Item in the collection re: "William Anthony (Bill) Theodore DSM". Refer Cat No. 7926P for his service record. This is a commissioning poster. Poster - colour print on paper of painting by Tom Freeman of the HMAS ARUNTA, No. 151 painted on ship's hull. The ship's emblem and motto appear lower right. An image of Aboriginal men appears in the sky above the ship. Artist's signature appears lower left. Frame - varnished timber frame with decorative moulding. Glass front and cardboard backing. Information printed on poster - black ink print. Top: "HMAS ARUNTA" Bottom - "Commissioned 12 December 1998/ Port Melbourne, Victoria".poster, ran, hmas arunta, william anthony theodore, framed accessories

The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". This is the fortieth edition of the annual magazine of Orbost High School. The magazine belonged to Mary Gilbert, a former teacher at the school. This item belonged to Mary Gilbert, a long-time teacher at Orbost High School.Orbost High School / Orbost Secondary College has played a significant part in the education of senior students in the Orbost district . It is the sole senior educational institution. This magazine is representative of its history and is useful reference tool..A magazine type publication with a pale blue cover and black plastic binding. On the front is a drawing of a sailing boat, the title"Croajingalong" , the school badge and "1988" above it. The print is black.magazine-croajingalong orbost-high-school

When Hamilton Hume and William Hovell arrived at the bay in 1824 they met with the local Wautharong people who referred to the bay as "Jillong" and the surround land "Corayo", but by the time the area was surveyed in the late 1830s the Aboriginal names had been swapped. The names "Corayo" and "Jillong" had since been Anglicised to "Corio" and "Geelong".Corio Bay is an important harbour and leisure location in the West and continues to attract development such as the new Tasmania Ferry Terminal.An Admiralty Chart of Geelong Harbour revised in 1954Geelong Harbour Map Ref: 2731geelong, corio, admiralty charts

Kamilaroi artist Reko Rennie’s vision is an inclusive environment where people can sit and peacefully reflect on, mourn and acknowledge the deep trauma of the past, as well as connect with the ongoing strength and resilience of the Aboriginal community and support the process of healing. 'Remember Me' symbolises community resilience, identity and family. Positioned in a ceremonial ring, the seating and spears create a circle of gathering and remembrance within the park. In a contemporary and historical sense, the spear is an emblematic statement about struggle and adversity, and it is also an expression of identity and connection to land and culture.The 'Stolen Generations Marker, Remember Me', reflects the community’s wish to create a permanent tribute to the Stolen Generations and their families; a place of reflection and respectful commemoration. Integral to this is the surrounding garden with plants local to the area that have been re-introduced into the setting. Sited at the historically important Meeting Place in the heart of Aboriginal Fitzroy, the artwork honours not only the story of this place, but of all Aboriginal people who were taken away. This project was guided by the Stolen Generations Marker Steering Group and realised by Yarra City Council in partnership with the Victorian Government. Most importantly, it has received widespread grassroots community support. It was officially launched on the 20th anniversary of National Sorry Day (26 May 2018), which acknowledges the impact of the policies spanning more than 150 years of forcible removal of Aboriginal and Torres Strait Islander children from their families. On 26 May 1997 the landmark 'Bringing Them Home' report was tabled in Federal Parliament. The report was the result of a national inquiry that investigated the forced removal of Indigenous children from their families. This was a pivotal moment for many Stolen Generations. It was the first time the stories of forced removal were formally acknowledged by the Government and a recognition that these actions were inhumane. The impacts have been lifelong and intergenerational. A collection of bronze spears and a coolamon with accompanying seating, lighting and landscaping positioned in a ceremonial ring.stolen generations, fitzroy

