This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this two piece ensemble from the influential fashion boutique "The House of Merivale and Mr John" to wear to a performance of "The Sleeping Beauty" by London Festival Ballet, featuring Rudolph Nureyev at the Palais Theatre in St Kilda in May 1975.A two piece ensemble consisting of long evening dress (.1) and matching jacket (.2), cropped jacket of black acetate. The jacket features a tie front and long buttoned sleeve. The full length dress is slim fitting with centre back zip, shoestring straps and shaped bust with ruched centre front."Mandamatilda", "Dry Clean Only, SSWdi reidie, 1970s, house of merivale, manda matilda

A small cream copy of the 1952 Bendigo Teachers' College Graduation Ceremony. On the inside cover is a list of the Graduands - Robert Thomas Armstrong, Francis Arthur Baggage, Aileen Victoria Campbell, Coralie Beatrice Helen Cohn, Mary Therese Collins, Margaret Joan Crawford, Kevin Maurice Cullen, Dulcie Olive Dann, June Rachel Dolling, Lorna McPherson Donaldson, Dorothy Doyle, Kathleen Frances Farrell, Hugh Lionel Fawssett, Joan Mary Flynn, Peter John Gurry, Ailsa Jean Holland, Jeffrey James Layther, Maxwell John Lee, Ronald William Longstaff, Noel David Millar, Ronald Henry Ogier, Pamelia Margaret Pape, Margaret Alice Quick, Neil James Redfern, Elizabeth Ann Roberts, Margaret Elizabeth Roberts, Joan Margaret Rosengren, Neil Ross, Heather Dawn Sheehan, John Marley Sheen, Elizabeth Mary Sleep, William George Shand Smith, Joyce Margaret Spalding, Alan Robert Trethewey, Margaret Tripcony, Francis Elizabeth Verge, Kevin James Reynolds Warren and Elizabeth Marie Williamson. Within the program is a loose sheet of paper with a copy of the graduation procedure.bendigo, education, bendigo teachers' college graduatio, latrobe university bendigo collection, collection, bendigo teachers' college, bendigo, education, teaching, teachers, student, bendigo teachers' college graduation, graduation, bendigo teachers' college students, bendigo teachers' college staff, tertiary education, book, history

This diary was handwritten by Alfred Broch over the course of four months in 1940. It was kept while Alfred Broch was travelling on the HMT Dunera and then during his detainment in the Hay internment camp.Bound with cotton and handwritten in pencil. Bound with cotton and handwritten in pencil.[selected passage translation from German, further translation available] : “Dunera” 10.VII – 6.IX.1940 First impression very depressing. Fears. Confusion with prisoners of war. Never mind. Corrected. Continuing further bad treatment. Boarding the ship assisted by rifle butts. Robbed as soon as we reached the deck. Impression of a death ship. Complete helplessness. No sleeping facilities. All sleep on the floor, on tables etc. Intended accommodation taken up by luggage cases. (barbed wire). Food good but only spoons. Next day: robbery from the cases. Own people steal. Purloined objects even include toothbrushes and toothpaste. Much to eat. Small convoy with one cruiser. In the same convoy a women’s transport which soon leaves us as it is bound for Canada and we are quite surprised. The English soldiers and officers have another side. While in the danger zone they only had a webbing belt and slippers. In case of torpedoes – expecting certain death. Bad air as all vents are closed. Other Inscriptions: Front page, upper right, underlined: "Alfred Broch" Front page, upper, underlined: "Notitz Buch" Front page, centre, underlined: "Hay 1941" Page 1, upper right: "Mittwoch 10. VII." Page 3, upper right: "10. VII. - 6. IX. 1940 Page 4, centre: "[...] ARANDORA STAR" Page 11, upper, underlined: "Von Liverpool Nach Hay / Mittwoch 10 VII" dunera, wwii, internment, jewish history & people

The Morepork is a small brown and white spotted owl found in New Zealand, Tasmania and Norfolk Island. It is known by around twenty different names which are all onomatopoeic which emulate the birds distinctive two-pitched call. They are mostly nocturnal and carnivorous (eating insects and small vertebrates). They reside in habitats with trees, they sleep in roosts and hunt mainly in the evenings and early morning. Females are slightly bigger than males. This species attains full plumage in its third or fourth year. They can turn their heads 270 degrees." In Māori tradition the morepork was seen as a watchful guardian. It belonged to the spirit world as it is a bird of the night. Although the more-pork or ruru call was thought to be a good sign, the high pitched, piercing, ‘yelp’ call was thought to be an ominous forewarning of bad news or events." (NZ Department of Conservation). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Morepork (also known as the Masked Owl) is covered in brown and white plumage on its head and body. The white feathers delineate its round yellow eyes. Its belly and back are brown and white with the white feathering appearing spotted. This Morepork specimen sits on a wooden perch with his head turned to the left. A swing tag is attached to its left leg.Swing tag: 10 / Masked Owl / See Catalogue, page 3 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ruru, spotted owl, tasmanian spotted owl, morepork, mopoke, new zealand owls, new zealand birds, tasmanian owls, tasmanian birds, norfolk island owls, norfolk island birds

The Morepork is a small brown and white spotted owl found in New Zealand, Tasmania and Norfolk Island. It is known by around twenty different names which are all onomatopoeic which emulate the birds distinctive two-pitched call. They are mostly nocturnal and carnivorous (eating insects and small vertebrates). They reside in habitats with trees, they sleep in roosts and hunt mainly in the evenings and early morning. Females are slightly bigger than males. This species attains full plumage in its third or fourth year. They can turn their heads 270 degrees." In Māori tradition the morepork was seen as a watchful guardian. It belonged to the spirit world as it is a bird of the night. Although the more-pork or ruru call was thought to be a good sign, the high pitched, piercing, ‘yelp’ call was thought to be an ominous forewarning of bad news or events." (NZ Department of Conservation). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Morepork (also known as a Masked Owl) is covered in brown and white plumage on its head and body. The white feathers delineate its round yellow eyes. Its belly and back are brown and white with the white feathering appearing spotted. He sits on a wooden perch with his head turned to the left. A swing tag is attached to its leg.11 / Masked Owl / See Catalogue, page 3 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ruru, spotted owl, tasmanian spotted owl, morepork, mopoke, new zealand owls, new zealand birds, tasmanian owls, tasmanian birds, norfolk island owls, norfolk island birds

TROVE: The Advertiser (Adelaide S.A. 1931-1954) Sat 22 June 1935, page 24, Advertising 'PUBLIC NOTICE TO BOTTLERS, BOTTLE DEALERS, ETC., RE PROPERTY BRANDED BOTTLES WHICH ARE NOT SOLD. The undermentioned. Firms and Companies, carrying on business at Sydney and elsewhere. HEREBY GIVE NOTICE that all Bottles delivered by them, to their customers, having a notification moulded thereon that they are, or remain, the property of the Firms and Companies mentioned below. ARE NOT SOLD WITH THE CONTENTS THEREOF, BUT REMAIN THE PROPERTY OF SUCH FIRMS and COMPANIES. Such Bottles are loaned solely for me purpose of enabling the contents to be delivered to the purchasers from the said Firms and Companies, and to all subsequent purchasers of the contents. As soon as the Bottles are emptied of their contents they must not be refilled, destroyed, damaged, or used again for any purpose, but must, on demand, be delivered up to the Companies or Firms whose names are moulded thereon, or to their Accredited Agents:— BUTLER AND NORMAN. LTD., MANDIBLE ST., ALEXANDRIA, NJS.W. The remuneration received by Collectors, Dealers, etc. Is simply an allowance for the safe custody, and collection of the Bottles. LEGAL ACTION WILL BE TAKEN AGAINST ANY PERSON OR COMPANY VIOLATING THE PROPERTY RIGHTS OF THESE FIRMS' OR COMPANIES' BRANDED BOTTLES........................Taylor Chemical Co..............'. TROVE : Courier-Mail (Brisbane, Qld. : 1933 - 1954), Thursday 5 July 1945, page 7, Advertising. DON'T COUGH ALL NIGHT ! take a dose of YCOUGH at bedtime! Y- Cough will relieve your cough or cold while you sleep peacefully! 1'9 AT ALL CHEMISTS AND STORES. On box labels : Taylor Chemical Co. Sydney, Reg. Vic. 3146. Clear, rectangular in section, screw top bottle with orange metal lid and orange, brown & white printed paper label, containing dark brown liquid, in a corrugated cardboard lined orange, dark brown and white printed cardboard box. Embossed on side of bottle in cartouche 'THIS BOTTLE LWAYS REMAINS THE PROPERTY OF TAYLOR CHEMICAL CO. SYDNEY'. Embossed on base of bottle AGM logo with the numerals '16510' along side and the numeral '3' below. On orange metal top printed in white 'Y-COUGH' and 'PLEASANT TO TAKE'. On paper bottle label '....world.......Y-COUGH REGISTERED FOR RELIEF OF COUGHS, OF COLDS, INFLUENXA, BRONCHITUS AND WHOOPING COUGH and for the relief of throat soreness and irritation. DOSE : Adults : one or two teaspoonsful every 2 hours or when cough is troublesome. Children over 6, one teaspoonful every 3 or 4 hours. Under 6, half quantity. FOR Colds and Influenza : one teaspoonful in cup of hot water after getting into bed will give added relief. This package contains 3.77% Potassii Bromidum. Net Contents : 2 1/2 Fl. Oz. Sole Manufacturers TAYLOR CHEMICAL CO. SYDNEY. Reg. Vic. 3146'. Front of box & repeated rear ' Y-COUGH REGISTERED FOR RELIEF OF COUGHS, OF COLDS, INFLUENXA, BRONCHITUS AND WHOOPING COUGH and for relief of throat soreness and irritation. Side 1. of box 'PLEASANT TO TAKE Sole Manufacturers TAYLOR CHEMICAL CO. SYDNEY. Reg. Vic. 3146'. Side 2. of box 'NO HARMFUL DRUGS Sole Manufacturers TAYLOR CHEMICAL CO. SYDNEY. Reg. Vic. 3146'. chemist, medicine, influenza

