Photograph of a funeral procession in Saigon. A highly decorated bus leads a group of mourners down a street.photograph, saigon, funeral procession

During a visit to Ulimaroa in 1994, Dr Richard Howell (Coventry, West Midlands), Griselda Cooper (Queen Elizabeth Hospital, Birmingham) and David Greaves (Ashington Hospital, Northumberland) presented the College with a Royal Brierley etched vase. This gift was accepted on behalf of the college by the Registrar, Mrs Joan Sheales. Royal Brierley is a crystal glass manufacturer based in Brierley Hill, Dudley, West Midlands. It is one of the oldest crystal glass manufacturers in England which dates back to the early 17th century.Medium sized round shaped crystal vase, hand made, decorated with etched floral motifs.[LABEL] SINCE 1776 / Royal Brierley / HANDMADE / IN / ENGLANDdr howell, dr cooper, dr greaves, royal brierley

MR. ANDREW MCKENZIE , NATIONAL HOTEL, FRASER STREET, CLUNES.PHOTOGRAPH OF NATIONAL HOTEL FRASER STREET, CLUNES, - A. Mc KENZIE, SHRUBBERY DECORATING VERANDAH POSTS.A. McKENZIE - NATIONAL HOTELlocal history, photography, photographs, hotels, national

UNIDENTIFIED PHOTOGRAPH DONATED BY W. GAYFORD 20 WOLSLEY ST. MONT ALBERTSMALL BLACK AND WHITE PHOTOGRAPH OF SMALL BOY MOUNTED IN PINK DECORATED FRAME - MATERIAL UNIDENTIFIEDUNINDENTIFIED PHOTOGRAPH DONATED BY W. GAYFORD OF 20 WOLSLEY ST. MOUNT ALBERTlocal history, photography, photograph, local personalities

BLACK AND WHITE PHOTOGRAPH DECORATED PONY, CART AND DRIVER, IN STREET PARADE, FRASER STREET, CLUNESlocal history, photography, photographs, events and celebrations

Fine china cup and saucer. Both decorated in elaborate gold pattern overlay. Eggshell thindomestic items, crockery

Potter Kevin Crick was based in or around Moruya on the south coast of NSW in the late 1980s and 1990s. He exhibited at the Granite Grove Art Gallery in Moruya in 1987 according to an article in the Canberra Times. He made well-thrown and glazed functional ware with an impressed mark consisting of three horizontal lines in a square, with a raised circle bisecting the top line. Photograph of a hand thrown and decorated ceramic vase by Kevin Crick with impressed studio mark on the base. ceramics, pottery, kevin crick, studio pottery

Photograph of a hand thrown and decorated ceramic vase by Gambles Pottery with impressed studio mark on the base. ceramics, pottery, studio pottery

Photograph of a hand thrown and decorated ceramic vase by Gambles Pottery with impressed studio mark on the base. ceramics, pottery, studio pottery, gambles pottery

Decorated Float outside the Ballarat Town Hall in Sturt Street. Probably during the Begonia Festivalfloat, parade

A decorated box containing 'Bendigo Advertiser' articles dated 1970-72, relating to life in Bendigo.The Bendigo Advertiser.bendigo, history, community activities, lydia chancellor, collection, bendigo, community life, 'bendigo advertiser, ' eaglehawk, male, female, place

Wedgewood china plate decorated with Australian native flora in shades of green, yellow, red & orange.Wedgewood DM1W A1927domestic equipment, food consumption, plates

Crescent shaped tin decorated with scene of man and woman playing tennis. Materials: Metal, Inktennis

Representative of an object frequently given to a departing officer by an officers' mess. The regimental badge is soldered to the pewter by local jeweller.Silver plated mug with handle and decorated with a Victorian Mounted Rifles cap badge affixed to the side."Mayfair" on underside of base, otherwise uninscribed.8/13 vmr, badge, officers' mess

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Wheel thrown cup (without saucer). Top half on outside, rim and handle glaze decorated. art, artwork, cup, ceramic

Plain silver christening mug with decorated handle and simple dotted edge around top and base.Made in US America Quadruple 302 Superior Silver Co.christening mugs, mugs

"Going away" wedding photograph of Lynn Murrell, daughter of Linton Newsagent William Murrell, and Bill Cushing - Linton Bank NSW Teller. Photograph taken at rear of Murrell's Newsagency, Sussex Street, Linton, in 1932.Copy of original black and white photograph. Photo shows a couple standing beside a decorated car.lynn murrell, bill cushing, weddings

