Showing 24802 items
matching http://www.cv.vic.gov.au/stories/built-environment/macrobertsons-confectionery-factory/
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Whitehorse Historical Society Inc.
Uniform - Army uniform, 1958
From Mitcham RSLKhaki blouse style jacket with belt. Red Regimental material badge top of sleeves. Blue stitching 'Royal Australian Army Ordnance Corps'. Internal labels CGCF Australia 1958 size 10 D arrow D (Dept of Defence). Regimental No crossed out Name crossed outDocket No 8431 Factory No 391uniforms, army -
Moorabbin Air Museum
Uniform (Item) - Cap Peaked RAAF Blue Grey
Australian Government Clothing Factory -
Tatura Irrigation & Wartime Camps Museum
Book, Our Home Front 1939 - 1945
Also included is a supplement of more war stories & centrefold of WW11 soldiers on the side of the Great Pyramid near Mena camp.Pages of photographs & stories of WW22 taken from the Herald & Sun. Hard cover. Title on front cover with soldiers marching. Photographs showing the end of the war on back cover. -
Camperdown & District Historical Society
Photograph - ''Wuurong'' homestead, Camperdown, c1870s
"'Wuurong'' homestead (originally 'Basin Banks') was built c1867 by Donald McNicol (1812-1903) shepherd, store owner and pastoralist. The property was leased c1870 by James Dawson (1806-1900) Guardian of the Aborigines, pastoralist and environmentalist. James Dawson renamed the property 'Wuurrong'. His daughter, Isabella Park Dawson (1842-1929), recorded the languages and customs of Western Victorian First Nations people and together with her father, published the book "Australian Aborigines" (1881).Black and white photograph of ''Wuurong'' homestead Front: An Early Photograph of "Wuurrong" Built By Donald McNicolcamperdown, cdhs, wuurong, djargurd wurrung, djargurdwurrung, cdhsfirstnations -
Kew Historical Society Inc
Photograph - 'Ross House', Cotham Road [Kew], c.1960
Ross House, formerly called Charleville, was built as a two-storey mansion in 1889 for Charles Donaldson. It was designed in the Italianate style by the architect H. Shallers and built by G. Ginham. Dr Tom King, surgeon purchased Charleville from Donaldson in 1939 and renamed it Ross House. This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Facade of Ross House (formerly Charleville) in Cotham Road, Kew. The image was selected by Dorothy Rogers for inclusion in 'A History of Kew' (1973), facing page 80.Ross House. Built 1889 by Donaldson. Known then as Charleville. Not published.ross house, charleville, cotham road, kew, dorothy rogers, charles donaldson, tom king, g. ginham, h. shallers -
Stawell Historical Society Inc
Book, Strength Through Adversity
Stories by Brian Wright, Claire Scarsi, Daphne Donaldson, Doreen MacGowan, Elvie Perry, Glen Holden, Ken Stewart, Leila Sutton, Joss Field, Sylvia Birthisel, Barb Robertosn, Harold Keith Blake, J Marie nicholls, Leslie Bennett, Hugh Thompson.Strength Through Adversity Stories from our Community Shared Memories in their own Words Published by Norther Grampians ShirePositive Aging Projectshire aging histories -
Clunes Museum
Furniture - WRITING DESK & BOOKCASE
THE DESK WAS ORIGINALLY BUILT INTO THE WALL OF THE STUDY INTHE CLUNES WESLEYAN PARSONAGE, SERVICE STREET, AND WAS REMOVED WHEN THE BUILDING WAS DEMOLISHED IN 1991. GIFT OF THE CLUNES UNITING CHURCH PROPERTY COMMITTEE.POLISHED WOOD, BUILT-IN BOOKCASE AND WRITING DESK, DROP -DOWN SHELF WRITING AREA.local history, furniture, office, furniture, office -
Phillip Island and District Historical Society Inc.