Jenna Lee dissects and reconstructs colonial 'Indigenous dictionaries' and embeds the works with new cultural meaning. Long obsessed with the duality of the destructive and healing properties that fire can yield, this element has been applied to the paper in the forms of burning and mark-making. In Without Us, Lee uses charcoal to conceal the text on the page, viewing this process as a ritualistic act of reclaiming and honouring Indigenous heritage while challenging the oppressive legacies of colonialism. Lee explains in Art Guide (2022), ‘These books in particular [used to create the proposed works] are Aboriginal language dictionaries—but there’s no such thing as “Aboriginal language”. There are hundreds of languages. The dictionary just presents words, with no reference to where they came from. It was specifically published by collating compendiums from the 1920s, 30s and 40s, with the purpose to give [non-Indigenous] people pleasant sounding Aboriginal words to name children, houses and boats. And yet the first things that were taken from us was our language, children, land and water. And the reason our words were so widely written down was because [white Australians] were trying to eradicate us. They thought we were going extinct. The deeper you get into it, the darker it gets. But the purpose of my work is to take those horrible things and cast them as something beautiful.’Framed artwork

Vol. 10, No. 3, Jul-Aug 2005 CONTENTS Alan Marshall Short Story Award Winner 2 Ephemeral Sculpture 7 Food and a Question of Time - John Jenkins 10 Rhythm of the Land & Sea - Julie Tippene O'Toole 11 Silver Stars: A Mongolian Story - Lisa Edwards and Jenny Grinlington 12 Darebin La Trobe Art Prize 15 Jill Kahans mixes her media 17 Poetry 18 CD Reviews 19 Jack Henseleit - The Legend of Neil Douglas 20 Artin' About 21 Wining & Dining 26 Listings 28"Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 28 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, art streams magazine, ephemeral sculptures, alan marshall short story award, click here to add keywords, darebin la trobe art prize, ephemeral sculpture, jack henseleit, jenny grinlington, jill kahans, john jenkins, julie tippene o'toole, lisa edwards, neil douglas, rhythm of the land & sea

Roslin Castle, the seat of the St Clair Family, was founded in 1304. It is partly in ruins. According to legend some millions of pounds worth of treasure being hidden in the vaults. it is said to be under the charge of a lady of the ancient St Clair family. She is to wake from her slumber and point out the spot where the treasure lies. It is located near the village of Roslin in Midlothian, Scotland. It is located around 9 miles south of Edinburgh, on the north bank of the North Esk, only a few hundred metres from the famous Rosslyn Chapel. (See http://en.wikipedia.org/wiki/Roslin_Castle)Three postcards showing different views of Roslin Castle. .1) A stone building on a hill side, with flying flag, .2) The Courtyard, Roslin Castle .3) The Bakehouse, Roslin Castle.1) This a fine view taken from the Glen. Formerly the castle was eight storeys high, five above and three underground. .2) While at Edinburgh I went out to Roslin saw there the Castle and Church. They are both very old dating back 500 hundred years. .3) The hole in the wall is the oven, is an immense thing. A fire was lit in the oven then pulled out and the heat in the stone did the baking.roslin, rosslyn, roslin castle, st clair, spirit, ghost, baking, oven, bread

Cdo Assoc Victoria presented it to Exmouth Heavy AA Assoc. This was because the Krait left Exmouth on the successful Opn Jaywick raid on Japanese occupied Singapore Harbour in 1943. Exmouth Heavy AAA has now disbanded and daughter of a foundation member donated it back to the (post-WW2) Vic Cdo Assoc in July 2012.The former Japanese fishing boat, as MV Krait left Exmouth on the successful Opn Jaywick raid on Japanese occupied Singapore harbour in 1943. The vessel was partly restored, and motored into Sydney harbour in 1964 with former Z Special members on board, including the Jaywick operatives Berryman, Carse, Jones and Young. Black wooden frame with gold-painted border. Photo has large white borders. Black and white photograph of the WW2 Krait of Operation Jaywick fame, on Sydney Harbour in 1964 with crew members and four former Jaywick operatives on board - Berryman, Carse, Jones and Young. Legend: October 1972 Presented to EXMOUTH HEAVY ANTI AIRCRAFT ASSOCIATION by the VICTORIAN COMMANDO ASSOCIATION. Four original crew members standing at forward well deck 1964. L to R Moss Berryman, Horrie Young, Ted Carse & Joe Jones. Brass plate on frame: "KRAIT." On back: "Barilyn Images 59 85 4666."japanese fishing boat mv krait exmouth operation jaywick singapore harbour z special berryman carse jones young.

