Rev. Farquhar Chisholm (1878 - 1953), Presbyterian minister, was born in Inverness, Scotland and ordained in 1908 in Kerang. He was a minister in country Victoria and Ballarat and was chaplain of Scotch College from 1919 - 1926. Farquhar Chisholm organised the building funds for Morongo Presbyterian Ladies' College Geelong and the Freemasons' Hospital and was a past grand chaplain of the Masonic Grand Lodge.Matte, black and white studio head and shoulders portrait of Rev. Farquhar Chisholm who is looking to his right and wearing his clerical collar. There is pencil and ink hand writing on the back of the photograph.rev farquhar chisholm, south melbourne presbyterian church, masonic lodge, morongo presbyterian ladies' college geelong, scotch college melbourne

Born in England in 1881. Died in 1950 in Springvale, Victoria. No information other than this is in the 9th Edition of the Ministerial Index. He was minister of the Prince of Wales Park Methodist Circuit in 1917 when it celebrated its 25th anniversary.Sepia toned studio head and shoulders portrait oval photograph of the Rev. Francis E. Blyth. He has a moustache and is wearing a three-piece suit with a white tie and is looking directly at the cameraIn pencil on the front "Rev. F E Blyth" On a sticker on the back in ink "Rev F E BLYTH"rev f e blyth methodist minister, prince of wales park methodist circuit, northcote (prince of wales park)

This dress belonged to Katherine Blair, a longtime resident of Brighton. Katherine Fennell Blair was born in April 1929 in Benalla to magistrate Douglas Granville Blair (1893-1976) and his wife Isabell Nora (“Billie”) Blair, nee McNamara (1895-1989). Katherine was a child when the family moved to Brighton, where she attended St Joan of Arc Catholic Primary School and Star of the Sea College. After school, Katherine worked as a secretary and PA for various companies in the Melbourne CBD. Following a working holiday in the UK in 1959-61, she returned to Brighton, living first with her parents at 14 Kilrush Street and later in Burrows Street. An active part of the local community, Katherine was a member of the Brighton Red Cross, Brighton Probus Club and the St Joan of Arc Catholic parish and choir.Long-sleeved black velvet dress with shallow v-neck and self-covered belt. Smocked at shoulders and either side of waist. Floral embroidery around neck, cuffs and above smocking at waist.katherine fennell blair, 1940s, 1950s

Cane sewing work basket with lid and stained dark red. It is actually a chinese basket(ie it has a loop on handle is for a pole when it was carried over the shoulder). Used by a lady's chair in the parlor.domestic items, sewing

Bought at local Op ShopOblong shape, with pocket & zip on front and zip across top. Red shot silk rayon material with long self strap to wear over shoulder. Small brass decorative bauble on front.Vua Lacostume accessories, female

Belonged to donor's grandmother Katie Downer (nee Hodges) and passed to her grandson. Katie married Arthur Downer in 1923.A triangular white cotton sling for arm or shoulder that has printed instructions and drawings in black on it's use on various body parts. The drawing of a man below the logo has 9A and 9B on slingThe St. John Ambulance Association Point, Base, Side, Side, End, End and Fron View and Back Viewst john ambulance, medical, health, first aid, downer, hodges

The bottles were found in the above ground rubbish pile at Days Mill & Farm.Two small clear glass bottles with black bakelite screw top lids. Both lids have decorative patterns. The flat four sided bottles are narrow with sloping shoulders and long necks.william day, ann day, joseph day, robert day, days mill & farm, murchison south

This object relates to James Henry WAYLAND. He was born on 14/10/1883 in Collingwood, VIC. James Henry served in the AMF AN&MEF (306) enlisting on, 14/12/1914 in Collingwood, VIC before being discharged from duties with the 2nd AN&MEF as a AN&MEF Non-Commissioned Sergeant (SGT) on 21/07/1919. James Henry WAYLAND was a prisoner of war. His next of kin is Pearl WAYLAND (Wife)Woven shoulder badge in cream and red thread with cream embroidered text in a convex design with a rectangular border. Reverse is cream with inverse text embroidery visible. Several patches of red thread missing.Embroidered: "Royal Australian Regiment"first world war (ww1), 1914 - 1918, uniforms, ballarat rsl, ballarat

Black and white photograph of Les Mathews. Showing head and shoulders. Set in a dark wood oval window mount and medium brown wood frame. Engraved black metal plate below image.

