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Wodonga & District Historical Society Inc
Functional object - Retractable wired measuring tape, John Rabone & Sons, 1939
Rabone & Sons had its origins in Birmingham, as rule and tool makers. The business was continued by John Rabone and his (John's) grandson, Eric Rabone. It worked under the name of John Rabone & Sons c1784-1953, becoming a public company in 1948. Control of the business remained with the Rabone family until 1962. In 1963 the company merged with a toolmaker from Sheffield to become Rabone Chesterman. The name E. M. Lock has been carved into the leather on one side. Edith May Lock was the mother of Arthur Lock who served in the 2/23 RD Australian Infantry Battalion, known as "Albury's Own".This item is part of a collection of items owned by Arthur Lock, a member of the 2/23rd Battalion, an all-volunteer Second Australian Imperial Force which served as part of the garrison during the Siege of Tobruk, then at El Alamein, New Guinea and Borneo. It has particular local significance as the battalion was know as "Albury's Own" because a large majority of the battalion's initial intake of volunteers came from the Albury–Wodonga region.A retractable wire measuring tape with leather casing and brass centre and winding handle. The tape is 66 feet in length. The manufacture's name, John Rabone & Sons, is inscribed around the centre circle as well as the Number 401 and 66FTAround centre circle "JOHN RABONE & SONS/BIRMINGHAM ENGLAND". In the centre "NO401 66FT" On opposite side around centre circle "RABONE'S METALLIC WIRED TAPE". Engraved into the surface "E.M.Lock"world war 11, john rabone and sons, wired measuring tape -
Mont De Lancey
Container - Gunpowder Tin, Curtis's & Harvey Co
This fine grade gunpowder was used in pistols on farming properties. A vintage rusted black gunpowder tin with a screw top funnel lid. It has a diamond shaped indent on the front and centre back with black and white paper label branding of the manufacturer and supplier. The branding is on the top of the flask as well.'The Diamond Grain Gunpowder Made Only By Curtis's & Harvey Hounslow and London'. is printed on the diamond shaped paper label at the front. 'No. 2' is printed at the sides of this label. At the top of the tin is white text on a black background 'McMicking & Co. Melbourne Sole Agents for Victoria.' On the centre back of the tin is a printed paper illustration of dead rabbits and a rifle in the woods framed in a circle, surrounded by an etched diamond shape and 'Curtis's Harvey No.2'.containers, gunpowder, tins, firearm accessories, pistols, firearms, breechloading pistols -
Bendigo Historical Society Inc.
Document - SHAMROCK HOTEL COLLECTION: MENU, 1997
A menu for the Shamrock Hotel Centenary Dinner and Ball held in April 1997. Inside cover contains entertainment schedule and acknowledgements as well menu. Back cover provides a history of the hotel, presented as a timeline, from 1854 - 1997. -
Bendigo Historical Society Inc.
Document - ELMA WINSLADE WELLS COLLECTION: ENVELOPE ADDRESSED A. WELLS
Envelope addressed to A. Wells 51, Barkly Street, Bendigo. It has a centenary of Australia stamp cancelled 25 Oct 1934. The envelope did not have the sender on the back, but the letter inside is from Theo to mum, Dorothy and Elma.document -
Bendigo Historical Society Inc.
