This brown glass bottle has been handmade from about the 1870s-1910s. The bottle, possibly used to store ale or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. A 'ponty' (pontil) tool would been used to complete the shape, pushing up the base. A tool would have been used to cut off the bottle from the blowpipe and apply and form the ring band on the neck. Bottles like this would usually be sealed with a cork, which may have been held in place with wax or wire and tape. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, late 19th to early 20th century beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, brown glass, tall and slim, cork-top style. Tooled finish on mouth with applied ring, shoulder seam, body tapers inwards towards base. Concave base has pontil mark. Sediment inside bottle. Glass has shiny surface and diagonal rings from shoulder to mouth, then is less shiny and has an slightly undulating surface from shoulder to base. The surface is markedly raised where base and shoulder meet. Glass has many scratches.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, brown glass, ale bottle, beverage bottle

Bendigo Advertiser ''The way we were'' from 2001. Crowning glory: to raise funds for extensions to st Aidan's Orphanage, a series of ''queen'' competitions were held throughout the Diocese of Sandhurst. After months of fetes, raffles, house parties, dances, etc; the grand final climax was the crowning of the ''queen'' at the Princess Theatre. Pictured is Lil Delaney as the ''queen'', two standing are Alma Waldron and Carmel McInerny and the train bearers are Gloria Patten and Peg Elliot; circa 1926. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Photo of a wedding group. Photo has black & brownish colouring. There are six men and six women in the group. One man and three women are seated and the rest are standing. All the men are wearing 3 piece suits and 5 of the women are wearing light coloured dresses and the 6th one has a dark dress with a white collar. They are all wearing hats. 3 of the ladies are holding large bouquets. Photo mounted on cream cardboard with raised frame 10 mm from the edge of the photo.W. Vincent Kelly Mitchell St Bendigophotograph, portrait, group, foster & wilson collection, photograph, wedding photo

Document. Greeting Cards. Pale green card with darker shade around the edges. On the left is embossed holly coloured in green, white & gold. On the right is a coloured scene with a white raised frame. The scene consists of a man and a dog walking along a road in hill country. There are trees and grass along the road. In the distance the sky is red, yellow & orange. Good Wishes printed in gold in the top left corner. Verse by H. M. Burnside inside. Card & insert held together with green cord.Raphael Tuck & Sons Ltdperson, greeting cards, malone collection, malone collection, greeting cards, h. m. burnside

Document. Malone Collection. Small white card with a beige border. Has a small black & white picture of the moon partly hidden by cloud. The waves are breaking over the rocks and seagulls are flying around. The edges of the picture have a slightly raised white border. Below the picture in the bottom left corner is a coloured sketch of seagulls flying over the sea. On the right is printed: What are the wild waves saying? (printed in gold) and All Good betide you (printed in blue.)Raphael Tuck & Sons Ltd.person, greeting cards, malone collection, malone collection, greeting cards

An Poster, Information Board on 5 RAR. The 5th Battalion, Royal Australian Regiment (5 RAR) was raised at Holsworthy Barracks NSW on the 1st March 1965 It was the first of nine rotating battalions composed of half regular army and half national servicement (draftees) that were committed to active service in South Vietnam from 1966 to 1967. 5 RAR was the initail infantry element of the first Australian Task Force (1 ATF) Vietnam. the Battalion conducted two tours of duty5 rar, poster, information board, 1 atf, nui dat, phuoc tuy province, viet cong, battle of binh ba, lt col warr, lt col colin khan, military awards, wounded serviceman, r j o'neill, guerrilla warfare

Coloured slide transparency. Image is of a male and a female standing in front of a bench wearing white lab coats. He is holding a glass beaker containing a dark liquid and pouring it into a white funnel into another glass beaker. The female has her back to camera with her left arm raised. She is holding something that is obscured. On the bench top are many glass beakers and bottles. The words Organic lab McCrae St Peter Ellis and Judith Daniel filtrations are handwritten along the bottom border.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Sepia portrait of Horatio St Vincent Busst, born Bendigo 1866, died Kew 8/6/1940, educated at St Killians and Bendigo High School, in 1883 was appointed Mining Warden of Sandhurst and in 1889 was appointed Mining Registrar for the district of Sandhurst. Father Thomas Walter Busst native of Staffordshire England arrived in Bendigo 1856. Brother T.W.Busst Junior was an Australian Amateur Cycling Champion. Framed in a very ornate timber frame with raised carved decorative border.photograph, person, busst, bendigo & vicinty page 248 bendigo advertiser newspapers cuttings local identities page 34

