The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This silk and lace evening dress was made for Lily Clara Wishart (Mayoress of Kew 1906-7) by her niece, Mary Clara Cresswell (nee Skewes), who according to the donor, Lily's great niece, was a 'high class dressmaker'. It is one of two items in the Fashion Collection owned and by Clara Wishart.Long black fine lace evening dress buttoned to the waist at rear. The machine made lace on net fabric features a leaf pattern. Long black silk taffeta shift matching the lace evening dress.women's clothing, evening dresses, evening wear, australian fashion, lily clara wishart

A wooden,flat-top racquet with a laminated convex throat, and white cloth tape shoulder reinforcing. Decal monogram across throat on obverse: B.G.I. Inscription along right side of stem: BRIDGEPORT ATHLETIC MFG CO./WRIGHT & DITSON SUCCESSORS. Hand carved initials along right side of stem: A.P.R.. Decal inscription across crown on obverse is illegible. Inscription along left side of stem: PATENTED,/JAN. 3. '05. Decal of manufacturer's trademark on throat on reverse: MAKERS/.../B.A.M. CO./.../B.G.I. TENNIS. Materials: Wood, Gut, Leather, Metal, Ink, Glue, Lacquer, Cloth tapetennis

A Spalding 'Gold Medal' tennis racquet, featuring: laminated convex throat; and, fine-grooved octagonal handle. Decal of model name and wreathed medallions emblem feature across throat on obverse. Decal of 'A.G. Spalding & Bros. Made in U.S.A.' logo encircling ball trademark features on throat on reverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Gut, Stringtennis

A Spalding 'Gold Medal' tennis racquet, featuring: laminated convex throat; bevelled head; and, fine-grooved, thick octagonal handle. Decal of model name and wreathed medallions emblem features across throat on obverse. 'A.G. Spalding & Bros. Made in U.S.A.' logo encircling ball trademark features on throat on reverse, and is impressed on butt cover. Handwritten inscriptiona cross butt cover: WATERS/"D" CO. Materials: Wood, Lacquer, Glue, Metal, Ink, Gut, Leather, Stringtennis

A Spalding 'Geneva' tennis racquet, featuring: laminated convex throat; and, fine-grooved, octagonal handle. 'A.G. Spalding & Bros. Made in U.S.A.' logo encircling ball trademark features on throat on reverse, and impressed onto butt cover. Decal of model name feature across throat on obverse. Initials 'IM' carved across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Gut, Leathertennis

A Spalding 'Geneva' tennis racquet, featuring: laminated convex throat; and, fine-grooved, octagonal handle. 'A.G. Spalding & Bros. Made in U.S.A.' logo encircling ball trademark features on throat on reverse. Decal of model name features across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Gut, Leather, Painttennis

A Spalding 'Geneva' tennis racquet, featuring: laminated convex throat; and, fine-grooved, octagonal handle. 'A.G. Spalding & Bros. Made in U.S.A.' logo encircling ball trademark features on throat on reverse, and impressed onto butt cover. Decal of model name features across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Gut, Leather, Painttennis

A Spalding 'Greenwood' tennis racquet, featuring: laminated convex throat; and, mid-grooved, octagonal handle. 'A.G. Spalding & Bros. Made in U.S.A.' logo encircling ball trademark features on throat on reverse, and impressed onto butt cover. Decal of model name features across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Gut, Leather, Painttennis

A Wright & Ditson 'Columbia' tennis racquet, with: composite convex throat; bevelled crown; and, fine-grooved handle. Model name features across throat on obverse. Manufacturer details feature along right side of shaft, and across butt cover. Wright & Ditson Championship 'tennis player on ball' trademark features across throat on reverse. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Guttennis

A wooden tennis racquet with a laminated, convex throat, and fine grooved handle. Inscription across crown and throat, on obverse: OLYMPIC/F.J. BANCROFT/PAWTUCKET/R.I. Materials: Wood, Gut, String, Leather, Glue, Lacquer, Metal, Inktennis

An Horsman 'Tether' wooden tennis racquet, with laminated convex throat, & grooved octagonal handle. Horsman "Centaur" trademark decal features below the model name, across the throat on obverse. Materials: Wood, Metal, Lacquer, Ink, Gut, Leathertennis

