Black and white photograph, eight young males in costume with four horses. Bullion box with rocks at front. Inscriptions: on back circular purple stamp 'Royal Historical Society of Victoria, Bendigo Branch', '1960', '97', '267', MP 184'. History of object: Previous Acc. No. 'MP 184'Bendigo Advertiserperson, group, centenary, see also 2000.511.01, 2000.512.01, 2000.513.01, 2000.514.01, 2000.516.01, 2000.517.01, 2000.518.01, 2000.519.01, 2000.520.01, 2000.521.01, 2000.522.01, 2000.523.01, 2000.524.01.

Sepia photograph on dark grey mount of railway picnic at Lake Burrumbeet. Large group of men and women seated and standing near large rocks outdoors. Note man on front left in kilt and plaid. Inscriptions: Railway Picnic, Lake Burrumbeet 19.03.1904' under photo RH corner. 'GP11' in upper RH corner mount Also on edge left hand of mount. Circular stamp Royal Society of Victoria, Bendigo Branch. History: Prev. Acc. No. 'gp11'. Railway Picnic Lake Burrumbeet. Photocopy also held by Society.cottage, miners

Cream card with a 7 x 7 cm black & white scene of The Little Devil River, Victoria. The scene shows the river, trees & rocks. There is a narrow white border around the picture with grey shading. A verse is printed underneath.person, greeting cards, malone collection, malone collection, greeting cards

Titled Happy Valley Road. Describes surface workings on Victoria Hill and the different colours of the rocks, the formation of the anticlines and the synclines which are roughly parallel and run approximately north and south. They are all named and make the lines on the Bendigo Goldfield. Adjacent to Victoria Hill is the Central Nell Gwynne Mine which is on the Nell Gwynne anticline. There were quaint houses and shops in Happy Valley Road, although the shops are no longer used as such. On the right are two sketches, one an old house and below it is Heinz Butcher's Shop.bendigo, history, long gully history group, the long gully history group - happy valley road, victoria hill, central nell gwynne mine, bendigo city council, mr jack barker, william rae, heinz butcher's shop

Local Artist CV Artist StatementSignificant artwork by nationally renowned local artist Petrus Spronk.Large Scale Outdoor Sculpture made up of a bronze chair with an open book, a bronze shadow and 6 story rocksArtist signature - underneathlocal artist, petrus spronk, sculpture, public art, victoria, daylesford, mineral springs reserve, environmental art, hepburn shire public art collection, hepburn shire, hepburn springs, hepburn springs mineral reserve, bronze, granite, tourist attraction, art, clare gervasoni, joan mcewen, marie butler, laurie sullivan, bonnie howell, vera, lutea, merv keating, silent

