian Railways, at the age of 16. (More info. from newsletter LAURIE LIGHT, SLEEPER CUTTER - Heather Terrell)This item is associated with the history of the Orbost-Bairnsdale railway line and therefore reflects the role that the rail line played in the social and economic history of Orbost. It is also associated with the timber industry of East Gippsland.A D.V.D. of pictures and a video on Laurie Light, a sleeper cutter from 1950-1992. The disc is in a clear plastic case with a black insert. It is a copy of the original. this copy was probably made in 2016.On disc in red marker : "LAURIE LIGHT SLEEPER CUTTING with swing saw and lyre bird display"sleeper-cutting light-laurie timber-industry-orbost -
8th/13th Victorian Mounted Rifles Regimental Collection
Tool - Gas rattle
During World War One poisonous gas was used as a weapon. When gas was detected or suspected an alarm was given in the trenches so soldiers could put on masks and protective gear. The gas rattle was a simple and effective method of raising the alarm. Gas precautions were taken in World War Two but gas was not used. This rattle might be WWI vintage or it might be from WWII era.A wooden box incorporating a toothed cog attached to a 'swing' handle. When swung the toothed cog engaged with a wooden flap enclosed in the box causing a loud noise. world war one, wwi, gas -
Warrnambool and District Historical Society Inc.
Tool - Saws, early 20th century
These saws date from about the early 20th century and would have been used to cut timber in the days before the advent of machine-operated saws. They are of a simple design and could easily be hand made.These tools are of interest as examples of tools used over a hundred years ago. .1 Two-person saw with wooden curved sides, two wooden pieces attached across the sides, a metal blade at the bottom and a metal piece across the top to keep the tool rigid. .2 as .1 abovevintage tools, warrnambool & district historical society collection -
Flagstaff Hill Maritime Museum and Village
Craft - Scrimshaw, Late 20th century
The ship “Ellis” started life as the Clementina, launched in America in 1781. The vessel was first listed in Lloyd's Register in 1784 and under this name began serving as a slave ship sailing out of Liverpool. A Lloyd’s database records of slave-trading voyages by vessels from Liverpool makes it clear that Clementina was a slave trader. The next year Captain J. Elworthy sailed her to West Central Africa and St Helena. He transported his slaves to South Carolina. Then in 1785 Elworthy gathered slaves in the Bight of Biafra and the Gulf of Guinea Islands for delivery to Jamaica. In 1786 Bent & Co. purchased the Clementina and renamed her Ellis, presumably after the then owner Ellis Bent. She remained in the slave trade and In 1788 Captain John Ford sailed the now renamed Ellis to the Bight of Biafra and the Gulf of Guinea to gather slaves. He delivered this batch of slaves to the island of Grenada. The next year, 1789 the Ellis was almost completely rebuilt, and from the change in subsequent reports of her cargo loading or (burthen), she was enlarged. In 1791, Captain Joseph Matthews became master and sailed the Ellis to the Gold Coast then delivering his consignment of slaves to the island of St Vincent. During this voyage, some misfortune may have befallen Matthews because records show the Ellis command was transferred to Thomas Given. In 1792, Given sailed to the Bight of Biafra and the Islands in the Gulf of Guinea, again collecting slaves for delivery to Jamaica. There is a parallel record, also for 1793, that the Ellis under the command of Thomas Heart, undertook the same journey and with the same itinerary and cargo. In 1793, Bent & Co. decided to use the Ellis as a privateer with John Levingston as the master. After receiving a letter of "marque” on the 3rd of June 1793, that allowed any armed vessel to commit acts on the high seas which would otherwise have constituted piracy. Thus the Ellis began to operate as a combat ship under the endorsement of the British navy. The Ellis was three times captured first by the French frigate Gracieuse, under the command of Captain Chevillard on 22 July 1793. The French took her into service and renamed her as ”Elise”. Later that summer the Spanish captured her and in November ownership returned to the French who then renamed her the “Esperance”. On the 8th of June 1794, Esperance arrived in Jacmel, Saint-Domingue (present-day Haiti), from France with the official proclamation of the abolition of slavery. Leger-Felicite Sonthonax was one of the Civil Commissioners of Saint-Domingue and he had already unilaterally proclaimed the island for the French colony the year before amid a slave rebellion and attacks from British and Spanish forces. Ironically, Esperance also brought the news to the Civil Commissioners that the National Convention of France had impeached them on 16th July 1793 and ordered them to return promptly to France. On 8 January 1795, HMS Argonaut, under the command of Captain Alexander John Ball, captured Esperance while she was on the North America station. At this time the Esperance was armed with 22 guns (4 and 6-pounders) and had a crew of 130 men. She was under the command of Lieutenant de vaisseau De St. Laurent and had been out at sea for 56 days from Rochfort, bound for the American Chesapeake Bay area. The French ambassador to the United States registered a complaint with the President of the United States that Argonaut, by stating that by entering Lynnhaven bay, either before she captured Esperance or shortly thereafter, had violated a treaty between France and the United States. The French also accused the British of having brought the Esperance into Lynnhaven for refitting for a cruise. The British Consul replied that the capture had taken place some 10 leagues offshore as the bad weather had forced Argonaut and her prize to shelter within the Chesapeake area for some days, but that they had left as soon as practicable. Furthermore, Argonaut had paroled her French prisoners on arrival at Lynnhaven, and if she had entered American territorial waters solely to parole her French prisoners no one would have thought that objectionable. Royal Navy Service: Because the Esperance was captured in good order and sailed well, Rear Admiral George Murray, the British commander in chief of the North American station, put a British crew aboard and sent the Esperance out on patrol with HMS Lynx, under the command of