Photograph, 1978 - 79
One of a pair of settlers homes on the property of the Cameron Family, Watts Road, Ventnor. built about 1880.Photograph of two houses at Cameron property, Ventnor. One intact - the other in ruins. Built of corrugated iron.local history, photographs, buildings - historic, coloured photograph, john cook, phillip island, cameron's settlers homes -
Tatura Irrigation & Wartime Camps Museum
Book, Art Captured, 2017
This is the art work of Hans-Wolder von Gruenewaldt and relates to his time when incarcerated as a Refugee in Camp 13 Murchison during World War 2. His personal story covering the years 1939 to 1947, was written by the author in March 1961 and translated into English by his son Axel von Gruenewaldt. His artwork, images and supporting material, was compiled and formatted by Kay Ball, President, Murchison and District Historical Society IncOblong book. Colourfui sketch of Hans-Wolter von Gruenewaldt on cover as he sketches scenes from Camp 13.Hans- Wolter von Gruenewaldt .Prisoner of War Camp 13 Murchison: his story and his art.hans-wolder von gruenewaldt -
Australian National Surfing Museum
Book, Early Surf Safaris, 1960s
Snowy McAlister's stories collected for newspaper articles he wrote?Brown Tudor 100 sheet duplicate book. top copy of each page has been removed, duplicate pages remainSnowy McAlister's handwritten stories - Surfing Safaris, Surfers and where you find 'em, Learners Pens, Back Loading, Surfing with Snow, Birth of Australian Surfing, Birth of Australian Surfing, A Pleasant snowy mcalister, surfing stories 1961, nsw surfing, sydney surfing -
Whitehorse Historical Society Inc.
Article, Hot on the trail of a cold case, 2008
Author Syd Wright thinks he knows who murdered Mitcham housewife Iolene Sampson in 1928.Author Syd Wright thinks he knows who murdered Mitcham housewife Iolene Sampson in 1928. The theory is explained in a new publication 'Outside the law 2: Australian true crime stories'Author Syd Wright thinks he knows who murdered Mitcham housewife Iolene Sampson in 1928. sampson, iolene, wright, syd -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Jim Connor, 21 Brougham Street, Eltham, 18 March 2012
This building at 21 Brougham Street, Eltham, known previously as The Light Factory, now Second Home restaurant, was designed by Alistair Knox and is one of the few commercial buildings he designed. It was a combined residential (rear) and factory (front) development. The Light Factory Gallery; OnlyMelbourne "The Light Factory Gallery was built in 1973 and is a classic example of his design. Exposed soaring six metre Oregon beams, handmade bricks, clerestory windows flood the building with natural daylight giving treetop views of the eucalypts that he designed the building around." The Light Factory Gallery. (2024, March 31). Retrieved from https://www.onlymelbourne.com.au/the-light-factory-galleryjim connor collection, brougham steet, eltham, alistair knox design, industries, restaurants, second home, the light factory gallery -
Dandenong/Cranbourne RSL Sub Branch
British Hotchkiss-Nordenfelt 37mm projectile, Believe circa 1914
British Hotchkiss/Nordenfelt 37mm Armour piecing high explosive with base fuse projectile.(APHE) This is links for more information-: http://oldbritishguns.com/the-37mm-hotchkiss-revolving-cannon- https://en.wikipedia.org/wiki/Armor-piercing_shell#First_World_War_eraN89 N We believe these were the inspection numbers. -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Things We Want to Keep, 1978
Booklet produced for World Environment Day 1978, presenting ideas for conservation of cultural heritage.Keith Scarce Bairnsdale, 1980heritage -
Whitehorse Historical Society Inc.
