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Federation University Historical Collection
Photograph - Photograph - Black and White, Ballarat Technical School Students Plant Out Old Gaol Terraces, 1969, 14/07/1969
When Ballarat Junior Technical School's new building was opened in 1921, the surrounding area was rubble-strewn with raw clay slopes. The Head, A W Steane designed the landscaping of the slopes from the Gaol wall down to the Battery Paddock. The boys did much of the work. Apart from beautifying the grounds, this project occupied their leisure time, particularly as they had nowhere to play. The school acquired the gaol site in April 1969. The work of improving the grounds which was begun by A W Steane and his students is being carried on.Eight Form 1 boys from Ballarat Technical School planting trees at the old Ballarat Gaol terraces. Don Ogilvie is in the foreground. Peter Murley is planting watched by Frank McKenzie in the background. Boys from left: John Brown, Bradley Julius, Gary Green, Steven Ryan, Kim Hall, Peter Gross, Peter Rasmussen.Details of photograph written in pencil on back "Ballarat Courier Press Photograph - Copyright - " stamped on back.ballarat junior technical school, grant street garden, garden terrace, ballarat gaol, battery paddock, former ballarat gaol walls, don ogilvie, john brown, bradley julius, gary green, steven ryan, kim hall, peter gross, peter rasmussen., peter murley, frank mckenzie, ballarat technical school -
Federation University Art Collection
Ceramic - Ceramic - Earthenware, Julie Mullen, 'Vessel' by Julie Mullen, 1992
Julie MULLEN This work was completed during Julie Mullen's 3rd year studying Ceramics at Ballarat University College (now Federation University). The work was awarded the 1992 Selkirk Prize. The artist wrote the following in the #rd Year Final Exhibition Catalogue: "My first love is clay And together with my inspiration Drawn from the landscape, Sea and human gure, I am able to create. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Terracotta handbuilt form with applied marine inspired objects. art, artwork, mullen, julie mullen, ceramics, selkirk prize, ballarat univesity college, available, available ceramics -
Nillumbik Shire Council
Print (Lithograph): John Olsen (b.1928 NSW), John Olsen, Tropical Rain Shower from The Bodford Terrace Suite, 1978
A typical Olsen painting combines an implied aerial view with an ambiguous and seemingly unpremeditated figuration. His characteristically quizzical line and irregular squiggles and dots deftly render countless organisms, large and minute. Their environment is conjured through loosely brushed and stained expanses of colour (on canvas or hardboard) and lines which sometimes read as geological mappings. In Olsen's work there is no foreground/ middle ground/ background, nor any sign of European landscape's concern with "human scale." Instead he employs simultaneously the contrary vantages of naturalist and geographer. 'Tropical Rain Shower' by John Olsen forms one of the eight artworks represented in the Bodford Terrace Suite. Eight of Australia's finest artists were brought together to create a folio of lithographic prints to celebrate the restoration of historic Bodford Terrace. Printed at the Druckma Press by John Robinson under the supervision of master printer Jock Abbott. The folio edition was limited to 300 signed and numbered folios. The lithographs were printed on special heavy weight french Arche's paper in accordance with the tradition of this artistic medium. Lithographic print on paper.Signed John Olsen '78, lower right hand corner. Edition 179/300bodfford terrace collection, john olsen, tropical rain shower -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Marguerite Marshall, Hawthorn hedges, Eltham-Yarra Glen Road, Kangaroo Ground, 3 October 2006
Hawthorn hedges are important reminders of Kangaroo Ground's Scottish heritage. They are Registered on the Victorian Heritage Register. They are "historically significant because the planting of hawthorn hedges reflects the adoption of Eurorpean farming techniques by the Kangaroo Ground population in the period following settlement and because the grid pattern of paddocks that the Hawthorn hedges define is very different to today's farm landscapes." Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p21This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham-yarra glen road, hawthorn hedgerow, kangaroo ground -
