The photograph depicts how the Mission entry looked at the time the photograph was taken circa 1920s. It shows that the Mission was used for formal occasions as well as showing a car model and clothing styles typical of the era. Wedding of Dora Walker , a member of the Ladies Harbour Lights Guild and Harry Simpson, 14 February 1928Dora Simpson nee Walker was a long time Lady from the Guild becoming the Honorary Secretary and being awarded an Order of the British EmpireBlack and white photograph taken outside the Mission to Seafarer's entrance. The photograph depicts a group of people surrounding a car. The photograph may have been taken at a wedding or similar function due to the formal wear of the mean and women.Reserve: manufacturer's inscription: FUJICOLOR CRYSTAL ARCHIVE / PAPERcar, entrance, wedding, lhlg, dora walker, harry simpson, dora simpson, 717 flinders street, mission to seafarers, seamen's mission, david simpson, 1928, marriages, st peter chapel, dora simpson nee walker

Contents: • Next meeting, Main Road, Eltham; Filling in the Map • July Meeting • The Shire of Eltham 1871-1994? • The New Eltham Library • The Warrandyte Mystery Tour May 29th 1994 by Bettina Woodburn • Should we do some forward planning on the past for the future? By Harry Gilham • Other News The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

Contents: • Next meeting, Main Road, Eltham; Filling in the Map • July Meeting • The Shire of Eltham 1871-1994? • The New Eltham Library • The Warrandyte Mystery Tour May 29th 1994 by Bettina Woodburn • Should we do some forward planning on the past for the future? By Harry Gilham • Other News The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

From left; Jim Connor (President), Sue Law (former President), Doug Orford (Committee) and Harry Gilham (former President) outside the Local History Centre. Newly refurbished Eltham Local History Centre Open Day, 4 March 2017 Celebrating 50 years of the Society 1967-2017Born Digitalactivities, eltham district historical society, local history centre, main road, eltham, 50th anniversary, open day

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph shows Ted Jenkins - the son of the owner of Churchill Island, Harry Jenkins.Sepia photograph with white border showing a man in a wheelchair leaning over to pat a black and white dog sitting in a bucket. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, ted jenkins

Following Gallipoli service, 3rd Light Horse Brigade comprising 8th (Victorian), 9th (South Australian/ Victorian) and 10th (West Australian) Light Horse Regiments formed part of the ANZAC Mounted Corps under command of Sir Harry Chauvel in the campaigns through Egypt, Palestine and Syria, 1916-1918. Fine study of senior officers of a Light Horse Brigade in the Middle East during World War 1 (1914-1918).Small Black and white photograph of Brigadier Wilson and Staff, 3rd Light Horse Brigade circa 1918.Back row L-R, Lieutenant Latham, Major Worthington, Captain Lyall, Captain Barker. Front row L-R. Lieutenant - Colonel Stewart ( Field Ambulance ), Lieutenant - Colonel Todd ( 10 Light Horse ), Brigadeer Wilson, ( Brig.( OMD ) , Lieutenant Colonel Wilson ( Brig. OND ), Lieutenant - Colonel Scott ( 9th Light Horse ), Lieutenant - Colonel Daly ( 8th Light Horse ) & seated in front Captain Hammond3rd light horse brigade, wilson, wwi, world war one, middle east

A check of the electoral rolls points to this being the home of Frederick Harry Percival Lamble, labourer, born in Collingwood. He and his family continued to live at 87 Essex Road until his death in 1968 and his occupation is consistently given as labourer. His wife Bessie Louisa Woods died in 1957.Black and white photo taken from the street of an Edwardian style timber house with 2 chimneys, one of which looks like a kitchen or laundry chimney. The house stands behind a white wooden picket fence in a mature garden which conceals the bull-nose verandah. The house appears to have a slate roof with galvanised capping. To the left can be seen the roofs of houses in Durham Road.timber houses, edwardian style, essex road, lamble family, durham road, bessie ethel lamble, bessie ethel smith

Black and white photographNote attached to photograph: Vice-President Harry Munro, President Allan Clayton, Lady Mayoress Mrs Pat Corr, Mayor Cr. Pat Gotlib, City Engineer Mr Alan Robertson, and General Secretary Ian Embling.