TROVE: The Advertiser (Adelaide S.A. 1931-1954) Sat 22 June 1935, page 24, Advertising 'PUBLIC NOTICE TO BOTTLERS, BOTTLE DEALERS, ETC., RE PROPERTY BRANDED BOTTLES WHICH ARE NOT SOLD. The undermentioned. Firms and Companies, carrying on business at Sydney and elsewhere. HEREBY GIVE NOTICE that all Bottles delivered by them, to their customers, having a notification moulded thereon that they are, or remain, the property of the Firms and Companies mentioned below. ARE NOT SOLD WITH THE CONTENTS THEREOF, BUT REMAIN THE PROPERTY OF SUCH FIRMS and COMPANIES. Such Bottles are loaned solely for me purpose of enabling the contents to be delivered to the purchasers from the said Firms and Companies, and to all subsequent purchasers of the contents. As soon as the Bottles are emptied of their contents they must not be refilled, destroyed, damaged, or used again for any purpose, but must, on demand, be delivered up to the Companies or Firms whose names are moulded thereon, or to their Accredited Agents:— BUTLER AND NORMAN. LTD., MANDIBLE ST., ALEXANDRIA, NJS.W. The remuneration received by Collectors, Dealers, etc. Is simply an allowance for the safe custody, and collection of the Bottles. LEGAL ACTION WILL BE TAKEN AGAINST ANY PERSON OR COMPANY VIOLATING THE PROPERTY RIGHTS OF THESE FIRMS' OR COMPANIES' BRANDED BOTTLES........................Taylor Chemical Co..............'. TROVE : Courier-Mail (Brisbane, Qld. : 1933 - 1954), Thursday 5 July 1945, page 7, Advertising. DON'T COUGH ALL NIGHT ! take a dose of YCOUGH at bedtime! Y- Cough will relieve your cough or cold while you sleep peacefully! 1'9 AT ALL CHEMISTS AND STORES. On box labels : Taylor Chemical Co. Sydney, Reg. Vic. 3146. Clear, rectangular in section, screw top bottle with orange metal lid and orange, brown & white printed paper label, containing dark brown liquid, in a corrugated cardboard lined orange, dark brown and white printed cardboard box. Embossed on side of bottle in cartouche 'THIS BOTTLE LWAYS REMAINS THE PROPERTY OF TAYLOR CHEMICAL CO. SYDNEY'. Embossed on base of bottle AGM logo with the numerals '16510' along side and the numeral '3' below. On orange metal top printed in white 'Y-COUGH' and 'PLEASANT TO TAKE'. On paper bottle label '....world.......Y-COUGH REGISTERED FOR RELIEF OF COUGHS, OF COLDS, INFLUENXA, BRONCHITUS AND WHOOPING COUGH and for the relief of throat soreness and irritation. DOSE : Adults : one or two teaspoonsful every 2 hours or when cough is troublesome. Children over 6, one teaspoonful every 3 or 4 hours. Under 6, half quantity. FOR Colds and Influenza : one teaspoonful in cup of hot water after getting into bed will give added relief. This package contains 3.77% Potassii Bromidum. Net Contents : 2 1/2 Fl. Oz. Sole Manufacturers TAYLOR CHEMICAL CO. SYDNEY. Reg. Vic. 3146'. Front of box & repeated rear ' Y-COUGH REGISTERED FOR RELIEF OF COUGHS, OF COLDS, INFLUENXA, BRONCHITUS AND WHOOPING COUGH and for relief of throat soreness and irritation. Side 1. of box 'PLEASANT TO TAKE Sole Manufacturers TAYLOR CHEMICAL CO. SYDNEY. Reg. Vic. 3146'. Side 2. of box 'NO HARMFUL DRUGS Sole Manufacturers TAYLOR CHEMICAL CO. SYDNEY. Reg. Vic. 3146'. chemist, medicine, infuenza

Wallace's Hut is the oldest surviving cattlemen's hut on the High Plains, built in 1889 by the three Wallace brothers - Arthur, William and Stewart. Their father David bought land at Kergunyah as well as grazing land on the banks of the Kiewa River, North East Victoria. Once the boys were old enough, the family followed the local squatters’ custom of taking their cattle up to the mountains for the spring and summer to fatten the mob, at the same time resting their home pastures. They decided to build a hut where they could shelter from the extreme mountain weather. The timber was cut from the forest about four hundred metres east of the hut, and the hearth stone was dragged in from Pretty Valley. The chimney had a base of rubble and above this iron sheeting on a timber frame. The slab walls were lined with hessian and later with tar-paper, and inside there was a bush table, sleeping platform and a rustic fire-side settle. The hut nestled among snow gums sheltered by a rocky outcrop. The names of the Wallace brothers were burnt into the tie-beams of the roof and at the back of the mantelpiece. The Wallace family’s lease expired in the late 1930s and the hut was bought by the State Electricity Commission to house staff on the High Plains and it became the first home of Toni and Skippy St. Elmo. The SEC covered the old shingles with iron, and later on the walls and chimney as well, and they added a lean-to. Wallace’s Hut is now owned by the Crown and maintained by Parks Victoria. It is on the Historic Buildings Register and is classified by the National Trust.This image is significant because it depicts an important heritage-listed structure and refuge for cattlemen and other travellers in Victoria's High Country.A black and white photograph of a skier outside of Wallace's Hut. Several sets of skis and poles are standing around and other skiers are in the background.wallace's hut, toni and skippy st. elmo, high country huts

Catherine Maggs was married to James Maggs who belonged to a large pioneer family in the Ringwood area. They had nine children. James died in July 1940. (From the book "Ringwood Place of Many Eagles by Hugh Anderson)Small newpaper cutting.MAGGS.—On October 14, at her home, Kalinda Road, Ringwood, Catherine, beloved wife of the late James Maggs, loved mother of Oliver, Douglas, Lawrence (deceased), Ruby (Mrs. Bruce), Basil, Lewis (deceased), Ronald (deceased), Beulah (Mrs. Boppel) and James, aged 78 years. A wonderful mother at rest. MAGGS.—On October 14, at her home, Kalinda Road, Ringwood, Catherine, dearly loved mother of Beulah and mother-in-law of Bert. Peacefully sleeping. MAGGS.—on October 14, at her home, Kalinda Road, Ringwood, Catherine, dearly loved mother of Oliver. We'll meet again, Kitty. MAGGS.—on October 14, at her home, Kalinda Road, Ringwocd, Catherine, loving friend of Ruby Richardson. Sadly missed.

In 1948 during her Australian tour Helen Keller visited the west suburban SUNSHINE GIRLS TECHNICAL SCHOOL, to express her thanks for a letter written by the students in support of her work with deaf and blind people. She and her travelling companions presented the school with their signatures. Helen Keller was born on June 27, 1880 and due to an illness at the age of 20 months lost both her sight and hearing. Helen was taught to communicate by Anne Sullivan who wrote words into her hand, and she also learned to speak by touching the throat and lips of people as they spoke. In June 28, 1904 Helen Keller graduated from Radcliffe College with a Bachelor of Arts degree, being the first deaf and blind person to do so. In October 1914 Polly Thomson joined up with Helen and Anne. Helen published an account of her religious beliefs and an autobiography, and in 1930 the three women travelled to Scotland, England and Ireland. In 1931 they participated in the first World Council for the Blind. After Anne Sullivan Macy died in 1936 Helen and Polly continued to travel to several countries. In 1943 Helen visited blind, deaf, and disabled soldiers in a USA military hospital, which she described as "the crowning experience of my life". In 1946 Helen and Polly made their first world tour for the American Foundation for the Overseas Blind and over the next 11 years visited 35 countries. In 1955 Helen became the first woman to be honoured with an honorary degree from Harvard University. In 1960 Polly Thomson died, and in 1961 Helen suffered her first stroke and so retired from public life. In 1964 President Johnson conferred the Presidential Medal of Freedom however she was unable to attend the ceremony. On June 1, 1968 Helen died in her sleep, and her ashes have been interred with those of Anne and Polly at the National Cathedral. Over 1200 mourners attended the funeral.It is significant that Helen Keller actually took the time and effort to visit the Sunshine Girls Technical School to thank the students for their supporting letter. Helen Keller's many achievements show that a severely handicapped deaf and blind person can make significant contributions to society, if they apply themselves and receive assistance from dedicated friends. Brown stained wood frame with glass face enclosing a beige paper with three signatures and a typed white paper section describing reason for the signatures. Helen Keller, Polly Thomson, Marion Fatuson, 11.5.48helen keller, polly thomson, marion fatuson, anne sullivan macy, deaf, blind, signatures, radcliffe college, sunshine girls technical school