City of Kingston
Photograph - Colour, 6 March 1993
Edithvale is a suburb in the City of Kingston. It is located between Aspendale and Chelsea on the Port Phillip Bay and built within remnant areas of the Carrum Carrum swamp. The foreshore precinct comprises a wide sandy beach, with low sand dunes and numerous historic boat sheds. The suburb consists of older style dwellings and former holiday houses, combined with mid-century housing and newer homes. The large blocks are increasingly subdivided and the existing dwellings demolished to accommodate units and townhouses, thus changing the landscape of the area and reducing the tree canopy.The beachside suburb of Edithvale was previously part of the extensive Carrum Carrum Swamp. The area was once a source of fish and eels for the Mayone-Bulluk clan of the Bunurong people. Over time the area was drained and predominantly devoted to dairy farming and holiday houses. The farms were gradually sold and subdivided with a large number of homes built after World War II and in the 1960s. Edithvale is mainly residential with a shopping strip along Nepean Highway but little significant industry was ever established in the area apart from a plaster works and confectionary factory, both now closed.Laminated aerial colour photograph of Edithvale as viewed from Alexandra Avenue in the north to Ella Grove Chelsea/Edithvale in the south. regents Park Aspendale can be seen in the top left. The area is built-up with residential housing and facilities including Edithvale Primary School, numerous churches and the Edithvale Railway station. Large sections depict the remnant Carrum Carrum swamp. Edithvale Common and the former "Duck Inn" (Melbourne Water/Friends of Edithvale Seaford Wetlands) can be seen. Edithvale Recreational reserve, the valodrome and Edithvale Public Golf Course are prominent. The image shows vacant land in the area now known as Aspendale Gardens and the newer residential section of Chelsea Heights is not developed. A bike path has been established to cover the secondary drain. The Golf Links Court residential development located off Hughes Avenue is a large vacant block.Black type on white adhesive label: 6-3-93 Black type on white adhesive label: 25/9211, 6/3/93, 11.20 am Black type on white adhesive label: 9211 Yellow circular adhesive sticker Black pencil: 9211 6-3-93 arrow pointing Nedthvale, carrum carrum swamp, aspendale, chelsea -
City of Kingston
Photograph - Colour, Circa 1993
Edithvale is a suburb in the City of Kingston. It is located between Aspendale and Chelsea on the Port Phillip Bay and built within remnant areas of the Carrum Carrum swamp. The foreshore precinct comprises a wide sandy beach, with low sand dunes and numerous historic boat sheds. The suburb consists of older style dwellings and former holiday houses, combined with mid-century housing and newer homes. The large blocks are increasingly subdivided and the existing dwellings demolished to accommodate units and townhouses, thus changing the landscape of the area and reducing the tree canopy.The beachside suburb of Edithvale was previously part of the extensive Carrum Carrum Swamp. The area was once a source of fish and eels for the Mayone-Bulluk clan of the Bunurong people. Over time the area was drained and predominantly devoted to dairy farming and holiday houses. The farms were gradually sold and subdivided with a large number of homes built after World War II and in the 1960s. Edithvale is mainly residential with a shopping strip along Nepean Highway but little significant industry was ever established in the area apart from a plaster works and confectionary factory, both now closed.Aerial colour photograph of Edithvale as viewed from Alexandra Avenue in the north to Ella Grove Chelsea/Edithvale in the south. The area is built-up with residential housing and facilities including Edithvale Primary School, numerous churches and the Edithvale Railway station. Large sections depict the remnant Carrum Carrum swamp. Edithvale Common and the former "Duck Inn" (Melbourne Water/Friends of Edithvale Seaford Wetlands) can be seen. Edithvale Recreational reserve, the valodrome and Edithvale Public Golf Course are prominent. The image shows vacant land in the area now known as Aspendale Gardens and the newer residential section of Chelsea Heights is not developed. A bike path has been established to cover the secondary drain. The Golf Links Court residential development located off Hughes Avenue is a large vacant block.Yellow circular adhesive sticker on plastic Black ink (marker): * (asterisk) Black type on white adhesive sticker: P000108edithvale, aspendale, chelsea, carrum carrum swamp -
