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National Wool Museum
Photograph
Depicts Bungaree Shed, a big old store structure with the original part being commenced in 1842. View of buildings from north/west. Taken by John Bailey in South Australia at the request of Gael Shannon (former NWM employee). -
National Wool Museum
Photograph
Depicts Booyoolee Shed, which was built in 1856 and demolished in 1989. View taken from west side which shows toilet. Taken by John Bailey in South Australia at the request of Gael Shannon (former NWM employee). -
National Wool Museum
Photograph
Exterior view of the Barwon Mill (built 1874; taken over by Godfrey Hirst and renamed Excelsior One in 1890) in 1966. In 1966 McKendrick Consolidated Industries Ltd purchased Godfrey Hirst Ltd to operate a carpet manufacturing concern and this photo was taken at the time of the takeover.Proof IAN HAWTHORNE / PHOTOGRAPHER / Commercial, Portrait, Wedding, Colour Processor / Upstairs, 140 Moorabool St., Geelong Ph. 98096textile mills, godfrey hirst and co. pty ltd, barwon woollen mill, excelsior one mill -
National Wool Museum
Photograph
Depicts a northern view of the Victorian Woollen Mill. This was the first woollen mill in Victoria and was producing cloth by 1868. It became defunct and was purchased by Godfrey Hirst and his partners in 1899, who renamed it Excelsior Mill No. 2. In 1966 McKendrick Consolidated Industries Ltd purchased Godfrey Hirst Ltd to operate a carpet manufacturing concern and this photo was taken at the time of the takeover.Proof IAN HAWTHORNE / PHOTOGRAPHER / Commercial, Portrait, Wedding, Colour Processor / Upstairs, 140 Moorabool St., Geelong Ph. 98096textile mills, godfrey hirst and co. pty ltd, victorian woollen mill, excelsior mill no. 2 -
National Wool Museum
Photograph
Depicts a view of the south wall of the Victorian Woollen Mill. This was the first woollen mill in Victoria and was producing cloth by 1868. It became defunct and was purchased by Godfrey Hirst and his partners in 1899, who renamed it Excelsior Mill No. 2. In 1966 McKendrick Consolidated Industries Ltd purchased Godfrey Hirst Ltd to operate a carpet manufacturing concern and this photo was taken at the time of the takeover.Proof IAN HAWTHORNE / PHOTOGRAPHER / Commercial, Portrait, Wedding, Colour Processor / Upstairs, 140 Moorabool St., Geelong Ph. 98096textile mills, godfrey hirst and co. pty ltd, victorian woollen mill, excelsior mill no. 2 -
Malmsbury Historical Society
Photograph (Item), View Of Gardens From Railway Bank, Malmsbury ca1970
Buildings - Gardens Railway Bank -
Malmsbury Historical Society
Photograph (Item), Landscape View From St John's Church, Malmsbury ca1991
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Malmsbury Historical Society
Photograph (Item), Landscape View Of White Gums From St John's Church, Malmsbury ca1991
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Malmsbury Historical Society
Photograph (Item), Landscape View Of White Gums From St John's Church, Malmsbury ca1991
Buildings - St John's Vicarage -
Malmsbury Historical Society
Photograph (Item), Landscape View Of White Gums From St John's Church, Malmsbury ca1991
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Malmsbury Historical Society
Photograph (Item), Landscape View Of White Gums From St John's Church, Malmsbury ca1991
People - "Stephenson, Miss (School Teacher)" -
National Wool Museum
Book, One Wondrous Kind: a sheep's eye view of the Mallee
"One Wondrous Kind: a sheep's eye view of the Mallee" - comp. by Peter Hicks and Rick Martin, 1988. Contains photos and anecdotes about life in the past and present in the Mallee region.wool growing, mallee, hopetoun -
Ballarat Base Hospital Trained Nurses League
Aerial View of Ballarat Base Hospital, 1972
Aerial View of Ballarat Base Hospital, 1972Shows all hospital buildings including the Nurses HomePhoto - black & whitenurses, home, 1972, aerial view, ballarat, hospital -
Chiltern Athenaeum Trust
Painting - Artwork, Fanny Bartley, Bartley's Brewery
Bartley's Brewery, Howlong Road, Chiltern (photograph of a painting by Fanny Bartley) Property owned by Benjaming Jackson Bartley 1834-1899Australian Impressionism, Naturalism, Colonial Art, Folk ArtA small, rectangular painting with a wood frame in a basic relief styleSignature in bottom right corner of paintingaustralian landscape, landscape, farm -
Peterborough History Group
Photograph - Main St, Peterborough, circa 1955
... the east, includes the old cafe and bar from the hotel. Past view ...Taken from the east, includes the old cafe and bar from the hotel.Past view of the main street, showing former businesses.Copy of postcardpeterborough 3270, peterborough hotel, seagull cafe -
