Invitation to Mrs V. Horn to a reception given by the Mayoress of St Kilda, Mrs G.A.R. Manning, at St Kilda Town Hall on 29 October 1970.White card, discoloured with age, printed in blueName of invitee handwritten in blue: Mrs. V. Hornst kilda mayoral function

Words and music of a song composed for Junior Legatees by Ivan Layton, Executive Officer of Melbourne Legacy accompanied by a letter from him donating the song to Melbourne Legacy.Forms part of the activities of the Junior Legatees of the time and is indicative of post war values.Song sheet (00085.1): White folded paper, dark blue and black printing Accompanying letter (00085.2): foolscap blue on white paper, black typingSigned in blue pen by Ivan E. Layton (composer)junior legatee, songs

This sputum flask was used to help prevent the spread of disease especially by tuberculosis patients, through people spitting in public. They became know as a Blue Henry. They are made of Cobalt Glass, hence blue.These flasks were in wide use opera a period of about 50 years, and manufactured by many different manufacturersBlue Glass labelled Mignon. Large metal cap one end with spout inside glass beneath cap. Small metal cap at other end. Oval in shape."Mignon" both on large metal cap and on glasscobalt blue sputum flasks

A succinct account of the work of Melbourne Legacy to mark their first 25 years of service. Compare with 00936 which dealt with the first 21 years. By 1948 11,255 families and 27,747 children had been cared for at a total cost of ninety seven thousand, nine hundred and fifty five pounds. The major expenditure was on Residences such as Holmbush which accounted for 30% of the money. It contains a list of the past presidents and Board of Management in 1948 included: President: E Sherwen Vice Presidents: (JLC) W G Lake; (Personnel) N Quail; (ILC) G I Malloch Liaison Officer: N J Bedford Elected Members: HD Stewart, W R G Hiscock Hon Treasurer: A J Court Hon Secretary: G B S Hart.A snapshot of the work done by Melbourne Legacy between 1923 and 1948.4 sheets of card, folded and stapled, black on white with pale blue highlighting.'H57' in blue ballpoint on front cover.25th anniversary, silver jubilee, history

RAAF "All Seasons" 1972 uniform replaced the old dark navy blue Uniform belonged to Flight Sgt. D. Bending All Seasons Uniform .1) Jacket - Cotton, blue, 4 large gold metal buttons, 2 small gold metal buttons, metal crown and eagle badges on both collar lapel, service ribbons, rank insignia, "ROYAL AUSTRALIAN AIR FORCE", embroidered crown and 3 chevrons on upper sleeves. .2) Trousers - Cotton, blue .3) Shirt - Polyester, light blue, epaulettes with AUSTRALIA embroidered, crown and chevrons, service ribbons .4) Tie - Polyester, navy blue .5) Belt - Polyester, blackuniforms - military, airforce

The tie pin was part of the MOK dress uniform and was worn in the middle of the plain dark blue tie.Gilt and enamelled MOK tie pin. The shield shaped MOK symbol is dark and light blue enamel."MOK"methodist order of knights

Weaving samples folder: 3 "FANCY WORSTED" patterns with 1 blue, 1 green and 1 brown cloth samples5651 (ink) List Number/Examination Number. GEE 5651 (blue ink) FANCY WORSTEDweaving textile industry textile design, weaving, textile industry, textile design

Combined school athletic sports were held annually. This one was between 11 teams: Mt. Beauty Black, Tawonga Purple, Mt Beauty Gold, Dederang, Mt Beauty Blue, Tawonga South, Mt Beauty Green, Bogong, Kancoona and Kergunyah South. Events included High Jump, Long Jump for Boys and Girls and Triple Jump for Boys. Also, Potato Race, Zig Zag team of 6, and Bounce Ball. Flat Races boys and girls. Championship for Boys and Girls Under and Over 10 years.Relay Team Open, Skip Ball Open. Tunnel Ball Open,.Circle Gap Open and a Boys and Girls Circle Gap 220 yards.Primary Schools from the Kiewa Valley held athletic sports each year. The schools consisted of small and big schools in the Kiewa Valley. The events included running and jumping as well as team 'fun/novelty' events.Events were run according to age and differed between boys and girls.Orange cardboard athletic sports programme folded in half with 69 events listed with "Officials" named and children's names or teams listed. "Don't you Think It's True You Ought To Be in Blue" penned on the front. "Good Old Blue. Blue Forever. We stick to First Place." "Blue is the Best" "No Sweat to Blue" penned on the fold in the middle. "Good Old Blue" and "Blue" penned on the back.athletics., athletics sports day, school sports, kiewa valley sports