Yarra City Council
Artwork, other - Installation/Sculpture, William Eicholtz, Close Knit, 2023
'Close Knit' was conceived based around providing the high density accommodation of the area with what many residents will never experience; the iconic ‘Aussie’ backyard, symbolised by washing on a Hills Hoist. This concept was transposed into several elements, including two large flying jumper sculptures. These stainless steel and fibreglass structures are supported on slanted poles, reminiscent of Hills Hoist arms. The jumpers appear to catch the breeze, and billow up, like washing on the clothesline on a sunny day, and cast lovely shadows across the paths and gardens. They are bright and joyful reminders of simple homespun joys. The handcraft theme is also featured in knitted concrete garden walls throughout the gardens. As if the wind is captured in the movement of the Hellenistic drapery, these panels echo the Lady of Justice, an earlier work of mine on the Victorian County Court. These feature walls bring a softness to the park and hark back to classic European garden design. There are 6 finial/balls of wool marking gateways and entrances to the park, as well as a couple randomly scattered throughout to be discovered. There is also a draped plinth at the Peel street entrance which has my signature. Again these elements echo traditional garden design and are a tactile and recognizable link to the hand knit themes of the park. Given the strong themes of domesticity and handcrafts, I have titled my work ‘Close Knit’, as it applies to the purpose of this public space as well as the works scattered throughout. Yarra City Council delivered Cambridge Street Reserve in partnership with the Victorian Government, who have supported the project with $1.3m funding. Yarra City Council has invested a further $731,130 towards the project. Urban Imitative Landscape Design worked with artist William Eicholtz at the beginning of the design process to consider the needs of a growing high-density population of the area. At double the size, with extensive park seating and a large lawn space which is shaded by native trees, Cambridge Street Reserve is now the largest park in Collingwood. 'Close Knit' by William EicholtzTwo knitted fibreglass 'jumpers' over stainless steel framework; six concrete balls of wool throughout the park; 25 metres of cast (drapery) concrete walls; concrete plinth at Peel street entry which is draped with a concrete knit and a ball of wool on top as finial; reverse rope reliefs on the front façade of eastern stairs. Artist name and date 'William Eicholtz 2023' inscribed on plinth with ball of wool on top as finial. handcrafts, domesticity, aussie icons, european garden design, public space, high density accomodation -
Federation University Historical Collection
Book, The work of Charles A. Platt, 1913
Charles Platt was born in New York in 1861 and died in 1933. He studied art at the National Academy of Design. In 1880, Charles went to Paris to study landscape painting and, while there, he travelled to Italy with his brother. Though he was influenced by Italian detailing, his designs were not copies of Italian gardens He was known as an architect and illustrator not as a garden designer. In 1880, he trained as an etcher with Stephen Parrish in Gloucester, Massachusetts. He also trained at the National Academy of Design and the Art Students League in New York and later in Paris with Gustave Boulanger and Jules Joseph Lefebvre at the Académie Julian. Charles exhibited his paintings and etchings and gained his first audience in Paris Salon of 1885. Betweem 1880 – 1890 , he made hundreds of etchings of architecture and landscapes. In 1900, Charles received a bronze medal at the Paris Exposition Universelle. In 1907 he designed a townhouse for Sara Delano Roosevelt on East 65th Street in New York. Eleanor Roosevelt called Charles A. Platt "an architect of great taste" who with the townhouse had "made the most of every inch of space." and in 1918, he designed the Freer Art Gallery in Washington. Book, Hard brown Cover. Title on the spine "The work of Charles A. Platt". Manufactural details on spine. Page no. 181. Black & white plates and plans. Stamped on page 43, 93, 123, 135, 161, 171"Picton Hopkins & Sons PTY.LTD"architecture design, domestic architecture, designs and plans, landscape gardening -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil and acrylic on canvas, Robert Kelly, Chinaman's Creek, 2016