Photograph - UNKNOWN FAMILY COLLECTION: PHOTOGRAPH, cira 1900
Photograph - black & white, portrait of a man. Very well dressed looking very official, wearing a sash, letters printed on it 'H A C B S'.Means 'The Hibernian Australasian Catholic Benefit Society', est. 1868John Lay - Eaglehawkperson, family, portrait, photograph. portrait of a man. insigna h a c b s on sash. -
National Wool Museum
Textile - Blanket, Godfrey Hirst, 1950s
Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Diamond blanket, mint and lemon"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong -
Federation University Historical Collection
Book - Autographs, Alisan Lanigan, SCVB 30 Year Reunion Booklet and Signatures, 2006
The State College of Victoria Ballarat was formerly the Ballarat Teachers' College. In 1976 it moved from its Gillies Street location to the Mount Helen Campus, now a campus of Federation University Australia. Denise (Walshy) Walsh 1974-1976 Lecturer, Dept of Studies in Teaching, SCVB 1976-1979 Head, Educational Technology Unit I came to the College bringing the lessons I had learned in 20 years (1954-1974) of teaching secondary school students and their parents in the challenging environment of country schools and parishes. Initially part-time, I found the dedication and competence of the staff and their concern for the professional formation and general well-being of students and colleagues to be inspiring. Similar concern and active acceptance extended to me and I wondered – I think we all did – if these qualities were transferable to the ‘dreaded’ Mt Helen. Later, I was invited to upgrade my academic qualifications by applying for the gradually decreasing but still generous study leave that was available. It was granted and I was accepted into the Master’s Program in Educational Technology at Concordia University, Montreal. The staff who generously extended their loads to cover for my absence amazed me. Their support showed that, in truth, the spirit of Gillies Street had indeed ‘moved over.’ More than in any other place that I have worked, all of the staff – including teaching, research, support, service, outside staff, both central and faculty – worked as one by providing mutual service and care in the spirit of a great and long-standing educational institution. State Council of Victoria at Ballarat (SCVB) 30 Year Reunion Booklet and Signatures.scvb, state college victoria ballarat, ballarat teachers college, reunion, alison lanigan, ballarat teachers' college, denise walsh -
Greensborough Historical Society
Newspaper Clipping, Students tackle success satire [Parade College], 11/05/2016
Students from Parade College Bundoora and Mercy College Coburg performed the play "How to succeed in business without really trying".News clipping, black text, colour image.parade college, mercy college -
Mont De Lancey
Card - Postcards, early 1900's
Greeting cards sent during WW1 - 1917, 1918. Owned and sent by R.T. Mitchell to his daughter Anne.Three silk embroidered postcards, sent from France during World War 1, from R.J. Mitchell to his daughter Anne. There are also two black and white postcards.1. Handwritten in grey pencil on the back of the Forget-Me-not card: 31/5/1917 'Dear Anne I got a letter from you a few days ago and am glad to know you are well and got plenty of work to do. How is school getting on, do you still want to be a teacher well if you do mind you are a good one. Your loving fatherr. 2. X-mas wishes: France 5th 1918. Dear Annie Received your birthday thank you very much How are you getting on with your scholarship. Hope you have a very happy christmas Lots of love your affe father R.J.Mitchell 3. handwritten in grey pencil on the back of the Happy Christmas card 'Somewhere in Belgium Oct 15th, 1917 Dear Anne Received your letter of July 3rd. Am sorry pearl has ben so bad, hope she is alright again now. Well I am keeping quite well we are having plenty of rain although it is fine today. Hope you have a veery merry Christmas Loads of love Your affec father R J Mitchell'. 4. Carte Postale - Postcard 5/1918postcards, greeting cards -
Eltham District Historical Society Inc
Negative - Photograph, Smart family home in Bridge Street, Eltham, c.1903
Believed to be Mrs Jane Bailey (nee Matthews) (d. 1904) and her grand-daughter Ruby Jane Bertha Smart (1890-1903) in front of the Smart family cottage in Bridge Street, Eltham, c.1903 Located on the north side of Bridge Street at the intersection with Bolton Street, facing Bolton Street (now part of present day Brisbane Street and occupied by the Kitchen Design Centre). Ruby Jane Bertha Smart born abt 1890 died in 1903 in Eltham. Her brother Alfred Francis Smart was born abt 1887 and died 1966 in Mont Albert, Vic. (Accessed via Ancestry.com) Show's an original early settler's cottage in Bridge Street. The cottage was built by Mrs Mary Jane Smart's parents, Edwin Bailey and Jane (nee Matthews). Mary Jane Smart was born in the cottage. She married an