Looks at the Aboriginal community from the time of white contact, across many parts of Victoria. Chap.1; Melbourne - early missions, camp of Native Police, corroboree trees, canoe trees, grave &? headstone of Derrimut; quarries at Keilor, excavation sites at Green Gully &? Keilor; quarry at Mt. William, notes on inheritance of quarries Coranderrk settlement - Barraks grave, notes on his life; Chap.2; Geelong - Yawangi group of the Wothowurong tribe, camping grounds in area quarries; Notes on William Buckley, Gellibrand (a notable Aboriginal), graves in the Western Cemetery; Chap.3; Colac - war between Colac &? Geelong tribes; Mission at Birregurra, reason for failure of Buntingdale Mission; brass plate to Coc-coc-coine; reserve at Elliminyt, native ovens, camp sites, initiation site &? ritual; quarry sites, axegrinding factory, rock pecking &? engraving; dried hand &? 3 Aboriginal skulls found; Chap.4; The south-west coast - middens, camp sites notes on Framlingham Stn., fish traps at Tyrendarra; Chap.5; The far west - massacres of Aborigines near Casterton; camp sites, oven mounds; the first cricket team formed; Aboriginal cemetery; Chap.6; Hamilton - camps; Mount Rouse Station, axegrinding grooves at Nareeb Nareeb, shelters described, fish traps, massacre at Lake Condah; mission; canoes; Chap.7; Camperdown - legend about Lake Bullen Merri; obelisk erected in memory of Aborigines of district especially chief Wombeetch Puyuun; Jarcoort tribe; fish weirs, camps, intertribal fights between Booluc-burrers, Jarcoorts &? Ellengermote groups; bartering place at Mount Noorat; articles traded, legend of Flat-Top Hill; Chap.8; Ballarat - camp at Lake Wendouree; White Stone Lagoon; legends concerning Mt. Buninyong &? waterfalls at Lal-lal; camp sites; pygmy-type implements near Meredith, quarry at Glue Pot Rocks near Durdidwarrah; brass plate of King Billy; Chap.9; Ararat - Tjapwurong territory; camp sites, quarries, shield &? canoe trees; Bunyip belief at Lake Buninjon of Muk-jarawaint &? Pirtkopen-noot tribes, gives legend; stone implements; mill stones; fish weirs; stone arrangement near Lake Wongan; ground drawing of a bunyip, paintings in rock shelter near Mt. Langi Ghiran; Chap.10; Maryborough - camps, oven mounds, rock wells, stone arrangement at Carisbrook; camp sites at Mt. Franklin; Chap.11; Charlton - belief in Mindye (snake); canoe trees, ovens, camp sites, water holes, rock wells, stone implements; method of rainmaking; Chap.12; Horsham-Stawell, The Wimmera - Wotjobaluk land; camps, fish traps at Toolondo; Black Range cave paintings, Flat Rock shelters (detailed account of these paintings); Bunjils Cave; Chap.13; Horsham-Stawell, The Mallee - camp sites, implements; Ebenezer Mission, Willie Wimmera taken to England by Rev. Chase to become a missionary, died in England; Chap.14; The Murray River, Mildura Swan Hill - Battle of the Rufus; ceremonial ground, Lake Gol Gol, canoe &? shield trees; stone implements; camp sites, fire place arrangements; fish traps; oven mounds; Chap.15; The Murray River, Swan Hill-Echuca - legend about Lake Boga; camps, oven mounds, the Cohuna skull, Kow Swamp, method of burial; Chap.16; Shepparton ovens; brass plates of King Paddy of Kotupna &? King Tattambo of Mulka Stn., native well, camps; Chap.17; Wangaratta -camps, quarry, rock holes, the Faithful massacre; grinding rocks at Earlston; Chap.18; The High Plains - Ya-itma-thang; camps, Bogong moth feasts, native paths for trade &? intertribal fights, articles traded; painted shelters; Koetong Ck. Valley, near Mt. Pilot &? near Barwidgee Ck.; Chap.19; Dandenong - water holes, list of 8 holes in Beaumaris - Black Rock area; camps, middens, stone implements (microliths), legend of Angels Cave, stone axes, Native Police Force, Narre Narre Warren Station, legend about rocks on Bald Hill, kangaroo totemic site; Chap.20; Wonthaggi- Yarram - natives visit Phillip Is., murder of William Cook and Yankee by five Tasmanians (listed as Bon Small Boy, Jack Napoleon Timninaparewa, Fanny Waterpoordeyer, Matilda Nattopolenimma and Truganini) near Cape Patterson, men; camp sites, middens, legend of White Rock; Chap.21; Sale - Bairnsdale, The Lakes Country middens, camps; legend at Wulrunjeri; story of a white woman supposedly living with with the Tutangolung tribe, efforts made to prove story; canoe trees; Chap.22; Sale-Bairnsdale, The Inland Braiakolung tribe, camps, implements, canoe &? shield trees; Ramahyuck Mission, grinding rocks, fights with Omeo tribe; native tracks, death through enemy magic - procedure, belief in ghosts; Chap.23; Lakes Entrance and the Country to the east - Kroatungolung people, legend of Kalimna Valley; camps, stones of Nargun, bunyip, devils at Lake Tyers, excavation at Buchan, carbon dates; middens, ochre at Cape Conrad, stone fish-hook file at Thurra River; note on Bidwel tribe; Each chapter gives historical details, early contacts, relationships with settlers; Aboriginal place names and detailed description of sites and geographical features.b&w photographs, b&w illustrations, colour illustrationsgeelong, colac, hamilton, camperdown, ballarat, ararat, maryborough, charlton, horsham, stawell, murray river, shepparton, wangaratta, dandenong, wonthaggi, yarram, sale, bairnsdale, lakes entrance

The Forests Commission had a large and active engineering branch which was often called upon for major demolition or quarry work. Most overseers, as well as some foresters, were trained in the use of explosives to “blow stuff up” such as removing stumps and rocks from roads. Districts usually had a small powder magazine tucked away in the bush for storage of gelignite and detonators.Sample board showing examples of explosives and detonatorsroad construction and maintenance.

THE CANNON WAS ORIGINALLY SITUATED IN VICTORIA PARK - LATER IN SHED AT TOWN HALL AND NOW KEPT IN HENRY BLAND ROOM AT CLUNES HISTORICAL MUSEUM IN FRASER STREET, CURRENTLY (2019) DISPLAYED AT SEAWORKS MUSEUM, WILLIAMSTOWN, VICTORIA, AUSTRALIAPHOTOGRAPH OF CLUNES CANNON ON WOODEN STAND - ABOUT 1938.CLUNES CANNON ON 'ROCKS'local history, photography, photographs, military