Bob Kelly paints landscapes of culturally significant sites along the Mornington Peninsula and depicts these locations as he imagines they originally were before colonisation. Using traditional Western painting techniques, Kelly records the underlying spirit of the Peninsula from a Wathaurong perspective. Chinaman’s Creek in Capel Sound (Rosebud West) was an important watercourse that originally ran from Wonga (Arthur’s Seat) down through Tootgarook Swamp into Port Phillip Bay. It was a great fresh water and food source and home for many Boonwurrung people. Since settlement over 170 years ago, the creek has been drained, blocked, reconstructed and damaged. Kelly depicts a lush green landscape in which the clean creek water winds through the surrounding vegetation of spinifex grasses and gum trees, the background hills are abundant with trees, untouched from man's intervention. Using painstaking detail, Kelly records each blade of grass and ripple on the surface of Chinaman’s Creek. His attention to detail serves to powerfully reimagine this important cultural site, returning it to its former pristine state, and reinvigorating its role as a key place of sustenance for the Indigenous populations of the Peninsula. Chinaman's Creek was a finalist in the 2017 Bayside Acquisitive Art Prize.oil and acrylic on canvaslandscape, creek, trees, chinaman's creek, painting, indigenous, robert kelly, bayside acquisitive art prize, bob kelly, wathaurong, rosebud, arthur's seat, tootgarook swamp, port phillip bay, boonwurrung -
University of Melbourne, Burnley Campus Archives
Negative - Colour negatives, Plant Materials, 1996-1997
Miscellaneous rolls of negatives. (1) Plant materials and some students. (2) Dip. Semester 2 Wk 5 Drought Tolerant Plants, Evergreen Trees-Sally R, Ornamental Plants-Indoor Plants 1st Yr, Native Trees 3.5.96, Ferns & Grasses Ruth 2nd negs, Degree/Diploma Coastal Plants Wk 2, Plant Materials II 1997 Wk 9 Cut Flowers. (3) Late Autumn Winter, Aust Shrubs 1, Landscapes-Excursion?, Eucalypts 1, Weeds. (4) Aust Trees & Shrubs, Nature-like landscapes. (5) RMIT Year 1 Semester 1 Plant Materials Week1 Shade Tolerant, Week 2, Week 3, Week 4 Drought Tolerant, Week 5 De-oxygenated Soils, Week 6 De-oxygenated, Week 7, Week 9, Week 10 Ferns & Grasses, Week 11 Exotic Evergreen trees & shrubs, Week 12 Australian Trees.plant materials, students, drought tolerant plants, evergreen trees, ornamental plants, indoor plants, native trees, ferns, grasses, coastal plants, eucalypts, weeds, australian trees, australian shrubs, shade tolerant plants, de-oxygenated soils, exotic evergreen trees -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Living and Partly Living. The Neighbourhood, 1971
... landscaping ...A discussion of Australia's bland suburbs, and the rise in brick home-building, and the alternative of urban high-rise living. Alternative leisure lifestyles associated with each are outlined. Multi-storey flats, European migration, the unplanned ghettoisation of different groups are discussed. What are the needs for a new era of Australian housing? New initiatives are outlined.Original manuscript of the chapter titled 'The Neighbourhood' (pp32-43) by Robin Boyd in the book "Living and Partly Living", by Ian McKay, Robin Boyd, Hugh Stretton and John Mant, published by Nelson, Sydney 1971.Typewritten (c copy), pencil, quarto, 29 pagesChapter in a book.neighbourhood, neighborhood, suburbia, planning, conformity, brick home, timber home, flathouses, housing commission, european immigration, swinger hill, ian mackay, merchant builders, landscaping, robin boyd, manuscript -
Ballarat Tramway Museum
Document - Report, John Patrick Pty Ltd, "Ballarat Botanical Gardens Masterplan - Final Draft", Nov. 1995