Photograph. Portrait and obelisk relating to John Praed: a. Photograph of portrait of standing John Praed ''one of the many Cornish mayors and councillors of Eaglehawk and Bendigo, who died while in office'' typed beneath photo; b. Photo of obelisk with the following typewritten note attached: ''The handsome obelisk in the Eaglehawk cemetery raised by public subscription marks his last resting place''. (Obelisk mounted on large grave with decorative rails - name of 'Praed' clearly visible on front of obelisk).person, individual, john praed, mayor. councillor. eaglehawk.

This piece may originally have been Indian in origin. It was purchased by the donor at the Oxford Street Market in Paddington, Sydney.Small ceramic figurine of a woman giving birth, attended by a doctor. Scene depicts a woman in a white gown lying on her back an obstetric table, with her knees up and feet flat on the table. A doctor dressed in white is sitting on a chair at the end of the table, between the patients legs, with arms raised ready to receive a baby. Both figures in the scene have brown skin and black hair. A word is engraved on the underside of the base of the figurine, which may be the name of the artist, but it is illegible.obstetric delivery

The Victorian School for Deaf Children continued an interest in the latest research and information on the education of deaf children. Various reports from the 1969 to 1974 relating to the education of deaf children. Black hard cover magazine cover containing various reports separately bound. 1. Reynolds report 1969 - Observations of Educational programs for hearing impaired children in the U.S.A., England & Russia. 2. Houston report 1970 - Report on Review of Fundraising and Public Relations Activities by Henry Houston, Fund raising consultant. 3. Dawson report 1972 - 'Let the Accent be on Ability' by Shirley Dawson. 4. Rawlings report 1974 - 'The Decade in Review' - the VSDC and the PEKD by Brenda W. Rawlings. Inside front cover: "REYNOLDS REPORT…1969/HOUSTON REPORT…1970/DAWSON REPORT…1972/RAWLINGS REPORT…1974" deaf children australia, dca, victorian school for deaf children, vsdc, deaf education, henry houston, shirley dawson, brenda w. rawlings

Expressions 2004 Quilt PrizeWeaving consisting of four panels sewn together to form the quilt. Consists of gradations of green to blue colours containing flecks of multicoloured wool through the weft. Weaving forms raised zigzag pattern running left to right through quilt. Three woven blue panels are sewn to the front of the quilt with dyed dark blue zigzags. The quilt is hung on a cardboard roll at the top. Satin square containing the artist's name and address sewn onto the back of the quilt in the right hand corner.'Cross Currents', Jean Inglis, 13 Park Street, Geelong, 52295131weaving, inglis, jean - geelong handweavers and spinners guild inc.

3446.1 - Newspaper clipping from The Courier, 30-5-2006, titled "Depot strikes it lucky" about the BTM winning a MIRA (Museum Industry Recognition Award). Has photo of Austin Brehaut standing in front of No. 26 in front of depot. Picture by Jeremy Bannister. Quote Stephen Butler about the reconstruction of the sub-station, fund raising and the Award. 3446.2 - A4 sheet print of the Courier's Web site, printed 31-05-2006 - shortened version newspaper article.btm, substation, museums australia, awards

HOSKING AND HUNKIN COLLECTION: PHOTO OF FIVE PEOPLE IN A ROW BOAT Writing on front of photo '9th Jan 1907' On rear of photo: 'Small boy John Hunkin 21 years younger than Bride (his sister) Wm and Emily raised him' 'Wm H. Lawrey and Emily nee Hunkin on Daylesford lake affter wedding Daylesford Methodist Church 9th Jan 1907' 'Mrs Bath and son Matron of Honour (Bride could have made her own clothes).photo