This is the fourteenth issue of the Orbost High School annual magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". 2209.1 belonged to Mary Gilbert, a former teacher at the school. 2209.3 belonged to Brenda Murray, a former mayor of East Gippsland Shire Council and prominent Orbost identity.This is the fourteenth issue of the Orbost High School magazine and is a useful reference tool.Three copies of a cream coloured magazine Croajongolong in dark blue print Vol. 1 No.14 1961.In the centre is the Orbost High School crest of a sheaf of corn inside a double oval with Orbost High School and its motto " acti labores iucundi"croajingolong orbost-high-school

This is the fifteenth issue of the annual Orbost High School magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". 2210.1 belonged to Mary Gilbert, a former teacher at the school. 2210.2 belonged to Brenda Murray, a former mayor of the East Gippsland Shire and a prominent Orbost resident.This magazine is a useful reference tool.Three copies of a magazine with a pale blue cover with black print : Croajingolong Vol.1 No. 15 1962. On the left hand side is the Orbost High Schoool badge, a sheaf of corn inside a double oval inside which is the school motto"acti labores iucundi".

This is the eighteenth issue of the annual Orbost High School magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". 2213.1 belonged to Mary Gilbert, a former teacher at the school. 2213.2 belonged to Brenda Murray, a former mayor of East Gippsland Shire and a prominent Orbost resident. This magazine is a useful reference tool.Three copies of a white covered magazine with black print : Croajingolong Vol.1 No. 18 1965. On the left side is the Orbost High School badge, a sheaf of corn inside a double oval which contains the school motto, " acti labores iucundi".on front cover of 2213.2 - Brenda Murray handwritten in pen.

This is the twentieth issue of the annual Orbost High School magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". 2215.1 belonged to Mary Gilbert, a former teacher at the school. 2215.2 belonged to peter D. Roney. 2215.3 belonged to David Neal. 2215.4 belonged to Deborah Buckland.This magazine is a useful reference tool.Four copies of school magazine, Croajingolong '67 Vol. 1 No. 20 It has a white cover with black and red print. On the right hand side is a stylised drawing of two ears of corn with black letters (?) around them. (OHS?)2215.2 ; 2215.3 ; 2215.4 contain autographs in red and blue pen on both covers inside and out.croajingolong orbost-high-school

This is the twenty-first issue of the annual Orbost High school magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". 2216.1 belonged to Mary Gilbert, a former teacher at the school. 2216.2 belonged to Brenda Murray, a former mayor of East Gippsland Shire and a prominent Orbost resident.This magazine is a useful reference tool.Two copies of a magazine, Croajingolong '68. It has a white cover with black and red print,. Vol.1 No.21. On the right side is a stylised drawing of two ears of corn with black letters (?) around it. (OHS?)2216.2 is stamped Orbost & District Historical Society.croajingolong orbost-high-school

This is the thirtieth issue of the annual Orbost High School magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east. 2225.1 belonged to Mary Gilbert, a former teacher at the school. 2225.2 belonged to Brenda Murray, a former mayor of East Gippsland Shire and prominent Orbost resident.This magazine is a useful reference tool.Two copies of the magazine, Croajingolong 1977. 2225.1 has a torquoise cover and 2225.2 has a mid blue cover. Both have a large graphic design on the front cover of CROAJINGOLONG 1977 created in stone with 5 workers chizeling and polishing the structure. There are heavy clouds above. Contents are type-written.2225.2 has Brenda Murray handwritten in pen on the front cover as well as the stamp of the Orbost Historical Society.croajingolong orbost-high-school

"Narrapumelap" homestead, Wickliffe. The aboriginal meaning of Narrapumelap is a chain of waterholes. Begun in 1873 by John Dixon Wyselaskie and completed in 1878. The new owner in 1883 was Gerald Neville Buckley, son of Mr Mars Buckley, founder of Buckley and Nunn LTD, who 'enhanced' the building. The property was acquired for by the government in 1914 and later split up for Soldier Settlement.wickliffe, "narrapumelap, buckley, buckley and nunn, wyselaskie, soldier settlement