Twelve page (7 A4 pages, 5 A3 folded pages), photocopied as the final draft of the Ballarat Botanical Gardens Masterplan November 1995. Prepared by Landscape Heritage Consultants, John Patrick Pty Ltd. Report stapled in the top left hand corner. Notes include references to the tramway facilities. The 5 A3 sheets show the proposed plan, including the tramway and an extension to the shed. See July 1995 Fares Please! for the plan itself.On page 1, words "Depot" and a hand written change to the date of display from "29" to "6".trams, tramways, wendouree parade, ballarat botanical gardens, tramways, masterplan -
Clunes Museum
Photograph - PHOTOGRAPHS
.1 The netball court in the photo was where "Collins Place", Fraser Street, Clunes is now located .3 the warehouse/Clunes Museum building at 36 Fraser Street, Clunes, was a former freezing worksPhotocopies of photographs .1 2 copies of girls playing netball .2 A streetscape of Fraser Street, Clunes .3 Del Mayberry (nee Campbell) and friend. The building that is now the warehouse/Clunes Museum is in the background of this photo, the building was a former freezing works .4 Jean Harling (nee Campbell) and male friend, outside The Club Hotel, Fraser Street, Clunes .5 Landscape of Clunes looking towards Station Flat Road. Port Phillip Mine is in the backgroundcampbell, netball, mayberry, harling -
University of Melbourne, Burnley Campus Archives
Plan, Redevelopment of Old Car Park and Surrounds, 1993-1998
(1) Coloured plan, Concepts for discussion by Phil Tulk 27.11.97. (2) As above dated 15.5.98. (3) Coloured rough plan. (4) 1 tracing paper, 1 coloured paper copy and 2 copies, Burnley College Car Park Re-development and Entry by Jill Kellow. (5) Notes for discussion. (6) Site Plan VCAH Carpark Landscape Graphics Assignment No 1 by Ken Wallace, March 1993. Scale 1:100.jill kellow, phil tulk, ken wallace, vcah -
University of Melbourne, Burnley Campus Archives
Plan, Roh Cross, Lilydale Quarry Recreational Study for Landscape Studies, 1986
Plans on tracing paper and paper by Rob Cross Landscape Design. (1) Site Analysis No 1 dated 08.06.96. Scale 1:2400. (2.) Proposed Activity Zones No 2 dated 03.06.96. Scale 1:2400. (3) West Section of Valley No 3 dated 11.06.96. Scale 1:1000. (4) Concept Plan No 4 dated 11.06.96. Scale 1:2400. (5) Axonometric View No 5 dated 30.06.96. Scale 1:2400.lilydale, quarry, rob cross landscape design, landscape studies -
Bendigo Historical Society Inc.
Photograph - HARRY BIGGS COLLECTION: CALIFORNIA HILL PICNIC, October 22 1901
Photograph of five men and five women, all young with a bush landscape in the background. The men are all dressed in formal suits with ties or bow ties, the women are all in long dresses and pretty hats. Written on the side of the photo in biro is: California Hill picnic 1900, held at Bridgewater. On the reverse in biro is:'S. Hercus 'Hiltondale?' 63 Mt. Korong Rd. California Gully, also printed on the reverse is : R. Dermer Smith, Photographer Bull St. BendigoR. Dermer Smith, Bull St. Bendigoperson, group, picnic group, california hill picnic 1901, r. dermer smith, bull st. bendigo, s. hercus 63 mt. korong rd. california gully -
National Wool Museum
Vest
In 1984 the Scottish the Scottish Australian Heritage Council held a national competition to design an Australian tartan. The winner, Melbourne architect John Reid, designed a tartan using the colours of the Australian landscape: ochre, terracotta, black, white and cobalt blue. These were superimposed on the pattern of the Macquarie tartan sett, appropriately, as Lachlan Macquarie was the first Scottish and civil governer of the of Australia, from 1810 to 1821. In 1996 a vest was designed and made using the Australian tartan, as a uniform for the National Wool Museum's honorary staff. Name tags are inserted into the upper left button hole.National Wool Museum vest worn by honorary staff.SMALLtextile design, national wool museum, tartan -
City of Ballarat
Artwork, other - Public Artwork, Open Monument by John Young, 2015