Peterborough History Group
Photograph - General Store and Post Office, Circa 1955
... Historic view of the main street... General Store and Post Office Historic view of the main street ...Historic view of the main streetHistoric view of the main street in Peterborough, Macs Street; including (arguably) Wokka Moore's Bentley?Photograph of a post cardGeneral Store and Post Officepeterborough 3270, macs street peterborough, historic postcards -
Peterborough History Group
Plan - Moyne Shire Council Aerial photograph, Department of Sustainability and Environment, January 2018
... of an aerial view of the majority of the town with street names ...View shows development at the time and showing the town boundary using Vicmap InformationSignificant in that it provides a record of the current state of development of the town. Also, a view of the estuary at that time.A3 size copy of an aerial view of the majority of the town with street names mentioned. curdies river inlet, peterborough, aerial view -
Nillumbik Shire Council
Public Art: Helen BODYCOMB (b.1964, South Australia) and Enver CAMDAL (Lives and works Turkey), Enver Camdal et al, Nest (Location: Roundabout, Main and Luck Street, Eltham), 1997
Commissioned by Nillumbik Shire Council - 1997 The selection panel in the commissioning process to this 'extraordinary acquisition' was Rhonda Noble, Director of La Trobe University Museum of Art, Jeph Neale, Eltham Roundabout Advisory Group, Chris Marks, NSC Curator of Collections, Geoff Glynn, NSC Manager of Infrastructure Development.'Nest' highlights the indigenous flora and fauna of the Shire. The stiff, coarse grass used to create the nest is indigenous to the area and the eggs are like those of the spotted quail thrush, a ground-nesting bird of the Shire. The circular flow or placement of the eggs recalls the revolution of the seasons and nesting cycles. There is a tall light pole above the eggs, shining down at night. The effect is of a giant incubator. Enrichment and nurturing of the larger environment can be associated with this sculpture. This work resembles a large bird's nest, with three egg-like forms of fibreglass covered in a pebble render, set on sand. The nest is positioned within the paved boundary of the roundabout. The nest shape has been created out of stiff, coarse indigenous grass, periodically trimmed so the view is not obstructed. The eggs are a brown-speckled, creamy yellow colour. The three eggs are arranged in a ring, with the narrow end of each pointing to the large end of the next, in a circle that mimics the flow of traffic. N/Apublic art, nest, eggs, eltham, ekphrasis2017, mosaic, pebbles, roundabout, spotted quail thrush -
Nillumbik Shire Council
Public Art: Lasting Memories Mosaic GROUP, Lasting Memories Mosaic Seat (Location: St.Andrews Hall, 1 Proctor Street, St. Andrews), 2012
The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires. For most women being part of the Lasting Memories Mosaic Group was a way of reconnecting to the area, friends and neighbours. As the months went by, the idea of creating a gift to the community together was born. The women wanted to artistically express their memories of what they had experienced. Creating a mosaic seat in the heart of St Andrews allowed the group to be 'in control' of building something from the ground up - a symbol of hope, recovery and renewal. All of their experiences and memories have been included into the seat design, which makes it so special. This mosaic seat is proudly positioned outside the St Andrews Hall, which is also the site for the St Andrews market held every Saturday throughout the year.The Lasting Memories Mosaic group began this piece just after the Black Saturday fires in 2009. After the horrific fires ravaged through St Andrews and the surrounding areas, a group of bushfire affected ladies bravely came back to St Andrews to begin their healing in an artistic way. Each woman created something beautiful and meaningful, using remnants of crockery, glass, tiles and bricks salvaged from their own properties. This artworks identifies who they are and tells their personal 'life journey' and family heritage and memories of what they had experienced before, during and beyond Black Saturday. It is also an expression of their love for the St. Andrews area and the nature and people within it. A large concrete seat in the style of an organic chaise lounge covered in mosaic (broken tiles, glass, crockery and ceramics of all shapes and colour). The pieces have been placed to form pictures, words and patterns that tell and recount stories and memories of reflection, hope and love of a group of people who experienced the Black Saturday bushfires. (Click on links to view details of the seat) black saturday, mosaic, art, lasting memories, st andrews, tiles, glass, fire, concrete, cement, chris reade, ekphrasis2017 -
