Built in 1923-1927, the school is the gift from the children of the state of Victoria, Australia, to the children of Villers-Bretonneux as proof of their love and good-will towards France. Twelve hundred Australian soldiers, fathers and brothers of these children, gave their lives for the heroic recapture of the town on April 24th and 25th, 1918. On the front of the building there are two plaques (one in French and one in English) referring to this. In the School Yard, as well as an Aboriginal style mural created by the students of the school and inaugurated on ANZAC Day 2009, is an inscription over the porch on a green background in yellow writing saying : DO NOT FORGET AUSTRALIA Due to the strong bond of friendship between the Australian population and the inhabitants of Villers-Bretonneux. This message expresses the need to remember and show gratitude. Also situated in the school is the Victoria Hall, with its wooden paneling, co-ordinated by the Ballarat Technical Art School with most of the carving being undertaken by Australian sculptor John Grant of Daylesford Technical College in Victoria. The carvings represent fauna and flora from Australia. (http://www.museeaustralien.com/en/?Victoria_school, accessed 04/02/2014)Photographs of each of the Pilister at Victoria School, Villers Bretonneux. Each pilister is carved with an Australian Animal.villers-bretonneux, ballarat technical art school, victoria school, victoria hall, world war, world war 1, australian animals, possum, cockatoo, kookaburra, platypus, lyrebird, koala

An early photograph of a miner and his family standing outside their tent in the Australian bush.An early sepia photograph of a miner and his family standing outside their tent in the Australian bush. This postcard was produced by George Symons as a souvenir of Marysville.AUSTRALIAN/ yesteryear/ CARDS P7 CORRESPONDENCE ADDRESS IN THEIR SUNDAY BEST c. 1880 A miner's family dressed in their Sunday best/ outside their tent dwelling./ Despite the difficulties of tent life the woman/ has brought her touch to the camp and is still/ able to dress her family immaculately for their/ Sunday stroll down the track. Photographer Unknown A sepia tone facsimile of/ an early Australian photographmarysville, victoria, mining life, australia, george symons, postcard, souvenir

Colour slide in a mount. House, probably Brisbane, Queensland, AustraliaMade in Australia / 4 / SEP 62Mbrisbane, slide, robin boyd

Colour slide in a mount. House, probably Brisbane, Queensland, AustraliaMade in Australia / 16 / SEP 62Mbrisbane, slide, robin boyd

Colour slide in a mount. House, probably Brisbane, Queensland, AustraliaMade in Australia / 7 / SEP 62Mbrisbane, slide, robin boyd

Colour slide in a mount. Main St, Maldon, Victoria, AustraliaMade in Australia / 16 / SEP M6slide, robin boyd

Colour slide in a mount. Aerial view of Melbourne, Victoria, AustraliaMade in Australia / 5 / MAY 69M2slide, robin boyd

Colour slide in a mount. Aerial view of Melbourne, Victoria, AustraliaMade in Australia / 6 / MAY 69M2slide, robin boyd

Colour slide in a mount. House, probably Brisbane, Queensland, AustraliaMade in Australia / 26 / SEP 62Mbrisbane, slide, robin boyd

Colour slide in a mount. House interior, unknown location, AustraliaMade in Australia / 2 / JUL 62Maustralia, slide, robin boyd

Colour slide in a mount. Poster advertising, unknown location, AustraliaMade in Australia / 21 / JUN 67M6australia, slide, robin boyd

Colour slide in a mount. Great Ocean Road, Victoria, AustraliaMade in Australia / 14 / APR 70M2slide, robin boyd

Colour slide in a mount. Great Ocean Road, Victoria, AustraliaMade in Australia / 13 / APR 70M2slide, robin boyd

Colour slide in a mount. House, on coastline, possibly Queenland, AustraliaMade in Australia / 23 / DEC 68M8slide, robin boyd

Colour slide in a mount. Trees on coastline, possibly Queenland, AustraliaMade in Australia / 21 / DEC 68M8slide, robin boyd