A black and white photograph of Murchison Street in Marysville in Victoria.A black and white photograph of the main street in Marysville in Victoria. This is now known as Murchison Street. This postcard was produced by Murray Views in Gympie in Queensland as a souvenir of Marysville.POST CARD STAMP REAL (illegible)/ AUSTRALIA BY MURRAY (illegible) Tuesday 1st/ Dear Ade,/ Well here I am/ as I said/ writing/ to you. I have 8 minutes/ before the dinner gong goes so/ I'd better hurry./ We're having a super/ time, but the weather is/ shocking. Today we put/ on our raincoats, golf shoes/ & umbrellas & walked to/ the Taggerty River & back/ via Talbot Drive. It/ was lovely (& wet(. It's about/ 6 miles or maybe more./ I didn't think you or John/ would come on such a / terrible day. How's work?/ Think of me eating, sleeping/ & playing won't you./ There are 17 people here. There/ were 30 when we arrived./ Doesn't the Main Street look/ beaut? That's how it really look./ Saw "Mad About Men" here on/ Saturday night. Extra good/ show. Must close. See you/ Friday week. Love Pat.murchison street, marysville, victoria, murray views pty ltd, murray views no 17, postcard, souvenir

Various short pieces of writing, some dated, earliest 1971, latest in 1997. Gwen Baker (1928-2005) was a foundation member of EDHS. See Also Newsleter 162, May 2005 GWENDOLINE MARGARET BAKER NEE BOWES 1928- 2005 Gwen Baker as we knew her, often used her full name in her writings and even acknowledged her maiden family name as a means of reinforcing her own personal identity. Gwen died on 28 Februrary 2005 and has been buried at Arthurs Creek Cemetery in accordance with her wishes. It is typical of her humour that after visiting the site she wrote: "I have seen the Cemetery, so if I wake in sleep it has a nice view" Gwen was a foundation member of our Society. We remember her mainly for her contribution to our meetings, her witty comments or questions to our speakers and, of course, her collection of plants that she contributed to help the finances of our Society. Her friends in the Society also remember her cards and brief letters on a wide range of subjects. Gwen's wide range of interests included pottery, poetry and of course her gardening. She was an active member of many organizations including the Red Cross, Catholic Church, Nillumbik Garden Club and the former Eltham Arts Council. Her small self- published booklet of poems and writings starts with tins item written at 2am on Easter Sunday 1975. THOUGHT The seeming steady stillness of this quiet night has varied sound to one who sits and thinks of life. Of times of your of pleasant things and if the future has in store a place to be - a reason to exist. One hears a bird upon the roof scratching at his mate while in the distance a car goes by returning home quite late. A neighbours dog goes forth and bark! then stillness once again, like sunshine after rain. and so the thinker having heard and thought, carefully turns out the light and goes to bed. 41 pages (20 A4 pages cut in half). Folder 76 from Harry Gilham Collectionpoetry, creative writing, gwen baker

This traditional wagga blanket was made by Mrs Eileen Pattle between 1942 and 1950. The wagga was used as everyday bedding, as Eileen and her husband had very few possessions. They boarded with a man who they called “Old Harry” in Footscray. Old Harry had recently lost his wife and looked after the young couple well. They could stay with him and use his house as their own, and all that Old Harry asked for in return was for Eileen to cook him one good meal a day. The blanket was given to Mrs Beverley (Bev) Maguire, the daughter of Eileen, when she and her husband went camping one winter. Her husband was a “mad” fisherman and on one trip on which Bev joined him, her father offered the couple his old tent, that had a wall missing, and the wagga. The wagga was much appreciated as when the couple woke in the countryside, it was freezing, and they could see snow through the missing tent wall. From then on, the tent and the wagga were theirs. The wagga saw many more camping trips until the arrival of Bev’s “lovely new lightweight and down filled sleeping bag”. The wagga was made with a “make do, waste not, want not” attitude. The wagga started as an army issued blanket. The front layer has clothing and panels of mismatched material which has been added to over time. This includes an overcoat, two knitted garments, a panel from a skirt, and a panel from Old Harry’s Trousers. It also includes a man’s sleeveless knitted vest, and a knitted pram blanket. This is all stitched together with string, and the odd button. Bev said she would love to unpick the quilt to see what else is hiding inside but has resisted the urge to do so. All these layers have made the blanket incredibly warm, and heavy. The wagga has been within Bev’s family since creation and comes into the National Wool Museum Collection after serving the family well. It was used to keep everyone warm when not camping over many a winter’s night. Beverley is now getting on in years and donated the Wagga to the National Wool Museum in 2021. Her family referred to the wagga as a “collection of rags”, indicating to her that they did not wish to inherit the blanket. The wagga started as an army issue blanket. It has been made by stitching the khaki army blanket onto a hessian rear. The front layer has clothing and panels of mismatched material. This includes an overcoat, two knitted garments, a panel from a skirt, and a panel from Old Harry’s Trousers. It also includes a man’s sleeveless knitted vest, and a knitted pram blanket. This is all stitched together with string, and the odd button. It is thought that other materials are hiding within the layers of this wagga, however, uncovering these layers would involve unpicking the quilt. The wagga is 1360 x 1880mm, sized to suit a double bed. It is a heavy blanket, originating from all its panels of mismatched reused clothing. The wagga is well worn but has lasted almost 80 years. It has holes that have been lovingly re-stitched.wagga, quilt, upcycle

Rohan Robinson is an artist born in Geelong, and attended “the Mill” part of Deakin University in 1980-82, studying Fine Art. In 2010-11, he was the manager of Kayili Artists Aboriginal Corporation, at Patjarr in the Gibson Desert W.A., where he oversaw the development and marketing of artworks of the corporation’s members. The community is the remotest in Australia and averaged 25 people, mostly consisting of elderly people and part of the Ngaanyatjarra region, with some members not having any consistent contact with white fellas up to the mid 1960’s. During his time it was common for all the community members to go out hunting and having a visit to important areas, where members would get some tucker of rabbits and lizards and honey ants and perhaps some “meow meow” and have a nice sleep in the shade on the warm sand. Robinson would often take his painting gear along and do some work on unstretched linen on the desert ground, he would paint for a while and then perhaps lie around with the elders or follow one of the expert hunters and observe from a distance [several meters] the skills of elderly women casually walking through some recently burned spinifex knocking cowering bunnies on the head with a steel rod. It was on one of these occasions, when this particular painting was being conceived, that after returning from the hunting mission, he was informed by some of the mob, that an elder had been spending time looking at this work in it’s infantile stage...”You know the old fella over there, he been looking at that painting of yours” It was later in the day, when returning to Patjarr, that the elder Arthur Robertson approached Robinson, and demanded/asked that Robinson paint his stories for him. Mr Robertson was suffering from Parkinson’s disease, and was having trouble painting, but had been doing some brilliant work with Posca markers. It was with a certain reluctance that Robinson agreed, as he felt this to be a “political hot potato in some quarters” but also respected a relationship between artists beyond the cultural divide. Mr Robertson demanded that they start immediately and armed with pencil and paper they created the notes for several paintings under Mr Robertson’s direction. The painting that you are viewing is signifcant in that it was the catalyst for this relationship between the two artists. Mr Arthur Robertson died later that year 2011.Gold framed blue and earth tone painting. Painting depicting four circles with mountain and sky in the background.