Englishman, Alexander Wilson Smart who disappeared to Western Australia in the early 1900s in search of gold. He ultimately married again in W.A., committing bigamy and then committed murder and was hung in 1911. This photo was taken c.1903 not long before both Mrs Bailey and her grand daughter both passed away. Jane Bailey died 2 Dec. 1904 and Mary Jane Smart and Ruby Jane Bertha Smart died July 1903 are all buried in Eltham Cemetery. SMART'S HOME AT ELTHAM. HIS WIFE AND SONS. In a little bush cottage surrounded by tall gum trees, through which appear glimpses of a willow fringed creek, of road ways hedged by masses of snowy flowering hawthorn, of growing crops and vividly green grazing paddocks, lives Mrs. Smart, the lawful wife of the man who is now in the hands of the police of Western Australia on suspicion of having committed a dreadful crime. Here, about half a mile out of the picturesque village of Eltham, she was born, and has lived her whole life — about 50 years. Smart himself lived here till the time when many years ago, the "lure of gold" got into his blood and he cleared out to Western Australia, to follow the digging rushes, gradually becom ing more and more estranged, till at length all communication ceased and be became lost to his wife and children. "I did not want him to go away," said Mrs. Smart, "because I had heard of so many men who had forgotten their homes in the excite ment of gold seeking, and of many others who died unknown and uncared for. But he would go, and when I saw his mind was set on it I placed no obstacles in his way. My parents built and lived in this cottage, where I was born, and they died in it. When I grew up I met my husband, a young Englishman, and married him. His name is Alexander, not Alfred, and his age is 52. We were very happy here, and although we were not well off we were comfortable, for he was a steady, sober, industrious man and had constant employment. He was just a manual worker, but could turn his hand to anything. We had five children, but one died. Four sons grew up in this little cottage. Thus three generations lived in it, somewhat unusual in an Australian bush home, I think. My eldest son is married and has a family; one is in Western Australia— not with his father— another is away working for him self, and one (indicating a young man by her side) has always stuck to his mother. He is my sole support, and he is as good to me now as his father once was. Yes, his father was a good, home-loving man in our younger days. He was fond of his children and was highly respected in these parts.' "It is fifteen years since my husband went away first. He had then been work ing for the Metropolitan Board of Works, and was engaged in the tunnel under the Yarra near Queen's-bridge when it col-lapsed. After he went to the West he sent me money regularly and wrote constantly. He came home three times — twice for a week or two at a time, the third time, eight years ago, when the Eitham railway was nearing completion. I induced him to stay till the railway opened, and he re-mained with me several months. I tried to get him to leave the West and settle down in his home, but he would not; he seemed restless and anxious to be off. One day when we were in Collingwood together he left me, saying he wanted to see what boats were going West. I implored him not to go away, and he said he would see. However, he returned to me soon after wards and said he had taken his ticket and would go by the next boat, and he went. For a year he wrote at irregular intervals, and then his letters ceased and I heard no more of him. For seven years I have not known whether he was alive or dead. Before that time my two sons in Western Australian used to see him some times, though they did not live with him; they used to tell me in their letters that he was well. It was a hard blow to be forgotten by him, but as my sons grew up I became more reconciled, and now I seem to look back at my life with him as some thing that happened a long time ago and is only a memory. Of his life and doings in Western Australia I know nothing. The last time I heard of him he was working in a foundry at Midland Junction. He was at Cue working on the railway when it opened there, and he caught the fever, but all that time he sent me money. When he returned the first time he took our eldest son with him, and the other boy followed later. They did not stay with him, how ever, and as far as I know they did not know how he lived." 'Mrs. Smart is a quiet, toil worn woman who has the respect of everyone who knows her.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Original print 10.5 x 16.5 cmFor postcard print: Inscribed on envelope: "Return to Mrs H. Butherway, 22 Bridge St, Eltham." Also "Photo Mrs Clark Hampton (nee Smart), original Smart's house - Bridge Street, 95 years ago." Also "Right - Mrs Clark's grandmother Mrs J Smart Left - Her daughter Ruby dies soon after photo taken. Brother Alf Smart died about 6 years ago." Inscribed on back of photo "247 Vincent St, Leederville" It is believed that this inscription may be somewhat mixed up.sepp, shire of eltham pioneers photograph collection, eltham, bridge street, alexander wilson smart, bigamy, bush cottage, early settlers, houses, jane bailey (nee matthews), mary jane smart (nee bailey), murder, ruby jane bertha smart, smart family home, smart home -