Penelope Aitken lives and works in Melbourne, Australia. She makes paintings and installations about relationships: between people, between things and between people and things. Recurring subjects include friendship, genealogy, romantic liaisons, and cross-cultural exchange as well as gardening, craft and landscape design. 'I am interested in the social, psychological and aesthetic motives behind organisation, belonging and displacement and I often make work that investigates such arrangements.' She has held regular solo exhibitions since 1995 and has been represented in group exhibitions since 1989. These have included shows in public and commercial galleries, artist run spaces, outdoor projects and festivals in Melbourne, Sydney, Perth, Brisbane, Bundaberg, Kuala Lumpur, Taipei, Tokyo and Famagusta, Northern Cyprus. Aitken has previously worked at the Australian Centre for Contemporary Art and at Asialink at the University of Melbourne. From 2006 - 2009 she was a board member of the Melbourne artist run gallery, West Space and she has also curated and coordinated numerous exhibitions and written and edited catalogues, articles and essays. She holds a Bachelor of Arts and a Bachelor of Education (Visual Arts) both from The University of Melbourne and completed her Masters of Fine Art at the Victorian College of the Arts in 2004. In 1997 Aitken was selected to be a studio artist for two years at Gertrude Contemporary Art Spaces, Melbourne and in 2000 she undertook an Australia Council Studio at the Taipei National University of the Arts, Taiwan. More recently she spent two months in 2007 at the Laughing Waters Residency, Birrarung, in Eltham, Victoria. There she began her current interest in the rocks used in the landscape designs of Gordon Ford. Paintings of Ford's rocks made since 2007 as well as glacial erratics, meteors, and other natural and displaced rocks were exhibited in March 2011 at the Light Factory Gallery in Eltham in a show called My History of here, and Second Nature, one work from this exhibition, was awarded first prize at Eltham Masterworks 2011. Other work made about rocks in nature and culture include: the project, A dark archive, as well as in two installations: You seem so settled for one that doesn't belong held at West Space in 2009 and Gathering these things to remind me of home shown in 2010 at the Bundaberg Regional Art Gallery, Queensland. In July and August 2007 Aitken undertook an arts recidency at Birrarung, a house and garden designed by Gordon Ford and managed as the Laughing Waters Artist in Residence Program by the Shire of Nillumbik Victoria. The rocks depicted in the painting 'Mapping Mass & Void 10' are all taken from the garden at Birrarung. Aitken has made reference to those rocks and the way in which Ford thought of the rocks as individuals that need to be handled and placed with consideration to show off their best aspects.oil and acrylic on linen ek prac 2015

Elsie Moulden Long time resident of StawellColoured postcard of Sister Rocks Stawell St9 Nucolorvue Pty. Ltd. Copyright Stawell Victoria A Nu-Color-Vue Place Stamp Here Post Card Looking Nth Printed in Australia

Original painting found in a house at the corner of Bell Sreet and Park Lane, Torquay showing the J H Scammell on the rocks at Point Danger,Torquay in 1891. A contemporary record of one of many shipwrecks on the south coast of Victoria.Sepia photographscammell, shipwrecks great ocean road victoria

Photograph shows the still intact Joseph H Scammell stranded on the rocks off Point Danger Torquay in 1891.The J H Scammell was one of many ships wrecked on the south coast of Victoria.Black and white photograph

Photograph shows four adults and two children sitting on the rocks at the beach at Torquay.A nostalgic beach sceneBlack and white photographtorquay victoria

Colour photograph of rocks on the beach at Apollo Bay at a rocky outcrop known as Match Point.apollo bay, match point, beach, coast, rocks

Colour photograph of rocks on the beach at Apollo Bay at a rocky outcrop known as Match Point.apollo bay, match point, beach, coast, rocks

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 25 Beaufort St., Mitcham. This property has be listed as having sold for $309,000 in 2003. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 25 Beaufort St., Mitcham depicting a L shaped brick house, set back from a front garden with feature rocks, and a winding driveway leading to a gate on the right.25 Beaufort St., Mitcham Picken © 2003 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

Black and white small format postcard showing SS Gippsland approaching Kalimna Jetty, Jemmys Point in background, small boat behind the Gippsland, one man fishing from rocks, a few people on jetty. Lakes Entrance VictoriaJemmys Point, Lakes Entrance (on back)ships and shipping, waterways, jetties

Second copy enlarged, black and white 16 x 25 cmBlack and white postcard showing S S Gippsland leaving Kalimna Jetty, Jemmys point in background, hummocks in distance, several people on jetty, small boat in distance, man on rocks fishing. Lakes Entrance VictoriaKalimna Cove and Jettyships and shipping, waterways

This photograph was used in the 150 year Lakes Entrance 1858-2008 display.Color photograph of a remnant of the tramway which ran from the Mississippi Creek quarry, to the head of the North Arm. It shows two lengths of iron rail, two large rocks and some smaller pieces beside the swampy creek. Lakes Entrance Victoriawaterways, quarries, public works

Also another copy 13 x 20cm, good conditionRail tractor built by J A Day and Son especially for New Works project, powered by dredge car engine, pulled three rail trucks loaded with rocks to reinforce original wooden piers. Three men not identified. Lakes Entrance Victoriaboats and boating, islands, public works

Also two other copies 12.5x18cm, and 9x14cmBlack and white photograph showing early building of eastern pier at entrance to Gippsland Lakes from ocean Bass Strait. Partially built pier with tramline and rocks in place, railing along boardwalk on right. Two ladies on beach on left. Lakes Entrance Victoriaocean, waterways, public works