ill (b/w,col), p.49.non-fictionA descriptive and pictorial history of the M24 Chaffee tankarmoured vehicles - united states - history, m24 chaffee tank

ill (b/w,col), p.49.non-fictionA descriptive and pictorial history of the Tiger tankworld war 1939-1945 - tank warfare, tiger (tank)

ill (b/w,col), p.47.non-fictionA descriptive and pictorial history of German armoured carsarmoured vehicles - germany - hiistory, panzerspahwagen

ill (b/w,col), p.47non-fictionA descriptive and pictorial history of German self propelled gunsarmoured warfare - germany - history, self propelled guns - germany

ill (b/w,col),p.49.non-fictionA descriptive and pictorial history of Soviet tanksarmoured warfare - soviet union - history, tanks - soviet union

ill (b/w,col), p.49.non-fictionA descriptive and pictorial history of German self propelled gunsarmoured warfare - germany - history, self propelled guns - germany

ill (b/w,col) p.50.non-fictionA descriptive and pictorial history of early German tanksarmoured warfare - germany - history, panzer i, panzer ii

ill (b/w,col) p.49.non-fictionA descriptive and pictorial history of British tanksarmoured warfare - britain - history, tanks - britain, matilda, crusader

ill (b/w, col), p.50.non-fictionA descriptive and pictorial history of the Panther tankarmoured warfare - germany - history, panther tank

ill (b/w, col), p.49.non-fictionA descriptive and pictorial history of the Panzer IV tankarmoured warfare - germany - history, panzer iv

ill (b/w, col), p.49.non-fictionA descriptive and pictorial history of the Sturmgeschutz III in action (STUG) anti tank and infantry support vehiclearmoured warfare - germany - history, sturmgeschutz iii

ill (b/w, col), p.49.non-fictionA descriptive and pictorial history of German railway gunsarmoured warfare - germany - history, german railway guns

ill (b/w, col), p.49.non-fictionA descriptive and pictorial history of the Sherman tankarmoured warfare - united states - history, sherman tank

ill (b/w,col), p.49.non-fictionA descriptive and pictorial history of the Stuart light tankarmoured warfare - united states - history, stuart light tanks

ill (b/w, col), p.49.non-fictionA descriptive and pictorial history of the PzKpfw 38 (t) light tankarmoured warfare - germany - history, pzkpfw 38 (t)

ill (b/w, col), p.49.non-fictionA descriptive and pictorial history of the T-34 tankarmoured warfare - soviet union - history, t-34 tank

ill (b/w, col), p.49.non-fictionA descriptive and pictorial history of the SdKfz 251 armoured vehiclearmoured warfare - germany - history, sdkfz 251

ill (b/w, col), p.49.non-fictionA descriptive and pictorial history of the PzKpfw IIIarmoured warfare - germany - history, pzkpfw iii

Black and white photo of platman John Jones placing skip into shaft.wearing hard hat and light, standing before Code Signals Sign at Central Deborah Gold mine Bendigomining, business, central deborah gold mine

Part of an article from the Bendigo Advertiser April 13, 1972 titled The End of an Era - A Man and his Mates. Mentioned in the article is the trammies signalling one another when the inspector was around, the explosion when the wire broke and hit the ground and what the trammies did about it, some of Tom Griffiths experiences, a semi-trailer taking the side out of a tram and a few of the local characters. The passenger bus helped to end the era of the trams.bendigo, history, long gully history group, the long gully history group - bendigo tramways 1890 - 1972, bendigo advertiser 13/4/1972, tom griffiths, baby health centre, miss tavenor's sweetshop, needle mine, robbie burns hotel, eaglehawk wine saloon, town hall hotel

A framed miniturised book cover of the book "New Zealand's Vietnam War" A history of combat, committment and controversy written by Ian McGibbon. The photos on the document depict soldiers attending a wounded man and a helicopter landing with a solder giving hand signals to the pilot.The definitive history of New Zealand's involement in the most controversial war of the 20th centurynew zealand

Storyboard giving a summary of the background and explanation of the history of the Vietnam conflict by Bruce Davies MBE (Member of the Order of the British Empire). 1 RAR: Corporal, Signals Platoon 1965 - 1966, AATTV - WO2 Adviser ARVN Infantry Companies, 1 Corps and Platoon Commander Mike Force, Pleiku 1967 - 1968, AATTV WO2 Adviser ARVN Infantry Companies and Reconnaissance Company, 1 Corps and HQ AATTV Saigon, 1968 - 1970storyboard, behind the wire, bruce davies mbe, 1 rar, aattv, saigon