.1 EPSN butter keeper trophy - circular base, raised with cow in centre. Four flat metal/silver legs with rosettes top and bottom, which supports circular butter keeper, top half tilts back to reveal strainer tray in centre. Either side is handle or lever to tilt top. Handle is two handles joined at top with grip ball 2/3 way up, separates, fixed to lower half on either side. .2 Round silver grate insertClunes Rifle Club, presented by J. W. Preston Esq. Won by R. Anderson August 1889clunes rifle club, anderson, j w preston esq

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Three framed monoprints by Wendy Bolger. Artist's statement: These works evolved from an exploration in mark making, in particular, the simple gestural mark. The involvement in the process of making spontaneous market, raises awareness to the presence of the opposite element - discipline, which is essential for a successful artwork. In Zen Philosophy the idea of discipline in spontaneity, and spontaneity in discipline is reflected in this process. The interplay of opposing forces is a significant dynamic, visually surfaced as random marks and geometric shapes, in these works, The pull towards balance always being present. art, artwork, wendy bolger, printmaking, monoprints, human movement collection

Used as pattern to cast crown wheel of drive on water wheel. Actual drive has since been sold, only mold remainsCircular wooden pattern, raised centre circular area surrounded by four wide, flat spokes at regular intervals (the interim spaces being cut out with rounded corners) which are in turn surrounded by a rim which tapers back from the centre of the piece and has fixed to it regularly interleaved slats. Slats of protruding oblongs tapered from attachment to top and also central end to outer point. Light coloured wood 1 & 2 are Broken off pieces of back.

Two member badges from the The Returned Sailors, Soldiers Imperial League of Australia (RSSILA). The number 68 on the front could be 1968 as it is detachable and could be updated each year. The badge with 1921 could be the year of membership. The member number is engraved on the rear. The shield design is symbolic of the protection provided to those who wear it. Within the badge, red represents the blood ties of war that exist between comrades; white stands for the purity of the motives in joining the league – to render service without personal gain or ambition; and blue indicates a willingness to serve a comrade anywhere under the blue sky. The wattle represents Australia, with the leek, the rose, the thistle and the shamrock standing for Wales, England, Scotland and Ireland respectively. The RSSILA was the precursor to the Returned Services League (RSL) and provided support for returned servicemen after World War One. Worn by members of the Returned Sailors, Soldiers Imperial League of Australia, those eligible being members of all services, both wars, including nurses, who have returned from active service outside Australia. These were with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920. His full war record is available from the National Archives of Australia (B2455, MCLEAN JBM).The RSSILA was an important organisation for ex-servicemen and many Legatees would have been members.Enamel badges from the R.S.S.I.L.A. The centre of the badge shows a sailor and a soldier in raised detail. A blue enamel circle surrounds the central detail and has 'RETURNED SAILORS & SOLDIERS / IMPERIAL LEAGUE' in gilt lettering. The outer edges of the badge are white enamel with a floral spray to the top left and right of the blue circle. At the bottom of the badge is a red enamelled scroll with 'AUSTRALIA' written in gilt lettering. On the reverse of the badge are soldered two brass lugs with a split pin attached for securing the badge to clothing. 01124.1 Front has '68' and 'Returned Sailors and Soldiers Imperial League of Australia'. On the reverse 'V92210 Badge remains the property of League'. 01124.2 Front has '1921' and 'Returned Sailors and Soldiers Imperial League of Australia'. On the reverse 'R 3871' and 'C.C Roeszler and Son Pty Ltd Melb.'world war one, rssila

Cast brass with raised capital letters for use on Tram 829, when it was part of the "Transporting Art" program - "Transporting Art a project by the Victorian Ministry of Transport and the Ministry for the Arts / Tram 829 Designed by Students of the Primary Correspondence School to commemorate International Year of Peace Artists Megan Evan and Eve Glenn 16 September 1986" Has six mounting holes. Front of sign painted in silver paint, letters finished in black. Two copies held On rear:trams, tramways, signs, castings, transporting art, tram 829