Pamphlet, Slices of time - Australian family life in 1888, 2006
Life in the 1880s in Australia, featuring three families, costumes, housework, health, environment and the aborigines.Life in the 1880s in Australia, featuring three families, costumes, housework, health, environment and the aborigines.Life in the 1880s in Australia, featuring three families, costumes, housework, health, environment and the aborigines.aborigines, clothing and dress, festivals and celebrations, manners and customs -
Waverley RSL Sub Branch
Print WWI Aircraft
Print of WWI Aircraft on ground showing damage to engine cowling This is a Royal Aircraft Factory RE.8. This plane was used by 3 Squadron, Australian Flying Corps from 1917 onwards, among others. It was nick-named "Harry Tate" after a popular musical artist of the time http://www.3squadron.org.au/indexpages/history1.htm#WW%20I .Signed Arthur Streeton -
Port Fairy Historical Society Museum and Archives
Photograph
Talara one of three large homes built on the hill. On the outskirts of Port FairyBlack and white landscape of 2 story house on hill with a lattice fence and four people leaning against fencetalara, princes highway, house, home, building, lattice, fence, powell, remington, rutledge -
Surrey Hills Historical Society Collection
Book, 80 years of living (a supplement to Robert Benjamin Stevens - Leather Merchant)
The life story of Herbert Stevens including early life, going to work, World War 1, Marriage, World War 11, Retirement and the Orkney Islands party.The life story of Herbert Stevens including early life, going to work, World War 1, Marriage, World War 11, Retirement and the Orkney Islands party.barclay family, surrey hills, brown family, grayden family, unthank family, (mr) herbert stevens, arbee -
Queenscliffe Maritime Museum
Functional object - Channel Marker - Colour Green, 1955
Port and Starboard channel markers are internationally recognised sea markers used in maritime pilotage to indicate the edge of a channel. This Port Phillip West Channel marker was built in 1955 and was run on acetylene, therefore requiring a platform and circular hut rather than the modern buoys or posts. It was painted green as it marked the starboard side of the channel. West Channel Marker, Grimes No. 5 Built 1955 Accetylene poweredchannel markers, west channel, port phillip, pile light -
Heyfield & Districts Historical Society
Seal
Heyfield Butter Factory Company was formed as a private company in 1890, and became a co-operative in 1891. About 1915 it established an electricity generation unit in the factory, which supplied the town until about 1924, when it was taken over by the State Electricity Commission. The company became part of South Eastern Milk Products in 1960, and Gippsland Consolidated Milk in 1971. In 1973 GCM became part of Murray Goulburn, and was closed in May 1973. This seal was used to stamp (and therefore authenticate) red paper seals on share scripts for the company, from c.1915 to 1960.Important historically as the ultimate authority for the identity of a company that was an important factor in the commercial life of Heyfield and the surrounding district for over eighty years. It has community significance as the ultimate legal authority for issuing shares in a large, locally controlled co-operative.A metal seal / stamp for the Heyfield Butter Factory and Electricity Supply Co. It consists of a short arm that pivots above two round dies.The whole is in black metal on a rectangular base, with remnant transfers.dairy factories, electricity supply -
Whitehorse Historical Society Inc.
Document, Women's Forum, 2015
Program of a special Remembrance Day Women's Forum.Program of a special Remembrance Day Women's Forum at the Whitehorse Centre on 11 Nov 2015. Rosalie Whalen was a guest speaker whose power point presentation was 'Mary Schwerkolt's story'.,Program of a special Remembrance Day Women's Forum.city of whitehorse, whalen, rosalie -
Whitehorse Historical Society Inc.