Eltham District Historical Society Inc
Negative - Photograph, Mary Jane Smart (nee Bailey) ouside the Smart family home in Bridge Street, Eltham, c.1915
Located on the north side of Bridge Street at the intersection with Bolton Street, facing Bolton Street (now part of present day Brisbane Street and occupied by the Kitchen Design Centre). Show's an original early settler's cottage in Bridge Street. The cottage was built by Mrs Mary Jane Smart's parents, Edwin Bailey and Jane (nee Matthews). Mary Jane Smart was born in the cottage. She married an Englishman, Alexander Wilson Smart who disappeared to Western Australia in the early 1900s in search of gold. He ultimately married again in W.A., committing bigamy and then committed murder and was hung in 1911. This photo was taken c.1903 not long before both Mrs Bailey and her grand daughter both passed away. Jane Bailey died 2 Dec. 1904 and Mary Jane Smart and Ruby Jane Bertha Smart died July 1903 are all buried in Eltham Cemetery. SMART'S HOME AT ELTHAM. HIS WIFE AND SONS. In a little bush cottage surrounded by tall gum trees, through which appear glimpses of a willow fringed creek, of road ways hedged by masses of snowy flowering hawthorn, of growing crops and vividly green grazing paddocks, lives Mrs. Smart, the lawful wife of the man who is now in the hands of the police of Western Australia on suspicion of having committed a dreadful crime. Here, about half a mile out of the picturesque village of Eltham, she was born, and has lived her whole life — about 50 years. Smart himself lived here till the time when many years ago, the "lure of gold" got into his blood and he cleared out to Western Australia, to follow the digging rushes, gradually becom ing more and more estranged, till at length all communication ceased and be became lost to his wife and children. "I did not want him to go away," said Mrs. Smart, "because I had heard of so many men who had forgotten their homes in the excite ment of gold seeking, and of many others who died unknown and uncared for. But he would go, and when I saw his mind was set on it I placed no obstacles in his way. My parents built and lived in this cottage, where I was born, and they died in it. When I grew up I met my husband, a young Englishman, and married him. His name is Alexander, not Alfred, and his age is 52. We were very happy here, and although we were not well off we were comfortable, for he was a steady, sober, industrious man and had constant employment. He was just a manual worker, but could turn his hand to anything. We had five children, but one died. Four sons grew up in this little cottage. Thus three generations lived in it, somewhat unusual in an Australian bush home, I think. My eldest son is married and has a family; one is in Western Australia— not with his father— another is away working for him self, and one (indicating a young man by her side) has always stuck to his mother. He is my sole support, and he is as good to me now as his father once was. Yes, his father was a good, home-loving man in our younger days. He was fond of his children and was highly respected in these parts.' "It is fifteen years since my husband went away first. He had then been work ing for the Metropolitan Board of Works, and was engaged in the tunnel under the Yarra near Queen's-bridge when it col-lapsed. After he went to the West he sent me money regularly and wrote constantly. He came home three times — twice for a week or two at a time, the third time, eight years ago, when the Eitham railway was nearing completion. I induced him to stay till the railway opened, and he re-mained with me several months. I tried to get him to leave the West and settle down in his home, but he would not; he seemed restless and anxious to be off. One day when we were in Collingwood together he left me, saying he wanted to see what boats were going West. I implored him not to go away, and he said he would see. However, he returned to me soon after wards and said he had taken his ticket and would go by the next boat, and he went. For a year he wrote at irregular intervals, and then his letters ceased and I heard no more of him. For seven years I have not known whether he was alive or dead. Before that time my two sons in Western Australian used to see him some times, though they did not live with him; they used to tell me in their letters that he was well. It was a hard blow to be forgotten by him, but as my sons grew up I became more reconciled, and now I seem to look back at my life with him as some thing that happened a long time ago and is only a memory. Of his life and doings in Western Australia I know nothing. The last time I heard of him he was working in a foundry at Midland Junction. He was at Cue working on the railway when it opened there, and he caught the fever, but all that time he sent me money. When he returned the first time he took our eldest son with him, and the other boy followed later. They did not stay with him, how ever, and as far as I know they did not know how he lived." 