Newspaper clipping from Issue 92 of November 2013, Docklands News, titled "Tribute to a Melbourne icon", on the launch of a public art sculpture on the corner of Flinders and Spencer St, by artist David Bell. features a photo of the work and David. See also the December 2013 issue of Bellcord. Work known as "Raising the Rattler pole", tram 1040, full scale model, about 3/4 of the length. See also Reg Item 5666 for another newspaper cutting.trams, tramways, melbourne, sculpture, art works, flinders st, spencer st, tram 1040

Saara Lamberg, a Briar Hill local and filmmaker is hoping to raise enough funds to create her film "Innuendo" which won a bronze award at the Beverley Hills Screenplay Contest. She would like to film in the Diamond Valley and is working with chainsaw artist Leigh Conkie.News article, 2 pages, text and colour images.saara lamberg, leigh conkie, innuendo, film making

The photograph was taken on Easter Monday 1916 at the Easter Carnival. It is showing one of the exhibits at the Australian Natives Association's Fruit and Vegetable Exhibit, at the Mentone Recreation Ground. The Easter Carnival was a fund-raising event to assist and repatriate wounded WW1 soldiers returning home. The photographer is unknown.Black and white photograph. The photograph is showing two men, a horse and a carriage. One of the men is holding on to the horses' harness and the other man in standing on a platform on the carriage holding the horses' reign. The horse is harnessed to the carriage containing various fruits and vegetables elaborately displayed. Much of the fruit and vegetables are seen in boxes along the carriage and others are hanging along the edge of the carriage. Some of the fruit and vegetable clearly able to be seen are pumpkin, parsnip, carrots, cabbage, cauliflower, turnip, grapes, various types of apples, oranges and lemons. There are also flowers meticulously arranged around the frame of the carriage and wheels. Front; A.N.A Exhibit / Easter Carnival - 1916 Back; Donated by / W.A.Follett / Heatherton ( written in ink ) Easter Monday CCarnival / at Mentone Recreation Ground / 1916 A.N.A ( written in pencil)easter carnival, 1916, photograph, australian natives association, fund-raising, world war i, ww1, mr w.a follett - heatherton, fruit, vegetable, mentone, mentone recreation ground

Official opening of the Lake Bolac Memorial Hall on Friday 9th June, 1922. Depicted is the Queen Carnival, held to raise funds. Shown are Queen Doris Cameron (Quin) and her attendants. To immediate left of the Queen is Isabel MacKenzie (who later married Stanley Moreton).mackenzie

An historical account of the beginnings of Legacy. The booklet describes the difficulties of taking an idea through to funding, raising awareness and attracting like minded people to the idea. The booklet is an extract, chapter three and a lead in from chapter two of the biography of Legatee Stan Savige, the founder of Melbourne Legacy.Significant in that the booklet reminds the reader of the difficulties of establishing a charity and taking the idea from a thought, to funding and recruiting like minded people to develop the idea.Printed paperback book with blue cover and white pages and black type.LEGACY. ITS ORIGINS AND EARLY DEVELOPMENT (176 pages) An extract from THERE GOES A MAN. The biography of Lieutenant-General Sir Stanley Stavige, K.B.E., C.B, D.S.O., M.C.E.D. (First published by Longmans, 1959) Reprinted for Legacy's Diamond Jubilee, 1983stan savige, savige book, biography

An historical account of the beginnings of Legacy. The booklet describes the difficulties of taking an idea through to funding, raising awareness and attracting like minded people to the idea. The booklet is an extract, chapter three and a lead in from chapter two of the biography of Legatee Stan Savige, the founder of Melbourne Legacy.Significant in that the booklet reminds the reader of the difficulties of establishing a charity and taking the idea from a thought, to funding and recruiting like minded people to develop the idea. Significant in that this publication has been printed three times.Printed paperback book with blue cover and white pages and black type and pdf of the contents.Front cover. LEGACY / ITS ORIGINS AND EARLY DEVELOPMENT An extract from There Goes A Man by W.B. Russell. The biography of Lieutenant-General Sir Stanley Savige, K.B.E., C.B.,D.S.O., M.C.E.D. First published by Longmans, 1959 Reprinted for Legacy’s Diamond Jubilee, 1983 Reprinted for Legacy’s 75th Anniversary, 1998savige book, stan savige