A photo from a book compiled about the Legacy children's residence called Stanhope. This photo shows Matron Dorrie Vines with three residents. Names around the photo L to R: Lee Henneberry, Doreen Devlin, and Betty Henderson. The newspaper article from The Age was published on 28 August 1959 and mentions Miss Vines has worked at Stanhope since 1946 when she returned from war service. She had been a trained nurse and served in Middle East and New Guinea with the RAANC. She had been awarded the medal of an Associate of the Royal Red Cross and was mentioned in despatches. Mention of the routine of the house include that the girls sleep in large airy bedrooms which they look after themselves. They generally do their own washing and ironing. There is a well equiped sewing room where they can make their own clothes. There is a radio and television and piano though between 7 and 9pm is quiet study time. A legacy member joins them for dinner most evenings and the girls do their own washing up. They can cook in the kitchen if they wish. There is staff of an assistant matron, a cook and two housemaids. Girls have picnics and outings arranged and three or four times a year and they have informal dances at Stanhope. Stanhope was supervised by Matron Dorothy (Dorrie) Vines from the time it opened in 1946 until she retired in December 1966. It is likely she compiled this notebook as she is referred to as 'self' in one photo. Individual pages of photos or newspaper clippings have been added separately. Items 01817 to 01834. Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950) were residences run by Melbourne Legacy to take care of children whose fathers were servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for further education. Generally Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent. A record of life at Stanhope as reported in the Age Newspaper.Black and white photo of Matron and girls in 1959 along with a newspaper clipping about her.residences, dorothy vines, stanhope

Photos from a book compiled about the Legacy children's residence called Stanhope. The photos shows three rooms of Stanhope, the study room and two bedrooms. They may be copies printed from slides (see 02520-02522). The photo of the study room is surrounded by the names: Denise Attewell, Susan Knowles, June S., Jill Baker, Colleen, Jacky and Sandra. One bedroom photo is captioned 'Packing for the holidays' and has the names: Lynn Hall, Jacky Mooney? and Jane Reed. The other photo has the names: June S, Glenyce Ring and Jennifer Biggs. Stanhope was supervised by Matron Dorothy (Dorrie) Vines from the time it opened in 1946 until she retired in December 1966. It is likely she compiled this notebook as she is referred to as 'self' in one photo. Individual pages of photos or newspaper clippings have been added separately. Items 01817 to 01836. Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950) were residences run by Melbourne Legacy to take care of children whose fathers were servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for further education. A newspaper clipping at 01823 mentions the routine of the house including that the girls sleep in large airy bedrooms which they look after themselves. They generally do their own washing and ironing. There is a well equiped sewing room where they can make their own clothes. There is a radio and television and piano though between 7 and 9pm is quiet study time. A legacy member attended for dinner most evenings and the girls do their own washing up. They can cook in the kitchen if they wish. There is staff of an assistant matron, a cook and two housemaids. Girls have picnics and outings arranged and three or four times a year they have informal dances at Stanhope. Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent. An example of the interior of Stanhope residence and a glimpse into the life of the girls that lived there.Black and white photo x 3 of the interior rooms of Stanhope in 1962.Handwritten caption in blue fountain pen of the girls' names.residences, stanhope, study

3 A4 pages stapled together. Peter's Eulogy. We have lost a giant from the folklore scene. The huge crowd here today shows how much Peter meant to so many people. He has been my friend and band leader for the past twenty five years. Peter was the glue for our band. He planned the musical program in conjunction with the MCs. He listed all the tunes to be played and where to find them for those who read the dots. Peter was great fun to be around and I'd like to mention just a few things to show that. Peter was always an exuberant player. He would bounce around on his seat. This caused a near disaster at a drought relief benefit we were playing. The band was on a platform but our pianist Olive was at ground level as the piano could not fit. Peter bounced around so much his chair leg slipped and Peter ended up on top of poor Olive. Peter loved to entertain. He would play bones or swanee whistle at the drop of a hat. He would demonstrate the Charleston, can can or bunny hop for groups. For a big man he was very light on his feet. He loved to stand and circle his concertina, a memory I won't forget. I have to confess I have slept with Peter. Twice. The first time was at Port Fairy Folk Festival when the band slept in the nunnery at Koroit. Peter, Dean Swift and I shared a room. Peter's snoring was so bad Dean grabbed a blanket and a pillow and went to sleep in the mini bus. I went into another room but even with two closed doors found it difficult to sleep. As recently as this year's Illawarra Folk Festival Peter was in a tent in the performer's area. I noticed the tents either side quickly became vacant. The next time was in Canberra when Peter and I were at one end of a caravan and Mary Smith was at the other. I don't think poor Mary got much sleep that night. On another occasion in Canberra Peter was Half asleep in his van when another well known female performer (not from the band) came in and stripped off. She realised she was in the wrong van and grabbed her stuff and took off. She returned very red faced the next morning to collect her shoes. Peter maintained he saw nothing. One freezing cold night in Canberra Peter ad I had been at a terrific session in the bar. We had to support each other across the oval towards our caravan. Peter tried to straddle the fence and got stuck. There was a real Canberra frost on the fence and a sensitive part of Peter's anatomy was in grave danger of frost bite. Peter took an eternity to extricate himself. I couldn’t help him as I was laughing so much. We'll never forget making Harry McQueen's bull boar sausages at Nariel. Peter had already organised the meat and intestine casings from the butcher in Corryong. He was such an organiser and the sausages were brilliant. Peter was quirky. He always made a morning cuppa complete with tea cosy. It even left Martin Pearson speechless in the breakfast tent at Illawarra this year. Another example was when he sold his beloved FJ which is parked out the front today. As the new buyer drove off down the road Peter stood there playing 'Now is the hour' and 'wish me luck as you wave me goodbye' on his concertina. Peter loved a joke. He knew Shirley Andrews loathed the tune Danny boy so he played it in her hearing any chance he go. He even gave her a cd with a dozen different performers doing their versions of the song. We once played at the Rifle Brigade Oktoberfest and Peter was just a bit under the weather after being there for two days (the band got free drinks). The late night crowd was getting restless so Peter tried to shut them up by holding his finger up. They got more restless. Peter couldn’t understand it. 'it worked for Grummy Ross,' he wailed. It was the only time we ever over rode him and started playing without him. He wasn’t happy but disaster was averted. The dance club once had a reverse deb ball. Peter shave his beard, got his sister Robyn to make up his face and came to the ball in a lovely gown. It took ages for people to realise who it was.Margaret Hogan said the other night 'Peter let me see and do things I never would have done otherwise.' I think that is true of all of us in the band. We performed in major festivals regularly, travelled widely and had experiences such as playing at the opening of Melbourne Museum or State Parliament. Experience we'd never have had without Peter. I'm glad Peter didn’t suffer. He told me last Monday morning on my last visit he was in no pain. For that I am grateful. He passed away that night. He was taken far too young and has left a huge hole in all our lives. Personally I have lost a great mate, but then we can all say that. We'll miss you Dirty Pierre. John Williams.person, individual, peter ellis oam

The ship model of the Joseph Conrad represents the craft of ship model making, which has been enjoyed by many people over the years. Although the model is made from modern materials, it shows the elements of a sailing ship of a bygone era. Ship Model of the JOSEPH CONRAD: - The Joseph Conrad began as the iron-hulled sailing ship Georg Stage, launched in 1882. It was used in Denmark as a training ship for sailors. In 1905 while docked at Copenhagen the ship was rammed by a larger ship and 22 boys were killed while sleeping in the hull. The ship was later raised and on guard during World War I. Alan Villiers, an Australian author and sailor, rescued the ship and renamed it Joseph Conrad in honour of the renowned maritime author. In 1934 the ship visited Sydney on its worldwide tour, then in 1936 it was sold to an American, who later donated it for use again as a training ship. After World War II the ship was in disuse until 1947 when it was transferred to the Mystic Seaport for use as an exhibit. The author, Joseph Conrad (1857-1927): - Joseph Conrad was Polish-born and became a British subject in 1886. He was a renowned marine fiction writer and also, for a short time, a mariner and Captain. As a boy of 13 years old, Joseph Conrad’s desire was to be a sailor. At 19, he joined the British merchant marine, working in several roles. He eventually qualified as a captain but only served in this role once, from 1888-89, when he commanded the barque Otago sailing from Sydney to Mauritius. In 1889 he also began writing his first novel, Almayer’s Folly. He retired from life as a mariner in 1894, aged 36. Conrad’s visits to Australia from 1878 to 1982, and his affection for Australia, were later commemorated by a plaque in Circular Quay, Sydney. Conrad continued as an author. It is said that many of the characters in his books were inspired by his maritime experiences and the people he had met. By the end of his life, he had completed many stories and essays, and 19 novels, plus one incomplete novel titled ‘Suspense’ that was finished and published posthumously. Shortly before he passed away, in 1924, Conrad was offered a Knighthood by Prime Minister Ramsay MacDonald for his work but declined.The ship model represents the design of sailing ships built in the 1880s and can be used as a reference in understanding the construction of the ships of the Victorian era. The model's name is significant for its association of its name with the famed early 20th-century maritime author, Joseph Conrad.Ship model; A three-masted sailing ship named the Joseph Conrad, with cabins on deck, lifeboats, a ladder on the side and a figurehead on the bow. The hull is black at the top and red below. The ship's name is painted on both sides of the bow. JOSEPH CONRADflagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, joseph conrad, captain joseph conrad, maritime author, marine author, nautical author, sailor, seafarer, ship model, two-masted ship, iron hull, sailing ship, georg stage, 1882 ship, danish ship, training ship, boys killed, alan villiers, ship joseph conrad, mystic seaport, museum ship

