Showing 227 items
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Flagstaff Hill Maritime Museum and Village
Equipment - Marine diver's boots, 20th century
These marine diver's boots are made to weigh down the diver's feet to the bottom of the seabed, at the same time protecting his feet. The different pieces are joined with nuts, bots and washers. The boots are part of the protective clothing worn by marine divers to enable them to go to depths where others had not been. The Great Ocean Road along the southwest coast of Victoria is renown for its treacherous seas and tragic shipwrecks. Decades after the occurred divers began to explore the wreck sites and discovered hundreds of lost ships. The ships' skeletons and sprawled wreckage tell many stories of the type of ships used, the cargo and luggage carried onboard. They are valuable source of primary history. Many artefacts were recovered from local shipwrecks by the Flagstaff Hill divers and they have been preserved for historical records. Since that time many historic shipwrecks have become protected by Australian law. However, divers are able to still visit the sites.The boots are an example of diver's apparel in the 20th century and show the process of evolving protective and safety wear for underwater divers today.A pair of marine diver's boots. Boots are made of brass alloy and leather. The toes are metal and the metal soles are rippled. The sides have a short bar along the inner and outer sides of the foot, designed to fit a leather strap across the boot to hold it in place. A leather piece is attached to the back of each boot and extends around the ankle area to fasten with a buckle. flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, diver's boots, marine diving, underwater diving, deep sea diving, diving equipment, diving accessory, shipwreck exploring -
Port Melbourne Historical & Preservation Society
Photograph - Tall ships Bicentenary, Princes Pier, Port Melbourne, Alison Kelly, Jan 1988
... and foreshore during BiCentenary visit of the Tall Ships... during BiCentenary visit of the Tall Ships Photograph Tall ships ...Colour photographs by Alison Kelly of Princes Pier and foreshore during BiCentenary visit of the Tall Shipstransport - shipping, celebrations fetes and exhibitions, alison kelly -
Port Melbourne Historical & Preservation Society
Photograph - Various ships at Station Pier, 2002
Further updates from Ron Laing's collection of photographs covering Port MelbourneFive colour photographs of a French naval vessel (Nivose), a Japanese training ship (Taisei Maru) and the Greenpeace vessel (Arctic Sunrise), all of which have visited Station Pier during 2001/2002piers and wharves - station pier, transport - shipping, public action campaigns, fns nivose- french navy ship, tasei maru - japanese training ship, arctic sunrise - greenpeace ship -
Port Melbourne Historical & Preservation Society
Photograph - PMHPS visit to Polly Woodside Maritime Museum, Ann Smallpage, 24 Mar 2003
Group of 33 colour photographs taken at the Polly Woodside Maritime Museum on the occasion of an official visit by the PMH&PS which took place in lieu of the March 2003 meeting of the Society.. This image shows view of the ship interior , below deckspolly woodside, transport - shipping, pmhps, port melbourne historical & preservation society, arts and entertainment - heritage tours -
Port Melbourne Historical & Preservation Society
Photograph - PMHPS visit to Polly Woodside Maritime Museum, Ann Smallpage, 24 Mar 2003
Group of 33 colour photographs taken at the Polly Woodside Maritime Museum on the occasion of an official visit by the PMH&PS which took place in lieu of the March 2003 meeting of the Society.. This image shows view of the ship interior, below deckspolly woodside, transport - shipping, pmhps, port melbourne historical & preservation society, arts and entertainment - heritage tours -
Port Melbourne Historical & Preservation Society
Photograph - PMHPS visit to Polly Woodside Maritime Museum, Ann Smallpage, 24 Mar 2003
Group of 33 colour photographs taken at the Polly Woodside Maritime Museum on the occasion of an official visit by the PMH&PS which took place in lieu of the March 2003 meeting of the Society.. This image shows view of the ship interior ablutions areapolly woodside, transport - shipping, pmhps, port melbourne historical & preservation society, arts and entertainment - heritage tours -
Port Melbourne Historical & Preservation Society
Photograph - PMHPS visit to Polly Woodside Maritime Museum, Ann Smallpage, 24 Mar 2003
... .. This image shows an unknown ship figurehead Photograph PMHPS visit ...Group of 33 colour photographs taken at the Polly Woodside Maritime Museum on the occasion of an official visit by the PMH&PS which took place in lieu of the March 2003 meeting of the Society.. This image shows an unknown ship figureheadpolly woodside, transport - shipping, pmhps, port melbourne historical & preservation society, arts and entertainment - heritage tours -