Article, Church's 125th Anniversary
ST John's Anglican church in Queen St, Blackburn, holds special service to celebrate its 125th anniversary.ST John's Anglican church in Queen St, Blackburn, holds special service to celebrate its 125th anniversary. The church was built in 1890.ST John's Anglican church in Queen St, Blackburn, holds special service to celebrate its 125th anniversary. st john's anglican church, blackburn, blackwell, genvieve (bishop), gilpin, brian, gilpin, judith -
Cheese World Museum
Book, Pioneering Dairy Families, May 2013
Book developed from the Heritage Week 2011 display featuring some pioneering farming families connected with Warrnambool Cheese and Butter Factory Ltd. The book was printed and launched at the 125th Anniversary celebrations of the factory in May 2013. Families featured are Anderson, Burke, Burleigh, Chislett, Kelly, Logan, Mahony, McConnell, Rea, Taylor, Uebergang.Records the contribution of early dairy farming families connected with Victoria's oldest dairy processing manufacturer. The company was established in May 1888 and commenced commercial processing in November 1888. The company remained as an independent processor until early 2014.White cloth bound book with chrome screw binding, green and cream Warrnambool Cheese and Butter Factory Company logo and title in green print; 12 laminated pages, full colour. Book printer details on sticker on inside back cover.Spectrum Print Solutions/for all your printing needs/Shop2,377 Raglan Pde, Warrnambool/Ph 03 5561 5233 www.spectrum-oz.comdairying, dairy processors, milk, butter, cheese, families, anderson, burke, burleigh, kelly, logan, mahony, mcconnell, rea, taylor, uebergang, warrnambool cheese and butter factory company, wcb, anniversary celebrations -
Flagstaff Hill Maritime Museum and Village
Vehicle - Vessel - Couta boat, Viator, 1890-1920
The historic Victorian ‘couta boat “Viator” was built by renowned boat builder J.R. Jones of Williamstown in Melbourne, between 1890 and 1920. He was one of the early builders of this design. The features of Viator - carvel planked, open cockpit, vertical stem and straight keel, single mast and a pivoting centreboard - are all characteristics of an early Bass Strait ‘couta boat. This has been confirmed by experienced Victorian ‘couta boat restorer Tim Phillips. Viator served as a ‘couta fishing boat in the Warrnambool area until the mid-1930s, then some say she served as a mail ferry across to Portland. Later it was used as a fishing and recreation boat for local families. For years Viator sat in a paddock in East Warrnambool until purchased in 1975 and donated to Flagstaff Hill. ‘COUTA BOATS - The ‘couta design for vessels is believed to have originated at Port Phillip, Victoria, for the purpose of the Barracouta (‘couta) fishing industry, being both fast and seaworthy. , The 'couta fish was an important food fish in Australian waters, supplying Melbourne with plenty of inexpensive fish. VIATORY’S OWNERS - Some of Viator’s history is known: - 1940, registered Port Fairy and owned by G.J. Richards. - 1941-1945, registered in Port Fairy and owned by Jens “Peter” Petersen. - 1950’s “Brusher” Richards of Warrnambool and Port Fairy used it for fishing. - Peter Watson and his son also went fishing in Viator. - Frank Ferrier, boat builder, was an owner (son of ‘La Bella’ hero, William Ferrier) - Arthur Rogers owned Viator too, then sold it to Terry Pridmore and Wayne Moorefield - The Viator was stored in a paddock, unused for years, in Fairmont Avenue, Warrnambool, where it was gradually deteriorating. - 1975 Viator was purchase at a very reasonable price from Pridmore, then donated to Flagstaff Hill Maritime Village. RESTORATION - Shipwright Erik Mikkelsen soon started restoration on the Viator after it arrived at Flagstaff Hill in 1975. In 2006 the Maritime Museums of Australia awarded a grant to Flagstaff Hill Maritime Village to assist with the restoration and renovation of the Viator. Its restoration continues today in the care of Flagstaff Hill’s boat builder. J R. JONES - boat builder The photograph of the EVA MYRL shows the builder J R Jones with his team of workers. The other photograph shows a vessel built by J R Jones' son, J B Jones of Footscray, and his team of boat boulders. The photograph of the EVA MYRL was taken by E. A. Dond---. The other photograph is of the