The photograph of William Ferrier was given to Avis Quarrell by Lewis Ferrier, 3rd youngest son of William during the centenary of the wreck of the La Bella. The photograph was framed by the Henna Street Picture Framers, Warrnambool in 2005. The photograph is of William Ferrier, the 25-year-old fisherman from South Warrnambool, whose rescue of two sailors from the wrecked La Bella made him an overnight national hero. The La Bella was wrecked on 10th November 1905,and the remains of the vessel now lie on her port side in 13 metres of sheltered water inside the reef she struck. The bow section is relatively intact and part of the stern has drifted north-easterly towards the mouth of the Hopkins River. The reef the La Bella struck now bears its name. Several attempts were made by the Warrnambool lifeboat crew to rescue the stricken sailors on the La Bella, but the rough conditions made this difficult for the boat to get close enough to the ship and the lifeboat had to return to shore. A another rescue attempt was made by Ferrier who rowed a small dingy through the heavy seas and managed to rescue the Captain George Mylius, whom he landed on the breakwater. Ferrier then returned to the ship to attempt a final rescue, losing his oars and rowlocks into the high sea. Using just a spare paddle he swam towards the La Bella, reaching her stern in time to cut loose the lone surviving sailor, Payne, from the ropes and debris that held him to the ship; the terrified sailor dropped from the ship and into the dingy. Shortly after the last man was rescued, the La Bella was lifted by a huge wave and crashed back down on the reef; she broke up and sank. The survivors were taken to the nearby Bay View Hotel and gratefully received warm food and clothing, medical attention and a place to sleep. William Ferrier became a national hero as news of the daring rescue spread. In recognition of his bravery in the two daring rescues, he was awarded the Silver Medal for Bravery by the Royal Humane Society and was honoured in the letter from the Prime Minister and the Parliament of the Commonwealth, telegrams and a cheque for £20 from the Governor-General, over £150 subscribed by the public, including Warrnambool and district and readers of The Argus, and a gold medal from the Glenelg Dinghy Club of South Australia. Ferrier’s rescue efforts are one of the most heroic in Victoria’s shipwreck history.This photograph is significant at both a local and state level. Its connection to the La Bella shipwreck and the rescue of survivors highlights the dangers of Victoria’s Shipwreck Coast and demonstrates the bravery of ordinary Australians like William Ferrier who risked their lives to save victims of shipwrecks along the coast. Moreover, the photograph has an association with the sailing ship ‘La Bella’, as it is one of the only two shipwrecks discovered in Lady Bay, Warrnambool, out of the 15-17 shipwrecks known to have been wrecked in the bay.Framed sepia photograph, mounted behind glass. Portrait of a man seated on a log. He is wearing a brimmed hat, dark coloured jacket and trousers, and a light coloured collarless shirt with buttons. The figure in the photograph is William Ferrier.flagstaff hill, warrnambool, maritime museum, shipwreck coast, la bella, william ferrier, rescue, hero william ferrier

The tenant lived at the mercy of the resident landlord. Home was a one-roomed house, a chimney of wicker work plastered over with mud or just a hole in the roof. The walls might consist of mud too, or sods of grass. Any windows, were rarely glazed and would be open to the elements all year round. The Pig, if any, was kept in the house, the most valuable possession. Sold for cash at local market. The main items in the house were a potato pot and water bucket. As well as mother, father and children, there could well be grandparents all living in the same cramped conditions. The family would sleep on rushes or straw lain on the floor. Most tenants were tenants 'at will ', which meant they could be evicted at the 'will' of the landlord. Some had a lease for the life of the father and the eldest son, and this meant they were relatively safe from eviction as long as they could pay their rent. There was a tradition of passing on a portion of your land from father to each of the sons, who would build a small dwelling, and in turn pass a portion onto their own sons. This cycle of subdivision meant that many families were surviving on a tiny plot of land from which to derive a crop of potatoes for the year. Women worked hard in this environment, rearing children, cooking, cleaning, tending to any animals such a pigs or chicken and when needed, helping in the potato field. Life was dictated by the annual rent due to the landlord. Other typical expenses could be the Hearth Tax (actually charged by the number of fire places in a house) Turf, Hay (for any farm animals) and tithes. A tax known as the tithes were calculated at one tenth the value of everything saleable. Tithes were a bitter issue. They were for the support of the Church of Ireland, Protestant Bishops and Ministers, and a cess tax for the construction and maintenance of Protestant Church buildings. The problem being that the vast majority of those paying the Tax were Catholic and paying to support something that was contrary to their beliefs. Potatoes were the staple diet from September through to the end of Spring of the following year. But the summer months were months of hunger and hardship as they waited for the following harvest to come in Autumn. During these months people had to resort to eating anything they could find; turnips, cabbage, even wild grass, nettles, wild berries and dandelions. Those who lived close to the sea would collect seaweed and use it spread on their land as a form of manure. The dependency of so much of the population on the Potato as their sole source of food was to prove disastrous during the Famine years. [http://www.youririshroots.com/irishhistory/tenant.php, accessed 14 December 2013]A woman spins wools, while another cards fleece in preparation for spinning. I man smokes a pipe by an open fireplace, while a cow takes shelter in the cabin for warmth. ballarat irish, cabin, spinning, wool, cow

Pte Evan Edward Jones (No 276) and his younger brother Pte Edward Jones (No 1731) were both members of the 29 Infantry Battalion during World War 1. They enlisted in 1915 in Kyneton where they grew up. Edward enlisted after approval was given by his mother as he was not quite 21. He did not survive the war as he was killed by a sniper in France in 1916. It was Private Edward Jones’ love of adventure that cost him his life. In the trenches in France on 16 August 1916, beside his brother, Private Evan Edward, he raised his head and was caught by a German sniper. The brothers were side by side, and it was suggested to their sergeant that he should take a short rest; they had been 36 hours without sleep. The sergeant said “Oh no, I won’t leave you fellows.” Private Jones said “If I got a chance of a shut eye I’d take it.” He raised his head over the parapet and a German sniper caught him in the forehead, and shut his eyes forever. With difficulty his brother was restrained from rushing over the top for revenge. Evan survived the war, serving in France and Belgium. Some of his letters, together with other memorabilia, have been donated to the RSL by family members. One letter to his wife describes how a bullet hit a cartridge in his pouch but missed his body. Cartridges, the bullet and the piece of shrapnel are also included with the donated items. Part of one of Evan’s letters to his wife is re-printed here. “This bullet is the nearest thing as ever … since I have been in France. I wondered what struck me when it hit me, or rather hit the cartridge that was in my pouch. If it had been an inch or two higher it would have come through my body…the wish bone is from the fowl we had for supper last night, one of the boys bowled the fowl over with a stone so we got to work and cleaned and cooked it and it was just the thing. I got the wishbone so I thought it would be a good souvenir to send home…don’t forget to wish something nice with the wishbone.” Both boys had a strong sense of adventure and it was only natural that they fought and died for King and country. Original letters, photographs and documents have been copied for preservation. *Items donated by John and Phyllis Adams will form part of the World War One commemorative display at the Sub-Branch for Anzac Day 2015. The Jones boys grew up in the Kyneton area and enlisted in the AIF in Kyneton in 1915World War I cartridge damaged by another bullet. K15 VII on base of cartridge casingww1, pte evan jones, pte edward jones,, letters from the front

'Menin Gate at midnight' was painted by Will Longstaff to commemorate those soldiers with no marked graves on the Western Front during the First World War; also known as 'Ghosts of Menin Gate'. Longstaff attended a ceremony dedicating the Menin Gate memorial to the soldiers of the British empire forces, just outside the town of Ypres, Belgium, on 24 July 1927. The memorial was dedicated to the 350,000 men of the British and Empire forces who had died in battles around Ypres, and bears the names of 55,000 men with no known grave, over 6,000 of whom were Australians. Longstaff was profoundly moved by what he witnessed and that night, unable to sleep, Longstaff returned to Menin Road and later claimed to have had a vision of spirits of the dead rising out of the soil around him. On returning to his studio in London he painted 'Menin Gate at midnight' in a single session. Today 'Menin Gate at midnight' has achieved the status of a national icon. The painting retains its ability to provoke an emotional response and to communicate the scale of the loss of life and the devastation of war. However as people now have a very different understanding of war, the painting serves a slightly different function. Whereas in the past people responded to the painting as it related to the loss of a loved one and their own personal grief, now the painting communicates the loss experienced by a whole generation. The vast number of those who were killed, and the immensity of the damage wrought during the First World War, requires that those who sacrificed their lives should not be forgotten. Longstaff used well-known motifs to trigger emotion. His scarlet poppies are flowers that could be found in the Flanders fields, but they also carry the traditional connotations of shed blood and remembrance; they represent a floral blanket covering the bloodied bodies of unknown soldiers; at the same time, like the paper poppies worn on Remembrance Day, they are a tribute from the living to the dead. The portrayal of the steel-helmeted soldiers rising from the cornfields extends the range of visual emblems used by Longstaff: the plentiful harvest; the harvest of men; the steel-helmeted crosses covering the graves of many soldiers; and the helmeted bayonets raised in cheer and victory.ww1, menin gate, wark vc club