A Dunlop Hire, wooden squash racquet, with string whipping around shoulders, and leather handle grip. Materials: Wood, Enamel, Nylon, Ink, String, Adhesive tape, Leather, Plastic, Lacquer, Gluetennis

A Dunlop Graduate, wood/composite squash racquet, with string whipping around shoulders, and cotton handle grip. Materials: Wood, Composite Materials, Nylon, Ink, String, Adhesive tape, Cotton, Plastictennis

A tennis racquet with wedgeless, open throat, and originally featuring cloth tape binding the lower shoulders and upper shaft, and collaring mid-shaft and butt. Materials: Wood, Gut, Glue, Lacquer, Metaltennis

A miniature Grays squash racquet, with plastic tape whipping around shoulders and shaft, and velvetine handle grip. Materials: Wood, Adhesive tape, Nylon, Ink, Paint, Cloth, Glue, Lacquer, Velvetinetennis

A miniature Grays tennis racquet, with plastic tape whipping around shoulders and shaft, and vinyl handle grip. Materials: Wood, Adhesive tape, Nylon, Vinyl, Ink, Paint, Cloth, Glue, Lacquertennis

A Best Ever, Best-Quality 7 Ply tennis racquet, with string whipping around shoulders. Materials: Wood, Ink, Glue, Lacquer, Metal, Nylon, Enamel, String, Adhesive tape, Plastictennis

A Newport Challenger tennis racquet, with ribbon whipping around shoulders and a vinyl handle grip with floral perforations. Materials: Wood, Ink, Glue, Lacquer, Metal, Nylon, Enamel, String, Vinyl, Plastictennis

A Markwort Speed King Professional tennis racquet, with string whipping around shoulders and shaft. Materials: Wood, Ink, Glue, Lacquer, Metal, Nylon, Enamel, Leather, Plastic, Adhesive tape, Fibreglasstennis

Chromolithograph depicting a young woman with a pink headscarf, resting a tennis racquet on her shoulder. Text in German indicates printer, and several numbers. Materials: Paper, Ink, Metal, Plastic, Glass, Cardboardtennis

Established by local designer Ralph Samuel, Hartnell of Melbourne was one of the leading high-end Flinders Lane fashion houses of the 1950s and 1960s. This dress still has its original store tag attached, which tells us that it cost 39 pounds, 19 shillings and sixpence - a large amount of money to spend on a dress in 1952. Adjusted for inflation, this price tag equates to approximately $1,480 in today's money.Mauve tucked and folded cocktail dress with twin shoulder straps, ruched bodice and gathered skirt. Rose detail on each hip. Tulle underskirt. Swing tag still attached to back zip.Label, white with blue text: "Exclusively yours, / Hartnell / REGD / MELBOURNE" Swing tag: "THIS GARMENT is made from finest material and designed for the fashion conscious woman / NO. 3633/332 / SIZE SSW / PRICE 39"19"6 / Hartnell of Melbourne Pty. Ltd. / Almond Pink"hartnell of melbourne, 1950s, ralph samuel, melbourne designers, flinders lane

