An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Beige silk theatre or opera jacket with multi-coloured guipure lace at the neck, on the front bordering the opening, and on the cuffs. The long sleeves have extensive old lace extending beyond the wide cuffs. The inside is lined with quilted pink silk, which has darker silk panels at the front. The jacket has a high neck. It is closed using three embroidered fabric buttons at the frontedith mary weir (nee betteridge), 84 princess street - kew, australian fashion, women's clothing, costumes, coats

This is possibly a British Flying Corp unit.Photo, black & white, showing a WW1 Flying Corp Officer standing. He is wearing a Sam Browne belt, lace up knee boots and a peaked cap.photography-photographs, military history - air force, afc, passchendaele barracks trust

Ladies' evening gloves or opera gloves are a type of formal glove that reaches beyond the elbow. Ladies' gloves for formal and semi-formal wear come in three lengths for women: wrist, elbow, and opera or full-length (over the elbow, usually reaching to the biceps but sometimes to the full length of the arm). In the late 19thC and early 20thC Gloves were expected to be worn for both daytime and evening wear with most types of outfits. The most expensive full-length gloves are custom-made of kid leather. Many other types of leather, most usually soft varieties of cowhide, are used in making full-length gloves; patent leather and suede are especially popular as alternatives to kidskin. Satin materials were extremely popular, and there are mass-produced varieties as well. Carole Pedersen-Green was a founding member of CMHS. Her family were early settlers in Moorabbin ShireA pair of lady's long cream silk machine lace gloves with open fingers and thumb piece C 1930 They are the classic OPERA length, with the mousquetaire wrist openingclothing, gloves, formal wear, craftwork, lace making, dress etiquette, satin, silk, moorabbin, bentleigh, cheltenham, fashion, evening gloves., lace

Handmade white cotton pantaloons typical of underclothing from the late 19th and early 20th century.White cotton pantaloons or bloomers worn as women's underwear. A button at both sides of the waist/top. The legs are trimmed with broderie anglais lace. This item is handmade (homemade). womens-underwear

Large metal drinking bottle covered and laced up in leather. It was used by horsemen and has a long leather carrying strap. It has a cork stopper. The cover is handmade.bottle personal-effects travel container

This item is an example of a handcrafted item and reflects the needlework skills of women in the early to mid 20th century. Embroidery was an affordable way to personalise and add aesthetic value to domestic linen and examples of embroidered and crocheted pieces could be found in most Australian homes, A hand made rectangular shaped white table cloth made of fine linen. it has lace insertions which are flower shaped. The flower stems and leaves are embroidered.table-linen handcraft needlework

This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework.Doily; white rectangular shape, pointed on short sides. Embroidered with pink flowers and green stems, and embellished with a lace frill. Part of the Chamberlain Dale Lees Collection.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester

Apron full length white bib & lace trimming on top of bib. Left hand side pocket has been removed because stitching marks remain.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, apron

Clothing. Cotton knickers, peach coloured, pure cotton interlock. Silk lace insert 4 cms wide at each leg. Cotton gusset. Size SW.Inside seam label. Hanro. SW 100% cotton.costume, female, underwear

Colour photo of Atkinson building corner of View and Mac Kenzie St. ( J. Lerk 28.02.2000 ) ornate lace work to balcony verandah. Church buildings to left.buildings, commercial, atkinson building

Clothing. Black nylon, bracelet length gloves. Two x 1 cm wide panels of lace are in-set just above the wrist, on the upper side of the glove.DENTS ALL NYLON 72 MADE IN HONG KONG. (Label inside left glove).costume accessories, female, ladies black nylon gloves

Sister M Morrison and R B Keeble were nurses at 28 Camp hospital TaturaBlack and white photo of Sister M Morrison and Sister B Keeble. Both wearing a suit with buttoned up jackets, tie and hat. Lace up shoes.sister morrison, sister keeble, nurse, 28 camp hospital, camp 1, danson, "tatura" by wh bossence

Made and used by internee in Camp 32 mushroom shped brown/white leather handstitched. Attached to a roll of black felt by thin black lace. Small safety pin on the back of the felt follbrooch, leather, felt, camp 1, tatura, ww2 camp 3, costume, accessory, jewellery

Huttley - Martin FamilyB/W: Photo of a youg woman 3/4 turned to left. White lace blouse with high collar, wearing a broach. Black Background. Wavey hairRichards & Co. Logo - 23 Strurt Street Ballarat. Chrissie Martin (Nee Huttley) ( My Aunt) M.Eernest Martin. Madge Huttley's Aunthuttley, martin