'Mrs. Smart is a quiet, toil worn woman who has the respect of everyone who knows her.Roll of 35mm colour negative film, 3 strips Associated print from negative (Copy of original print)Fuji 100bridge street, cottage, smart home, houses, mary jane smart (nee bailey), smart family home, alexander wilson smart, bigamy, bush cottage, early settlers, eltham, jane bailey (nee matthews), murder, ruby jane bertha smart -
Phillip Island and District Historical Society Inc.
Booklet, Official Opening of the Phillip Island Bridge at San Remo 1969 and notes by the Bridge engineer, Tom Russell, 1969
Prior to 1939 access to the Island was by punt from San Remo or car ferry from Stony Point. A bridge was opened in 1940 but increased traffic and low load capacity was a problem. The decision to build a new bridge was made in the 1960s.HistoricalColoured, bound booklet with a photo of the old and new Phillip Island bridges on the cover and the CRB logo and name on rear. It includes the order of proceedings for the opening and bridge statistics, plans and contractor information. Also photos of construction and a history of travel to the Island before a bridge was built and the first bridge. There is also a 2 page typed document written by the bridge engineer who gives a brief history of access to the Island and problems at the opening with access and a rebel who tried to open it unofficially.Official Opening of the Phillip Island Bridge at San Remo by The Hon. M.V. Porter, MLA. Minister of Public Works. November 21 1969bridges, 2nd phillip island bridge construction, tom russell, phillip island bridge opening 1969 -
Bendigo Historical Society Inc.
Ephemera - SHOWBAGS COLLECTION: REED'S LEMON AND ORANGES SHOWBAG
Reed's showbag. The design is in blue and red on a white background. On one side Try R.L.O. reed's Lemon and Orange. the new fruit juice cordial. there is a picture of two oranges and two lemons on the right hand side. on the other side the same picture and the words: reed Bros. Bendigo Lemonade, three times winner at Royal Melb. Show. Tomato sauce 14 1st prizes, 3 Championships, 3 gold medal. Phone: Bendigo 471. There are three identical bags.business, retail, advertising, business advertising usually found at agricultural shows and other promotional activities. -
Federation University Historical Collection
Posters, Ballarat Academy of Performing Arts posters
.31) BAPA Exhibition 2000 at CUB Malthouse .32) William Shakespeare's 'A Midsummer Night's Dream' directed by Bruce Widdop. Artwork by Ron Walker. .35) Gilbert & Sullivan's 'The Mikado' directed by Adrian Barnes .41) Cole Porters 'Kiss Me Kate' directed by Kim Durban, Musical Producer Richard Brown, Choreographer David Wynen, Set Designers Damien Muller and Darren Galloway .47) 'The Wizard of Oz' bapa, ballarat academy of performing arts, bruce widdop, ron walker, kirks reservoir gardens, theatre, performing arts, her majesty's theatre, ballarat, kim durban, richard brown, david wynen, damien muller, darren gallaway, wizard of oz, rainbow, mid summer nights dream, mikado, kiss me kate, posters -
Federation University Historical Collection
Photograph - Black and White, Launch of the University of Ballarat IT Centre and Technology Park, 1995, 22/02/1995
University of Ballarat is a predecessor institution of Federation University Australia. Five me stand around a plaque on the occasion of the launch of the University of Ballarat IT Centre and Technology Park. They stand on a concrete slab with initial building construction visible. Left to right: Bruce Clark (Ballarat City Commissioner), Hon. Roger Hallam MLS (Minister for Regional Development), John Blight (ISSC General Manager), Professor Geoffrey Blainey (University of Ballarat Chancellor), Professor David James (University of Ballarat David James.ballarat technology park, southern region data centre, roger m. hallam, university of ballarat technology park, federation university technology park, it centre, bruce clark, john bligh, geoffrey blainey, david james -
Flagstaff Hill Maritime Museum and Village
Photograph
Black and White Photograph of S.N. Castle 254 mm x 208 mm. Inscription on reverse side reads S.N. Castle in English Harbour Fanning Island. From my own photo given by me to the skipper Capt. J.H. von Dahlern. Now in possession of Minna Wenzke of San Francisco, a niece of the skipper. 215 mm x 165 mm. SH 067 [1] Ships C - E.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, s.n. castle, fanning island, minna wenzke -
Bendigo Historical Society Inc.