Tin box printed with scenes depicting playing card characters and domino charactes. Scenes include characters playing tennis, boules, croquet & soccer. Inside of lid printed floral border containing words: 'HOUSE OF QUALITY/GREEN'S/OF/BRIGHTON/MANUFACTURERS OF/GREEN'S SPONGE MIXTURE, "NEWSTYLE" JELLIES/CHOCOLATE MOULD. ETC ETC'. Materials: Metal, Inktennis

A 24-racquet 'Tunmer' press, manufactured by F.H. Ayres, London. Materials: Wood, Metal, Gluetennis

A 'Sport' children's tennis racquet with concave throat, and fine-grooved handle, manufactured for New York toy retailer, FAO Schwarz. Bell trademark features on throat on obverse. Materials: Wood, Gut, Leather, Cloth, Ink, Glue, Lacquer, Metaltennis

An empty Bussey's (UK) tennis balls box. Top of lid inscr:'BUSSEY'S/WORLD-FAMED/LAWN TENNIS/ABSOLUTELY THE BEST BALLS MADE'. Materials: Ink, Paper, Cardboard, Gluetennis

Pages 439-444 (6 pages, 3 folia) of a French periodical featuring an artice/essay entitled: NOS ANCIENS JEUX/RETOUR D'ANGLETERRE. Materials: Paper, Inktennis

Photographic print of Alfred Beamish Materials: Paper, Photographic emulsiontennis

This well-known Kew business, which would become known as The Model Dairy, was founded in 1863 by James Venn Morgan. Morgan sold the company in the 1890s to John Simonton who renamed the business The Model Dairy Co. Simonton had experience in the local dairying industry having previously leased the Willsmere Park Dairy. He moved the business to Belmont Avenue in c.1899. In 1924, following his retirement, the company expanded to become The Model Dairy Pty Ltd with Arnold Thompson Simonton and John Tanner as its owner/directors. With new techniques and processes such a pasteurisation, the Belmont Avenue site no longer met required standards for processing and bottling, so its operations moved to 191 Cotham Road. The company celebrated its centenary in 1963. A new factory, built in 1959 to a design by Bates, Smart & McCutcheon, was purchased by Bib Stillwell Motors after the dairy closed. The entire site has since been redeveloped.Digital copy of a business card advertising the Model Dairy in Belmont Avenue, Kew, managed by John Simonton. (The card was donated by John Harvey Simonton in 2021,)"Milk delivered fresh twice daily in / Kew, Hawthorn & Camberwell / All Milk guaranteed free from chemicals, used either to preserve or colour it / Our butter (Model Dairy Brand) / I Manufactured from Pure Cream by the most improved Machinery / [DRAWING] The Model Dairy Co Belmont Avenue Kew / Model Dairy Co / Belmont Avenue, Kew / John Simonton, Manager"model dairy -- kew (vic.), john simonton, belmont avenue -- kew (vic.), dairies -- kew (vic.)

Valentine's Series postcard, printed in Great Britain by Valentine’s Co. Ltd. (Valentine & Sons 1825-1963) for Australian distributionEarly postcard of the Hawthorn to Burnley Railway Bridge on the River Yarra. Station picnic on left. Tay Creggan on right. Buildings and location identified by Marshall Slattery in 1977. The postcard was printed in Great Britain and was published as one of Valentine's Series. "KH.87. Donated by Mrs B. Challen 2.2.76. Burnley to Hawthorn Railway Bridge. Station Picnic on left. "Tay Creggan" on right. Marshall Slattery 1977".river yarra, railway bridge - hawthorn, postcards -- hawthorn (vic.)

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.The item forms part of the Laurie Bennett collection of thirty-six postcards and photographs of Kew and early Melbourne, donated to the Kew Historical Society in 1980. The postcards in the Bennett collection, like other images in the Society's holdings date from the 1890s to the present and comprehensively indicate points-of-view or scenes considered historically, aesthetically or socially significant in the period in which they were produced.Postcard depicting Collins Street looking west from Spring Street. Reg-No-KH.392 (obsolete number). Donated by L. Bennettcollins street -- melbourne (vic.), postcards