WW1 soldier who served in The Great War from 1915 to 1920. Resident of Chiltern. Son of Will Martin and Christina Campbell Martin. Served with 1st Division Signals Company. WW1 history 1915-1920.Black and white photograph of WW1 soldier Sapper John Ewan Campbell MARTIN, born in Chiltern 1890. He served with 1st Division Signals from 1915 to 1919. Caption under the photograph reads : John Ewan Campbell Martin. "Campbell" : was born in Chiltern in 1890, the son of Will Martin and Christina Campbell. He enlisted on November 10, 1915 and served in Europe as a Sapper with the First Division Signals Company. He returned to Australia on May 20, 1919. ww1, john ewan campbell martin, chiltern resident

BLACK & WHITE, ORIGINAL PHOTOGRAPH OF PTE. A.B. TOTMAN. TAKEN IN THE EMPRESS STUDIOS 225 CHAPEL STREET ST.KILDA, MELBOURNE. 1ST. WORLD WAR UNIFORM WITH SIGNALS INSIGNATURE ON ARM.POSTCARD TO AUNTIE WITH LOVE. PRIVATE A.B. TOTMAN NO. 2619 3RD PIONEERSlocal history, photography, photographs, military

This bell was used to begin and end recess and lunch breaks at Strathmore Williamstown Grammar School. It was introduced by Mabel Martha Molland, Principal (1914 - 1963) and was in use at the Williamstown campus until the installation of an electronic bell system in the early 2010s. It is known at the school as 'Miss Molland's Bell' and was featured in The Old School Tie exhibition at the Old Treasury Museum in 1999. The exhibition label for the bell read, 'This bell has been used to summon students to class for as long as anyone can remember, although it is reported that in Mr. Gerity's time (1897-1914) classes were "signalled by Gerity appearing at the door and waving an enormous white handkerchief the size of a bed sheet" (Reported in Johnson, J. 1987, The Westbourne and Williamstown Grammar Schools, pg. 37)'. The bell has historic significance as it originated with Mabel Molland, Principal (1914 - 1963), a very prominent figure in the history of the school and has been handled and used by countless students, assigned the coveted task of ringing the bell, over many years.Brass bell with a turned wood handle. The are five parallel grooves near the top of the handle and two near the middle. The bell has two parallel grooves around the fluted sound rim. The clapper is attached, with a twisted piece of 1mm diameter single strand wire, to a d-ring inside the head of the bell. mabel molland, strathmore grammar, school bell

Geelong is famous for its bollards. Created by local artist Jan Mitchell, the colourful bollards spot the foreshore, representing a fascinating and fun chronicle of the city’s past. Few people know that Mitchell planned for a flock of sheep to be part of her public art project. The wool industry is an important part of Geelong’s history, so Mitchell thought what better than a flock of sheep to welcome people to the city. The flock (and a Shepard) were to be placed out on the Melbourne-Geelong highway, near Lara, to welcome travellers to the city. The sheep would then be scattered along the road as a wayfinding signal to bring people to Geelong. When traffic authorities heard the plan for bollard sheep along the road, they squashed the project as a potential distraction for drivers. Another flock was also suggested for the hills of the eastern gardens, overlooking the bay. This was also disapproved; so Mitchell only ever partially completed four sheep bollards. The bollards are remnants of Jan Mitchell’s flock of sheep. The sheep also show the evolution of one of Geelong’s most iconic art installations. From the first sheep showing the raw timber of the old Yarra Street pier, to the sheep without a face, through to the completed sheep, it is possible to trace Mitchell’s process in the preparation of the bollards. The lost bollards form part of the National Wool Museum’s unique collection. The first bollard is the least complete, still in its original timber colour. From the central cylindrical shape, an additional wedge protrudes. This unpainted wedge forms what would have been the face of the sheep, with an ear present on either side that would have been painted white. Presently they are a bare metal. No legs are present on this bollard. The second and third bollard are completed to a similar level. They have a central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms what would have been the face of the sheep, with an ear present on either side. The face and ears have been painted white but the finer details such as the eyes have not been added. These bollards bodies have also been painted white and have their legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. The fourth bollard Is complete. It has the same central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms the completed face of the sheep, with an ear present on either side that has been painted white. The face also features completed painted eyes. This bollard has its legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. geelong, bollards, geelong's bollards, jan mitchell