Born in 1903, Norman Penrose studied at the Bendigo School of Mines. A painter and a teacher, he lived in Bendigo most of his life.Watercolour painting by Norman Penrose titled "A view near Ballarat." It shows a barren landscape of green shrubs and reddish dirt under a cloudy sky. A few trees at bottom right-hand and a couple of houses in the background. The painting is signed on the bottom left-hand side. The painting is under glass in a light brown wooden frame. Norman Penrose Collection On the back "A view near Ballarat" phone 36420. Address: 14 Barkly Terrace, Bendigo. In red chalk within a circle No. 22. norman penrose, artist, teacher, ballarat

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of WHS Dickinson and Alma Figuerola at the opening of an exhibition in Kew in 1964/5. It has been suggested that the exhibition at the Kew Town Hall in Walpole Street.Later hand: "Mayor of Kew opens exhibition of paintings (Miss Alma Figuerola left in doorway). arists - kew (vic), exhibitions -- kew (vic.)

Painting of Melbourne at the time the Lodge held it's inaugural meeting on 23 December 1839 Melbourne Viewed from the south bank of the Yarra RiverThe Lamb in inn the painting is the first meeting place of the Lodge of Australia Felix on 23 December 1839 felix, australi felix, uglv

A slide image of three ladies in a waiting room, believed to be in the old Legacy House in Market Street, probably from the 1950s. The portrait of Stan Savige was painted by E. Buckmaster for the Archibald prize in 1946. Legacy rented the Market St premises for many years. It was part of the Western Market complex that was demolished and redeveloped in the early 1960s. Legacy held meetings, activities and the girls classes on the second floor of the building, accessed by this staircase, but it was barely fit for purpose. In the 1940s a generous donation by an anonymous donor meant Legacy could purchase a building at 342 Swanston St, but due to several factors were never able to inhabit it. Finally it was sold in 1954 and Junior Legacy Melbourne purchased 289-299 Swanston Street Melbourne (previously called Red Cross House) in 1956 from the Commonwealth Government and moved in after refurbishing it.A record of the Market Street building that Legacy occupied for many years until 1956-7.Colour slide of three ladies in the waiting room at Legacy House in Market Street in a yellow cardboard mount with piece of glass.Handwritten 'Waiting room Legacy House. Painting of founder in background' in blue pen on the slide mount.properties, market st, portrait

Abel Hoyle Turton was born in 1877 and married Hannah Richardson of Barnawartha, Victoria in 1902. He established a wheelwright and coach making business. Mr. Turton also operated a blacksmith business as a side trade. In his earlier years he was actively involved in the fire brigade, including as Secretary, and on the committee of the Wodonga Brass Band. Mr. Turton also served as secretary of the local branch of the Australian Natives Association. In 1912, despite having received a long service medal for the Wodonga Fire Brigade, Turton resigned for the brigade under a cloud after having been accused of insubordination at a fire. The brigade captain Mr. Twomey also resigned. They were both later reinstated. He died in Wodonga on 24 December 1932. After his death, the premises were taken over by George McFarlane who commenced business as a shoeing smith and general blacksmith.This image records the premises of an early 20th century Wodonga business.A black and white photograph of the premises of A. H. Turton, Coach builder of Wodonga as well as 2 newspaper advertisements for this business.Above the store: A. H. TURTON / COACH BUILDER On windows: PAINTING/ TRIMMING/ RUBBER TYRES A SPECIALITYwodonga businesses, a. h. turton, turton wheelwright wodonga

Image of a Tom Roberts painting on front of soft covered book titled The Artists' Camp at Box Hill - Eleanor Finlay, Marjorie MorganFOREWORD by William Dargie Kt., C.B.E., FRSA (London) FRAS (NSW) As one born between two worlds I find it difficult to identify wholly with either Australian art of the late 19th and early 20th centuries or the infinitely varied styles of today. At the beginning of the 1930s, when I first began to take any sort of interest in art, I had the natural feeling of youth that anything that had happened thirty to forty years ago was already far down the dark and backward abysm of time. As for today, all that one of my generation can do is to enjoy what is enjoyable and avert one's eyes and close one's ears against the rest. This is the time of life one realizes that distaste, as well as taste can be cultivated. Well, youth repeats itself in each generation and among the young there will always be .some determined and dedicated to the making of new images of the physical world. All artists throughout history have shared this common experience. All have remembered the suddenly-formed friendships, the sketching expeditions and camps, the first exhibitions, the formation of groups, the 'manifestos' - these last to return in later life all too often as embarrassments - but above all, the enthusiasm. 'Bliss was it in that dawn to be alive but to be young was very heaven'. Thus we can be time-travellers back one hundred and six years to that first plein-air camp set up by Roberts, McCubbin and Abrahams on part of David Houston's property at Box Hill. This was indeed the prelude to all that followed: Mentone and the meeting with the young Streeton painting on the rocks, and Heidelberg later.