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future).The sacred banksia tree was a favourite for Wadawurrung people. Flowering before deep Winter, the banksia was used for spear making and other wooden tools. The sap was drunk as a sweet drink and the seed pods used for water straining and fire sticks. The banksia tree flowers at the time when fire sticks farming is practiced marking the days before the coldest days and nights and the hotter days.White, orange, and yellow banksia design on outer cloak, yellow and white circle and diamond design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future. The white ochre was used to create the feather pattern. White ochre is deeply connected to spirit or ‘murrup’ as we call it in language. The ochre is used on our bodies in ceremonies to paint our body up and is also placed on graves when someone passes. The white ochre is our most sacred connection to our ancestors and is used to celebrate both life and death. I source the white ochre from the You Yangs and only take what I need for ceremony and my painting.White and black feather motif with yellow eye design on outer clock, brown feather motif in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). Waa the Crow Totem Cloak (Waa represents our ancestors watching over us). Waa and all the birds get their names by the sounds the bird makes.Blue feather motif with blue star background on outer clock, blue and black feather design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak

This lanyard dates to the latter half of the 20th Century. The colour yellow relates to the armoured forces. The lanyard was issued to the “Prince of Wales’s Light Horse’ Regiment, however the date of issue is unknown. A Prince of Wales Light Horse unit was based in Kyneton, a neighboring town to Woodend. This lanyard likely originated from the Kyneton area. It is possible that the lanyard was used during the Vietnam war in which the Regiment participated. However considering the condition of the item, it is highly likely that the lanyard has not seen active serviceThis item is represenative of a standard armoured military lanyard. It is also in very good condition.Long strip of cylindrical yellow knotted fabric. There is one large loop, knotted two thirds along the length of the fabric for attachment to the shoulders. There is another small loop at the very end for insertion into a pocket.battle dress, lanyard, prince of wales light horse, uniform, army, cavalry, armoured

Carl Rudolph Braun (1823-1891) was the inventor of this instrument, as well as a type of decapitation hook. Braun was born and practiced in Austria, and followed Semmelweis as assistant to Klein at the Vienna Maternity Clinic in 1847, before becoming its head in 1856. Braud added a gynaecology section to the clinic in 1858, being convinced that obstetrics and gynaecology should be together. (Source: Baskett, Thomas. 'On the Shoulders of Giants: Eponyms and Names in Obstetrics and Gynaecology'). This device was included with a range of other obstetric instruments, mostly destructive instruments, given to RANZCOG from Box Hill Hospital labour ward in February- March 1998. The maternity service at Box Hill Hospital combined with St George's hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Craniotomy forceps, Braun's. Stainless steel forceps, with wingnut. Upper blade has open oval section and ridged grip section on the handle. Lower blade has serrated inner edge and ridged grip section on the handle. Wingnut is used for attaching the upper and lower blades of the forceps. Inscribed "B.H.H.L Ward" on forceps."B.H.H.L Ward"destructive instruments

Carl HOLMBERG No 314 enlisted in the 8th Light Horse Regt on 14.9.1914. Embarked for Egypt 25.2.1915 then Gallipoli 16.5.1915. Transferred to Machine Gun Section 28.5.1915. WIA 7.8.1915 GSW's to neck, face and right shoulder. DOW's complicated by septicemia at sea. Buried at sea between ANZAC cove and Mudros Island. Henry HOLMBERG initially enlisted as No 334. There is some confusion to it, possibly 234 in the 8th Light Horse Regt. Embarked for Egypt 25.2.1915 then Gallipoli 16.5.1915. Hospitalised with dysentery 7.8.15 then diagnosed as gastroenteritis. Embarked for Australia 16.10.1915 classed as enteric fever. Classed fully fit he embarked for England 7.9.1916 as No 26673 in 3rd reinforcements 8th FA Brigade. Transferred to 1st Div Ammunition Column 23.3.1917, mustered as Driver 4.7.1917. WIA 6.10.1917 with GSW's to left thigh, right knee, shoulder and arm severe. Discharged from the AIF 29.8.1918. The brothers were both big men for the time at 6'1" and 6'3". Refer also 626, 609P. Collection re Mrs May Burns.Photo post card B & W re Carl and Henry HOLMBERG in Light Horse uniform. Carl is standing and Henry sitting.On rear in blue ink “Holmbergs”photography, portraits, military history, souvenirs

