As a member of the Port Melbourne Historical and Preservation Society, donor Arthur ROWAN photographed a series of significant buildings in the Port and South Melbourne area over several years. A selection of nineteen of these was presented to the Port Melbourne Society in 1993.Small print mounted on white card, with mounted, typed caption: "Metropolitan Fire Brigade 143-45 [sic] Liardet St Established 1893, First owner Metropolitan Fire Brigade, present owner City of Port Melbourne. Now new Library" [Now 147 Liardet, corner City of Port Phillip]built environment - civic, fire and fire services, arthur rowan

A black and white photograph of Contact, Contact, Contact, late afternoon,Platoon strength North West of 1ATF 'Operation Atherton' 10 December 1969. 1 Platoon, A Company, 8 RAR diggers under heavy machin gun, AK47, rifle and RPG fire. A digger moves forward into a better fire positionphotograph, 1 atf, operation atherton, 1 platoon, a coy, 8 rar, gibbons collection catalogue, machine gun, ak47, digger

A black and white photograph of 104 Battery Royal Australian Artillery Gunners, make adjustmanetsto ready the gun for firing at Fire Base Betty. The battery was in action against NVA/VietCong sappers attempting to breach the giant US Supply Depot at Long Binh in Bien Hoa Province during the Tet Offensive 1969photograph, artillery, 104 battery, fire base betty, raa, nva/vc, long binh, bien hoa province, tet offensive, 1969, gibbons collection catalogue

In the Middle Ages double-acting bellows was introduced. It had 2 parts, one operated by hand or foot, the other took air from it and was weighted so it forced air out while the part was filling. Blacksmithing is the shaping of hot iron and steel, usually by hammering. Very hot fires were produced by 1.a hot air blast. 2. burning charcoal (not wood). Bellows were used to make tools, fix equipment including machinery, drays, carriages, harnesses etc. Farmers in the Kiewa Valley often had their blacksmith forge. They made their own tools, were able to mend equipment, drays etc., gates, and most items that were made of iron and steel.Large Double Acting bellow with wooden top and bottom, shaped like a 'water drop' - narrow at one end and broad at the other. The wood is held by strips of wood and leather bound and placed around the perimeter. The wood on the top side has inscriptions (illegible). The wood on the bottom side has a rectangular hole. The narrow end feeds into a pipe to enable the fire to receive a hot blast of air. When the bellow is squeezed it allows both pieces of wood to be pushed together.Illegibleblackmiths, bellows, double acting bellow

A colour photograph of a vehicle that was housed in The Marysville Museum in Marysville in Victoria.A colour photograph of a vehicle that was housed in The Marysville Museum in Marysville in Victoria. Fred Sawyer was originally from London, but then later relocated to Sydney, Australia, and then to Marysville in Victoria where he established The Marysville Museum. The Marysville Museum held a collection of horse-drawn vehicles, veteran, vintage, and classic vehicles, various machinery, and memorabilia. 1890 SHAND/ MASONthe marysville museum, marysville, victoria, photograph, copper fire extinguisher, 1890 shand mason twin vertical horse drawn steam driven fire engine, fred sawyer

Signs read "The United Insurance Co Ltd Fire Marine Accident", "Ladies & Children's Drapery", "Godbehear & Co Estate Agents"Typed below photograph, 'Shop formerly in Station St. corner Greenwood Ave."

Bendigo Advertiser ''The way we were'' from 2001. Men in uniform: Inglewood Fire Brigade in the early 1930s. The clip is in a folder.newspaper, bendigo advertiser, the way we were

black and white photo: poppet head, On back Ironbark Mine, Long Gully. 'The legs just as they fired the last shots 1976'.organization, business, ironbark mine

Postcard. 4,-Fakirs surrounded by fires. The Hindus believe that spiritual and magic power may be gained by self-torture. Dated 31.7.1909.

Bendigo's century a supplement to the Bendigo Advertiser volume nine: 1980-1989. On the front a picture of the fire that engulfed Killian's Way in 1987.newspaper, bendigo advertiser, centenary supplements

Document. Green paper flyer advertising, Eaglehawk Band and Fire Brigade's, Sixpenny Concerts, February 1905, Lake Grounds, Eaglehawk.performing arts, elocution, concert

RAF Instruction Manual- Firing procedures. Cards in individual plastic sheets. Dark green plastic cover with a Photograph of a RAF Pilot.manual, raf

Born: Bradford, Yorkshire, England 1850; Arrived: Victoria, Australia c.1874; Died: Melbourne, Victoria, Australia 1908VictorianGift of Mr S.T.Staughton, 1978Rural landscape with animals at waters edge, trees, packed wagon and figures around a fire. Gold plated gesso on timber frame.Recto: Not signed, not dated, not titledpainting, landscape, figure, animals, wagon, horses, water, reflection, wheels, colonial

Sheet metal frame with metal mesh sieve. Used for sieving 'breeze' or dust from coke to help in maintaining a clean fire.rural industry, farm machinery, trades, blacksmithing

Colour photograph of the catamaran fishing vessel Star Fire at Bullock Island fishing Co-op jetty Lakes Entrance Victoriaislands, ships and shipping, fishing industry