Colour slide in a mount. House interior, unknown location, AustraliaMade in Australia / 34 / SEP 62Maustralia, slide, robin boyd

Colour slide in a mount. Church interior, unknown location, AustraliaMade in Australia / 29 / SEP 62Maustralia, slide, robin boyd

Wooden box, marked 'southern star wire nails australia'"southern star wire nails australia"

Colour slide in a mount. Leyser House, Hume Street, Kew, Victoria, Australia, 1951. (Architect: Roy Grounds.)Made in Australiamelbourne, slide

Material labels that were sewn on as shoulder patches to signify nationality of Service people. Belonged to Peter Stoklahsa who enlisted 1966. Refer Cat no. 7674P for details.Material labels with; 1. & 2. Khaki green labels with Australia embroidered on top. Material is in a loop. Australia colour is dark blue. 3. Light blue label loop as above. Name also in dark blue."Australia" embroidered into one side.raaf, uniform

Certificate or registration of the Historic Vessel the 'Idler' which is currently also at the Seaworks Maritime Discovery Centre.This certificate registers the 'Idler' as a surviving vessel of relevance to Australia's maritime heritage.Certificate from the Australian Register of Historic Vessels from the Australian National Maritime Museum. For the vessel, the Idler. Signed on 25th May 2012"Australian/ Register/ of/ Historic Vessels/ Australian National Maritime Museum." "The vessel/ Idler/ has been accepted into the Australian Register of Historic Vessels/ on/ 25 May 2012/ signed/ Kevin Sumption Director/ Australian National Maritime Museum." "The Register records surviving vessels of relevance to Australia's maritime heritage. It is/ building a national picture of boats and their designers, builders and owners from around/ Austrlia, to promote understanding of their connections with their communities past and /present, and to encourage awareness and planning for their preservation and use./ The ARHV is managed by the Australian National Maritime Museum in association with /Sydney Heritage Fleet."

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Straw hat by brand ‘Akubra’ in the style ‘Olympian’, size 59. Sides of crown woven with decorative pattern and hatband printed with native Australian flora. Labels: Akubra / 59 / Olympian / MADE IN AUSTRALIA1992 barcelona olympics, uniform, australian wool corporation, hat

Six papers on the relationship of language and culture in the Australian Aboriginal context are presented. "Some Thoughts on Yanyuwa Language and Culture" by Jean Kirton gives an overview of some language-culture relationships and examines seven kinds of possession in one language. "Nyangumarta Kinship: A Woman's Viewpoint" by Helen Geytenbeck outlines kinship and its terminology as learned by a field linquist for her work with this group. In "A Description of the Mathematical Concepts of Groote Eylandt Aborigines," Judith Stokes describes an Anindilyakwa mathematical language in its cultural context, refuting popular generalizations about the limited counting ability of the Aboriginal people. "Facts and Fallacies of Aboriginal Number Systems" by John Harris criticizes anthropologists' and linguists' neglect of and bias concerning existing data about the mathematics of Aboriginal groups. In "Aboriginal Mathematical Concepts: A Cultural and Linguistic Explanation for Some of the Problems," Barbara Sayers suggests that the mathematical problems of some Aboriginal schoolchildren are real, but have a cultural rather than linguistic basis. "A Report on Colour Term Research in Five Aboriginal Languages" by Susanne Hargrave describes and presents preliminary analyses from a research project on color terminology.B&w illustrationslinguistics, language and culture, sociolinguistics

Black and white photo of Pastor Doug Nicholls, MBE, showing boomerangs to a female Japanese tourist at Bill Onus's shop, Aboriginal Enterprises, in Belgrave, 1966. Photo taken by Cliff Bottomley, Australian News and Information Bureau.

Wooden Plaque 15cm x 13cm with insignia of Royal Australian Signals Corps Royal Australian Signals Corps

Wooden Plaque 15cm x 13cm with insignia of Royal Australian Infantry Corps Royal Australian Infantry Corps

Wooden Plaque 15cm x 13cm with insignia of Special Air Services Australia Special Air Services Australia