This remnant of a ships bell was recovered from the wreck site of the CHILDREN by Flagstaff Hill Divers on 1 October 1973. (Diving identification number S.M24/10-73, Accession number 24). The artefact had lain in the ocean off Childers Cove since the vessel’s disastrous sinking there on 15 January 1839. Other similarly high value metallic objects raised from the site, and now in the Flagstaff Hill collection, are the ship’s signal cannon (1963), and the ship’s anchor (1974). A ship’s bell was normally struck by the lookout at the foreward part of a vessel, following orders (“Strike the bell”) from the officer of the watch at the helm, or as a warning signal of danger ahead. Its main function was to keep the crew aware of time. Each 24 hour period was divided into 4 hour work-shifts, or watches, and each of these was divided into 8 half hours, or glasses (each half hour being determined by the time it took between each turn of the ship’s hourglass). The six watches were the first watch from 8pm to midnight, the second or middle watch from midnight to 4am, the third or morning watch from 4 to 8am, the fourth of forenoon watch from 8am to midday, the fifth or noon watch from midday to 4pm, and the sixth or dog watch from 4 to 8pm. Within each watch the first half hour would end with one bell, the second with two bells, the third with three bells, and so on until their work-shift ended with the ringing of eight bells. The CHILDREN left Launceston on 11 January 1839 and immediately struck heavy weather. By the evening of 15 January Captain Browne had been continuously on duty for 4 days and needed sleep, his First Mate (T. Gay) was incapacitated with seasickness, and the task of command was given to the Second Mate (W. Wentworth). At two bells into the first watch, or 9 o’clock that night, the captain went below. Two hours later, at six bells into the first watch, or 11 o’clock that night, the lookout cried “Breakers close ahead”. Within a minute the ship struck the rocks at the entrance of Childers Cove. Within twenty minutes the huge seas had taken her stern, three masts and much of her weatherside, leaving survivors clinging to the forecastle. Within two hours the wreck had completely disappeared. If anyone could have rung the bell by then, it would have been to strike two bells into the middle-watch, or one o’clock on the morning of 16 January. An 1859 Victorian Register of Wrecks from 1835 to 1858 remarks the CHILDREN “Ran ashore through an error in the reckoning and a bad lookout [and] Became a total wreck”. 22 passengers and crew survived the tragedy, but 16 lives were lost, including the captain and second mate, and 8 children. The shipwreck of the CHILDREN is of State significance ― Victorian Heritage Register S116A part of a brass ship’s bell, recovered from the wreck of the CHILDREN. The upper part, or dome of the bell, has corroded away, leaving the lower portion, or mouth of the bell, largely intact. However this lower surviving portion has been severed vertically with a clear (saw?) cut, leaving a regular 1cm gap down one side of the bell. It is an evocative relic, attractively aged on the seafloor, bearing layers of aqua-marine verdigris and white limestone accretion on a dull bronze surface. There is no visible ship’s name on the bell. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, the children, bell, ships bell, childers cove, henty brothers, james henty & co, sea-watches, nautical time, james henty & co, bell from the children

Glynn’s farm Originally Section 7, Parish of Nillumbik marked Aborigine Reserve in 1866 Crown Allotment 8, Section 7, Parish of Nillumbik, County of Evelyn, Certificate of Title Volume 4095, Folio 818.835, approx. 93 acres purchased by Joseph Panton in 1881 for £1/acre and known as Panton’s Point. By 1924 owned by S.S. Sergeant and called Riverswood. Sergeant commissioned Edna Walling to design the garden. In September 1929 the property was sold at auction by Mortgagee’s sale. Described as well built, brick, tile roof, Attic Villa containing downstairs 7 good rooms, bath, scullery, inside lavatory, etc. Upstairs 2 bedrooms and sleep out. Outbuildings compromising of brick and weatherboard wash house, stables, workshop, feed room, cow bails, large G.I. Hay shed, etc In January 1931 Riverswood property was proclaimed a sanctuary for native game for the entire year. A private swing bridge crossed the river at Pound Bend was known as Pearson’s bridge after C.W.K. Pearson who bought Riverswood in the early 1930s. The bridge was swept away in the December 1934 floods. Riverswood was sold by C.W.K. Pearson at auction on 25 November 1936. Described as a beautiful farm home of 93 acres and over one mile of River Yarra frontage, modern brick residence, lovely garden, rich river flat pastures, model poultry farm. The fine brick home was destroyed on Black Friday (13 Jan.) 1939. It was still a ruin when the Evelyn Evans purchased Waikowhane above Riverswood in 1940. The Glynn family purchased the Riverswood property in 1941 from Robert and Emily Hannon. Their son Kenneth Patrick Glynn inherited the property and he set about clearing the land during WW2 selling wood. Prior to marriage, Kenneth was living alone on the farm in a house he had built from whatever was available. He used the bluestone foundations from the original fine brick home. He met and married Honora Elizabeth Drew in early 1945 and their daughter Anna grew up on the farm. It was compulsorily acquired by the Board of Works in 1976 who then rented the house out in the 1980s. The property was transferred to Melbourne Parks and Waterways in 1996. Waikowhane was a pretty timber house built on top of the hill on 50 acres above Riverswood by retired nurse Jessie MacBeth. (This would be at the intersection of Glynns Road and Overbank Road where the big water tank is now situated on what was once James Orford’s property.) It was also destroyed Black Friday and she rebuilt it from the plans living in a caravan on site supervising the build. It was almost complete when she died May 1939. The property was bought by Evelyn Evans (a city girl) and her estranged husband in 1940. She had two sons, one only 9 months old at the time. It was a timber house with no power or water connected. The Ewen Cameron family bought Waikowhane in 1957. They had to evacuate when the 1961 bushfires swept through. The house was saved by Matcham Skipper. It was demolished by Melbourne Water in the 1990s when they acquired it.fay bridge collection, 2018-08-31, glynn's, glynn's dairy farm, glynns road, north warrandyte, parks victoria, ruins, riverswood, kenneth patrick glynn

Longmore set aside his life as a farm-hand in Geelong, Victoria, when he enlisted in the Australian Imperial Force at age 21. Private (Pte) Roy Longmore, 3rd Reinforcements, 21st Battalion, of Bannockburn, Victoria enlisted on 13 July 1915; and he embarked from Melbourne aboard HMAT Anchises on 26 August 1915.[2] After training in Egypt, was sent to the Battle of Gallipoli where he was a tunnel digger with the 2nd Division, burrowing underneath the Turkish positions and laying mines. After evacuation from Turkey, he fought at Pozières, Armentières, and Villers-Bretonneux.[1] He was wounded three times in France and was momentarily given up for dead when he was shot as the Armistice in November 1918, approached. He later recalled, "We were patrolling in a gully when suddenly half a dozen Germans appeared over a hill armed with machine guns and opened fire. Jerry riddled me, knocking me flat on my back, and the last I heard was 'Longy's had it, they got him.'" Fortunately, his fellow soldiers saw him move and rescued him.[3] Lance Sergeant (LSgt) and returned to Australia on 16 March 1919 as a member of the 2nd Pioneer Battalion.[2] Civilian life[edit] After returning to Australia in 1919, his injuries made returning to farm work impossible, so he drove a taxi in Melbourne. Another change caused by the war was more telling. Before, he had hunted rabbits; but he later explained that when he returned home, he no longer had an appetite for firing at anything alive.[3] Longmore married and had one son, Eric.[1] The one-time LSgt Longmore died peacefully in his sleep at a Burwood Nursing Home aged 107 on 21 June 2001. He was the second last Anzac to die.[2] At his death, Australia honored him one final time with a state funeral.[3] Australian "legend"[edit] In 2000, Longmore was recognized as one of the "Australian Legends." His name and photograph were honored as part of an annual series of commemorative postage stamps issued by Australia Post since 1997. The stamps commemorate living Australians "who have made lifetime contributions to the development of Australia's national identity and character".[4] Longmore lived to fully enjoy this honor.[3] Longmore's 45-cent Legend stamp displays the soldier's portrait as a young man, photographed just prior to his departure for Gallipoli. Formal photographs of the other two ANZAC centenarians complete this stamp set. In addition, a fourth stamp features the 1914-15 star medal which was presented to all those who fought in campaigns during those war years.[5] These stamps, designed by Cathleen Cram of the Australia Post Design Studio, commemorate the story of events and people shaping contemporary Australia.[6] The Longmore stamp honors him as an individual and as a representative of all 68,000 soldiers at Gallipoli whose actions affected Australia's evolving self-image.[7] http://en.wikipedia.org/wiki/Roy_LongmoreFramed painting of Roy Longmore wooden frame glass fronted