From the Chapman family photograph albumPhotograph on card backing Sitting infant/toddler dark frock with rickrack around lower sleeves, lace apron overdress, ankle socks and dark buckle shoes. Ruth Henderson 1895portrait

Veil worn by Margary (Madge) Isabelle Brydon. Was later worn by many (about 15) local ladies who lived in the area of Rushworth. Madge's daughters, Molly and Isobel both wore the veil at their weddings in 1938 and 1945. Donor is granddaughter of bride. Veil made by bride and described in the Waranga Basin newspaper at the time. Margary (Madge) Brydon married Edward (Ward) Sprunt at the bride's family home in Carag Carag, Victoria on 10th April 1912. Veil also worn by Mary (Molly) Leith at her wedding to William (Bill) Paynter on 18 January 1932 at Stanhope Presbyterian ChurchCream 1912 cotton net Princess veil. Lace is handmade tape and cotton embroidery. See Also NA3494 -wedding dress, NA3496 - shawl and photograph NA3498costume, female ceremonial

From the estate of the late Jean Ord, mother of the donor.A scalloped edge square mat with lace filled three petalled flowers at corners. Buttonhole stitched edging with satin stitch flowers. All white embroidery and material.handcrafts, embroidery, manchester, table linen

Head covering: Cream maltese lace with long side pieces known as lappetts. Illustration: Drawing of woman wearing head cover with lappets reaching her collar.handcrafts, lacemaking, costume, female

From the Till collectionCream calico bib apron. Floral trim across top of bib. Waist tie and floral trim on pockets. Cream lace trim around edge of apron.costume, female, costume, female working

Cream net lace 15cm deep collar. 3cm frill around neck edge. 6cm frill around shoulder edge. Could be called a Bertha Collar?costume accessories, collar accessories, female

Victorian 1850-1880 machine knitted stockingsMachine knitted stockings made of white cotton. The heels, toes and the top of the stockings are a plain knitted rib. The rest of the foot, ankle and calf feature a lace pattern. no markingsclothing accessory, knitting machine

White cotton infant's nightdress with long sleeves. Lace around neckline and sleeves. 3 rows of small embroidery in front and long ties. Tape ties at neck.'NH' embroidered inside hemcostume, female nightwear

White lawn infant dress with small spot. Scalloped edging on hem. Blue ribbon threaded through eyelet lace. White crochet at neck and sleeve edges.costume, infants'

Mary Owen OAM (1921-2017) purchased this dress in 1975 in Mexico while attending the first World Conference on Women and wore it to the reception there. A dedicated feminist, unionist and activist, she was a vocal campaigner for the empowerment of women, particularly in the fight for equal pay. Mary's involvement in activism began in 1966 when she joined the staff of the Association of Architects, Engineers & Draughtsmen (AAESDA), where she was responsible for advertising, layout and proofreading editorial for its journal 'Blueprint'. Her contact with the union awoke an interest in women's rights in the workplace, and in 1969 after she joined Dr Bertram Wainer's Progressive Reform Party, which advocated for legalised abortion. She joined the Women's Electoral Lobby in 1972 and remained an active member for over forty-three years, representing the WEL on many government committees. She was a founding co-coordinator of the Working Women's Centre Melbourne from 1975 until 1986, a founding member of EMILY's List Australia, an early member of the Melbourne Press Club and an early supporter of the Australian Women's Archives Project. An annual Mary Owen Dinner was held in her honour for twenty years from 1986 until 2007, which brought together hundreds of women each year. Mary was awarded the Queen's Silver Jubilee Medal in 1977 and the Order of Australia Medal in 1984. She was added to the Victorian Honour Roll of Women in 2001.Red, white and black cotton halter neck dress with rows of pin tucking on the bodice and applied horizontal strips of red and black cotton and black lace to the skirt. Label, woven black on white acetate, centre back: Disenado con carino por / GEORGIA CHARUHAS / HECHO / EN MEXICO Label, woven black on white acetate, centre back: Gerorgia's / BOUTIQUE LAS MARIPOSAS / Designer: / Georgia Charuhas / MERIDA YUCATAN, MEXICOmexico, international women's conference, 1970s fashion, georgia charuhas, feminism, mary owen

A small sleeping doll, with blue eyes and moveable eyelids, arms that move and rigid legs. It is wearing a yellow dress and hat with lace borders. Has a blonde wig.dolls, leisure object, toys

Donated by Mrs. Adamson in early 1900.White linen rectangular tablecloth, heavily embroidered in white. Edge has open weave with machine crocheted lace. Has floral round embroidered centre piece. tablecloth