This small green bottle has been handmade by a glassblower and is the typical shape of a carbonated soda or mineral water bottle. It was made from 1840s-1870s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe and into molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the cylindrical dip mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another ponty tool to push up and form the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be wrapped around the top of the neck and shaped to finish the lip of the bottle. The seal was usually a cork, held in place with a ball-wire fitting attached between the upper and lower parts of the neck finish. This style of handmade bottles usually had thick glass so that it could be heat-sterilised, then re-filled. The bottles would often have horizontal bubbles in the applied finish, caused by twisting the glass, and vertical bubbles and diagonal lines in the body from it being blown, and a pontil mark in the base where the ponty tool had been attached. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; green glass, soda or mineral water style, handmade. Rough applied finish, blob double ring collar; upper is wide and rounded, lower is a narrow ring. Diagonal lines in glass on neck. Low shoulder mould seam. Body is matt, tapers inward towards base. Shoulder and neck are shiny. Push-up base with pontil mark, visible through glass. Marks on heel, glass thickness varies. Uneven base. Bubble in glass. Sediment on inside surfaces. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, dip mould, mouth blown, pontil mark, 19th century bottle, collectable, soda bottle, mineral water bottle, green glass, blob finish, push-up base

This clear ‘gallon’ type liquor bottle has been handmade by a glassblower from 1840s-1870s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is part of the John Chance Collection. This bottle was made in a three part mould. The lower part was cylindrical, gently tapering to the base, which allowed for ease of removing. The upperpart was in two pieces, one each side of the neck. The moth-blown glass formed the shape of the inside of the mould. The bottle was broken off the end of the glassblower’s pipe. Once removed from the mould the base was shaped at the heel using a pontil tool, or ‘ponty’. Often this was used for form a ‘push-up’ base. The tool would leave a ‘ponty’ mark. The mouth was then finished with the lip – there were many different styles of ‘applied’ lips, depending on the glassblower or his customer’s needs. This bottle was sealed with a cork, which has fallen into the bottle. The surface of the bottle is a little bumpy due to the blowing process. Also, the vertical bubbles in the bottle were formed as the glass was blown into the bottle. The bottle’s shape was referred to a ‘gallon’; six of these bottles would contain a total of a gallon of liquid. The bottle holds approximately 750 ml. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; clear glass with opalescence, tall, cork-top style, handmade. Roughly applied square lip band. Neck tapers slightly outwards to shoulder, seams on neck, seam between shoulder and body. Body tapers inwards towards base. Heel is thick and uneven. Concave base with pontil mark and air bubble. Bubbles and imperfections in glass. Cork has fallen into base of bottle. Sediment on outer surface. Bottle has polystyrene balls inside. Mouth is chipped.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, handmade, mouth blown, pontil mark, blown bottle, liquor bottle, 19th century bottle, collectable, bottle, clear glass, three piece mould

Pink nightgown made from flocked nylon featuring a dotted design of butterflies, and triple dots. Twelve bands of elastic shirring define the waistline, and give fullness to the bodice. Shoulder straps 4.5 cm wide, widening to 7 cms at the top of the shoulder are edged with a 2 cm plain pink nylon frill. A 2 cm band edges the bodice at the top and waistline, witha similar frill attached. A similar frill extends around the hemline. A new garment.Label still attached: Quality Lingerie created by Hanro. Made from imported Nylon fabric. This garment is guaranteed to give every satisfaction. Wash in warm water, using a mild soap. DO NOT IRON. The quality is a proud tradition. Stamped ; MEDIUM, Label inside seam reads: HANRO 100% Nylon . Stamp at hemline, mediums OScostume, female underwear, nightgown nylon - hanro