Showing 1525 items
matching trim
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Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: BOLSTER PILLOW CASE WITH PIN-TUCKS AND BRODERIE TRIM, Early 1900's
Textiles. Fine linen fabric, white in colour. A 19 cm wide panel of fabric has been sewn to the top of the cover, and is edged on three sides with finely embroidered broderie anglaise featuring a circular, six petalled flower impression. A panel of the same broderie runs through the centre of the panel, and is bordered by a band of three pin-tucks on each side. An envelope of the linen fabric backs the bolster pillow.textiles, domestic, bolster pillow case with pintucks -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: BOLSTER PILLOW CASE WITH CROCHET AND PINTUCK TRIM, Early 1900's
Textiles. Fine linen fabric, white in colour. The top of the cover is finished with an 8 cm deep band of cotton crochet, featuring a diamond shaped pattern - each diamond 5.5 cms deep. A band of 4 pin-tucks, in a 6.5 cm band of linen, and then another band of 4 pin-tucks and a 5 cm deep band of crochet with a slightly narrower band of diamond shapes, and five rows of pin-tucks complete the handwork.textiles, domestic, bolster pillow case with crochet -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: VERY LARGE LINEN PILLOW COVER-LACE TRIMMED, Late 1800-1950's
Textiles. Very large cover, with an envelope to enclose the pillow, stitched on the underside, with cotton tape ties to enclose the pillow. Beautiful fine cotton broderie fabric (possibly Swiss cotton broderie anglaise) edges the pillow. Corners of the embroidered cotton have been mitred in an unusual way, with the excess fabric still evident, in a 'kite-shaped' manner, in each corner. The embroidered cotton edging features a scalloped edge, with circular, and floral design. A 6 cm deep hem outlines the linen fabric edge, showing the embroidery fabric to advantage.textiles, domestic, very large linen pillow cover -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: LINEN TABLECLOTH OR TABLE CENTRE WITH CROCHET TRIM, 1920-30's
Textiles. Cream linen fabric, with a selvidge edge on each side. Three bands of drawn thread work at each end-a centre band 2.5 cm wide, and stitched to form a decorative pattern, and two bands, 1 cm wide-one on either side of the wider band. These are edged with a spoke stitch, which draws the thread into little ''bar shapes" - 3 to each centimetre. A 4.5 cm wide band of fillet crochet and a 20 cm long fringe, edges each end.textiles, domestic, linen tablecloth or table centre -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: STRAW ''PILL-BOX'' HAT WITH FEATHER AND BERRY TRIM, Early 1900's
Clothing. Oval in shape, 4 cms deep at the back, and slightly flattened to 2 cms deep at the front. Deep brown straw on the outside, with a slight sheen, deep blue straw on the inside with a glossy finish. A fine elastic is attached at each side, to hold the hat in place. A band of stiffening lines the inside of the back, to hold the shape. Attached to the front of the hat is a 51 cm long, deep brown ostrich feather. A cluster of seven deep red (one loose) glass bead 'berries' and a scrunch of dark red velvet, hold the feather in place. The feather passes over the top of the pill box and extends an extended 30 cms over the back edge, in a sweeping, gracious curve.costume accessories, female, straw pill box hat with feather -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CREAM LACE; FOUR FRILL LAYERED GARMENT TRIM, Early 1900's
Clothing. Beautiful cream, floral, lace - probably linen, 10 cms deep. Each of the four layers of floral lace is overlapping a 3 cm wide, permanently pleated, band of cream silk, which is edged with a narrow 5 mm band of black velvet. The linen lace has a scalloped lower edge alternating five circles .8 cm diameter and four circles 1.2 cm - this edging forms the scalloped effect. Flowing scrolls and leaves fill in between the flowers. Presumably this four frill flounce has been removed from another garment to be recycled.costume, female, four frill layered garment trim -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BLACK SILK SKIRT WITH BEADED TRIM, 1880-1890's
Clothing. Full length black silk-satin skirt, with a 4-pleat cummerbund waist sash - 10 cms deep. Two x 10 cm wide ''falls'' of satin, angled at the lower edge fall from the plackett left side, and are 51 cm long and 63 cm long at their peak. Two panels of the skirt fabric, 81 cm long and 23 cm wide are attached from the waistline at the centre front and centre back. Each panel has a beaded floral motif, 13 cmx 9.5 cm beaded with jet beads.costume, female, black silk skirt with beaded trim -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: FINE LINEN PETTICOAT- LACE TRIMMED
Clothing. Extremely fine linen petticoat, rounded neckline with a blue satin ribbon insertion, threaded through a lace insertion. This ribbon is now badly aged and shedding and splitting. A plackett at the centre back conceals six tiny 9mm covered buttons, and machine (?) stitched button holes. The neckline is outlined with three bands of cotton lace - the first band is 4.5 cm wide, and has a 'shamrock' leaf design. The middle band is 1.5 cm wide, and has a 'twisted' design, which holds the blue ribbon insertion. The outer row is 2.5 cm wide and has a scalloped edging.costume, female, lace trimmed fine linen petticoat -
Bendigo Historical Society Inc.
