The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola painting in her garden at D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola. A posed portrait of the artist Alma Figuerola. Figuerola lived in D'Estaville, Barry Street, Kew. This is a magazine photograph and may still be covered by copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in December 1970, so the photograph predates this. A stamp on the back identifies the publisher as Woman's Day No. 570.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Interior, D'Estaville, Barry Street, Kew, the home of the artist Alma Figuerola. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola

Trial Bay Gaol, Public Works Prison and Wartime Detention Camp, a Macleay River Historical Society publication Kempsey, New South Wales, small booklet with black and white photographs.Marie h Neilhistory, australian, prisons, australia-history-nsw-prisons

Bendigo Advertiser ''The way we were'' from February 2001. Flamboyant: Abbott and Co. Boot and Shoe Manufactures, circa 1900. Photo courtesy Bendigo Historical Society. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser ''The way we were'' from 2000. Elegant: an illustration of the Bendigo Temperance Hall in View Street, designed in 1860. Picture courtesy Bendigo Historical Society. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Transcriptions from Gravestones in the Jewish section of the White Hills cemetery at Bendigo Victoria. Compiled by John and Beverley Davis on behalf of the Victorian branch, Australian Jewish Historical Society; February 1978John & Beverley Davisbendigo, history, cemetery

Bendigo historical Society brochure re Australia Day celebration 1998 A4 size gold coloured paper folded in half /copy of 'Shearing the Rams 'painting - x 5 copiesdocument, shearing the rams '

Esma Turner Collection - (Esma Turner - Secretary of the Huntly and District Historical Society) Amalgamated Society of Engineers / photo of W CAMPBELL 10x15mm (William James) born 9.7.1862 - see 4737.1.photograph, portrait, male, esma turner collection - ( esma turner - secretary of the huntly and district' s historical society ) amalgamated society of engineers / w campbell ( william james ) born 9.7.1862 -

The Quiet People by Enid Cameron Text only Red heavy card A5 format book bound with red tape, 132 pages Inscriptions/Markings: Bendigo Historical Society Stamp.Enid Cameronbook, australia, enid cameron

Royal Historical society of Victoria. Making Tracks! Celebrating 150 years of the Victorian railways. Information sheet for participating societies. List of venues, content staffing, flyer, album database and publicity.railways, bendigo to melbourne, making tracks

BENDIGO HISTORICAL SOCIETY: DETAILS OF BENDIGO'S HISTORIC BUILDINGS 2 copies of: 3772.1a Details of Bendigo's Historic Buildings Page 1 3772.1b Details of Bendigo's Historic Buildings Page 2bendigo, history

Document, Heritage Act 1995, Registered Heritage Place No H1550 H.M.Prison 10-20 Gaol Road, Bendigo. Advertisement in local paper and the Representation lodged by The Bendigo Historical Society Inc..document, newspaper, heritage act re; h.m prison bendigo

Bendigo Historical Society Minutes and Correpondence 2009. Stored in grey A4 document album with slip cover. Includes A4 binder book with handwritten minutes June 2009 - June 2013.

Newspaper. Harry Biggs Collection. Old newspaper cuttings relating to the history of Boort and district, including the formation of the Boort Historical Society. Contributions being sought for planned book on the history of Boort.newspaper, harry biggs collection, boort, boort historical society

Black and white historic postcard (Set 2 No 6 ) Shire of Nunawading Hall, Station Street, Box Hill, c1890. Original supplied by Box Hill Historical Society - 2 copiesbox hill historical society, shire of nunawading hall, nunawading library & information service

Colour photograph of a large group of children in Rutherglen Primary School uniforms, with teachers in period costume at either end of group. They are posing in front of the Rutherglen Historical Society, Common School Museum.rutherglen primary school, school pupils, reenactment, rutherglen common school

Mr & Mrs Arthur Hooke purchased land in Blackburn in 1914, which they called Wandinong. In 1972 after the death of Mr Hooke, the family donated a large part of the land to the then City of Nunawading to create the Wandinong Bush Park.Coloured photo of the bicycle used by Mrs Arthur Hooke of Blackburn being presented to Bob and Barbara Gardiner of the Whitehorse Historical Society by two of her grandchildren, Bill Ellemor and Christine Pinnegarellemor bill, pinniger, christine, hooke family, bicycles