Sturrock Coot, taken a Albert Park Lake in St Kilda.The Viator is the most significant boat in the Flagstaff Hill's fleet, being the last remaining local 'couta boat and one of few existing examples of this craft. Viator received Heritage status with the Australian Maritime Museums Council and is listed on the Australian Register of Historical Vessels in 2006 (ARHV Number: HV000561). Viator was built in Victoria in the early days by renowned boat builder J.R. Jones, and sailed by fishermen for many years, both local and on the coastal waters of Victoria, and was possibly used for the mail service. It is significant for being used for the fishing trade, for government service, perhaps as a mail boat, and for recreation by local families.Vessel, the ‘Viator’, an historic Victorian ‘couta boat, handmade by renowned boat builder This J.R. Jones 'couta boat, the Viator, was built in Williamstown, c.1890-1920. The single mast vessel has a Caravel hull built from New Zealand Kauri, blackwood, with a red gum keel and a jarrah stem and stern. It has a pivoting centreboard. Two photographs are included; one of the builder with his team, the other is of his son J B Jones, with his team. Marked "Viator" Photograph 1759.2: "E. A. Dond---" (indecipherable". Handwritten on back "Grandfather / J R Jones / Built" Photograph 1759.3; sign within photograph "J B JONES / BUILDER / FOOTSCRAY", stamped in the card, bottom right " ----- / MELBOURNE" and handwritten on the back "I think this is Mr Abel Sturrock Coot Albert Park Lake"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, arhv hv000561, arthur rogers, bass strait ‘couta boat, “brusher” richards of warrnambool and port fairy, clinker hull boat, ‘couta crafted boat c 1890-1905, ‘couta fishing boat, erik mikkelsen shipwright, g.j. richards of port fairy, jens “peter” petersen, john lindsay, old mail boat, pivoting centerboard boat, peter watson, single-masted ketch, terry prodmore and wayne moorefield, vessel viator, viator a historical vessel, victorian ‘couta boat, victorian barracoota boat, warrnambool ‘couta boat, western victoria fishing boat, western victoria mail boat, hv000561, australian register of historical vessels, erik mikkelsen, j b jones, j b jones boat builder, footscray, sturrock coot, sturrock, j r jones, j r jones boat builder, williamstown, eva myrl -
National Vietnam Veterans Museum (NVVM)
Poster - Information Board, Helen Taplin - Civilian Nurse
Recollections of term between 1969 - April 1970.Images and Stories of Vietnam Vets.behind the wire, photographic exhibition -
Tatura Irrigation & Wartime Camps Museum
Folder, Bob's Story, 1995
Capture, transportation in the Dunera, internment and subsequent life in Australia.Blue plastic folder with clear front containing 18 printed pages and letter.Bob's story - Kurt Vogelkurt vogel, bob's story, dunera -
Tatura Irrigation & Wartime Camps Museum
Book, Phillip Island in Picture & Story, 1968
Bequeathed to the Museum by Y. Greig by her Executor B. Hotchin.Blue hard covered book, white printing. Blue dust cover. Birds (2) and koala bear on front, rough map and birds, koala, Pelican, Penquin, seal and crab on the back of the dust cover.Phillip Island in Picture & Storydunera, camp 2 -
Hume City Civic Collection
Book, Dial 1179/The 3KZ Story
This book is a history of Radio Station 3KZ and its substantial role in broadcasting in Australia.A hardback cover of the history of Radio Station 3KZ with loose cover."Dial 1179/The 3KZ Story..."radio, 1980s, george evans collection -
City of Ballarat
Artwork, other - Public Artwork, Murrup Laarr by Deanne Gilson, 2019
Murrup Laarr translates as 'Ancestral Stones' in Wadawurrung. This artwork by Dr Deanne Gilson is located in the North Gardens Indigenous Sculpture Park. The park is a significant project for the City of Ballarat and features works by Aboriginal and Torres Strait Islander artists, celebrating the richness and diversity of culture and telling important cultural stories. Dr Deanne Gilson is a Wadawarrung Traditional Custodian and established artist. She installed the first artwork commissioned by the City of Ballarat for the Sculpture Park in early 2019. Murrup Laarr is a contemporary artwork consisting of a traditionally-built stone hut in the middle of a circle of basalt standing stones, marked with ceramic plates reflecting the stories and symbols