Photo, sepia, of Sam DAVIES in 1918 aged 18 yrs. Head & shoulders portrait, without head gear, 2 pocket jacket with Rising Sun badge on collar & bandolier strap over right shoulder. On white border & mounted on fawn cardboard.photograph, light horse, portrait

Horse collar worn around neck of Horse as part of equipment used to help pull heavy loads handmade leather filled with straw, inside covered with soft hide to prevent chaffing on horses neck. would have been for a clydesdale or draught horse.No visible signs

Cupboard wooden painted red with 2 green painted doors & round wood knob & wood catch. Tongue & groove wood. Has 2 shelves with assorted brass hinges, pipes, handles, ventilator & collar etc. (from Briggs Foundry Melbourne)flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, brown glass, handmade. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper with flared lower. Push-up base with pontil mark and embossed inscription. Base is uneven, glass composition has imperfections.Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable

black and white photograph mounted on cream board. Group of ladies all wearing hats. Some with fur collars. Standing and seated under trees with large succulents in background. F Harrison PHOto 161 Lyttleton Terrace Bendigo on back cannot identiftyF. Harrison, 161 Lyttleton Terrace, Bendigoperson, group, women

Studio Portrait head & shoulders of young clean shaven male. Jacket above pale contrasting vest. Turned up collar with neck tie. Flower in lapel and handkerchief in jacket pocket. Printed on Front.. Growelle 69 & 71 Swanston Street Melbourne.Growelle 69 & 71 Swanston Street Melbourne.photograph, person, male

Clothing. Large collar of linen Bobbin lace. High round neckline, with two 16 cm deep peaks at the front. A floral design of five petalled flowers. (in groups of three) surrounded by scroll effects. Scalloped edges of the lace surround the outer edge.costume accessories, female, linen lace collar.

Portrait in an oval frame of an unknown lady. She is wearing a smocked top and as decorative lace collar. On the back are the words: Photographers, Miniature and portrait Makers, Stewart and Co. Melbourne, Enlarged copies for 20/-. At the bottom in miniature appear to be the words: women imp. ParisStewart and Co.person, individual, studio portrait, stewart and co.

Hilda Elizabeth Foster (1890-1982) was commissioned as a Deaconess in 1914 giving a lifetime of service to the church particularly in the social care aspect of the Gospel. She was also a double certified nurse. Deaconess Hilda Foster began her work as a Deaconess in South Melbourne and then served for 13 years with the Presbyterian Sisterhood in North Fitzroy caring for unmarried mothers and their babies. In 1933 she was appointed Matron of the Presbyterian Girls' Home in Elsternwick where she worked for 15 years. She retired in 1948 when it was noted "In complete dedication matron has given herself to this care of souls". Deaconess Foster was awarded the British Empire Medal for her work in the Queen's birthday honours in 1981. Deaconess Foster was one of the first qualified Mother Christmasses in Australia. [Minutes of the Sixth Synod, Oct 1982]Black woollen long sleeved unlined shirt-waist dress with a side zip, three fabric covered button and two breast pockets. The dress has a collar and has two box pleats at the front and back. It has a white cotton lining at the neck.presbyterian deaconess, deaconess hilda elizabeth foster

From the Chapman family photograph albumPhotograph on Card backing. Lizzie Henderson nee Sherwell Aged 18 seated on a rustic bench, hair braded, dark skirt and jacket. Collar fastened with pearl buttons. Closed parasol with wooden handled handbag on other side near back of bench.

Ref. NA4362Maroon and white quarter-inch check princess line dress. This Summer uniform has short sleeves with a V-Neck collar and zipper front (14'/35cm zipper). There are two pockets in side seams. The garment is handmade on domestic machine and hand finished.costume, children's uniform, handcrafts, dressmaking

As attached. See Ref. NA4362Red and white check Tetoron and cotton summer dress. The dress has short sleeves, shirt collar, buttoned to below the waist with four white buttons. The waist has two ties with two white buttons. There is a slit pocket on the right hand side.costume, children's uniform

A generic, low-grade tennis racquet, with: painted, solid concave throat; string whipping around shoulders; plastic tape reinforcements around shoulders and collar; and plain handle. Materials: Wood, Lacquer, Metal, Glue, Gut, String, Adhesive tape, Painttennis