Torquay and District Historical Society
Photograph (copy), Scammell Collection
Photograph shows members of the Scammell crew, customs officials and onlookers viewing the aftermath of the Scammell wreckContemporary record of a significant event in the history of Torquay,Black and white photographshipwrecks great ocean road victoria -
Torquay and District Historical Society
Copy Photo, Torquay History Exhibition 2016, Produced for exhibition 2016
A view of The Esplanade Torquay circa 1920'sThe Esplanade became the premier boulevard of Torquay township and is now amongst Victoria's most sought after residential real estate with unrestricted ocean views.Black and white photo. -
Torquay and District Historical Society
Copy photo, Torquay History Exhibition 2016, Produced for exhibition 2016
Photo shows The Esplanade, Torquay circa 1920's before electricity poles and wires were erected to power the township but obstruct the uninterrupted view of the ocean now so prized by residents and visitors.An early record of the primitive township of Torquay.Black and white photo -
Ballarat Base Hospital Trained Nurses League
Sheila Prendergast Photo Album 1941-1944, commenced training June 1941
View of Gardens and Nurses Homeballarat & district hospital, hospital, gardens, vegetables, nurses home, early 1940s, prendergast -
Darebin Parklands Association
Mulberry Spur with views, 1974
The widespread artichoke weed and other environmental weeds had to be cleared before planting could commence.B&W photograph. Land proposed as Parklands. View of houses in Bennett Street, Alphington and Northcote Hill in the distance. The artichoke weed can be seen across the foreground. -
Tatura Irrigation & Wartime Camps Museum
Booklet, Streetscape, 1998
Printed in 1998 as a record of the exhibition held at Shepparton Art Gallery, July, 1998. Booklet deals with early architecture in Shepparton Region, includes maps, plans, photographic images and catalogue of 100 years of progress. Soft cardboard, light grey background with Shepparton Post Office fascade and first floor plan on front cover, view of the building from Wyndham Street and ground floor plan on back cover. The word "streetscape" printed across front seven times. early buildings, shepparton art gallery exhibitions, shepparton architecture, shepparton photographic images -
Tatura Irrigation & Wartime Camps Museum
Photograph, Early Hogan Street
Early Hogan Street, with Post Office and Criterion Hotel in viewtatura, buildings, historic -
Tatura Irrigation & Wartime Camps Museum
Sketches, Hay Camp, 1941 - 1943
Copies of 6 sketches done by Reinhold Eckfeld whilst an internee in camps 9 and 10 at Hay NSW. He was also on the Dunera.Collection of 6 copies of sketches done in pencil and laminated. 1 - Pencil sketch of Rudi Laqeur and Hans Abarbanell 2 - Pencil sketch of Michael Ritterman, Heinz Oschinski and Hans Feder (sketches 2 and 3 were joined together) 3 - Pencil sketch looking through 3 rows of barbed wire to trees beyond 4 - Pencil sketch looking through 3 rows of barbed wire at a different view point to no 3 5 - Pencil sketch of inside hut 39 Hay, front corner with bunks on left hand side 6 - Pencil sketch of two of the mess huts and other huts at Hay and some of the gardenhans feder, michael rittermann, heinz oschinski, internment camps new south wales, hans abarbanell, rudi laqeur, hay internment camp, dunera internees -
Tatura Irrigation & Wartime Camps Museum
Photograph, Murchison Camp, 1941
Camp 13 view of two compounds and the dividing fenceBlack and white photograph of (l - r) huts, fence, compound dividing fence and barb wire, entanged. A pole with search light. Another path, fence and huts and large hall, possibly to become there hall in Murchison.camp 13 -
Tatura Irrigation & Wartime Camps Museum
Photograph, Camp 13 Hall, 1941
Inside view of Camp 13 hallBlack and white photograph of inside of Camp 13 hall. Map of the world, Australia and Pacific Ocean backdrop. Tables and stools, inserted conical lights.camp 13, camp 13 hall, map of the world -
Tatura Irrigation & Wartime Camps Museum
Photograph, Camp Buildings and sentry tower, 1939
Dhurringile camp view. General view of buildings, sentry tower and a lone guard.Black and white photograph of general view of huts, lookout tower, fence and lone soldier with road sweeping front right, swinging left. Taken at Dhurringile Mansion camp.dhurringile pow camp