Port Melbourne Historical & Preservation Society
Photograph - PMHPS visit to Polly Woodside Maritime Museum, Ann Smallpage, 24 Mar 2003
... .. This image shows unknown ship figurehead Photograph PMHPS visit ...Group of 33 colour photographs taken at the Polly Woodside Maritime Museum on the occasion of an official visit by the PMH&PS which took place in lieu of the March 2003 meeting of the Society.. This image shows unknown ship figureheadpolly woodside, transport - shipping, pmhps, port melbourne historical & preservation society, arts and entertainment - heritage tours -
Port Melbourne Historical & Preservation Society
Photograph - Aerial view of cruise ships at Port Melbourne piers, 13 Feb 2001
This photograph records the concurrent visit to Station Pier of three cruise ships - the peak of the Cruising Victoria strategy aimed at encouraging cruise shipping to Melbourne. Also the Devil Cat was berthed at Station Pier on this day but not in the photo (4 ships in one day)Aerial colour photograph taken by The Age, showing from left to right, cruise ships Regal Princess, QE2 and Silver Cloud, all at Station Pier on 13 February 2001. An unusual persective showing the rear of 'The Anchorage', formerly Swallow and Ariell, also Stokes and Princes Streetspiers and wharves - station pier, transport - shipping, rms queen elizabeth 2, qe2, swallow & ariell ltd, regal princess, silver cloud -
Port Melbourne Historical & Preservation Society
Photograph - Panorama of Replica Endeavour arriving at Station Pier, Pat Grainger, Dec 1995
Photos were taken 9 November 1995 as a record of visit to Port Melbourne of the Replica EndeavourPanoramic colour photo of visit of Replica Endeavour to Station Pier, November 9 1994, showing arrival of shiptransport - shipping, celebrations fetes and exhibitions, piers and wharves - station pier, replica endeavour -
Port Melbourne Historical & Preservation Society
Photograph - Panorama of Replica Endeavour and steam tug Wattle at Station Pier, Pat Grainger, Dec 1995
Photos were taken 9 November 1995 as a record of visit to Port Melbourne of the Replica EndeavourPanoramic colour photo of visit of Replica Endeavour to Station Pier, November 9 1994, showing arrival of ship, and steam tug 'Wattle'transport - shipping, celebrations fetes and exhibitions, piers and wharves - station pier, replica endeavour, wattle - steam tug -
Port Melbourne Historical & Preservation Society
Photograph - Panorama of Replica Endeavour and Alma Doepel at Station Pier, Pat Grainger, Dec 1995
Photos were taken 9 November 1995 as a record of visit to Port Melbourne of the Replica EndeavourPanoramic colour photo of visit of Replica Endeavour to Station Pier, November 9 1994, showing arrival of ship, and 'Alma Doepel'transport - shipping, celebrations fetes and exhibitions, piers and wharves - station pier, alma doepel, replica endeavour -
Port Melbourne Historical & Preservation Society
Photograph - Panorama of Replica Endeavour berthed at Station Pier, Pat Grainger, Dec 1995
Photos were taken 9 November 1995 as a record of visit to Port Melbourne of the Replica EndeavourPanoramic colour photo of visit of Replica Endeavour to Station Pier, November 9 1994, showing ship berthed at pier, with crowdstransport - shipping, celebrations fetes and exhibitions, piers and wharves - station pier, replica endeavour -
Port Melbourne Historical & Preservation Society
Photograph - Panorama of Replica Endeavour berthed at Station Pier, Pat Grainger, Dec 1995
Photos were taken 9 November 1995 as a record of visit to Port Melbourne of the Replica EndeavourPanoramic colour photo of visit of Replica Endeavour to Station Pier, November 9 1994, showing ship berthed at pier, with crowdstransport - shipping, celebrations fetes and exhibitions, piers and wharves - station pier, replica endeavour -
Port Melbourne Historical & Preservation Society
Photograph - Ships, Bicentenary of First Fleet, 1988
Spare set of nine colour photos of the 1988 BiCentenary 'First Fleet' visit 1988, in mauve envelopetransport - shipping, celebrations fetes and exhibitions -
Dutch Australian Heritage Centre Victoria
Wooden Plaque
... visited by Dutch ships during the 17th and 18th centuries. Because ...The VOC sent its trading ships to the (then) Dutch East Indies to collect spices and other goods. In the 17th century accurate navigation was not always possible and ships might end up on the wild, unchartered West Australian coastline. Item recalls the fact that the WA coast was unintentionally visited by Dutch ships during the 17th and 18th centuries. Because the coast was so unattractive the Dutch did not try to settle the country.Large rectangular timber plaque with scalloped edges depicting historic shipwrecks of Western Australia.An insert reads: "Historic Shipwrecks of Western Australia (Protected as of 1983). Coastal cities are marked with their names and dots along the coastline indicate wreck sites. Most are named and dated; others marked as unidentified. An inset map deals with the area around Fremantle and shows a large number of wrecks. A separate typed notice attached to the map identifies the five known Dutch wrecks - all ships of the VOC - Vereennigde East Indian Compagnie (Dutch East India Company). Further than that there are a distance scale and a compass. -