Book - M.A. Mackay music book
Brown cover book with the name M.A. Mackay in gold letter on the front. Index of songs handwritten on second page. The songs included are: Ever and ever mine, the dear homeland, The daily question, The old countree, the clang of the wooden shoon, home dearie home, The carnival, Last night, A creole love song, an old garden, for all eternity, The valley by the sea, Call me back. Aileen and John Ellison Collection."No. 17" on first page. Stamp of Evans and Crock, Bendigo on several pages.music, mackay -
Bendigo Historical Society Inc.
Document - R.S.L. BENDIGO COLLECTION: ANZAC DAY COMMEMORATION CEREMONY 1959, 25th April, 1959
Program for the Anzac Day Commemoration Ceremony held on Saturday, 25th April, 1959. Has the words of 'Abide With Me' and 'Recessional'. Addresses by Lt.-Col. L. J. Lockwood, (Commanding Officer, A.H.Q. Survey Regiment), Col. J. W. Swatton and Lieut.-Col. H. W. Snell. Program printed in dark blue with red on the front page. Back page has a photo of the Cenotaph. Printed by Arthur Hocking.Arthur Hocking Printerevent, official, anzac memorial service, r.s.l. bendigo collection - anzac day commemoration ceremony 1959, lt-col l j lockwood, survey regiment, col j w swatton, g f osborne, 38th battalion band, lieut.-col h w snell, r s l relief fund, arthur hocking -
Bendigo Historical Society Inc.
Document - LA TROBE UNIVERSITY BENDIGO COLLECTION: 'THE BOY FRIEND'
A Bendigo advertiser article titled 'The Boy Friend is Soon To Be At Bendigo'. This article includes photos of the Bendigo Teachers' College cast rehearsing for 'The Boy Friend'. (a) A photo of Noel Thompson and Eileen Florence rehearsing their song 'I could be happy with you'. (b) A photo of Ethel Prichard who plays the role of the French maid Hortense. (c) The third photo is of the cast singing 'Wont you charlston with me?' Dated C 1960.bendigo, education, performing arts, la trobe university bendigo collection, collection, bendigo teachers' college, bendigo teachers' college students, bendigo, education, tertiary education, drama, musical, entertainment, music, dancing, costume, theatre, performing arts, photo, photograph -
Bendigo Historical Society Inc.