It is probable that the urinal was situated in the forward part of the ship rather than the stern, being one of two placed on either side of the deck and housed immediately adjacent to the doors into for-castle, or crew sleeping quarters. The toilets on maritime vessels were (and still are) called the ‘heads’, after the sanitation arrangements common until the end of the eighteenth century. The name was given to the ‘head’ of the ship, forward of the forecastle and around the beak or bowsprit. These first lavatories were floored with grating or nets so the force of the sea could wash them clean, and they were always used on the lee or non-weather side so the effluent fell directly into the water rather than back on board. The Children wrecking: The barque Children was one of the first vessels to be lost in the Western District the vessel was wrecked to the east of Warrnambool on 14th January 1838. When it ran ashore in hurricane-force winds, 22 passengers and crew were fortunate to escape being battered to death on the rocks. The Children broke up within 20 minutes, sweeping sixteen of those on board to their deaths. After eleven days, the survivors, all of whom were injured, were rescued and taken to Portland. According to Lloyd's Shipping Register 1837-1839, the Children was built in 1825 at Liverpool and operated by owners Gordon & Co, of London. Registration number 123/1837, James Henty then bought her in 1837 as a three-masted barque of 254 tons, with a hull of “part pitch pine, felt sheathed” and “coppered in 1837” at Launceston registered number 6/1837. In 1838 the Children, under her master Captain H. Browne, completed a successful round trip from Launceston to London (carrying wool and whale oil loaded in Portland), returning in late November of that year carrying a general cargo including house bricks used for ballast. On the 11th of January 1839, the Children sailed from Launceston for Adelaide, with 24 passengers, 14 crew, and an awkward mixed cargo, including 1500 sheep, 8 bullocks, 7 horses, and farming implements, and six whaleboats with associated whaling gear. One account states that when the Children were “put out from port she was light and badly ballasted”. The vessel immediately encountered four days of hurricane-force storms, eventually clearing on the early morning of the 14th. However, it was too late to take accurate measurements of the sun or stars to establish their position relative to the coast. The Children collided with a limestone stack at the entrance of Childers Cove, and the seas smashed her into pieces within half an hour. All the cargo and 16 lives were lost including 8 children. The Henty brothers contributed £150 towards a fund for the 22 survivors at a memorial service held in Launceston later that year. It was a major financial setback for James Henty and his brothers, but one from which they recovered. In a submission to the Governor of New South Wales dated 24 March 1840, the Henty’s summarised their work over the previous six years of establishing the Portland settlement stating. “Six stations have been occupied, one at Portland Bay three at the open country about 60 miles inland called ‘Merino Downs’ They have erected two houses at Portland Bay and two others at Merino Downs”.This urinal is significant as part of the vessels original fittings he Children was delivering cargo intended for the Portland Bay settlement of her owners the James Henty brothers The wreck is also significant as one of the first vessels to have been lost in the Western District of Warrnambool. As a result the shipwreck of the Children is registered with the Victorian Heritage Register S116. A lead urinal with a rounded back at the top splash plate with an attached semi-circular receptacle or basin (20cm deep and projecting forward 30cm). At the sides are flanges with bolt holes connecting to a ship's wall. The urinal is drained by a funnel-shaped outlet also made of lead, reducing from a 10cm radius to a joined 5 cm pipe. The urinal was recovered from the wreck of the CHILDREN.Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, shipwreck artefact, the children, lead ship’s plumbing, crew urinal, the ‘heads’, ship plumbing, james henty, portland bay, urinal, ship's urinal

As per another example in better condition displayed on shelf above Drawers 1+2 in Chemist ' Beechams Pills as sold by the proprietors St.Helens, Lancashire England. Beechams Pills Ltd. Melbourne VIC'. Earliest mention in Victorian Newspapers TROVE : Argus (Melbourne, Vic. : 1848 - 1957), Friday 19 December 1884, page 7 'A WONDERFUL MEDICINE BEECHAMS PILLS Are admitted by thousands to be worth above a guinea a box for bilious and nervous disorders such as wind and pain in tho stomach, sick headache, giddiness, fulness and swelling after meals dizziness and drowsiness, cold chills, flushings of heat, loss of appetite, shortness of breath costiveness, scurvy, blotches on the skin, disturbed sleep, frightful dreams, and all nervous and trembling sensations, &c The first dose will give relief in 20 minutes This is no fiction, for they have done it in thousands of cases. Every sufferer Is earnestly invited to try one box of these pills, and they will be acknowledged to be WORTH A GUINEA A BOX. For females of all ages these pills are invaluable as a few doses of them carry off all humours and bring about all that is required No female should be with-out them There is no medicine to be found to equal Beecham's Pills for removing any obstruction or Irregularity of the system. If taken according to the directions given with each box they will soon restore females of all ages to sound and robust health For a weak stomach, impaired digestion, and all disorders of the liver they act like "Magic, and a few doses will be found to work wonders upon the most important organs of the human machine They strengthen tho whole muscular system, restore the long lost complexion bring back the keen edge of appetite, and arouse into action with the rosebud of health, the whole physical energy of the human frame These are ' facts ' admitted by thousands embracing all classes of society, and one of the best guarantees to the nervous and debilitated Is Beechams Pills have the largest sale of any patent medicine in the world Full directions are given with each box Sold by all druggists and patent medicine dealers throughout the colonies'. Most recent article in Victorian newspapers : TROVE : Wodonga and Towong Sentinel (Vic. : 1885 - 1954), Friday 24 December 1954, page 1. 'MUM KNOWS BEST SHE KEEPS THE FAMILY FIT WITH BEECHAM'S PILLS SAFE because Beecham's Pills contain no harmful habit-forming drugs-they are a purely vegetable laxative. Pills balanced formula gives natural laxative action without harsh purgative effects banishes constipation. MOTHERS know how to keep growing children in their teens fit and happy-with Beecham' s Pill, the family laxative. TAKE Beecham's Pills WORTH A GUINEA A BOX'. Relevant local newspaper article reference : TROVE : Gippsland Times (Vic. : 1861 - 1954), Thursday 29 October 1942, page 1 'ln times like these old friends are best You will not have to go far before finding a friend who can tell you by personal experience how gentle and reliable Beecham's Pills are--and how effectively they banish head aches. digestive upsets and liverish ness. Purely vegetable....1/-....2/...per box Worth a guinea a box' Cylindrical wooden box with the remains of an orange, red and white printed label on top, containing small orb shaped pills.Label on lid : Beecham's pills...............Beecham's Pills Ltd., Melbourne, Vic.laxitive, pills

Book, hard cover, 12 sections, sewn with end papers, 210 pages, titled "Destination unknown", written by Agatha Christie, published by The Crime Club, 1954. Has the stamp of the Footscray Tramway Library, asking it to be returned within 14 days inside the front cover and in many places throughout the book, along with Number "606" on the inside front cover and on the spine of the book. The book was part of a library run by the depot staff to provide materials during broken shifts and to take home. From Wikipedia - accessed 26/12/2019: Plot summary Hilary Craven, a deserted wife and bereaved mother, is planning suicide in a Moroccan hotel, when she is asked by British secret agent Jessop to undertake a dangerous mission as an alternative to taking an overdose of sleeping pills. The task, which she accepts, is to impersonate the wife of Thomas Betterton, a nuclear scientist who has disappeared and may have defected to the Soviet Union. Soon she finds herself in a group of oddly-assorted travellers being transported to the unknown destination of the title. The destination turns out to be a secret scientific research facility disguised as a modern leper colony and medical research center at a remote location in the Atlas Mountains. The scientists are well-treated, but they are not allowed to leave the facility, and they are locked in secret areas deep inside the mountain whenever government officials and other outsiders visit. Hilary Craven successfully passes herself as Betterton's wife Olive, because he is miserable and wants desperately to escape. Hilary discovers that the facility was built by the fabulously wealthy and somewhat villainous Mr Aristides, for financial rather than political ends. He has lured the world's best young scientists to it with various deceptions so that he can later sell their services back to the world's governments and corporations for a huge profit. She falls in love with Andrew Peters, a handsome young American who was in the group with her on their journey to the facility. With the help of clues she has left along the way, Jessop eventually locates and rescues her and the others held there. Peters turns out also to be on a mission, intent on bringing Betterton to justice for the murder of his first wife. Betterton, revealed to also be a scientific fraud who plagiarized his work, is arrested. Hilary no longer wants to die, and she and Peters are free to begin their life together.On the top of the first page "13/3" indicating the price, "m/arz"? on the bottom left hand corner and inside the front cover the label of "Robertson & Mullens Ltd" booksellers.trams, tramways, footscray depot, libraries, novels, personnel, crews, shifts