National Vietnam Veterans Museum (NVVM)
Poster - Poster, Information Board, RAN in the Vietnam War
Storyboard - the role of the RAN in the Vietnam War. Early goodwill visits, diving teams, Logistic Support, Helicopter flights & background of naval ships.royal australian navy, vietnam war - 1961-1975 -
National Vietnam Veterans Museum (NVVM)
Photograph, Briefing Denis Gibbons
A black and white photograph of Tonkin Gulf, North Vietnam 25th May 1967 Lt Stanley L Masterton briefs Australian War Correspondent, Denis Gibbons, during his visit to the Australian Guided Missile Destroyer HMAS Hobart. the briefing is taking place on the flag deck, where a large set of signal flags are visible in a ready use locker behind them. the ship, was at that time engaging, with ship to shore gunfire, a major "choke point" (an area where the North Vietnamese were preparing war supplies to be shipped to their units in South Vietnam) at the township of "Vinh". Hobart was expecting, at any moment, counted battery fire from North Vietnamese coastal batteries after radar stations on Hainan Island, Near Haiphong Harbour and at Vinh had locked onto Horart's position with very accurate triangular positioning. Lt Masterton was informing Gibbons of the incoming enemy fire and was worried he (Gibbons) was not wearing a helment, gibbons, most respectfully advised Lt Masterton that he could not operate his cameras with a helmet on. Hobart immediately turned and saled, very rapidly, out to sea as the counter battery fire commencedAustralian War memorial negative: Navy 13503photograph, hmas hobart, lt stanley l masterton, denis gibbons, vinh, hainan island, haiphong harbour, gibbons collection catalogue -
St Kilda Historical Society
Booklet - Diary, Price, F G, War Diary F. G. Price, 1916-1919
A detailed account of Pte Price's experience of WWI from his embarkation to his return. Sections include: Description of Journey (Arrival at Albany WA; From Albany to Cape Town; Cape Town to Vincent, Verde Island; The Village Blacksmith; Four Days Holiday in London; Back at Camp; Second Visit to London); Review by King George; Zeppelin Air Raids; Embarking for France; The Idea of a Raid; St Omer; Battle of Messines; Bombardment Prior to Advance on Messines; A Visit to France by King George & Prince of Wales; Five Days March from Senlicques; First Battle of Ypres; Preparation for Second Battle of Ypres; 14 Days Leave from France to England; 14 Days Sick Leave62 pages, typewritten, on white paper with a brown paper cover. Bound along one side by 3 brass metal fasteners.non-fictionA detailed account of Pte Price's experience of WWI from his embarkation to his return. Sections include: Description of Journey (Arrival at Albany WA; From Albany to Cape Town; Cape Town to Vincent, Verde Island; The Village Blacksmith; Four Days Holiday in London; Back at Camp; Second Visit to London); Review by King George; Zeppelin Air Raids; Embarking for France; The Idea of a Raid; St Omer; Battle of Messines; Bombardment Prior to Advance on Messines; A Visit to France by King George & Prince of Wales; Five Days March from Senlicques; First Battle of Ypres; Preparation for Second Battle of Ypres; 14 Days Leave from France to England; 14 Days Sick Leavewwi, world war i, f g price -
Anglesea and District Historical Society
Medal, Prince of Wales, 1920, 1920
Gilt bronze Australian Commemorative Medal with red, white and blue ribbon. In 1920 the Prince of Wales visited Australia to extend official thanks for its support during WW1 and to strengthen links to the Empire.Obverse: 3/4 left bust of Prince in uniform wearing cap; around in 2 lines, HRH PRINCE OF WALES/ WELCOME TO AUSTRALIA; in small letters below bust, STOKES. Reverse: Shield of Geelong featuring kangaroo on central shield surrounded by sheep, sailing ship and grapes 1/2 wine barrel. Above: GEELONG JUNE 1920. Below : ribbon with motto - "BY THE RIGHT USE OF GOD'S GIFTS".royal visits, wars and conflicts, white australia policy, wine, ww1 1914 to 1918, prince of wales visit to australia - commemorative medal -
City of Ballarat
Artwork, other - Public Artwork, Angelo Bertozzi, Mercury by Angelo Bertozzi, Circa 1880