449100 RAAF Alexander John Farthing, enlisted 11 February 1944, Discharged 3 June 1948. Air Bomber. Training - Canada - England 26 March 1945. Date of Birth 10 Feb 1926.1. Jacket - wool, Navy blue, black plastic buttons, 3 stripes each shoulder. 2, Belt - wool, Navy blue, black plastic buckle.1. Three embroidered light blue stripes each shoulder. Embroidered "B" white, surrounded by blue laurel wreath, one white wing. uniform, raaf

A silver, square clock with words"1MHOF swiss". Raised, golden dots indicate time blocks. Stored in a blue box, this travel clock could be propped up when the case was opened. Metal clock housed inside blue travel case1MHofassistive devices, swiss

THE BLUE ROCK HOTEL BUILDING WAS DEMOLISHED AFTER A FIRE. IT WAS USED AS DELI/TAKE AWAY SHOP IN THE NINETEEN-FIFTIES.COLOURED PHOTOGRAPH OF BLUE ROCK HOTEL SITUATED ON CORNER SUBURBAN STREET AND TALBOT ROAD, CLUNES.local history, photography, photographs, hotels, all nation's, blue rock

The light blue chevron denotes one years overseas service worn inverted above the cuff. The items relate to Victor Henry Evans No 418655 RAAF. Refer cat no 1760.4..1) & .2) RAAF Sergeants rank stripes. Three cloth "V" shaped stripes in shades of khaki. .3) Light blue service chevron stripe on dark blue background. uniforms-insignia, military history-raaf, sergeants, service chevron

Ceramic shard with a cream gloss glaze finish and an emboss floral design painted in blueEmboss floral design painted in bluepottery, ceramic, archaeology

A program of an Annual Demonstration by Junior Legatees at the Melbourne Town Hall on Tuesday 25th October 1938. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980s, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. A record of a Junior Legacy Demonstration in 1938.Printed programme for 1938, black print on pale blue card and paperHandwritten 'Aaron Beattie' on cover in blue pen.annual demonstration, junior legatee

Craftwork was very popular c1950 and these crochet circles, like roses, in pink, blue, and white wool may be sewn together for a light baby wrap Craftwork, Crochet, Knitting and Sewing were all popular in post World War 11 Moorabbin as the new settlers established their homes on the previous market garden estates. Crocheted pink, blue, white wool circlet roses for a rug or baby wrapormond theatrical society, mckinnon, bentleigh, moorabbin, reed gladys, clark judy clothing, actors, early settlers, post world war 11 estates, knitting, crochetwork,

Items in the collection re: "William Anthony (Bill) THEODORE DSM". Refer Cat No. 7926P for his service record.Bunting - mid blue colour cotton woven twill tape or ribbon with red, white and blue colour cotton triangular flags attached. Twelve flags are spaced at 50 cm intervals. Alternating colours.Handwritten in blue ink pen on tape "WAT".flags, bunting, navy, ww2, william anthony theodore dsm

Poolman's house became the manager's house for Harper's when that company took over the area of the former sugar mill. It was demolished late 1970s. Used for Council display purposes and still mounted with caption together with photo of Swallow and Ariell houses.(no.679)Photographic copy of a photo of blue stone two-storey house built for the Manager of the Victorian Sugar MIlls, Frederick POOLMAN. Labelled 'View of Poolman's house, Rouse Street' as part of a display prepared by Council.'131' in blue ink; 'Poolmans house?' in blue inkbuilt environment - industrial, built environment - domestic, frederick poolman, victorian sugar works, colonial sugar refineries

The Red, White and Blue mine is a site of historical, areaological and scientific importance to Victoria, and is listed on the Victorian Heritage Register of significant heritage places. It was also known as the Golden Age Mine and as Malney's Red, White and Blue Mine. Colour photograph of the Red, White and Blue historic mine site in the Muckleford State Forest, showing an intact poppet head with tubular steel legs, winding wheels and remains of timberwork.red, white and blue mine, maldon, golden age mine, maloney's red, white and blue, muckleford state forest

This bowl is part of a series completed in 1994 on the subject of the sin of 'Vanity' / A smug looking woman flirts coquettishly with a manservant who helps her to put on her shoes / The people depicted on the bowl are dressed in 18th century costumes / The court of Marie Antoinette of France is evoked / The blue and white drawing is in the style of 18th century woodblock prints and was drawn freehand / The bowl is signed and dated on the base / The technique is traditional tin glaze (majolica, maiolica or delft) / Coloured oxides were painted onto a clear glaze which had been opacified with tin oxide, and then fired at 900 degrees / The bowl was exhibited at Christine Abrahams Gallery, Melbourne in 1994 / A bowl from the 'Vanity' series is held in the Collection of the Queen Victoria Museum and Art Gallery in Launceston, Tasmania. Copeland's parents are John and Betty Hipwell, one of the founding members of Potters Cottage (an influential ceramic collective that grew out of Nillumbik) / Copeland grew up surrounded by this artform. Reg Preston (another founding member of Potter's Cottage) introduced her to the Majolica technique which has influenced her ceramic work to this day / This bowl is characteristic of Copeland's speciality and mastery of the Majolica technique. This bowl is hand painted with an image of a couple flirting (man-left side and woman-centre) in 18th century French dress / Decorative circle and polka dot pattern along the rim and underside of the bowl / The bowl is predominantly painted in cobalt blue and orange colour using the Majolica (maiolica or delft) technique; a traditional tinglaze method of application. Coloured oxides are painted onto a clear glaze which has been opacified with tin oxide / The bowl is then fired at 900 degrees.Underside has in colbalt blue artist signature and date / 'A. Copeland . 1.9.1994'.copeland, earthenware, majolica, potters cottage, vanity, bowl, eighteen century, french, marie antoinette