Document - NORTH HUSTLERS - NOTES ON NORTH HUSTLERS
Two handwritten notes on the North Hustlers Mine. (a) reads: North Hustlers originally known as New Hustlers. Shaft 450 ft. No gold production. Worked 1940 - 1942. Given by Eric Wilkinson to me, May 1971. (b) reads: Hist. Guide. Rectify - North Hustlers (originally known as New Hustlers. (No Production) should read - No gold produced. Shaft 450 feet deep. Poppet legs recently dismantled.cottage, miners, north hustlers mine, new hustlers, eric wilkinson, hist guide -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Document. Greeting Cards. Small whitish card, bookmark size with 2 holes at the top and a piece of pink cord tied in them. At the top and printed in red with gold edge is: Mizpah. Below this is a pale pink rose, a darker pink rose, some yellow flowers and some violet buds. At the bottom, printed in brown is: The Lord watch between Me and Thee. Gen. 31.49. Embossed in the bottom left corner is: Made in Germany.person, greeting cards, malone collection, malone collection, greeting cards -
Melbourne Legacy
Slide, Operation Float 1959, 1959
A colour slide people gathered at the Royal Victorian Motor Yacht Club in 1959 for Operation Float. Operation Float was an event run by Melbourne Legacy to take Junior legatees on an outing. It could have been to naval boats such as HMAS Cerberus or to a Yacht club. It gave the junior legatees the opportunity to see a naval boat in action, spend time on the water or try sailing. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of outings being organised for children.Colour slide of people at the Royal Victorian Motor Yacht Club in 1959 in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Handwritten in blue ink 'Legacy President says thanks. 1959'. operation float, junior legatee outings -
Lara RSL Sub Branch
Book, HMAS MK III - The RAN's Third Book, 1951
This book tells of the mounting sea power of the Allies told by men of the RAN who with their ships have added the weight of their blows to the common effort. It tells stories of which the Royal Australian Navy may be proud.This volume is a further unfolding of the story of WWII which because of its nature as a world wide conflict, is so largely the story of sea power and its influence on the final outcome HMAS MK III - The RAN's Third Book. Green hardcover with black text and Navy insignia on front cover, text on spine. Inside front and back cover green sepia drawing of a fleet of Navy ships. Graphs, drawings, photographs, maps, poems.Tribute - Grey she is and stately Young alive and shapely Lissome, yes, and graceful, With perfect lines of elegance and dignity Her noble, lovely head She nods and shakes, With confidence to face Whatever may come. She nurses me And nourishes; Shields me, gives me courage. Alone I have been with her, when afraid. And in a crowd of friends, both hers and mine. Through conflict tense, with element or foe; through danger from above and from below. Through anguish keen Of loss, of death, of pain. Through gaiety, through joy victorious and safe She is my life, my only love, My ship.wwii, royal australian navy, sea power, germans, europe, japanese, communications, rear admiral v.a.c. crutchley, v.c., d.s.c, destroyers, corvettes, frigates, escort duties, motor launches, aircraft carriers, battleships, battle cruisers, cruises, armed merchant cruisers, sloops, submarine sweepers, mediterranean, warspite, valiant, pacific, american forces, dneiper bend, solomon islands, makin, tarawa, h.m.a australia, h.m.a shropshire, h.m.a arunta, h.m.a warramunga, h.m.a.s westralia, arctic, h.m. jamaica, h.m.saumarez, u.s. marines, h.m.a.s benalla, h.m.a.s shepparton, royal australian navy reserves -
Kiewa Valley Historical Society
Book - Fowler's Method of Bottling Fruit and Vegetables by J. Fowler, On back cover "Fowlers / Vacola"
This book was supplied with each complete outfit of bottles. This book is the 17th Revised Edition and dated, 1948. Fowler's kits have been used by many households to preserve fruits and vegetables since 1915.The households in the Kiewa Valley grew fruit and vegetables and preserved them using the Fowler's Bottling Kit.Small thick book of 96 pages with green stripe across the top and bottom of the cover.Bound with 2 staples. Title printed in brown & 4 'medals' printed across the bottom. Well used, yellowed with water mark on first pages.fowlers vacola mfg. co. ltd., fruit and vegetable preserves -
Tennis Australia
Book, Post 1984
Book: 'Tennis, Squash and Badminton Bygones'. 31 pages. Soft cover. No edition information (First published 1984). Inscription inside front cover: 'PRESENTED BY/GERALD GURNEY/INDIAN WELLS MM'. Materials: Paper, Ink, Cardboardtennis -