Thomas Stoddart (1828 - 1905) bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Mercury is the messenger of the gods and is represented with a winged helmet and pouch.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure shown with winged helmet and pouch.Mercurymercury -
City of Ballarat
Artwork, other - Public Artwork, Angelo Bertozzi, Summer by Angelo Bertozzi, Circa 1880
Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Summer is portrayed with the handle of a sickle and holding a sheaf of grain, symbolising harvest time.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure shown with handle of sickle and holding a sheaf of grain, symbolising harvest time.Summersummer, stoddart -
City of Ballarat
Artwork, other - Public Artwork, Angelo Bertozzi, Spring by Angelo Bertozzi, Circa 1880
Thomas Stoddart (1828 - 1905) bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Spring is represented by the image of a young woman who is crowned with a floral wreath and carrying a posy. Her dress is a one-shoulder toga dress in the Greco-Roman style. In ancient times the welcome return of spring was celebrated with lengthy pagan festivals this tradition was adapted into Christians cultures.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of a woman wearing a toga dress, floral wreath headress and carrying a posy.Springspring, stoddart, botanic gardens -
City of Ballarat
Artwork, other - Public Artwork, Angelo Bertozzi, Hercules by Angelo Bertozzi, circa 1880
Thomas Stoddart (1828 - 1905) bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Stoddart's gift inspired the moves to make Ballarat a "City of Statues". Hercules was is one of the best-known heroes in Greek and Roman mythology. Hercules was renown for his great strength and courage, here he is depicted raising his mighty club and wearing a lion skin as a trophy.The artwork is of aesthetic and historic significance to the people of BallaratMarble figure of a man with raised club and wearing a lion skin around his loinsHerculeshercules, stoddart, botanic gardens -
City of Ballarat
Artwork, other - Public Artwork, Flora by Angelo Bertozzi, circa 1880
Thomas Stoddart (1828 - 1905) bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Roman goddess of flowers is watering flowers at her feet and is dressed in a classical garment. Flora is considered by many to be the masterpiece of the twelve because of the fi ne detail which creates such a pretty picture in stone. This portrayal of the Roman goddess of flowers shows her watering a pot of luscious blooms with a basket of flowers on her arm. Her position is a highly visible one between the Statuary Pavilion and the fernery pond.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of a woman who is watering flowers at her feet and is dressed in a classical garmentFloraflora, stoddard -
City of Ballarat
Artwork, other - Public Artwork, Giovanni Udny, Bacchante by John Udny, circa 1880
Thomas Stoddart (1828 - 1905) bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Bacchante, Priestess to Bacchus the God of wine and good times, is depicted here wearing jewellery and playing a tambourine. The artwork is of aesthetic and historic significance to the people of BallaratWhite marble figure of a woman playing a tamborineBacchantebacchante, botanic gardens, stoddard, ballarat -
City of Ballarat
Artwork, other - Public Artwork, B. Raggi, Pomona, Circa 1880
Thomas Stoddart (1828 - 1905) bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. The Roman Goddess of fruit trees, Pomona, is shown holding a vessel and fruit to illustrate her care and cultivation of trees and the bearing of fruitful abundance.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of a woman holding a vessel and fruitPomona by B. Raggipomona, stoddard, botanic gardens -
City of Ballarat
Artwork, other - Public Artwork, Angelo Bertozzi, Autumn, Circa 1880
Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. The figure of Autumn is holding a bunch of grapes symbolic of the vintage.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of a man holding a bunch of grapes Autumn by Angelo Bertozziautumn -
City of Ballarat
Artwork, other - Public Artwork, B. Raggi, Hebe, Circa 1880
Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. The Greek goddess of eternal youth, Hebe, was famed for having the power to restore to age the vigour of youth and was cup-bearer to the gods.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of a woman holding a cup in one handHebe/ Presented by Thomas Stoddart 1884hebe, stoddart, botanic gardens -
City of Ballarat
Artwork, other - Public Artwork, Angelo Bertozzi, Winter by Angelo Bertozzi, Circa 1880
Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. in this work Angelo Bertozzi portrays Winter as a wizened old man protecting himself again the winter chills.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of an old man with a cape around his shouldersWinter Presented by Thomas Stoddart 1884.winter