Letter dated 9 January 1958 written by W.W. Cooper, Hon. Sec., to update members of the main committee on the progress of the biography being written about L/ Savige. He advises that W.B.Russell had done a lot of work researching material for the book and expected to have the manuscript completed by July 1958.A record of documentation recording the steps in the writing of Savige's biography.White foolscap paper with black type of a letter about progress of the book being written about L/ Savige.In pencil after the greeting: "except Mr Harry Williams. Copies - for information - to Lionel Wallace and Hugh Brain." Pencilled into the margin next to #2: "On copy sent to Col. Spowers 'The Chairman' was altered to 'Mr Gillespie' Told Gillespie 30.1.58"savige book, biography

non-fictionEdward Henry (Harry) Pearce died in April 1967pearce harry, pearce edward h, springfield road blackburn no.106, blackburn high school, lend lease development, blackburn bowling club, woodhouse grove methodist church, old orchard shopping centre

Postcard shows an Electric Supply Co. tram turning from Sturt St into Lydiard St North. Has Criag's Hotel, the National Mutual Assurance buildings and the Town Hall in the view, along with the Robbie Burns statue. On the rear is a letter - to Ruby from Harry and a Victorian 1d stamp, but no address. No indication of a publisher.Yields information about the Sturt and Lydiard St intersection, soon after the opening of the electric trams in Ballarat. Postcard, Divided back, coloured with a letter on the rear.See letter.ballarat, postcards, sturt st, lydiard st north, town hall, craigs hotel, esco

Fred P Morris and Other Bendigo Hymn Writers, small soft covered book with 40 pages of Hymns & short history of the writers Fred P Morris, Robert Harkneww, Harold Francis, Wilbur Darby, Mrs H B Edwards, Harry Evely, Frank Geisler. Printed by D G Walker Bendigo. Written inside front cover D Strauch 477905 Index included.Keith Colechurch, history, hymns, bendigo-religion-music-hymns

Photograph. Harry Biggs Collection. 1 photocopy of photo of Henry Jackson's Store, View Point, Sandhurst. Also included is the shop of Finlay & Co. There is also a sign Jackson's Gold Office. In the foreground is a small bridge which is going over the Bendigo Creek. Also there is a cart with the advertisement Batchelder Photographer Pall Mall. People can be vaguely seen under the verandah. See Mosaic 1228 for further information.place, building, commercial, harry biggs collection, henry jackson viewpoint

Photograph. Harry Biggs Collection. 2 small black & white photos of J R Hoskins Timber & Iron Yards. Photo 1 - A corner of the moulding mill at J R Hoskins - it shows men working at the mill - inside in a large shed. Photo 2 - The front of the business in Hargreaves & Queen Streets, Bendigo. 2 horses & carts with a load of timber on them. There are also 9 men standing at the front.organization, business, commercial, harry biggs collection, j r hoskins timber & iron yards

Photograph. Harry Biggs Collection. 1 black & white photo of Henry Jackson's Store, View Point, Sandhurst. Also included is the shop of Finlay & Co. On the verandah are people & in the foreground is the cart belonging to the photographer, Batchelder Photographer Pall Mall. Also in the foreground is a small bridge which was going over the Bendigo Creek. There is also a sign - Jackson's Gold Office. See Mosaic 1228 for further information.Batchelder Photographer Pall Mall.photograph, streetscape, sandburst, harry biggs collection, henry jackson viewpoint, jackson's gold office, finlay & co., batchelder photographer pall mall

Photograph. Harry Biggs Collection. A black & white photo of a man in a suit sitting in a sulky. The top of the sulky has a cover with a fringe around it & the man has a rug over his knees. He is holding the reins of a decorated horse which the sulky is attached it. At the back is a work place & the letters RSONS can be seen. Beside that is a brick building & 2 school children, a boy and girl are standing in front of it.person, individual, casual, harry biggs collection, horse drawn carriage

An original painting called "We Are Stardust" features John Ward, Harry Riemersma, Len Curd and John Godfrey in Vietnam 1968. the original photograph of the aforementioned was taken the month and year of my birth (the artist). A snapshot of the world as it was when I was new to it. the dog tags depict some of the boys whose remains never came home to the embrace of family, and who were repatriated between 2007 - 2009.painting, vietnam lest we forget, vietnam

A wooden, slotted handle racquet with a 14 inch head. Inscription across neck of obverse: DREADNOUGHT/DRIVER/... Inscription across neck of reverse: HARRY C. LEE & CO/NEW YORK. Company monogram 'L&C' is stamped on leather butt cap. Manufacturing and patent information along the sides of the handle, with size and production numbers punched in. Materials: Wood, Gut, Leather, Metal, Ink, Glue, Lacquertennis

A wooden, slotted handle racquet with a 14 inch head. Inscription across neck of obverse: DREADNOUGHT/DRIVER/... Inscription across neck of reverse: HARRY C. LEE & CO/NEW YORK. Company logo 'LEE' is stamped on leather butt cap. Manufacturing and patent information along the sides of the handle, with size and production numbers punched in. Materials: Wood, Gut, Leather, Metal, Ink, Glue, Lacquer, Stringtennis