David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). His parents were Isabella Brown (1856-1944) and William Mair (1850-1924). Personal communication from Laurie Newton, Beryl's daughter: Dave and Beryl initially lived in East Melbourne after they married. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. The children attended Mont Albert Central School. Dave was an extremely keen sportsman (particularly bowls and cricket). He started the Kangaroo Cricket Club and worked for the Melbourne Cricket Club.This is part of a large donation related to the Deakin, Mair and Young families with connections to the Surrey Hills / Mont Albert area.A sepia coloured post card photo of (?) a studio portrait with a cream border of 2 children sitting on a couch. The infant is in a light-coloured dress with a lacy border along the hemline and lace embellishments to the sleeves and bodice. The top of the boy's shirt has a 'sailor' collar.REAR: In black ink - "Beryl taken at 8 months / Geoff " " (taken at) 3 years. / 10 Nov. 1916" Handwriting is thought to that of Lily Vipond Mair (nee Deakin). beryl mair, geoffrey david mair, children

MEYER COLLECTION - FALLS CREEK PHOTOS In 1947 a determined group of like-minded State Electricity Commission (SEC) staff including Ray Meyer, the chief surveyor of the Kiewa Hydro-Electric Scheme, had a common interest that revolved around the skiing potential of the snow-covered high plains which included what is now the resort of Falls Creek. The six SEC employees, Toni St Elmo, Ray Meyer, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson (together with their families) banded together to secretly build a 'hut' that was the first ski lodge at Falls Creek. Using a road built in 1930s to gain access to Falls Creek, their hut project was carried out in secret as efforts by other skiers were blocked by H.H.C. Williams – the engineer in charge of the Hydro Scheme. In 1946 Ray Meyer made a trip to the Lands Office in Melbourne. He came away with a 99-year lease on three acres that was ideally suited for a hut designed by Lloyd Dunn. Adrian Ruffenacht (Design Engineer for the KHS) had suggested where the group should build because of easy access to a spring for water. Much of the building material required was scavenged from derelict huts on the high plains. Due to the need for secrecy, the determined group worked on the hut in the evenings and weekends to avoid detection. During the building period the group had met at Echidna Rock (now known as Eagle Rock) where Skippy St Elmo announced, "This is my favourite ‘Skyline’.” And so the first lodge in the area at Falls Creek Ski Resort came into existence. With the development of the International Poma in the 1970s, the Skyline Lodge, which was sited between the ski-lift’s pole one and pole two, was demolished. However, the legacy of Ray Meyer, Toni St Elmo, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson and Skyline lives on in the vibrant atmosphere of Falls Creek Resort. The MEYER COLLECTION documents developments on the Kiewa Hydro Scheme and their life at Falls Creek from the mid 1930s to 1960s.These images are significant because they depict aspects of the life of a pioneering family of Falls Creek and the founders of "Skyline", the first lodge at Falls Creek.A blue and brown checked shirt made of woollen fabric. It has a buttoned down collar and front closing. Meyer Family records suggest that it could have been handmade by Rel Gibbs who hand made woollen shirts and embroidering Skyline badges.falls creek, building skyline, skyline founders, toni st elmo, adrian ruffenacht, jack minogue, ray meyer, lloyd dunn, david gibson

Photograph - Postcard - Black & white photograph of three women dressed in white blouses and scarves tied like ties around their collars. Written on top and front of photograph 3 names from left to right - Elvie Jones, Lydia Pethard, Nell Hewett.Vincent Kelly, Bendigo.person, group, pethard family, photograph. postcard. lydia pethard, elvie jones, nell hewett.