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.The item forms part of the Laurie Bennett collection of thirty-six postcards and photographs of Kew and early Melbourne, donated to the Kew Historical Society in 1980. The postcards in the Bennett collection, like other images in the Society's holdings date from the 1890s to the present and comprehensively indicate points-of-view or scenes considered historically, aesthetically or socially significant in the period in which they were produced.Postcard depicting the Kew Post Office and Court House (built 1888) on the corner of High Street and Cotham Road. In front of the Post Office is a large Moreton Bay Fig tree. The later Kew War Memorial (opened 1925) necessitated the removal of the tree and the relaocation of the Queen Victoria Jubilee Fountain. "No-KH-388. 1888. Donated by Mr. L. Bennett. Later buildings joined. Fig tree + Queen Victoria Jubilee Fountain moved to make way for World War I Memorial 1920."kew court house, kew post office, postcards

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.The item forms part of the Laurie Bennett collection of thirty-six postcards and photographs of Kew and early Melbourne, donated to the Kew Historical Society in 1980. The postcards in the Bennett collection, like other images in the Society's holdings date from the 1890s to the present and comprehensively indicate points-of-view or scenes considered historically, aesthetically or socially significant in the period in which they were produced.Sepia photo postcard showing Xavier College quadrangle and side of main hall."Reg. No. KH-395 Opened 1878. Xavier College! Donated by Mr. L. Bennett, 1980". xavier college _ kew, schools - kew, postcards

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.The item forms part of the Laurie Bennett collection of thirty-six postcards and photographs of Kew and early Melbourne, donated to the Kew Historical Society in 1980. The postcards in the Bennett collection, like other images in the Society's holdings date from the 1890s to the present and comprehensively indicate points-of-view or scenes considered historically, aesthetically or socially significant in the period in which they were produced.Monochrome photo postcard of Macauleys' Boat Shed in Kew and its position on the Yarra at the end of Molesworth Street."KH-393. Macauley's Boat Shed, Kew. Lower Molesworth St, Donated by L. Bennett"boat sheds - kew (vic), river yarra - kew (vic), macaulay's boat shed - kew (vic), recreation - yarra river - kew (vic)

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.Rare variant version of this view of Princes Bridge, from the south-east bank of the Yarra River, looking towards the city of Melbourne, showing landmarks of the period.Polychrome postcard of Princess Bridge in Melbourne.Princess Bridge, Melbourne Miss McGilivray, "Oak Bank", Peterborough, _____. princess bridge -- melbourne (vic.), river yarra, postcards -- melbourne (vic.)

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.Early postcard of MelbourneSepia tinted postcard of Collins Street, Melbourne, Th postcard design includes a line separating the address from the message on the reverse, which dates it after 1902. The stamp on the card is a red Victorian stamp with the head of Queen Victoria in use 1901-1911.Front title - Collins Street (looking West), Melbourne Reverse. - Mrs Garahy, Creek Parade, Clunes, Vic / Dear Mollie / All join with me in wishing you and our dear mother a very prosperous and happy New Year. I am enjoying my holidays very much. I heard Melba last week and went to the pantomime Humpty Dumpty. - it was all lovely. I’ll tell you all about them when I return to Clunes. We were all home for Xmas Day. The first time for 17 years. Fondest love. N.C. / I cut my right hand very badly last Monday and have not been able to write till today. N.C.postcards -- melbourne (vic.), collins street --- melbourne (vic)

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Parliament House and Treasury, Spring Street, Melbourne. Coloured postcard of early Melbourne. Weir collection."Parliament House and Treasury, Melbourne"postcards, george and edith weir, parliament house - melbourne, treasury building - melbourne, weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Parliament House and Treasury, Spring Street, Melbourne. Coloured postcard of early Melbourne. Weir collection."Parliament House and Treasury, Melbourne"postcards, george and edith weir, parliament house - melbourne, treasury building - melbourne, weir collection

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Black velvet capelet with pale blue lining held at the neck with a gilt metal clasp.women's clothing, fashion -- 1900s, evening wear, outerwear, capelets, fashion design

2Lt Andrew Crawford, a Tatura farmer, served six years with 7th and 15th Light Horse regiments prior to enlisting in 8th Light Horse AIF in WWI. He served at Gallipoli where he was wounded at The Nek, 7 August 1915, and later in Palestine. He reached the rank of Major by the end of the war. Following the war he served in 20th Light Horse CMF reaching the rank of Lieutenant Colonel and commanded the regiment.Tunic worn by Second Lieutenant Andrew Crawford 7th Light Horse (VMR). Khaki serge with ACMF 1903-10 metal buttons, white edging to epaulets, gorget patches white with narrow red centre stripe. Brown leather "Sam Browne" belt and shoulder strap. Single metal officer star on each epaulet.uniform, military, vmr, officer, crawford