Clothing - LONG BLACK RAYON(?) SKIRT WITH SATIN AND BUTTON TRIM, Early 1900's
Black fabric has a geometric type all-over silk embroidered pattern, woven into the fabric. Three panels of fabric make up the skirt, with a lower rounded panel at the hemline, to complete the circular skirt. Above the hemline, two bands 0f plain satin fabric, approximately three cms wide, are stitched in overlapping semi-circles, approximately six cms apart. Ends of these strips are cut to a point, and finished with a tiny black, glistening button. Waistline has a 2.5cm band, fastened with metal hook and eyes. Black fringed braid around hemline.costume, female, long black skirt with satin/button trim -
Bendigo Historical Society Inc.
Clothing - WHITE COTTON CAMISOLE WITH CROCHET LACE TRIM, Early 1900's
Wide square neckline, and square yoke of crochet extending into short crocheted sleeves. A seven cm deep peplum has a cotton casing and cotton tape drawstring. The front opening has three hand-stitched button holes, and two pearl shell buttons( third is missing). Rows of 1.5cm cotton lace run horizontally at top and bottom of yoke, with three rows - one at each edge, and one in centre of sleeves. Neckline is then edged with crochet in a scalloped pattern with provision for a ribbon insert.costume, female, cotton camisole with crochet lace trim -
Bendigo Historical Society Inc.
Clothing - WHITE COTTON LACE TRIMMED DRAWERS, 1890's - 1900
White cotton, with fine crochet and needle woven lace 9possibly machine made) and pink satin ribbon insertion - seven cm wide waistband fastens at the centre front with two 1.5cm covered buttons. A gathered centre panel fastens over the centre of the waistband with two 1.5cm covered buttons. Two darts at either side of centre back seam, and a slight - .5cm shaping at back waistband, provide shaping, and a smooth backline. No side seams, machine stitched, flat seams and darts.costume, female, white cotton, lace trimmed drawers -
Moorabbin Air Museum
Manual (Item) - Overhaul Manual Illustrated Parts List Trim Tab Actuators T.P. 27-00-01/702
Description: EMB 110P1 Publisher: Embraer Level of Importance: World. -
Moorabbin Air Museum
Manual (Item) - Amd Trim Linear Actuator Type 21-57-2
Description: AMENDMENT LIST No. 19 to AAP 7213.003-2-5. 9 pages. Published by RAAF. Published 18/5/1987. AAP 7213.003-2-5 Level of Importance: World. -
Moorabbin Air Museum
Manual (Item) - Amd Trim Linear Actuator Type 21-57-2
Description: AMENDMENT LIST No. 3 to AAP 7432.111-3M. 1 page. Published by RAAF. Published 11/10/1982. AAP 7432.111-3M Level of Importance: World. -
Sunshine and District Historical Society Incorporated
WUNDERLICH TILE, Wunderlich Limited, Circa 1965
In the Sunshine Advocate of 21/03/1925 it is reported that Wunderlich Ltd decided to establish works in Sunshine for the manufacture of terra cotta and faience for the facing of city buildings. The product was intended to imitate granite, which would give a brighter appearance to concrete walls. A stone surface finish to the terra cotta could be achieved by applying a variety of colour combinations of glazes with a special 'spackle' gun. A building that is still standing and has the imitation granite finish terra cotta is the Nicholas Building at 21 - 47 Swanston Street, Melbourne. The Nicholas Building was designed by Harry Norris for Alfred Nicholas (Aspro fame), and was built during 1925 - 1926. The building is classified by the National Trust (B4079) and has the Victorian Heritage Register (H2119). During my employment in the factory from 1964 to 1969 the tiles were generally faced with single colour glazes. For some small jobs a light coloured mottled finish was achieved by spattering a white glaze over a cream coloured background or vice versa. There were no imitation granite jobs done, probably because of changing attitudes to the intended appearance of buildings. The green coloured tile in our collection is an unfinished (untrimmed) retain tile typical of the green coloured tiles that were made for the two stages of the Commonwealth Centre Building (colloquially known as the Green Latrine), that was once located on the corner of Spring and Victoria Streets in Melbourne. Similar coloured tiles were also used on some shop fronts. The Commonwealth Centre Building no longer exists, however the Century Building at 125 - 133 Swanston Street, Melbourne is covered with single coloured tiles (white). The Century Building was built in 1939, with the architect being Marcus Barlow. The Building is classified by the National Trust (B4045). Our tile along with several others were headed for dumping among the asbestos waste at the rear of the two Wunderlich factories (Circa 1968). With permission from the Factory Superintendent of the Terra Cotta factory they were saved and taken home. Several are still in use as pavers around a barbecue in Melton from where our tile was obtained. It should be noted that the Wunderlich Architectural Terra Cotta factory in Sunshine did not manufacture terra cotta roofing tiles, as reported in the Brimbank City Council Post-contact Heritage Study HO 073 former Wunderlich now West End Market. Wunderlich terra cotta roofing tiles were manufactured at their factory in Mitcham Road, Vermont. Document HO 073 contains at least 3 errors. Other References: (1). http://nla.gov.au/nla.news-article74726224. (2). Armstrong, J. 'Investigating the historic and current use, manufacture and conservation of architectural terra cotta and faience USA & UK'. This tile is an example of the type of facing that was applied to city buildings for over 40 years from the mid 1920's. As building techniques changed the need for this type of facing diminished, and so the factory was eventually sold and demolished. A free standing tall chimney stack which serviced two of the kilns was a significant feature of the North Sunshine skyline. A part of the history of Sunshine disappeared with the demolition of the factory and the chimney stack. Only the façade of the finishing section of the factory where tiles were trimmed and stored remains. Off-white/beige architectural terra cotta tile with green coloured vitreous glaze on the face of tile. The rear of tile is ribbed. wunderlich limited, terra cotta, architectural, commonwealth centre, spring street, sunshine, mcintyre, victoria street, faience, faence, imitation granite, nicholas building, century building -
Ballarat RSL Sub-Branch Inc.
Dress Skirt - Black with Grey side trim
This object relates to Dawn Pope (F3207460). Dawn Pope was not a prisoner of war.uniforms, ballarat rsl, ballarat -
Moorabbin Air Museum
Manual - Overhaul Manual and Illustrated Parts List Trim Tab Actuators, Embraer
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Moorabbin Air Museum
Manual (Item) - (SP) AAP 7444.022-3M Tailplane Trim and Airbrake Control Panel Type 13-15 (A.M.D)
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Moorabbin Air Museum
Document - Pressure Interpretation on Elevator Trim Tab of CA 15 Aircraft, Council of Scientific and Industrial Research Division of Aeronautics
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Ballarat Tramway Museum
Poster, State Electricity Commission of Victoria (SECV), "Schedule of Fares and Charges - August 1966", Aug. 1966
Demonstrates an aspect of the SEC method of advising fares and sections to the travelling public. Also gave a small map that would have been useful to crews to explain to visitors where things were. Used in tramcars when trimmed. This poster made for the 1966 or second last fare increase. A similar arrangement used on Bendigo tramcars.Dyeline print of a drawing showing Ballarat Tramway (SEC) Fares, Charges, and Section Map. Also gives charges for Scholar's Monthly tickets, Luggage, Parcels, Newspapers and Chartered trams. Originally dated August 1965, amended August 1966. Note only shows decimal currency. Fares were applicable from 1/9/1966. Titled - "Schedule of Fares and Charges - August 1966" 2nd copy added 1/5/2001 - In good condition and images added as well. 3rd copy added 3-8-2006 - BTPS Cat. No. 608 - folded into four. For map - see blrtfcmap.jpg and for actual fare tables, btm705i1.jpg, btm705i2.jpg"BTPS 608" on outside of folded sheet in black ink and "Ballarat Tramway Preservation Society Catalogue No. 608" on top right hand corner of sheet.trams, tramways, ballarat, fares, sections, map -