John Poo Beresford, on 31st January. On 1st March the two vessels captured the Cocarde Nationale (or National Cockade), a privateer from Charleston, South Carolina, of 14 guns, six swivel cannons and a crew of 80 men. Esperance and the lynx went on to recaptured the ship Norfolk, of Belfast, and the brig George, of Workington. On 20 July, Esperance, in company with frigates Thetis and Hussar, intercepted the American vessel Cincinnatus, of Wilmington, sailing from Ireland to Wilmington. They pressed many men on board into service, narrowly missing the Irish revolutionary Wolfe Tone, who was on his way to Philadelphia. Esperance was formally commissioned in 1795 into the Royal Navy in August under the Command of Jonas Rose. On 4 May 1796 Esperance was sailing in company with HMS Spencer and Bonetta when they sighted a suspicious vessel. Spencer set off in chase while shortly thereafter Esperance saw two vessels, a schooner and a sloop, and she and Bonetta set off after them. Spencer sailed south by south-east and the other two British vessels sailed south-west by west, with the result that they lost sight of each other. Spencer captured the French gun-brig Volcan, while Bonetta and Esperance captured the French schooner Poisson Volant. The Esperance eventually arrived at Portsmouth on the 3rd of November 1797, the crew was paid off and on 31st May 1798 the Admiralty listed the Esperance for sale and she was sold in June 1798 for £600.The subject scrimshaw is a modern reproduction crudely done of a historic vessel and the scene is believed to be engraved onto a synthetic substance. Scrimshaw art crudely carved into non-natural material in the shape of a tooth. The line artwork is an image of a three-masted sailing ship with a poop deck, and anchors, are coloured black. Inscription is engraved into tooth.Engraved "Man o War Ellis" warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, scrimshaw, ellis, esperance, clementina, elise, hms ship, man of war, leter of marque, privateer, slave ship, slavery, ellis bent, american war of inderpendance, marine art, marine artifact, whale tooth, ivory tooth, resin, plastic, craft, engraving, carving -
Flagstaff Hill Maritime Museum and Village
Dental Surgical Instrument
Forceps, Tooth Extracting - Upper Wisd. L 170mm.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, forceps, tooth extracting, upper wisdom -
South West Healthcare
Adenoid Currette, Medical Equipment, 20th Century
The use of Adenoid Currette http://entinstruments.blogspot.com.au/#!/2012/01/st-clair-thompson-adenoid-curette.htmlMetal item with Hand grip. Adjustable toothed jaw."LONDON" "ra rick" -
Kiewa Valley Historical Society
Spanner Small, 1920's
This spanner, part of a raker/jointer/guage set which is a sharpening tool for cross cut logging saws. The logging saws used in the early 1900's for the clearing of forests required constant sharpening of their "cutting teeth". The logging of forested areas during these times was very much a "hands on" method of either one or two men by the use of saw or hand axe. Chain saws, chain and ball(clearing) and bulldozing methods came in the mid 1900's.This particular spanner was part of a crosscut saw sharpening tool and method was used by surveyors laying down boundaries for the S.E.C. Victoria Hydro Electricity Scheme (1920's). This item was given to a local Kiewa Valley lad who accompanied the initial surveyors. The lad was responsible for the tendering and feeding of the surveyors "pack horses". Surveys during this period and in the dense mountainous terrain of the Victorian Alps was both exhausting and hazardous. Overnight accommodation at various log cabins was not always possible and swag/tent alternative was the "fall back"This small spanner is part of the Raker/Jointer Gauge saw set and is made from forged steel. The nut grip is of the two tightening nuts on the main construction frame. See KVHS 0090 (A &B) for the other items making up the sharpening tools.hand tool, saw, sharpening method, tree felling. -
Flagstaff Hill Maritime Museum and Village
Saw
Amputation saw flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Hand Tool Preservation Association of Australia Inc
Saw
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.saw, dovetail -
Hand Tool Preservation Association of Australia Inc
Saw set, 1890
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.saw set, -
Hand Tool Preservation Association of Australia Inc
Saw
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.saw, keyhole -
Hand Tool Preservation Association of Australia Inc
Saw set
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.saw set, -
Hand Tool Preservation Association of Australia Inc
Saw set
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.saw set, -
Hand Tool Preservation Association of Australia Inc
Saw set
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.saw set, -
Hand Tool Preservation Association of Australia Inc
Saw set
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.saw set, -
Hand Tool Preservation Association of Australia Inc
Saw
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.saw, bow -
Hand Tool Preservation Association of Australia Inc
Bit Saw
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.Bit Saw -
Hand Tool Preservation Association of Australia Inc
Saw
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.saw, keyhole -
Hand Tool Preservation Association of Australia Inc
Saw
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.saw, bow -
Hand Tool Preservation Association of Australia Inc
Saw
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.saw, pruning -
Hand Tool Preservation Association of Australia Inc
Saw
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.saw, jewllers -
Hand Tool Preservation Association of Australia Inc
Saw
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.saw, bow -
Hand Tool Preservation Association of Australia Inc
Saw
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.saw, bow -
Hand Tool Preservation Association of Australia Inc
Vice
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.vice, saw -
Hand Tool Preservation Association of Australia Inc
Vice
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.vice, saw -
Hand Tool Preservation Association of Australia Inc
Vice
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.vice, saw -
Hand Tool Preservation Association of Australia Inc
Saw
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.saw, fret