From 1838 early Ballarat was settled by pastoralists in ideal conditions, a peaceful, verdant valley where the hills were clothed in virgin forest and the flats covered with lush pasture. Then gold was discovered to spark off what was Victoria's first great gold rush. This book covers the gold rush after on the aboriginal ownership and early pastoral activities.Ballarat: the formative years. A.W. Strange. B. & B. Strange; Ballarat (Vic); April 1982. viii, 100 p.; illus.; map. Soft cover. ISBN 0 9596802 3 3Signed: "A.W. Strange 10/1/1983" Map inside back cover.ballarat; pastoralism; aborigines; gold rush; mining; eureka; local government; a.w. strange;

Tommy Yarramin and his sister Ruby see Erin's exhausted body in the head of a tree near Barmagulla in the morning. Tommy brings her to the bank and they take her to their hut where their mother, Pulcherry Cherry, cares for her. Wary of white men's ways the aboriginals keep her presence a secret. P. "Darby", Ketchup as Tommy Yarramin.The album and images are significant because they document literature written by a prominent member of the Wodonga community. The presentation of this precis was supported by several significant district families and individuals.Ringer's River Album Coloured photo Plate 31des martin, many a mile, ringer's river, northeast victoria stories

This disc was a project supported by the Festival of the Dreaming, a festival leading up to the 2000 Sydney Olympic Games.This disc is a significant research tool as it contains contemporary film of the early indigenous people of Australia.A video disc titled, The Dreaming Reels. it is a compilation of scenes from the Hadden expedition to the Torres Strait in 1898, Lake Tyers settlement, Northwest Scientific Exploration in the Kimberleys, the aboriginal camp at Orbost in 1921, the Douglas Wylie Expedition in 1926, Princess Charlotte Bay 1926-1927 and McRobertson's Expedition. It also contains footage from several Australian films depicting Aborigines. aboriginal-history dreaming

Ballarat University College was formed in 1990, and is a predecessor organisation of Federation University Australia. Maroon covered book an image of the dam near the Mt Helen swimming pool. Information includes council membership, staff, admission policies and procedures, fees, Aboriginal and Torres Strait Islander Students, Scholarships, accomodation, International Students, courses, units, academic regulations, E.J. Barker Library Regulations, Appeals, Student discipline, Academic Board Policy, Student Union, Enrolment.courses, ballarat university college handbook

Ballarat University College was formed in 1990, and is a predecessor organisation of Federation University Australia. Blue covered book an image of the dam near the Mt Helen swimming pool. Information includes council membership, staff, admission policies and procedures, fees, Aboriginal and Torres Strait Islander Students, Scholarships, accomodation, International Students, courses, units, academic regulations, E.J. Barker Library Regulations, Appeals, Student discipline, Academic Board Policy, Student Union, Enrolment.Jeff Stewart name on first page.courses, ballarat university college handbook, jeff stewart

'A small orange Old Gold chocolate box containing 2 newspaper columns. (i) Wonders of the North' series 1-100. 1938-1939. (ii). This series of clips contains references to Aboriginal/Indiginous people. 'Then and Now Public Men'. These clips have a young/older photo and the positions they held in their professional life. Both columns from the 'Sun-News Pictorial' newspaper.Wonders of the north 1-100 1938-9 Then and Nowplace, land, rural life, lydia chancellor, collection, australia, place, aboriginal, australian aborigines, aborigines, northern australian, australian flora, australian fauna, fauna, flora, plants, australian plants, australian animals, animals, australian lighthouses, lighthouses, sciences, botany, tourism, famous people, male, person

Three newspaper articles mounted on black card and animated. The first mentions visit by the Mornington Island Dancers as part of aboriginal studies. The second titled 'Teachers win posts on merit these days'. Mentions the criteria for the principal class and David Robins recent appointment of principal. The third titled 'Lachlan returns a favor mentions Lachlan Carter. Each article has a photo.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, mornington island dancers, lyndal mcclure, david robins, federated teachers union, lachlan carter, bendigo make-a-wish foundation, robyn carter