Surrey Hills Historical Society Collection
Book, More than just gumtrees: a personal, social and artistic history of the Melbourne Society of Women Painters and Sculptors, 1993
Joan Richard was a speaker at the Surrey Hills Historical Society meeting in November 2013. A watercolourist, she has been a long standing member of MSWPS, Past and Recent President in 2017 and a Life Member. The Melbourne Society of Women Painters and Sculptors was founded in 1902 by women who had been students at the Art School of the National Gallery of Victoria, to provide a forum for artistic discussion and an opportunity to view and comment on each other's work. Originally named the Students' Art Club, it became "Woomballana" (meaning either 'everlasting beauty' or 'search for beauty') Art Club, The Women's Art Club, the Melbourne Society of Women Painters and finally, in 1954, the present title was adopted. The history of the MSWPS and its members’ achievements, issues of the workplace, family and art commitments, the economic survival of artists, migrant artists and prejudice against women are also explored. Much of the information in “More Than Just Gumtrees” has not been available in previous publications; it includes hitherto unpublished sources - oral history interviews, minute books, reviews, letters, early photographs. There are includes biographies of over 300 artists, with individual exhibition lists, representation in public collections etc REF: MSWPS website. Artist Mabel Pye, who lived in Surrey Hills, is one of the featured artists.A history of the Melbourne Society of Women Painters and Sculptors and of the women who have belonged since 1902. Some of these women have become well-known to the art world, other have slipped by un-noticed. Incl. index, bibliography.To the Surrey Hills/Historical Society/Presented by/Joan Richard/19th November/2013melbourne society of women painters and sculptors, women painters, women sculptors, mabel pye, joan richard -
Halls Gap & Grampians Historical Society
Photograph - B/W
Large Party of well dressed people sitting and standing on rock slabs beside a creek known as Falls Creek The number 2 in the bottom right hand corner relates to the fact that this was one of a number of Grampians photos from a newspaperrecreation, roses gap, scenery, waterfalls -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1960s (?)
The photo is of "The Balconies" overlooking the back of the Wonderland Range. The photo of typical of those taken by the Forestry Commission at that time.Photo shows a woman standing on a rocky platform which protrudes out over a well-treed valley. Another rock almost forms a canopy overhead. Part of the rock on which the woman is standing on is in shade, she is in the full sun."No. 5" written in pencil on the back.scenery, lookouts -
Orbost & District Historical Society
card, 1912
GFS Australia began as a local branch of the Girls' Friendly Society founded in England in 1875 by Mary Townsend. This was an Anglican Church group which formed to give maids and female domestic staff spiritual guidance and social activities for their days off. The Society later also functioned in part as an employment agency. The first local Australian branch was formed in Adelaide in 1879, with branches being established in all states by 1901. Vera Constance Sophie Saunders (1897 -1967) was the daughter of Arthur Scott Saunders and Agnes Louise Stuart Morris. Her father was a storekeeper in Orbost.The Girls' Friendly Society was an early youth group and was associated with the Anglican Church and were a common way to attract children and teenagers to the congregation. The group is an example of the social importance of the churches in rural communities in the early 20th century.A folded card which is a senior candidate's card for membership of the Girls' Friendly Society. The card is white with blue print. On the front is the name of the member with details of the diocese and parish as well as the date of enrolment. At the top is the emblem of the Girls' Friendly Society.Vera Saunders written in cursive with red pen Orbost April 4 1912 St Jamessaunders-vera girls'-friendly-society anglican-church-orbost -
Orbost & District Historical Society
black and white photograph, second half 19th century?
This photograph is a record of the time when horse drawn vehicles were the main form of transport.A black / white photograph of five well - dressed men on a four horse drawn cart. It is on a rough bush track. Three men are standing, the others sitting. There are trees and bush in the background There is another horse - drawn vehicle on the left in the background.transport horse-drawn-vehicle