Chris HEADLEY Born in York, England Chris Headley studied at York School of Art before majoring in ceramics at the Central School of Art in London, learning to throw with (the late) Michael Casson and hand-build with Gordon Baldwin. Chris graduated in 1973 and travelled overland across Europe and Asia, through Turkey, Afghanistan,and Iran arriving in Australia. A year after leaving England, he arrived in Australia, where he has lived and worked ever since. He undertook his Master’s degree at the Australian National University, graduating in 1991, and in 1999, with Dr Owen Rye as his supervisor, gained his PhD from Monash University, Victoria. Sculptural form on wheels black fired with three gold fish hanging. This work forms part of the Jan Feder Memorial Collectionjan feder memorial collection, jan feder, ceramics, artwork, artist, gippsland campus, chris headley, jan feder memorial ceramics collection

In particular I have been using these methods of construction [slab] to interpret the traditionally spherical form of the teapot as a cubist painter might by squaring it up and transposing curved surfaces into planes and angles. These geometric versions provide flat surfaces for pattern making and light reflection, and the objects become increasingly more decorative than functional. I find enormous pleasure in bending convention to the verge of impracticality. But not so radically that l miss the challenge of producing a form that still incorporates most of the elements of a properly functioning teapot, such as the height of the spout to the pot, the ease of filling, emptying, and handling. Surface decoration plays a vital role in reinforcing the abstraction. Bold areas of black underglaze are applied with distinct boundaries dictated by the form’s angles and planes. In pairs or ad hoc groupings the teapots react with each other and the spaces between to present complex geometric patterns. High firing produces a dense, almost vitrified body and the surface quality I admire without the need for glaze. Although some with more functionality may be glazed inside.(http://www.diannepeach.com/, accessed 23 July 2021)Dianne PEACH (1947- ) Since being introduced to pottery by Milton Moon and David Smith in the mid 60s Dianne Peach initially focused on wheel thrown functional war, which expnded include the infinite possibilities of slab building and casting. This work was purchased from the "Fresh Clay' Exhibition in 1983.Electric kiln fired slip cast earthenware teapot with stencils and coloured glazes. Purchased from the 'Fresh Clay' exhibition, 1883.dianne peach, jan feder memorial ceramics collection, jan feder, ceramics, teapot, fresh clay exhibition

Donald Clark Collection.Two tickets to 'War Years II', performed at Tarnagulla Hall on May 31, 1991 in aid of Tarnagulla Urban Fire Brigade.

Black and white photograph Jayrow Helicopter with trainers with pilot Roger DeSuza at DCNR fire fighting training. Lakes Entrance Victoriafire brigade, volunteering

Bogong Village, which was known as “The Junction”, is well recorded. The first tent camp was at the junction of Pretty Valley and Rocky Valley streams in the early 40’s. Further downstream were the sawmill, stables and blacksmith’s forge. Horses were the main mode of transport in the early days. The road to Bogong had reached the lookout spur just beyond Roper’s Spur track just before the 1939 fires. The early forties saw rapid growth of the village, with single and married men’s quarters, workshops, mess huts and administrative offices. The facilities necessary for communal living were quickly in place- a post office, police station, co-op store, medical centre, community hall/theatre, tennis courts and school. Much of the temporary accommodation that housed groups such as the Albion Quarrying Company were in the area now under water.Pictorial history of the early years of Bogong Village including one photo taken following the devastating fires of 1939. Photos show the terrain in which Bogong Village was built, the early construction used for the temporary buildings and the housing and the amount of infrastructure required to accommodate the needs of the residents of the area including workers, their families and other support staff. Set of 9 black and white photographs and photocopies of photographs depicting early buildings at Bogong Village . Photos show very early construction buildings as well as the village in various weather conditions, including snowing and after bush fires. (some official SECV photographs) 1. Bogong Village in heavy snow 2. Bogong Township during heavy snow (SECV Official Photo) 3. VIP Lodge at Bogong in the snow 4. Bogong Village - circa 1940’s 5. Bogong Village under street lights 6. Lewis Construction Camp (SECV Official Photo) 7. Albion Quarrying Co. Camp (SECV Official Photo) 8. Tent camp and early buildings following 1939 fires 9. Typical house – Bogong Village 1. Handwritten under photo – August 1948 2. Printed under photo: STATE ELECTRICITY COMMISSION OF VICTORIA Date: 25.8.48 Time: 9am No:K 4680 Kiewa Hydro-Electric Works. Bogong Township 3. Handwritten on back of photo- V.I.P. Lodge, Bogong 4 – 5. No markings 6. Printed under photo: STATE ELECTRICITY COMMISSION OF VICTORIA Date: 28.11.40 Time: 1.40pm No:K284 Kiewa Hydro-Electric Works. Lewis Construction Camp 7. Printed under photo: STATE ELECTRICITY COMMISSION OF VICTORIA Date: 11.1.41 Time: 10.40am No:K294 Kiewa Hydro-Electric Works. Albion Quarrying Co. Camp – Bogong. Handwritten on back of photo: On the floor of the present dam 8. No markings 9. Printed under photo: STATE ELECTRICITY COMMISSION OF VICTORIA Date: 11.1.46 Time: 1.23pm No:K2181 Kiewa Hydro-Electric Works. Bogong – Typical House bogong village; 1939 fires; kiewa hydro electric scheme;