Open Monument is a contemporary artwork acknowledging the history of Chinese people in Ballarat. The Chinese diaspora was global and many Chinese people came to Ballarat and the Victorian Goldfields. The work details some of the personal Chinese family memories of Ballarat from the goldrush forward. The 33 marble laser-etched panels include found images and texts mounted on a modernist metal architectural feature holding back a grassed hill landscape. Within the side walkway of gravel and composite stone is an etched of local activities relating to the Chinese community achievements that can be added to by the community.Open Monument is of aesthetic and historical significance to the people of BallaratArchitectural artwork consisting of large marble panels on a corten steel frame imbedded into a grassed mount.Inscription on plaque: Open Monument 無極紀念碑 / Artist: John Young / Officially Launched by Mr Yumin Song / Chinese Consul-General to Victoria / 6th September 2015 / Open Monument unearths stories of the Chinese diaspora in Ballarat, a name which means/ “resting place” to the traditional custodians - the Wadawurrung and Dja Dja Wurrung people./ The monument comprises of two artworks: Transculture, a granite-panelled work, evoking stories of alternative worldviews, / modernity, leisure and toil. Whilst Timeline traces the major contributions of the Chinese community in Ballarat, every decade / from the 1850s until the present. The timeline then folds out to 2170, anticipating imaginary future contributions. / The monument is open to future interpretations of this history. / I thank you for visiting and acknowledging the contributions and memories that meant so much to / those who have gone before us./ - John Young Zerunge / Patron: Mr Henry Thai OAM JP / President of Ballarat Chinese / Community Association Inc / The following generous donors to this project are acknowledged with gratitude/ City of Ballarat Sovereign Hill Museum Association Inc. Ballarat Chinese Community Association Inc. Mr Henry Thai OAM JP & Mrs Sandra Thai Mrs Shirley Doon & Family in memory of Harry Doon Chinese Masonic Association Inc. Mr Mean Te and Mrs Meng Khun Mr Jack Nguyen MA JP & Mrs My Tang Mr Tony and Mrs Elise Yu Mr Chang Zhen Zhen & Family Australian Lian Jiang Association The Federation of Chinese Associations Vic The Leesoon Family Mr Stephen K.F Ng OAM JP Dr Che Sam Lo MD phD JP OAM Elderly Chinese Home Inc. The Federation of Chinese Org from VN Cambodian and Lao Association of Vic. Inc. Bright Moon Buddhist Society Nam Pon Soon Club House See-Yup Society Mr Peter Chong Wai Lo Mr Qing Song Lin Mr Binh Quoc Mao & Mrs Thuy Cam Thai Mr Alexander Mao Mr Yuet Lung Kwok JP Mr Tai The Tran Mr Phillip K. L. Tran Mr William K. L. Tran Mr Quang Khon Tran JP Mr Kouy Taing Mrs Kieng Hor Lou Mr Bill Chang Piu Au Mr Maurice Kwok Leong Mrs Eunice J. Leong Mr Vi Minh Tran JP Mr Frank Cheng Mr David Cheng Mr William Thai Mr Lizhen Lin Mr Phillip Richard Thai Mr Hoan Ping Kow Mrs Xao Nhu Kow Mr Huy Thai Mr Yun Kuen Lo Mr Chiu Yip & Mrs Yuan Han Cho Mrs Jacqueline Louise Thai Greenwood Mr Joe Hap Chi Chao & Mrs Rosana Wei Ning Chao Charity & Multi Art Association of Victoria Inc. Mr Billy Cai Miss Nikki Cai Miss Su-Ling & Miss Lily Mays-Doon Mr Anthony Doon Mr H J Moy & Family Chinese Australian Cultural Society Ballarat Inc open monument chinese, chinese history ballarat goldfields, china, ballarat, goldfields, john young, chinese, mining, multicultural, immigration, tong way, goon, joss house, embroidery, billy butterfly, chinese market gardens, red lion hotel, ah soon, mayor of main road, chinese herbalist, yee lee, james hong, cheok cheong hong, john ah loo, wathawurrung, robe, lowe kong meng, louis ah mouy, tongway, gallipoli, william lung -
City of Ballarat
Artwork, other - Public Artwork - Temporary, George Goodnow, Mirror Maze by George Goodnow
“The artwork speaks to the historical architecture of this area, while exploring the idea of changing understanding of space. Space is bent, bulged and repeated, in this painting, like a mirror maze. In this way, it will inspire playfulness, curiosity and thought, by transforming the way we observe, move through and engage with public space”Artist George Goodnow has installed their artwork on the Annex Wall in Alfred Deakin Place from 30th November 2021 - 1 November 2022. George is a multidisciplinary artist and curator currently living in Naarm (Melbourne). Their work for the Annexe Wall will feature a fictional architectural arrangement of the Police Lane site. George utilises painting (designed through hand-drawn and digital processes) to adjust existing architecture, illuminating how spaces reflect, orientate and hold bodies. Recent work explores feelings of disorientation, binaries and queerness within suburban and urban landscapes. painted wall -
Warrnambool and District Historical Society Inc.