Item belonged to Lieutenant Leonard V. GREAVES 310387. Blue lanyard and shoulder patches indicate GREAVES served with the Royal Australian Electrical and Mechanical Engineers (RAEME)The Royal Corps of Australian Electrical and Mechanical Engineers (RAEME) is a corps of the Australian Army that has responsibility for the maintenance and recovery of all Army electrical and mechanical equipment. RAEME has members from both the Australian Regular Army and the Army Reserve. Prior to being given the title of 'Royal', the Australian Electrical and Mechanical Engineers (AEME) were raised on 1 December 1942. Some 64 years later, on 1 December 2006, the last independent RAEME Workshop was disbanded. RAEME soldiers continue in their role to provide support through attachment to other units in Tech Support Troops, Sections or Platoons.Short jacket with shoulder epaulets made from khaki material with blue lanyardShoulder patch - Royal Australian Electrical and Mechanical Engineersraeme, battle jacket, army, lt. leonard greaves

The blue work coveralls would have been worn as protective clothing for Victorian Railways employees working on train maintenance and workshop tasks in the later part of the 20th century. The style of the exterior pockets on the front suggests a date of c. 1970s-1980s.The Victorian Railways coveralls have local significant as part of the Wodonga Historical Society's donations from Wodonga residents. They also have significance from a social history perspective due to the VR logo on the front and the relative rarity of protective work clothing for Victorian Railways employees.Blue Victorian Railways work coveralls, with the VR logo above the proper left pocket on the front. The blue fabric is worn and stained from use."VR" logo above the proper left pocket on the front of the coveralls. "JONES / workwear / SIZE 87 R - 5" on the side of the proper left pocket on the front of the coveralls.victorian railways, v.r., victorian railways coveralls, victorian railways prtective work clothing

This design of the bottle is sometimes called a ‘cottage’ or ‘boat’ shape. The Caldwell’s handmade glass ink bottle was mouth-blown into a three-piece mould, a method often used in the late 19th and early 20th centuries, with the maker's name engraved into the mould section for the base. The glass blower would cut the bottle off the end of his blowpipe with a tool and join a mouth onto the top, rolling the lip. The bottle was then filled with ink and sealed with a cork. This method of manufacture was more time-consuming and costly to produce than those made in a simple two-piece mould and 'cracked' off the blowpipe. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. This particular bottle is unusual as it has four sloping indents at the corners of the shoulder, most likely for resting a pen with its nib upwards and the handle resting on a flat surface. Most of the bottles made during this era had horizontal pen rests that were indented into both of the long sides of the shoulder. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. This only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This hand-blown bottle is significant for being the only bottle in our collection with the unusual sloping pen rests on its shoulder. It is also significant for being made in a less common three-piece mould. The method of manufacture is representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottle is of state significance for being produced by an early Melbourne industry and exported overseas. This ink bottle is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Ink bottle; rectangular base, hand-blown clear glass bottle with its own cork. The bottle has side seams from the base to the mouth, an indented base and an applied lip. The corners of the shoulder sides have unusual diagonal grooves that slope down and outwards that may have been used as pen rests. Inside the bottle are remnants of dried blue-black ink. The glass has imperfections and some ripples on the surface. The bottle has an attached oval black label label with gold-brown printed text and border. The base has an embossed inscription. The bottles once contained Caldwell’s blend of blue black ink.Printed on label; “CALDWELL's BLUE BLACK INK” Embossed on the base "CALDWELLS"flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture, three part mould, cauldwells, cauldwell's

Letter to James G. Gillespie dated 16 October 1959 from D.J. Cartledge, Login Corporation Pty. Ltd. (North Sydney) enclosing the first newspaper review of the Savige biography. He notes that this is the first review he has seen, and predicts the Daily Mirror reviews featured in 00929.Part of the story of how the book 'There goes a Man' came to be created.1 sheet of typed letterhead, black on white, blue letterhead; 1 yellowing newspaper clipping with photograph of Sir Stanley Savige.Initialled and corrected in blue ink.savige book, biography