Gwendoline (Gwenda) Grace Watson Davies, only daughter of Mr. William Watson Davies and Mrs. Grace Davies (nee Hayes) of Arthur Street, Eltham was born in Newport, 18 February 1908. Gwenda grew up in Arthur Street and when she left school she was employed as an officer at the State Bank of Victoria, Chief Accountants Department, Head Office, Elizabeth Street, Melbourne. During 1933-1934 in her early to mid-twenties, Gwenda wrote a series of poems which were captured in three books: one a leather bound three-ring binder with personalised gold embossing on the cover and two paper booklets held together by pink ribbon. These poems are a reflection of her childhood days, home, her mother, her environment, pioneering days and other miscellaneous subjects including one example titled “EIGHTEEN YEARS TO-DAY”, an homage to the brave men of Gallipoli. On October 20, 1937 after ten years of service, Gwenda submitted her letter of resignation effective November 26th as she was to be married in the near future to Fred Jones. Frederick Geoffrey Jones, born 7 January 1911, third son of Mr. and Mrs. W. Jones of Napoleon Street, Eltham, married Gwenda at the Eltham Methodist Church on 27 November 1937. They made their home at ‘Llangollen’, Arthur Street, Eltham, a new house Fred had constructed earlier that year opposite the Shire Offices. Their residence was recorded in the Electoral Rolls from 1963-1980 as 6 Arthur Street, Eltham which was situated on the corner of Arthur Street and present-day Commercial Place. In the 1970s their home was sold and demolished to make way for the new shops. They built a new home at the top of the hill in Bible Street. In the Electoral Rolls for 1943-1980, Frederick’s occupation was recorded as a Plumber’s Assistant. Fred was also a long-standing member of the Eltham Cemetery Trust. He was first appointed 26 April 1944 and resigned 17 July 1957 to be appointed to the Warringal and Eltham Joint Trust where he served till February 1980. He then re-joined the Eltham Cemetery Trust and served a further 14 years till his resignation on 24 August 1994. In total, Fred represented the interests of Eltham Cemetery for 50 years (1944-1994). Gwenda and Fred were blessed with a son, Frederick William Jones in March 1942. Sadly, Frederick only lived two days and was buried at Eltham Cemetery on March 11. It is not known whether his grave is marked. A second son, Geoffrey Morris Jones arrived 25 November 1944 but he sadly contracted polio as a child. A fall down the front steps of Fred and Gwenda’s new home in Bible Street culminated in Geoff’s death from a heart attack whilst in transit to the Austin Hospital on February 6, 1979, at age 34. He was also interred in the Eltham Cemetery. Geoff was posthumously awarded the British Empire Medal for his services to fire safety at the CFA. A small man, handicapped from his childhood polio, he had figured prominently in the area as an active Apex member and as group officer for the 13 local brigades in the CFA Lower Yarra Group. His work for the CFA, all voluntary, included writing a fire-fighting manual and the innovation of aerial fire spotting and weekly fire reports. Gwendoline and Fred were presented with Geoff’s B.EM. award at Government House. Four years later on the anniversary of Geoff’s death, Gwenda could not sleep and collapsed in the hallway at home from a heart attack, 6 February 1983 at age 74. She was interred with her son Geoff, at Eltham Cemetery on February 9th. Fred died 31 July 1997 at age 86 and was also interred at Eltham Cemetery. A memorial plaque to Gwenda, Fred and Geoff lies within the lawn cemetery at Eltham Cemetery. In February 2022 Gwenda’s book of Poems along with a copy of her letter of resignation from the State Bank of Victoria and a news clipping about the Autumn Show held in the Public Hall at Eltham (opposite her home with Fred) in which Gwenda is listed as having entered Cream Puffs and a Swiss Roll into the Cooking section, were donated to the St Vincent’s de Paul Society in Bega, N.S.W.. A dedicated volunteer there researched their origins and desirous for these items to return ‘home’, posted them to the Eltham District Historical Society for which we are most appreciative. EIGHTEEN YEARS TO-DAY “Tell me why you’re dreaming, Daddy” Said my little son to me, So, I told him all about it, As he sat upon my knee. I told him of that Sunday morn, ‘Twas eighteen years to-day, When the men of Australasia, Joined the mighty fray. How they landed on that foreign shore, And fought the gallant fight, Of how they nobly won the day, And put the Turks to flight. We saw the cliffs before us, To be scaled ‘mid shot and shell, And our comrades fell around us - - - - I remember it - - - so well. There are some who’ll sleep forever, On a hill that’s called Lone Pine, And the twenty-fifth of April, Is famous for all time. And so to keep their memory green, We march each Anzac Day, To pay tribute to those Heroes, Who gave their lives that day. - Anzac Day 1933 And in reflections to Gwenda’s childhood home in Arthur Street: HOME Where do my thoughts ever wander? Where do my thoughts always roam? To a little old house, on the top of a hill, To the place, that I call “Home Sweet Home.” No matter where-ever I travel, On land, or away on the foam. My thoughts will return, and my heart ever yearn, To the place, that I call “Home Sweet Home”. - 2/7/1933 Sources: Book of Poems, G. Davies Letter of Resignation, 1937, Oct. 20, G.G.W. Davies Births Deaths and Marriages Victoria New House at Eltham (1937, September 10). Advertiser (Hurstbridge, Vic. : 1922 – 1939), p. 6. Retrieved May 12, 2022, from http://nla.gov.au/nla.news-article56845735 Family Notices (1937, December 17). Advertiser (Hurstbridge, Vic. : 1922 – 1939), p. 3. Retrieved May 12, 2022, from http://nla.gov.au/nla.news-article56846386 Geoff Jones, Proud Memory, unknown newspaper clipping, 1979 1979 Birthday Honours, Wikipedia, https://en.wikipedia.org/wiki/1979_Birthday_Honours Australian Electoral Rolls, Ancestry.com Family Trees, Ancestry.com Eltham Cemetery, Deceased Search findagrave.com Personal recollections, Joan Castledine The poetry by Gwendoline Davies provides an insight into life growing up in Eltham and the early 1930s. A long time resident, Gwendoline, her husband Fred Jones and son Geoff Jones were fully dedicated to the Eltham community for over 50 years.1. Brown leather bound three-ring binder with personalised gold embossing on the cover 20.5 x 14.5 cm, Walkers Loose Leaf Book, pages typed with some pasted in colour illustrations, alphabeticised dividers (some tabs missing), 21 leafs (some blank) 2. Two paper booklets held together by pink ribbon 15.5 x 12 cm, typed, some with colour illustrations, pages numbered (rh only) 12 pages and 25 pages and paper cover 3. Newspaper clipping 4. Letter sized hand written page in ink folded in three and damaged by foxing and insectsanzac day, arthur street, napoleon street, cfa, eltham cemetery, eltham cemetery trust, frederick geoffrey jones, geoffrey morris jones b.e.m., grace davies (nee hayes), gwendoline grace watson jones (nee davies), llangollen, lower yarra group, poems, william watson davies

Leather bound ledger with hand written details on donations to the Ballarat School of Mines Museum or the Ballarat School of Mines Library. The Ledger was made by J. McHutchison, Bookbinder, paper ruler and Account Book Manufacturer. 267. 07 July 1880 - John Lynch Junior - Smythesdale - Cast of "Golden Age" nugget found at Browns by Co-operative Party - 12 men. Weight 75 oz 12 dwts 12 grs 294. 24 June 1880 - W.H. Shaw - Ballarat - 94 numbers of 'The Engineer'. 295. 28 June 1880 - Rivett Henry Bland - Clunes - Specimen of water pipe from the Port Phillip Consols Mine encrusted with Carbonates of lime and magnesia and sulphate of lime with earthy matter. 418. 17 June 1881 - F. Ratte - Sydney - Catalogue of Rocks, minerals, etc of New Caledonia. 462. 28 September 1881 - Dr Bunce - Ballarat - Concretionary Basalt with Car. Lime and Magnesia. 465. 06 September 1881 - J.J. Sleep (Chairman of the Board) per favor of E.W. Spain, Esq, Manr - Ballarat - Diamond drill core from "Carisbrook Freehold Estate" - cut at a depth of 150 feet. Dedrites from Munster Gully ... 517. 20 January 1882 - William Lester - Ballarat - The Agricultural Teacher 549. 24 March 1882 - C.E. Grainger Manager Ballarat Woollen Mills - Ballarat - Samples of dyed and raw wool and dye material. 600. 04 July 1882 - Henry Sutton - Ballarat - 13th Annual Report of the Aeronautical Society of Great Britain. 1222. 31 October 1884 - Trooper Dowling - Miner's Rest - Owl 1223. 04 November 1884 - W. McKeenan - 3, Adair St, Ballarat - Flying Squirrel. 1259. 16 January 1885 - A.A. Buley - Ballarat - Prospective of Grenville College 1885 1428. 06 October 1885 - Ballarat - Collection of mineral specimens from Silverton (Collected by Mr James Murray). 1442. 20 October 1885 - Ballarat - Specimen of fossil fruits collected by Haddon by Charles Brown. 1682. 28 February 1887 - James Lamb - Ballarat - Copy of the Ballarat Times Newspaper of 3rd December 1854, framed and protected on both sides with glass. 1730. 23 May 1887 - Bella Guerin - Ballarat - Copy of the Victorian Review No 74 December 1885 4786. 27 March 1894 - James Oddie - Ballarat - 3 mineral specimens 4835. 01 August 1896 - P.V> Barnard - Ballarat - {ortion of Mining truck wheel altered to oxide of iron found in the old workings of the Golden Gate Mine at a depth of 200 feet. (4235 is last entry)ballarat school of mines, ballarat school of mines museum, donations, henry sutton, bella guerin