The poodle was purchased at the PX store in Vietnam by a soldier returning home as a present for his girlfriend (later to become his wife). Andrew Clyne, Service no: 3799091, served in 110 Signal Squadron, Vietnam, in 1971.Two-toned blue synthetic toy poodle with a gold collar and chain around its neck. It has two brown glass eyes, a black plastic nose and red felt tongue. A metal zipper under belly conceals the mechanism of a transistor radio.Transister Japan/ Novelty/ Vol/ Tuner/ Made in Japan on tag attached to hind leg. Red NOVELTY printed on control. toy poodle, japan, transistor radio, clyne, 110 signals, andrew clyne

The portrait is one of two portraits which were located in a basement storage area beneath the library at Glen Eira City Council Town Hall. This image does not have the name of the sitter below, however it has been identified as an image of Perceval St John Hall, Mayor 1910, by an copy of the same image in the series of portraits of mayors in the corridor of the Glen Eira City Council Town Hall. B/w portrait photograph, mounted and framed in wooden frame, no glass covering image. Image of Perceval St John Hall wearing a Mayoral robe with a fur trimmed collar and a visible shirt and tie. He is shown standing beside a side table.

This uniform was worn by Bernie Farley, present secretary of Warrnambool RSL (2019), during service with the 8th/7th Battalion, Royal Victorian Regiment.Short sleeve Khaki shirt, two button down breast pockets, two plain khaki epaulettes on either shoulder fastened with a khaki coloured plastic button. Seven button fasteners down the centre front. Patch on left shoulder with rising sun, crown and cross.Printed on tag at interior near collar, "ADA/ [arrow motif]/2910002/OCT 2000/NSN: 8405 66 133 5956/ SIZE: 41/NAME/Service No/65% POLYESTER/35% COTTON/MADE IN AUSTRALIA" Patch on left shoulder reads "THE AUSTRALIAN ARMY".army uniform, military uniform, warrnambool ex service, australian defence apparel

fictioncover advertising silver star starch and harper's star oatmeal.

HEWSTON, RAYMOND ERNEST, VX64672 Date of Enlistment, 19 October 1941, Age 31 Years, Date of Discharge 27 March 1946, Rank of PRIVATE, 8 AUSTRALIAN INFANTRY BATTALLION. Refer Cat No 2891.4Great Coat - Khaki colour woolen fabric with attached half belt. Inside pockets and lining to sleeves - beige colour cotton fabric. Buttons - Bakelite, brown, single breasted. Australia shoulder epaulette badges. Makers label inside back below collarOn Maker's label, black pvoutow cotton fabric. " REGIMENTAL No...../ NAME/V458/MADE IN/ AUSTRALIA/ 1942/ SIZE."uniform, ww11

On display at History House.Photograph, hand-tinted, mounted on curved board in oval frame with convex glass. Depicts man on left wearing suit with a corsage. He has a moustache and dark hair. The woman on right wears her hair in a bun, a dark dress and white collar, and a corsage.Front: (no inscriptions) Back: (no inscriptions)

Sewing Kit in brown hinged box with bottom part of locking clasp missing and gold line around lid. Kit contains needles, collar stud,thimble,needle case, various button hooks. Box has "Warranted Sheffield Cutlery" stamped inside.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sewing kit

Child's jumper made from old socks. Grey wool with some red and green stripes. Socks opened out and sewn together. Collar and cuffs made from sock tops. One small press-stud to open (at front of jumper). Excellent condition.child, clothing, the depression, home made, socks, recycled socks, grey

Portrait: sepia coloured photo of baby sitting on ornate cane chair. Baby is wearing white lace over over garment, with long-sleeved garment underneath. Written on back of photo in fountain pen 'Freddie Hickson Age ten months' On bottom of photo Alan Spicer Williamson Street, Bendigo. Information provided with photos: Frederick George Hickson born 1884, Toolleen, Victoria. Father Edward George, mother Lucy MaryAnne Aylett, married 1879 in Kerry. Frederick died 1942, Heathcote, aged 86. Edward George Hickson, born 1837, father James, mother Barbara Godfrey, died 1915 Toolleen aged 78. Frederick George Hickson married Rose Victoria Louise Osborne in 1913. Rose Osborne born 1889 Raywood, father Louis, mother Margaret Ann Carmen. Children of Frederick and Rose : Edward George born 1914, Long gully. Margaret Lucy born 1916 Bendigo.Sepia coloured portrait of young male adult dressed in three piece suit, wing collar and tartan print tie. On bottom of photo : D. Mendelfsohn, View St., Bendigo. Photo likely to be Frederick Hickson as a young male adult. See information on 1632.2D. Mendelfsohn, View St., Bendigoperson, individual, frederick george hickson, toolleen, hickson