Moorabbin Air Museum
Document - Jindivick 3B Elevator Trim Angles and Hinge Moments, Department of Supply Government Aircraft Factories
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Queenscliffe Maritime Museum
Painting - Painting of Pilot Vessel Alvina, A V Gregory
Painting donated by Mr P Boyle, grandson of former pilot Harry Trueman who served on the PV Alvina. The Sydney Morning Herald 29 July 1903 THE NEW MELBOURNE PILOT STEAMER. ALVINA The new pilot steamer Alvina, which was recently purchased by the Port Phillip Sea pilots, was inspected on Thursday last by the members of the Victorian Marine Board and a number of gentlemen representing the leading shipping companies in Melbourne. The Alvina was formally the private yacht of Mr Marmaduke Fox a wealthy Yorkshire gentleman and is a trim craft of 145 tons register and a length of 18ft overall. Hitherto the sea pilots have managed to do their work with one steamer, the Victoria but it has long been apparent that a second vessel was required. The pilots upon whom the obligation of providing and maintaining their vessels devolves, thereupon made a successful bid for the yacht and, by an additional outlay of 700 pound, had her overhauled and refitted in Deane's Dock, Williamstown. On Thursday last the vessel made a trial trip to Point Cook for the purpose of satisfying the Marine Board and the underwriters as to her fitness for the work. She showed a speed of 11 knots and steamed smoothly and satisfactorily. During the trip the visitors assembled in the saloon and drank success to the new steamer. Captain Carrie, president of the Marine Board, congratulated the pilots on their acquisition, and said that the service was now second to none in the world. The new vessel which has been in the charge of Captain Wills is handsomely fitted up and contains two staterooms and four cabins for the pilots and sleeping accommodation for a crew of eight. In future one steamer will remain on the pilot grounds inside the Heads while the other will steam about outside Queenscliff. A framed and mounted water colour painting of the Pilot Vessel Alvina under glasspainting, alvina, pilot vessel -
Bendigo Historical Society Inc.
Textile - Satin and machine lace bedspread
A pink satin and cream machine lace bedspread made from alternative 13 to 14cm wide strips in a rectangular pattern with central rectangle set at 45 degrees. Three sides are edged with silk chenille bobbles in pink and cream. The central rectangle and the four corners surrounding the central rectangle have a floral cut work pattern in the silk overlaying the lace which has couched cornelli work.. The third satin rectangle from the outside has a looped and wave pattern in couched cornelli work, missing on one corner.favaloro, bedspread, satin, chenile bobble trim -
Trafalgar Holden Museum
Vehicle - Holden FC Sedan, 1956
Although the FC series was substantially the same as the FE, it featured revisions to the radiator grille, body trim and interior. Minor mechanical improvements were also made, with changes to the engine, suspension, brakes, gearchange linkages and the steering box The Utility now featured painted rather than chromed grille and headlight rims, as did the Panel Van. All FC models were powered by a 132-cubic-inch (2.2 L) six-cylinder engine producing 72 bhp (54 kW). This engine was carried over from the FE series, although the camshaft was altered, the compression ratio was increased and torque was improved.[ the FC was replaced by the Holden FB series in January 1960 The FC was the first Holden to be regularly available in Indonesia.two tone green body 4 door sedan. Single piece windscreenHolden Registration number 63451-Hautomobile, holden, vintage july 1956, car -
Moorabbin Air Museum
Manual (item) - (SP) AAP 7276.071-3 Dassault Tailplane Trim Actuator