of dreaming, memory, ceremony.The artwork is of aesthetic and cultural, social and spiritual significance to the people of Ballarat and to Wadawurrung peopleA traditional hut made from river stone and stacked rocks, with the hut surrounded by large basalt rocks with plaques featuring unique designs on stoneware plates imbedded into them. Murrup Laarr (Ancestral Stones), 2019 / By Deanne Gilson / Wadawurrung people have always used stones to mark places of ceremony and important business. The stones are the holders of memory and knowledge, Country and Spirit. They mark the cosmos and seasons. They follow the sun, marking the summer and winter solstice, important dates for planting and harvesting and telling stories of past, present and future. / The stones are alive and still present. Murrup Laar has been created using local basalt stones to tell Wadawurrung stories of dreaming, memory and ceremony. / “Creating Murrup Laarr (Ancestral Stones) at this time has placed Aboriginal people and practices back on Country and created a place to tell our stories. I am very honoured to have had this opportunity. An Aboriginal stone circle existed in Ballarat pre-colonisation; by putting back what was lost throughout colonisation I pay homage to my ancestors, past, present and emerging”/ – Deanne Gilson, March 2019 murrup laarr, wadawurrung -
Federation University Art Collection
Painting - Acrylic on Linen, 'Tingari Cycle' by Walala Tjapaltjarri
Walala Tjapaltjarri (b. c1960) Language: Pintupi Region: Kiwirrkuru In late 1984 Walala Tjapaltjarri and several other members of the Pintupi Tribe walked out of the remote wilderness of the Gibson Desert in Western Australia and made contact for the first time with European society. Described as 'The Lost Tribe', he and his family created international headlines. Until that day in 1984, Walala and his family lived the traditional and nomadic life of a hunter-gatherer society. Their intimate knowledge of the land, its flora and fauna and waterholes allowed them to survive, as their ancestors had for thousands of years. It is this sacred landscape, and its significant sites, that Walala so strikingly describes in his paintings. His style is generally highlighted by a series of rectangles set against a monochrome background. He paints the Tingari Cycle (a series of sacred and secret mythological song cycles) which are associated with the artist's many dreaming sites - they are Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These Dreamings are the locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) Walala Tjapaltjarri started painting in 1997. His earliest works were in a classical Tingari style usually reserved for body painting, ground painting and the decoration of traditional artifacts. Within a couple of months his painting had evolved into his own innovative style of work, including the abstraction of classical Pintupi designs which resulted in a highly graphic language to speak of his country and ceremonial sites. The rectangles so prominent in his paintings form both a physical and spiritual map establishing Walala as a discerning draughtsman for his ancient country. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tingari Cycle - During the Tjukurrpa (Creation Era) Tingari ancestors beings gathered at a series of sites for Malliera (Initiation) Ceremonies. They travelled vast stretches of the country, performing rituals at specific sites that in turn created the diverse natural features of the environment. The Tingari men were accompanied by novices and usually followed by Tingari Women. The creation stories and rituals are venerated in the song cycles and ceremonies of today, forming part of the teachings of the post initiatory youths, whilst also providing explanations for contemporary customs. Walala Tjapaltjarri uses a highly personalised and minimal style to represent aspects of the sacred Tingari Cycle, an epic journey of Ancestors of the TJukurrpa (Creation Era). He paints aspects of the Tingari Cycle which are associated with the artist's many sacred sites - such as Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These are locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015)art, artwork, walala tjapaltjarri, aboriginal, dreaming, creation era, acrylic on linen, pintupi, kiwirrkuru, tingari, wilkinkarra, tarrku, njami, yarrawangu