Book, Modern Aboriginal Paintings, 1976
This is a book produced by Rex and Bernice Battarbee and contains reproductions of aboriginal art work, including the work of several of Albert Namatjira’s children. Reginald (Rex) Battarbee (1893-1973) was the son of George and Mary Battarbee who lived in East Warrnambool at a property called ‘Skiddaw’. Rex’s sister, Florinda was a local artist who was his first teacher of art. Rex became a well-known artist, depicting mainly the Central Australian landscape. He is credited with discovering and fostering the artistic talent of Albert Namatjira, the best-known of the early Australian aboriginal artists. This is one of the few mementoes we have of the artist Rex Battarbee who was born in Warrnambool and spent his early years in this city. This is a hard cover book with the pages unnumbered. The cover is brown with colour reproductions of two aboriginal paintings on the front and back cover. The printing on the front cover is in yellow and white lettering. The book contains written text and many reproductions of aboriginal paintings. The inscription on the first page is handwritten in black biro. ‘L. Durrant, From Russ, May 1979’. rex battarbee, aboriginal art, albert namatjira -
Eltham District Historical Society Inc
Photograph, Drawing by James Wigle
James Wigley (1917-1999) is an Australian painter known for his sensitive depictions of aboriginal camp scenes and desert landscapes. He served in the army in WW2. On his discharge he built himself a stone house at Warrandtye where he lived for some years before moving to Port Hedland in 1957, where he studied the "aboriginal and half-caste" life for which his work is perhaps best known. He returned to the Eltham and Warrandyte districts from time to time between making many tours into outback Australia.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, james wigley, aboriginal australians, painters, warrandyte, drawing, figures -
Eltham District Historical Society Inc
Piers Bateman and Michael Wilson at Fudan University, Shanghai, China
Piers Bateman (1947 – 2015) was an Australian landscape painter. He was a member of The Antipodeans, a group of Melbourne painters that also included Arthur Boyd, David Boyd, Charles Blackman, John Brack, Robert Dickerson, John Perceval and Clifton Pugh. In March 2010 he was appointed Artist in Residence as an Honoray Professor for painting at the Shanghai Institute of Visual Art under Fudan University in Shanghai, China. He died along with his brother-in-law in a boating mishap whilst sailing from Broken Bay to North Arm Cove in NSW, September 4, 2015china, fudan university, michael wilson, piers bateman, piers maxwell dudley bateman, shanghai -
Eltham District Historical Society Inc
Newsletter, No. 227 April 2016
Contents: • Eltham District - Early History • Annual General Meeting - Laughing Waters Road: Art, Landscape and Memory in Eltham with Jane Woollard • Heritage Excursion - Eltham War Memorials Walk - Saturday 7th May • An Interesting Little Historical Exercise by Michael Aitken • Eltham’s Inclined Railway by Richard Pinn • 50th Anniversary Commemorations by Jim Connor • Kenneth Francis Pitts by Wendy Pitts-Butler • Notice of Annual General Meeting • The Evelyn Observer • Kangaroo Ground War Memorial Tower • ... and also • Contacts for the Eltham District Historical Society The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society -
Australian Nursing & Midwifery Federation
Royal Australian Nursing Federation campaign badge, [1986?]
Distributed to nurses during campaigning for improved wages and working conditions in the 1980s, possibly during the historic 1986 Victorian 50-day nurses strike. The title for a 'Grade 1' nurse is now a 'Division 1' or (more commonly) 'Registered Nurse'. The Royal Australian Nursing Federation (RANF) became the Australian Nursing Federation in 1989, suggesting that this button is from the late 1980s. Similar to the badges worn in this photo [https://stories.anmfvic.asn.au/86strike/media/2560-1440-landscape-sec2-contentb-hr_logwf7a.jpg] from 1986 (see individual on the far right).Circular blue and white plastic button. Silver metal, plastic-coated, with safety pin fastener adhered to back. Button printed with 'Don't ask me, I'm a Grade 1 nurse' and 'R.A.N.F. [Royal Australian Nursing Federation] Vic. [Victorian] Branch'.nursing, industrial action, nurses, strike action, unionism, badges, buttons, pins, campaigning, 1986 victorian nurses strike, trade unions, labour history -
Australian Nursing & Midwifery Federation
Royal Australian Nursing Federation campaign badge, [1986?]