A wooden, slotted handle racquet. Inscription along neck and stem of obverse: BLUE RIBBON. Inscription across neck of reverse: HARRY C. LEE & CO/NEW YORK. Inscriptions featuring manufacturing and patent details situated along the sides of the stem. Company logo 'LEE' printed on leather and cloth butt cap. Materials: Wood, Glue, Lacquer, Ink, String, Gut, Leather, Paint, Metal, Clothtennis

A wooden, open throat, slotted handle racquet, with a 13 1/2 inch head. Inscription along base of head of obverse: LAKEWOOD. Inscription across base of head of reverse: HARRY C. LEE & CO/NEW YORK. Inscriptions featuring manufacturing and patent details situated along the sides of the stem. Materials: Wood, Glue, Lacquer, Ink, String, Gut, Leather, Paint, Metal, Clothtennis

A wooden, slotted handle racquet. Inscription across throat of obverse: VINCENT RICHARDS/GOOD SHOT! Inscription across throat of reverse: HARRY C. LEE & CO/NEW YORK. Inscriptions featuring manufacturing and patent details situated along the sides of the stem. Company logo 'LEE' is stamped across leather butt cap. Materials: Wood, Glue, Lacquer, Ink, String, Gut, Leather, Metal, Plastictennis

Has a strong association with the ESCo tram and power station staff, c1920? Published detail provides some names of the men photographed. Shows the style of clothing, the equipment used and details of the power station office building.Black and White copy photograph of some of the ESCo tram depot staff and one uniformed crew member, alongside an ESCo tram. Shows the details of the interior of the tram ceiling. See page 50 of The Golden City and its Tramways and for the photo itself. Gives some names of the people in the photograph. From the photo caption in the book: Extreme left is Bill Morgan, Harry Foy, Sy Barker, Robert Haines.tramways, trams, esco, staff, depot, cross bench tram

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and White photograph of performers in The Cingalee or Sunny Ceylon. The Cingalee is a musical play in two acts by James T. Tanner, with music by Lionel Monckton, lyrics by Adrian Ross and Percy Greenbank, and additional material by Paul Rubens. The photograph is of the performers on the raised stage of the Kew Recreation Hall with the conductor, Harry Jacobs, at front. The elaborate scenery was designed by Lance Nicholls who also produced, arranged and directed the performance"A2 "numbered lower rightperforming arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and White photograph of performers in The Cingalee or Sunny Ceylon. The Cingalee is a musical play in two acts by James T. Tanner, with music by Lionel Monckton, lyrics by Adrian Ross and Percy Greenbank, and additional material by Paul Rubens. The photograph is of the performers on the raised stage of the Kew Recreation Hall with the conductor, Harry Jacobs, at front. The elaborate scenery was designed by Lance Nicholls who also produced, arranged and directed the performanceA21 numbered lower rightperforming arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

BHS CollectionBendigo Advertiser '' The way we were'' from Thursday, February 26, 2004. Premiers: Bagshot Tennis Club's 1936 premiership team. Back row: Norm Clay, Wally Adams, Harry Clay, Morrie Clay, Frank Willman, Les Campbell. Front row: Pearl Clay, Rene Clay, Amy Hartland, Reg Turner, Doris Clay, Hazel Clay, Winnie Willman. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Handwritten sketches showing additions to the Police/Emergency services communications tower in 2004. Harry Gilham noted that the cylindrical shaped object was blocking the view from the War Memorial tower to the land area and made suggestions to the Nillumbik Shire Council and CFA that it be raised to the sky area above the Mt St Leonard-Healesville range.Colour photo print 12.5 x 19 cmHandwritten notes on both sides regarding 2004 modificationskangaroo ground, shire of eltham memorial park, emergency services communications tower, harry gilham, nillumbik shire council, war memorial tower

Harry Holmes and his battalion friends photographed aspects of their time on the Suez Canal, Egypt. Egypt was a major base for the AIF from December 1914. A number of campaigns were fought in this theatre. There were two campaigns involving the AIF. Note that not all the fighting was actually geographically in Egypt. (http://www.aif.adfa.edu.au:8888/about3.html) This photograph is significant because it was taken by a soldier (rather than an official war artist) and shows one of the day to day activities experienced by Australian Soldiers in Egypt during World War One.1) Four Australian soldiers during World War One in Egypt .2) Soldiers watch while two men 'fight' on a greasy pole during World War One .3) Australian soldiers stand at the grave of a German Officer at the Suez Canal, Egypt.2) Verso - "greasy Pole Fight" .3) verso: - Snap taken at grave of German officer killed in the first tussel (sic) with Turk at the Canalchatham family archive, chatham, holmes, world war, world war 1, world war i, world war one, egypt, cam williamson, greasy pole, ship, vessel, burial

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in January 1940 and shows the owner of Churchill Island, Harry Jenkins, with two women.Sepia photograph white narrow white border of three people on a two wheel carriage being pulled by a horse with a wooden fence to one side. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, harry jenkins