A leaflet produced to raise awareness of white canes. On the front a man's hand holds a white cane. Inside the leaflet reads "Bear in mind the white cane is a symbol of the visually handicapped" and was produced by the White Cane Committee, 247 Vulture Street, South Brisbane, Q, 4101.1 page with illustration of white caneIllustration of a hand holding a white cane on the front pagewhite cane day, advertising

An historical account of the beginnings of Legacy. The booklet describes the difficulties of taking an idea through to funding, raising awareness and attracting like minded people to the idea. The booklet is an extract, chapter three and a lead in from chapter two of the biography of Legatee Stan Savige, the founder of Melbourne Legacy.Significant in that the booklet reminds the reader of the difficulties of establishing a charity and taking the idea from a thought, to funding and recruiting like minded people to develop the idea. Significant in that this publication has been printed three times.PDF of a printed paperback book with blue cover and white pages and black type and pdf of the contents.Front cover. LEGACY / ITS ORIGINS AND EARLY DEVELOPMENT An extract from There Goes A Man by W.B. Russell. The biography of Lieutenant-General Sir Stanley Savige, K.B.E., C.B.,D.S.O., M.C.E.D. First published by Longmans, 1959 Reprinted for Legacy’s Diamond Jubilee, 1983 Reprinted for Legacy’s 75th Anniversary, 1998savige book, stan savige

These receipts to the Bendigo RSL Women’s Auxiliary were selected to show a broad range of business’s they dealt with in their fund raising. These cover the years 1963 - 1965. They cover Butchers, Bakers, Grocery stores, Jewellers, Cafe’s, Dairies, Florists, Department stores, Nurseries, Watch makers to name a few.Folder grey covers with plastic sleeve inserts, front cover has a taped on yellow laminated paper with text in black. The contents are a selected amount of receipts from Bendigo Business’s to the Bendigo RSL Women’s Auxiliary.brsl, smirsl, auxiliary, receipts, wabrsl

Sewing machines were used by some ladies to mend and make clothes for the family as shops were some distance away and bought clothes were much more expensive. The sewing machines were also used to sew items for fund raising e.g.. Church and School fetes.Used in the Kiewa Valley.The machine has a brown wood veneer base and a lid with a metal handle in the centre of the top. There is a long screw that fits in a hole at the top of the lid. The screw can be lifted out and used to open and take off the lid. Inside there is a black metal machine which is fitted onto the wooden base. There is a compartment in the base, right of the wheel of the machine, which holds an instruction manual and a tube of ""Singer" lubricant for electric machines". The light, above the needle is covered by bakelite. A leather belt runs around the wheel on the right to enable the machine to run. There is a foot pedal and an electric cord attached."Singer Manufacturing Company" - gold embossed "No. EL 249 355" - oval disc "99K" - disc "Singer Manfg. Co. - discsewing machine; singer manufacturing company; kiewa valley

The Mission to Seafarers held many social functions to raise funds for the work of the organisation and to benefit visiting seafarers. Many dances were held on a Saturday with good attendance. On the pillar on the left of the stage there is a photograph of a monarch, possibly King George VI, thereby dating the photograph at pre-1953.The Mission to Seafarers as an organisation is dedicated to not only providing spiritual and practical support to seafarers, but has long found it important to provide social opportunities as well. In the past there have been many dances, concerts and other social events that have been designed to cater for visiting seafarers.Small black and white photograph of people dancing in the Flying Angel Club at Mission to Seafarers Melbourne. There is a band on the stage in the background of the photograph and several couples dancing.photograph, flying angel club, monarch, band, floorboards, stage, dance, king george vi, lhlg, seamen, orchestra, mission to seamen, melbourne, seamen mission, mission to seafarers, entertainment, music, musicians, drums, piano, saxophone