Exhibited by the artist at the Wood, Wine & Roses Festival, Heywood, 2004.Acrylic paint on canvas depicting birds and fish, water lilies and other vegetation, and stylised designs associated with early settlement of Aboriginal people in the Portland/Glenelg wetland area. Black painted border with white dot pathways, a circle of white dots in each of the four corners. Centre area in blues and greens featuring two birds, painted in black with red and ochre bandings.Front: nil

Sand goannas are the second largest species of carnivorous lizards found across mainland Australia. They can grow up to 160cm in length and can weigh as much as 6kg. Their common name is derived from "iguana", since early European bush settlers in Australia likened goannas to the South American lizards. Goannas retain special cultural and historic significance within Australian folklore and Indigenous culture. They were an important traditional native food source and are commonly represented in Aboriginal Dreamtime stories. In some Aboriginal languages, the sand goanna is called "bungarra"; a term also commonly used by non-Aboriginal people in Western Australia. In Pitjantjatjara and other central Australian languages, goannas are called "tingka". This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Small goanna with a streamlined body and textured scaly skin in different shades of olive and brown. It has a long neck and a long tail which narrows towards the tip. The goanna has four short, stocky legs which meet with large, curled claws. Its mouth is slightly slightly open, and it has two black glass eyes.On tag: BMM / 5892 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, lizard, goanna, sand goanna, monitor lizard, various gouldii

For almost 40 years, Michael Walsh has been working alongside Indigenous people: documenting language, music and other traditional knowledge, acting on behalf of claimants to land in the Northern Territory, and making crucial contributions to the revitalisation of Aboriginal languages in NSW. This volume, with contributions from his colleagues and students, celebrates his abiding interest in and commitment to Indigenous society with papers in two broad themes. ?Language, identity and country? addresses the often complex relations between Aboriginal social groups and countries, and linguistic identity. In ?Language, identity and social action? authors discuss the role that language plays in maintaining social identities in the realms of conversation, story-telling, music, language games, and in education. ?Language and Social Identity in Australian Indigenous Communities? will be of interest to students of linguistics, Indigenous studies, anthropology, and sociology. Contents: 1. Introduction /? Rod Gardner ... [et al.] 2. Michael Walsh : a personal reflection /? Ros Fraser 3. Place and property at Yintjingga/?Port Stewart under Aboriginal Law and Queensland Law /? Bruce Rigsby and Diane Hafner 4. Linguistic identities in the eastern Western Desert : the Tindale evidence /? Peter Sutton Juwaliny : dialectal variation and ethnolinguistic identity in the Great Sandy Desert /? Sally Dixon 6. Who were the 'Yukul'? and who are they now? /? Brett Baker 7. Colonisation and Aboriginal concepts of land tenure in the Darwin region /? Mark Harvey 8. Aboriginal languages and social groups in the Canberra region : interpreting the historical documentation /? Harold Koch 9. The Kuringgai puzzle : languages and dialects on the NSW Mid Coast /? Jim Wafer and Amanda Lissarrague 10. Dawes' Law generalised : cluster simplification in the coastal dialect of the Sydney language /? David Nash 11. Space, time and environment in Kala Lagaw Ya /? Lesley Stirling 12. Turn management in Garrwa mixed-language conversations /? Ilana Mushin and Rod Gardner 13. Laughter is the best medicine : roles for prosody in a Murriny Patha conversational narrative /? Joe Blythe 14. Collaborative narration and cross-speaker repetition in Umpila and Kuuku Ya'u /? Clair Hill 15. Co-narration of a Koko-Bera story : giants in Cape York Peninsula /? Paul BlackMaps, b&w photographs, charts, word listslanguage and identity, language maintenance, language and culture, language and country

The series of 9 photographs were taken to be included in a study of archaeological sites and Aboriginal rings in the Sunbury area. Five earth rings which are thought to be associated with male initiation ceremonies have been identified in Sunbury. Only 3 others have been found in the rest of Victoria. Despite rapid development in the area, those sites are protected heritage sites.A coloured photograph of an open hillside which is a sacred site. Gum trees and grassy tufts are dotted across the hillside.aboriginal culture, aboriginal rings, sacred sites, george evans collection