Distributed to nurses during campaigning for improved wages and working conditions in the 1980s, possibly during the historic 1986 Victorian 50-day nurses strike. The title for a 'Grade 1' nurse is now a 'Division 1' or (more commonly) 'Registered Nurse'. The Royal Australian Nursing Federation (RANF) became the Australian Nursing Federation in 1989, suggesting that this button is from the late 1980s. Similar to the badges worn in this photo [https://stories.anmfvic.asn.au/86strike/media/2560-1440-landscape-sec2-contentb-hr_logwf7a.jpg] from 1986 (see individual on the far right).Circular white and blue plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'Don't ask me, I'm a Grade 1 nurse' and 'R.A.N.F. [Royal Australian Nursing Federation] Vic. [Victorian] Branch'.nursing, nurses, industrial action, strike action, unionism, badges, buttons, pins, campaigning, 1986 victorian nurses strike, trade unions, labour history, royal australian nursing federation -
Ballarat Heritage Services
Ceramic, Lidded Container, c1988
Sweenies Creek Pottery was located at 1507 Strathfieldsaye Rd, Axe Creek. Owned and run by Graham Masters, he specialises in a patented technique of low relief stoneware depicting Australian animals and landscapes. Graham Masters graduated from Bendigo Institute of Technology in 197 with a Diploma of Art and Design in Ceramics. He operated a pottery for a year in Bendigo, before working at Maldon Pottery, Maldon, Victoria, with Neville Wilson and Thomas Metcalf. He left Maldon to set up his own pottery at Sweenies Creek in 1984 and has been there ever since. ceramics, sweenies creek pottery, graham masters, australian studio pottery -
Ballarat Heritage Services
Ceramic, Lidded Container, c1988
Sweenies Creek Pottery was located at 1507 Strathfieldsaye Rd, Axe Creek. Owned and run by Graham Masters, he specialises in a patented technique of low relief stoneware depicting Australian animals and landscapes. Graham Masters graduated from Bendigo Institute of Technology in 197 with a Diploma of Art and Design in Ceramics. He operated a pottery for a year in Bendigo, before working at Maldon Pottery, Maldon, Victoria, with Neville Wilson and Thomas Metcalf. He left Maldon to set up his own pottery at Sweenies Creek in 1984 and has been there ever since. Pierced lidded container by Sweeney Creek Potteryceramics, sweenies creek pottery, australian studio pottery -
Melbourne Tram Museum
Photograph - Candy Corner - St Kilda - opposite Luna Park - Esplanade, Early 1940s
Photograph shows the cafe and adjacent buildings on the area that was enclosed by Esplanade tram Loop or Luna Park loop. Known as "Candy Corner" on MMTB drawings and locally. The reference page 9 gives the background to the site and its use. The café was designed by Carlo Catani, who is also remembered as the landscape designer for other parts of St Kilda including Catani Gardens. It is now used by a McDonalds store. In front of the building is a board advertising or promoting World War 2 war-saving schemes for St Kilda streets. This dates the photos to early 1940s.Yields information about Candy Corner buildings Black and white photograph on paper.trams, tramways, luna park loop, candy corner, st kilda, esplanade, loops, carlo catani, world war 2, street savings scheme -
Bendigo Historical Society Inc.
Document - Bendigo Fire Station View Street, 1960-1980s
In 1889 the three central fire brigades of Bendigo were amalgamated and a new fire station was erected in View Street (the third to be built on this site). This two storied brick building designed by Wm. Beebe forms an integral past of the View Street landscape. The red brick, white plaster relief trimmings and window frames with greenish lead-light decoration, all reflect the late Victorian style of the building. The ground floor contained an engine station and call room with stalls to accomodate three horses immediately behind. Upstairs in the main building is a handsome drill hall.Series of letters between Miss Starke and Miss Mathison re classification of the building by the National Trust; Letter to the Country Fire Authority (CFA) re classification; Media Release; National Trust data survey form; two photos of the fire stationhistory, national trust bendigo collection, bendigo, bendigo fire station -
University of Melbourne, Burnley Campus Archives
Newspaper - Newspaper Cutting, The Age, Tessa Smith, 1896-1933
(1) "Landscape Gardening - Hints for Adelaide Home Lovers," copy of article in "The News" (Adelaide) 21 August, 1923 p6 by Tessa Smith (former student). (2) "News of the Day" copy of article in "The Age" 8 October, 1896 p4. T. Smith in a play. (3) "Opportunities in Adelaide" copy of article in "The News" (Adelaide) 17 September, 1923 p6 by Tessa Smith on garden design. (4) "Social Notes" copy of article in "The Advertiser" 1 February, 1932.landscape gardening, tessa smith, female students